457:. Worn out in body and mind, he was looking for a restful escape, and it was this 'weariness and despair' that caught the sympathy of the Lake visitors. They, too, turned to the Lakes for comfort and rest,' rather than for the 'stimulus and excitement that had been the joy of the early travellers.' Ruskin, although he wrote little about the area, ended up taking on the mantle of Wordsworth as the 'new Sage of the Lakes, the Picturesque Figure, the Old Man of Coniston.' Nicholson saw him as the 'Picturesque Figure', 'for in him are combined its three main phases - the aesthetic, the scientific and the moral ...' His scientific approach to the rocks and water of the Lakes, Nicholson argues, was an attempt, not to understand his subject, but to teach people how to react to it in a 'practical and moral' way.
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175:), Wordsworth came back to the area in December 1799 and settled into a 'poetic retirement' within his 'native mountains.' Although Wordsworth did not 'discover' the Lake District, nor was he the one who popularised it the most, he "was destined to become one of the key attractions to the area, while his particular vision of his native landscape would have an enduring influence upon its future". Not just a 'nature poet', his poetry "is about the organic relationship between human beings and the natural world...' After a brief flirtation with the
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284:, it has been argued, although becoming identified as the central 'Lake Poet' (he lived at Greta Hall from 1803 to 1843), was mostly a prose writer and did not particularly subscribe to the Wordsworthian vision of the Lakes. Southey, like Wordsworth, started out on the republican left, but, by the time the threat from Napoleon had dwindled, he had become the embodiment of a
337:, in the summer of 1818, had a similar response to that of Shelley, finding his hero Wordsworth's house full of fashionable people and Wordsworth himself away canvassing for the local Tory candidate. Keats moved on to Scotland which provided him with the inspiration he sought (and where, in particular, he felt the influence of
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Wordsworth's early radical political ideas led him to his second poetic characteristic: the use of "plain language" and having for his subject the "common man" as represented by the Dales-folk (rather than "kings and queens, lords and ladies or gods and goddesses" as was the case up to then). A third
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in 1800. Although identified by his contemporaries as a 'Lake Poet', Coleridge's response to the landscape was at variance with the vision of
Wordsworth, leading Coleridge to identify the landscape's "Gothic elements"..."and in so doing seems to recognise a potential for psychological horror rather
377:-based background, her views concentrated on the need for the Lakes to be connected more with the outside world (for example, she was in favour of improved sanitation and of the new railways being set up through the district, unlike her friend Wordsworth). Her guide to the Lakes (
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in his
Cambridge years, he came to see this aesthetic view of nature as being only one of many (although it is arguable that he "was under the sway of Picturesque theory", he frequently transcended it). His 'vision' of nature was one that did not distort it in order to make art.
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was the outcome of the loss of
Wordsworth's poetic vision of nature and a turning outwards into hard facts in order to preserve his sanity after "years, perhaps, of disillusion, disappointment, of spiritual impotence..." Another aspect of it was the link to the ideas of
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had a complex and not entirely easy relationship with the Lakes (apart from
Wordsworth). "For the most part other Romantic poets either struggle with a Lake Poet identity or come to define themselves against what the Lakes seem to offer in poetic terms."
402:, edited essays, 1834–1840). His worship of Wordsworth turned sour after De Quincey married a local girl and the Wordsworths refused to meet her. Instead, according to Nicholson, he turned more to the local dalesfolk and "he got to know the dalesmen
406:, better than ever Wordsworth did". He reversed the practice of the Picturesque – instead of using the imagination to transform (and distort) the real, external world, he used the external world of the Lakes to feed his dreams and imagination.
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lived for three months in 1811 at
Keswick, having been drawn to the Lakes by reading the early, "liberty and equality" Southey, only to find that Southey's views had changed and that the Lakes had been despoiled by "the manufacturers".
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ran to five editions during
Wordsworth's lifetime and proved to be very popular. Indeed, it has been said that "the architectural axioms of building and gardening in the Lake District for the next hundred years were established by the
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Despite this reclusive side of his personality, Wordsworth was a strong believer in family and community, and he was much concerned with the effects on (especially poor) people's way of life of social change (for example, due to the
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collection, added to
Coleridge's depression over his personal life, his doubts about being able to write as he would have wished and his ill-health which was made worse by the Cumbrian climate. This led him to resort to the
35:, United Kingdom, in the first half of the nineteenth century. As a group, they followed no single "school" of thought or literary practice then known. They were named, only to be uniformly disparaged, by the
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The second generation of
Romantic poets were drawn to the area by the Romantic vision of seclusion and by the perceived republican views of the older poets, but found a different reality when they arrived.
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was an auxiliary member who was unpublished during her lifetime (her journals, letters, and poems were published posthumously), but she provided much of the inspiration for her brother
William's work.
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movement) that were taking place. He disliked change that flew in the face of Nature: the planting of regimented lines of
Larches; the coming of the railways; new building that did not chime with the
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at least, the very thing that made the Lakes special (although he himself ended up writing one of the best guides to the region). In addition, many of the first and second generation practitioners of
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as reported by Coleridge) that was also a misnomer, as it was neither particularly born out of the Lake District, nor was it a cohesive school of poetry. The principal members of the 'group' were
298:, in Fisher's Drawing Room Scrap Book, 1834, is a spoof on the Lake Poets, whom she admired (especially Wordsworth) but regarded as outmoded. In her view the days of Romanticism were over.
219:, tellingly subtitled "for the Use of Tourists and Residents", and with a Section Three entitled "Changes, and Rules of Taste for Preventing their Bad Effects." Nicholson argues that the
362:) reveals a physical response to the Lakes scenery (he was an energetic walker and climber), and emphasises companionship and energy as against Wordsworthian quiet and solitude.
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did not visit the Lakes, but he ridiculed the isolation and narrowness of mind of the older Lake Poets, as well as of their abandonment of radical politics.
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of the Lake', or the 'Lake School') was initially a derogatory term ("the School of whining and hypochondriacal poets that haunt the Lakes", according to
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involved in the 'School's' perception by readers, who were inspired, upon reading the poetry, to visit the area, thus helping to destroy, in the mind of
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notable feature of his work was to do with the inward-turning of his mind, producing a semi-autobiographical take on nature and imagination: his poem
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The beauty of the Lake District has also inspired many other writers over the years, beyond the core Lake Poets. These include their contemporaries
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after some years of wandering, the Lakes became bound up with his identity as a poet. Born and brought up on the fringes of the Lake District (at
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extolling the virtues of nation and patriotism, and using the Lakes as a touchstone, and as "the symbol of the nation's covenant with God."
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723:. The collected works of Samuel Taylor Coleridge, v.7. Princeton: Princeton University Press. pp. cxxxvi, 409.
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151:(Town End, Grasmere) – home of William and Dorothy Wordsworth, 1799–1808; home of Thomas De Quincey, 1809–1820
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845:, 60 min VHS (1994) and DVD (2004), produced by Jule Gammond and directed by Stephen Gammond, contributors:
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Greta Hall, Keswick – home of Samuel Taylor Coleridge, 1800–1804; home to Robert Southey, 1803–1843
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Transactions of the Cumberland and Westmorland Antiquarian and Archaeological Society
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373:. Martineau settled in a house she had built near Ambleside in 1845. As befitted her
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Biographia literaria : or biographical sketches of my early life and opinions
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Bradshaw, Penny (2011). "Romantic poetic identity and the English Lake District".
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in 1825, the Lake Poets feature as 'a whole covey of sandpipers or water larks'.
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between 1808 and 1815 and knew the older Lake Poet trio well. His poetry (
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The discovery of the Lake District : a Northern Arcadia and its uses
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Coleridge, Samuel Taylor (1983). James Engell and W. Jackson Bate (ed.).
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in 1809 after having met his hero Wordsworth a couple of times before at
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The three main figures of what has become known as the Lakes School were
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60:. They were associated with several other poets and writers, including
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provided an alternative take on the role of Lake Poet. He lived near
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190:, he wrote to Dorothy, was "the poem on the growth of my own mind."
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James Hogg: Contributions to English, Irish and American Periodicals
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828:(3rd ed.). Ammanford: Sigma Leisure. pp. xii, 356.
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For other writers, the region's pull was more uncertain.
779:. London : New York: Bloomsbury. pp. , -343.
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The Lakers : the adventures of the first tourists
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In 1871, aged 48, having visited the Lakes many times,
752:[reprint of 1955 ed. published by Robert Hale]
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426:, as well as the labouring-class and slightly later
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743:. Edited by David Wright; New York, Penguin, 1970.
249:than solace." Wordsworth's rejection of the poem
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1794:Reflections on Having Left a Place of Retirement
244:followed Wordsworth to the Lakes and moved into
2394:Lines Written a Few Miles above Tintern Abbey
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1998:
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740:Recollections of the Lakes and the Lake Poets
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2510:On the Extinction of the Venetian Republic
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2005:
1991:
1516:Introduction to the Tale of the Dark Ladie
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555:Victoria and Albert Museum (1984), p. 80.
123:There was a certain amount of additional
16:Group of distinguished geographical poets
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313:publishing scene first published in the
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756:. Milnthorpe: Cicerone Press. pp.
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2373:Three years she grew in sun and shower
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484:A Ballad of Dorothy Wordsworth: a Life
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1986:
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826:A literary guide to the Lake District
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2366:Strange fits of passion have I known
1789:The Nightingale: A Conversation Poem
486:New York: Farrar, Straus and Giroux.
296:Grasmere Lake, A Sketch by a Cockney
2193:Caroline Anne Southey (second wife)
843:William Wordsworth - The Lake Poets
794:Victoria and Albert Museum (1984).
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2352:She dwelt among the untrodden ways
2012:
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777:The English Lakes : a history
41:. They are considered part of the
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1476:Monody on the Death of Chatterton
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2615:Christopher Wordsworth (brother)
2447:Composed upon Westminster Bridge
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1435:
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92:Origins and accuracy of the name
2748:19th-century British literature
2643:(birthplace and childhood home)
2496:Ode: Intimations of Immortality
2198:Henry Herbert Southey (brother)
1857:The Rime of the Ancient Mariner
1407:Person on business from Porlock
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399:Recollections of the Lake Poets
155:For Wordsworth, who settled at
2538:Character of the Happy Warrior
2105:Roderick the Last of the Goths
1799:This Lime-Tree Bower My Prison
1455:The Destruction of the Bastile
802:. : V & A. pp. –174.
690:Nicholson (1995), pp. 165-170.
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1:
2524:The World Is Too Much with Us
2473:I travelled among unknown men
2155:What Are Little Boys Made Of?
1580:Lines Written at Shurton Bars
660:Nicholson (1995), pp. 135–139
642:Nicholson (1995), pp. 171-176
591:Hunter, Adrian (ed.) (2020),
460:
309:'s allegorical satire on the
2461:I Wandered Lonely as a Cloud
2359:A slumber did my spirit seal
2148:The Story of the Three Bears
1573:Lines on an Autumnal Evening
1504:The Ballad of the Dark Ladié
633:Thompson (2010), pp. 191-195
96:The "Lake Poet School" (or '
7:
2718:Submovements of Romanticism
2610:Dorothy Wordsworth (sister)
2503:Resolution and Independence
573:Bradshaw (2011), pp. 68-69.
379:Complete guide to the Lakes
10:
2769:
2733:English literary movements
2605:Dora Wordsworth (daughter)
1490:Pain: Composed in Sickness
1412:Coleridge's theory of life
747:Nicholson, Norman (1995).
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624:Bradshaw (2011), pp. 74–77
615:Bradshaw (2011), pp. 72–74
597:Edinburgh University Press
449:decided to settle down in
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2440:The White Doe of Rylstone
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1947:Christabel Rose Coleridge
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1601:Poems on Various Subjects
1594:Ode on the Departing Year
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1249:San Francisco Renaissance
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681:Nicholson (1995), p. 162.
672:Nicholson (1995), p. 164.
599:, pp. 19 - 34 & 212,
2753:Lake District in fiction
1953:Ernest Hartley Coleridge
1871:Time, Real And Imaginary
651:Nicholson (1995), p. 131
543:Nicholson (1995), p. 155
525:Thompson (2010), p. 160.
482:Wilson, Frances (2009).
473:Coleridge (1983), p. 51.
292:Letitia Elizabeth Landon
23:were a group of English
2743:19th century in England
2723:Samuel Taylor Coleridge
2620:Samuel Taylor Coleridge
2203:Samuel Taylor Coleridge
2130:The Fall of Robespierre
1973:(nephew and son-in-law)
1587:On Receiving an Account
1535:The Fall of Robespierre
1427:Suspension of disbelief
1359:Samuel Taylor Coleridge
824:Lindop, Grevel (2015).
582:Bradshaw (2011), p. 69.
564:Bradshaw (2011), p. 67.
534:Thompson (2010), p. 157
516:Thompson (2010), p. 87.
495:Bradshaw (2011), p. 79.
110:Samuel Taylor Coleridge
54:Samuel Taylor Coleridge
1971:Henry Nelson Coleridge
1566:The Destiny of Nations
1079:Generation of the '30s
954:British Poetry Revival
775:Thompson, Ian (2010).
504:Thompson (2010), p. 59
453:, a house overlooking
384:De Quincey moved into
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201:
152:
2426:Poems, in Two Volumes
2140:Children's literature
2112:Thalaba the Destroyer
1804:To William Wordsworth
1422:Romantic epistemology
1129:Informationist poetry
404:as people, as persons
276:
196:
147:
27:who all lived in the
2326:Anecdote for Fathers
2213:Walter Savage Landor
1900:Biographia Literaria
1864:The Devil's Thoughts
1254:Scottish Renaissance
949:Black Mountain poets
737:De Quincey, Thomas.
350:The hale and hearty
303:John Paterson's Mare
255:, partly written at
2517:The Solitary Reaper
2387:Michael, a Pastoral
1843:Hymn Before Sunrise
1497:Songs of the Pixies
1194:New American Poetry
944:Black Arts Movement
924:Akhmatova's Orphans
847:Jonathan Wordsworth
2738:History of Cumbria
2728:William Wordsworth
2703:English male poets
2588:Guide to the Lakes
2260:William Wordsworth
2218:William Wordsworth
2043:Cataract of Lodore
1636:To the River Otter
1483:On Quitting School
1392:Albatross metaphor
1269:Southern Agrarians
1164:Metaphysical poets
1104:Harlem Renaissance
321:Associated writers
315:Newcastle Magazine
279:
216:Guide to the Lakes
202:
163:, with his sister
153:
118:Dorothy Wordsworth
106:William Wordsworth
62:Dorothy Wordsworth
50:William Wordsworth
2690:
2689:
2489:My Heart Leaps Up
2381:The Matthew poems
2226:
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2036:The Inchcape Rock
1980:
1979:
1959:Herbert Coleridge
1941:Hartley Coleridge
1935:Derwent Coleridge
1878:The Knight's Tomb
1784:Frost at Midnight
1779:Fears in Solitude
1769:Dejection: An Ode
1615:Religious Musings
1325:
1324:
1318:Poetry portal
1114:Hungry generation
1109:Harvard Aesthetes
1084:Generation of '98
1074:Generation of '27
1049:The poets of Elan
371:Thomas De Quincey
367:Harriet Martineau
365:Wilson knew both
268:Kendal Black Drop
86:Thomas De Quincey
78:Hartley Coleridge
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2682:Wordsworth Trust
2641:Wordsworth House
2544:The Yarrow poems
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2057:The Devil's Walk
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1889:Biographical and
1746:To Lord Stanhope
1608:Sibylline Leaves
1540:Remorse (Osorio)
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1229:Parnassian poets
1199:New Apocalyptics
1174:Modernist poetry
989:Confessionalists
979:Churchyard poets
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436:Margaret Cropper
38:Edinburgh Review
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2454:Elegiac Stanzas
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2319:Lyrical Ballads
2317:Preface to the
2308:Lyrical Ballads
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2084:Curse of Kehama
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2016:
2011:
1981:
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1965:James Coleridge
1949:(granddaughter)
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1818:Lyrical Ballads
1815:
1814:Late poetry and
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1774:The Eolian Harp
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1274:Spasmodic poets
1259:Sicilian School
1209:New York School
1029:Dolce Stil Novo
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323:
262:Lyrical Ballads
142:
133:Romantic poetry
102:Francis Jeffrey
94:
17:
12:
11:
5:
2766:
2756:
2755:
2750:
2745:
2740:
2735:
2730:
2725:
2720:
2715:
2713:Robert Southey
2710:
2708:English poetry
2705:
2688:
2687:
2685:
2684:
2678:
2676:
2672:
2671:
2669:
2668:
2662:
2656:
2650:
2647:Alfoxton House
2644:
2637:
2635:
2631:
2630:
2628:
2627:
2625:Robert Southey
2622:
2617:
2612:
2607:
2601:
2599:
2595:
2594:
2592:
2591:
2583:
2581:
2577:
2576:
2574:
2573:
2566:
2558:
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2550:
2549:
2547:
2546:
2541:
2534:
2531:To a Butterfly
2527:
2520:
2513:
2506:
2499:
2492:
2485:
2478:
2477:
2476:
2467:The Lucy poems
2464:
2457:
2450:
2443:
2436:
2429:
2421:
2419:
2415:
2414:
2412:
2411:
2404:
2397:
2390:
2383:
2378:
2377:
2376:
2369:
2362:
2355:
2346:The Lucy poems
2343:
2336:
2329:
2322:
2313:
2311:
2303:
2302:
2295:
2293:
2291:
2290:
2285:
2279:
2277:
2273:
2272:
2267:
2264:
2263:
2256:
2255:
2248:
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2233:
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2220:
2215:
2210:
2205:
2200:
2195:
2189:
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2179:
2174:
2168:
2166:
2162:
2161:
2159:
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2143:
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2137:
2136:
2134:
2133:
2125:
2123:
2119:
2118:
2116:
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2108:
2101:
2094:
2087:
2079:
2077:
2073:
2072:
2065:
2063:
2061:
2060:
2053:
2050:Abou Ben Adhem
2046:
2039:
2032:
2029:After Blenheim
2024:
2022:
2018:
2017:
2014:Robert Southey
2010:
2009:
2002:
1995:
1987:
1978:
1977:
1975:
1974:
1968:
1962:
1956:
1950:
1944:
1938:
1932:
1929:Sara Coleridge
1925:
1923:
1919:
1918:
1916:
1915:
1910:
1903:
1895:
1893:
1888:
1885:
1884:
1882:
1881:
1874:
1867:
1860:
1853:
1846:
1839:
1836:France: An Ode
1832:
1824:
1822:
1813:
1810:
1809:
1807:
1806:
1801:
1796:
1791:
1786:
1781:
1776:
1771:
1765:
1763:
1756:
1753:
1752:
1750:
1749:
1742:
1735:
1728:
1721:
1718:To Mrs Siddons
1714:
1707:
1700:
1693:
1686:
1679:
1672:
1664:
1662:
1653:
1650:
1649:
1647:
1646:
1639:
1632:
1625:
1622:To a Young Ass
1618:
1611:
1604:
1597:
1590:
1583:
1576:
1569:
1561:
1559:
1557:Bristol poetry
1554:
1551:
1550:
1548:
1547:
1542:
1537:
1531:
1529:
1526:
1523:
1522:
1520:
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1507:
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1493:
1486:
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1332:
1323:
1322:
1308:
1305:
1304:
1302:
1301:
1296:
1294:Uranian poetry
1291:
1286:
1281:
1276:
1271:
1266:
1261:
1256:
1251:
1246:
1241:
1236:
1231:
1226:
1221:
1216:
1211:
1206:
1201:
1196:
1191:
1186:
1181:
1176:
1171:
1166:
1161:
1159:Martian poetry
1156:
1151:
1149:Language poets
1146:
1141:
1136:
1131:
1126:
1121:
1116:
1111:
1106:
1101:
1096:
1091:
1089:Georgian poets
1086:
1081:
1076:
1071:
1066:
1061:
1056:
1051:
1046:
1041:
1036:
1031:
1026:
1024:Della Cruscans
1021:
1016:
1011:
1006:
1001:
996:
991:
986:
981:
976:
971:
969:Cavalier poets
966:
964:Castalian Band
961:
956:
951:
946:
941:
936:
931:
929:Angry Penguins
926:
921:
915:
912:
911:
900:
899:
892:
885:
877:
871:
870:
859:Molly Lefebure
840:
834:
819:
816:
815:
814:
808:
791:
785:
772:
766:
744:
735:
729:
714:
699:
696:
693:
692:
683:
674:
662:
653:
644:
635:
626:
617:
608:
584:
575:
566:
557:
545:
536:
527:
518:
506:
497:
488:
475:
465:
464:
462:
459:
455:Coniston Water
420:Felicia Hemans
411:
408:
322:
319:
282:Robert Southey
141:
140:The Lake poets
138:
114:Robert Southey
93:
90:
58:Robert Southey
15:
9:
6:
4:
3:
2:
2765:
2754:
2751:
2749:
2746:
2744:
2741:
2739:
2736:
2734:
2731:
2729:
2726:
2724:
2721:
2719:
2716:
2714:
2711:
2709:
2706:
2704:
2701:
2700:
2698:
2683:
2680:
2679:
2677:
2673:
2666:
2663:
2660:
2657:
2654:
2651:
2648:
2645:
2642:
2639:
2638:
2636:
2632:
2626:
2623:
2621:
2618:
2616:
2613:
2611:
2608:
2606:
2603:
2602:
2600:
2596:
2590:
2589:
2585:
2584:
2582:
2578:
2572:
2571:
2567:
2565:
2564:
2563:The Excursion
2560:
2559:
2557:
2555:
2551:
2545:
2542:
2539:
2535:
2532:
2528:
2525:
2521:
2518:
2514:
2511:
2507:
2504:
2500:
2497:
2493:
2490:
2486:
2483:
2479:
2474:
2470:
2469:
2468:
2465:
2462:
2458:
2455:
2451:
2448:
2444:
2442:
2441:
2437:
2435:
2434:
2430:
2428:
2427:
2423:
2422:
2420:
2416:
2409:
2405:
2402:
2398:
2396:
2395:
2391:
2388:
2384:
2382:
2379:
2374:
2370:
2367:
2363:
2360:
2356:
2353:
2349:
2348:
2347:
2344:
2341:
2337:
2334:
2333:The Idiot Boy
2330:
2327:
2323:
2321:
2320:
2315:
2314:
2312:
2310:
2309:
2304:
2299:
2289:
2286:
2284:
2281:
2280:
2278:
2274:
2270:
2269:List of poems
2265:
2261:
2254:
2249:
2247:
2242:
2240:
2235:
2234:
2231:
2219:
2216:
2214:
2211:
2209:
2206:
2204:
2201:
2199:
2196:
2194:
2191:
2190:
2188:
2184:
2178:
2175:
2173:
2170:
2169:
2167:
2163:
2156:
2152:
2149:
2145:
2144:
2142:
2138:
2132:
2131:
2127:
2126:
2124:
2120:
2114:
2113:
2109:
2107:
2106:
2102:
2100:
2099:
2095:
2093:
2092:
2088:
2086:
2085:
2081:
2080:
2078:
2074:
2069:
2058:
2054:
2051:
2047:
2044:
2040:
2037:
2033:
2030:
2026:
2025:
2023:
2019:
2015:
2008:
2003:
2001:
1996:
1994:
1989:
1988:
1985:
1972:
1969:
1966:
1963:
1960:
1957:
1954:
1951:
1948:
1945:
1942:
1939:
1936:
1933:
1930:
1927:
1926:
1924:
1920:
1914:
1911:
1909:
1908:
1904:
1902:
1901:
1897:
1896:
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1886:
1879:
1875:
1872:
1868:
1865:
1861:
1859:
1858:
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1797:
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1633:
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1610:
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1598:
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1588:
1584:
1582:
1581:
1577:
1575:
1574:
1570:
1568:
1567:
1563:
1562:
1560:
1555:Cambridge and
1552:
1546:
1543:
1541:
1538:
1536:
1533:
1532:
1530:
1524:
1517:
1513:
1512:
1508:
1505:
1501:
1498:
1494:
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1480:
1477:
1473:
1470:
1466:
1463:
1459:
1456:
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1449:
1443:
1438:
1428:
1425:
1423:
1420:
1418:
1415:
1413:
1410:
1408:
1405:
1403:
1400:
1398:
1395:
1393:
1390:
1388:
1385:
1383:
1380:
1379:
1377:
1373:
1369:
1368:List of poems
1364:
1360:
1353:
1348:
1346:
1341:
1339:
1334:
1333:
1330:
1320:
1319:
1314:
1306:
1300:
1297:
1295:
1292:
1290:
1287:
1285:
1282:
1280:
1277:
1275:
1272:
1270:
1267:
1265:
1262:
1260:
1257:
1255:
1252:
1250:
1247:
1245:
1244:Rhymers' Club
1242:
1240:
1237:
1235:
1232:
1230:
1227:
1225:
1222:
1220:
1217:
1215:
1212:
1210:
1207:
1205:
1204:New Formalism
1202:
1200:
1197:
1195:
1192:
1190:
1187:
1185:
1182:
1180:
1177:
1175:
1172:
1170:
1167:
1165:
1162:
1160:
1157:
1155:
1152:
1150:
1147:
1145:
1142:
1140:
1139:Jindyworobaks
1137:
1135:
1132:
1130:
1127:
1125:
1122:
1120:
1117:
1115:
1112:
1110:
1107:
1105:
1102:
1100:
1097:
1095:
1092:
1090:
1087:
1085:
1082:
1080:
1077:
1075:
1072:
1070:
1067:
1065:
1062:
1060:
1057:
1055:
1052:
1050:
1047:
1045:
1042:
1040:
1037:
1035:
1032:
1030:
1027:
1025:
1022:
1020:
1017:
1015:
1012:
1010:
1007:
1005:
1002:
1000:
999:Cubo-Futurism
997:
995:
992:
990:
987:
985:
982:
980:
977:
975:
972:
970:
967:
965:
962:
960:
957:
955:
952:
950:
947:
945:
942:
940:
937:
935:
932:
930:
927:
925:
922:
920:
917:
916:
913:
909:
905:
898:
893:
891:
886:
884:
879:
878:
875:
868:
864:
863:Grevel Lindop
860:
856:
852:
848:
844:
841:
837:
835:9781910758120
831:
827:
822:
821:
811:
805:
800:
799:
792:
788:
786:9780747598381
782:
778:
773:
769:
763:
759:
755:
754:
751:
745:
742:
741:
736:
732:
730:9780691018614
726:
722:
720:
715:
711:
707:
702:
701:
687:
678:
669:
667:
657:
648:
639:
630:
621:
612:
606:
605:9780748695980
602:
598:
594:
588:
579:
570:
561:
552:
550:
540:
531:
522:
513:
511:
501:
492:
485:
479:
470:
466:
458:
456:
452:
448:
443:
441:
437:
433:
429:
425:
421:
417:
416:Bryan Procter
410:Other writers
407:
405:
401:
400:
395:
391:
387:
382:
380:
376:
372:
368:
363:
361:
360:Isle of Palms
357:
353:
348:
346:
342:
340:
336:
332:
329:
318:
316:
312:
308:
304:
299:
297:
293:
289:
287:
283:
275:
271:
269:
264:
263:
258:
254:
253:
247:
243:
238:
236:
231:
227:
226:Uvedale Price
222:
218:
217:
212:
208:
199:
195:
191:
189:
188:
181:
178:
174:
170:
166:
162:
158:
150:
146:
137:
134:
130:
126:
121:
119:
115:
111:
107:
103:
99:
89:
87:
83:
79:
75:
74:Charles Lloyd
71:
67:
63:
59:
55:
51:
46:
44:
40:
39:
34:
30:
29:Lake District
26:
22:
2653:Dove Cottage
2586:
2568:
2561:
2553:
2482:London, 1802
2438:
2431:
2424:
2418:Later poetry
2408:We Are Seven
2392:
2318:
2306:
2287:
2208:Charles Lamb
2177:Pantisocracy
2171:
2128:
2110:
2103:
2096:
2089:
2082:
1907:The Watchman
1905:
1898:
1855:
1848:
1827:
1816:
1758:Conversation
1697:To Kosciusko
1683:To Priestley
1654:
1634:
1627:
1620:
1613:
1606:
1599:
1592:
1585:
1578:
1571:
1564:
1515:
1509:
1446:Early poetry
1417:Organic form
1402:Pantisocracy
1396:
1309:
1219:Objectivists
1179:The Movement
1143:
1044:Ego-Futurism
1034:Dymock poets
1009:Cyclic Poets
1004:Culteranismo
842:
825:
797:
776:
753:
749:
738:
721:
718:
709:
705:
686:
677:
656:
647:
638:
629:
620:
611:
592:
587:
578:
569:
560:
539:
530:
521:
500:
491:
483:
478:
469:
444:
424:Walter Scott
413:
403:
397:
386:Dove Cottage
383:
378:
364:
359:
349:
343:
339:Robert Burns
333:
324:
314:
302:
300:
295:
290:
280:
260:
250:
239:
234:
229:
220:
214:
203:
185:
182:
157:Dove Cottage
154:
149:Dove Cottage
122:
95:
66:Charles Lamb
47:
36:
20:
18:
2667:(1813-1850)
2665:Rydal Mount
2661:(1808-1811)
2655:(1799-1808)
2649:(1797-1798)
2570:The Prelude
2554:The Recluse
2091:Joan of Arc
1891:other works
1739:To Sheridan
1279:Sung poetry
1264:Sons of Ben
1189:Neotericism
1169:Misty Poets
1134:Ä°kinci Yeni
984:Conceptismo
959:Cairo poets
934:Auden Group
855:Pamela Woof
851:Robert Woof
447:John Ruskin
394:Rydal Mount
352:John Wilson
294:'s sketch,
198:Rydal Mount
187:The Prelude
177:Picturesque
169:Cockermouth
82:John Wilson
2697:Categories
2659:Allan Bank
2433:Peter Bell
2401:Poor Susan
2288:Lake Poets
2283:Early life
2172:Lake Poets
2076:Epic poems
1961:(grandson)
1955:(grandson)
1931:(daughter)
1850:Kubla Khan
1829:Christabel
1732:To Southey
1690:To Fayette
1669:To Erskine
1658:Characters
1629:To Fortune
1462:Dura Navis
1397:Lake Poets
1382:Early life
1284:Surrealism
1239:Précieuses
1234:La Pléiade
1144:Lake Poets
1019:Deep image
974:Chhayavaad
867:Ted Hughes
809:0905209966
767:1852841753
461:References
432:James Payn
428:John Close
390:Allan Bank
356:Windermere
307:James Hogg
259:, for the
257:Greta Hall
252:Christabel
246:Greta Hall
211:vernacular
129:Wordsworth
45:Movement.
21:Lake Poets
2340:Lucy Gray
1967:(brother)
1913:Notebooks
1725:To Godwin
1711:To Bowles
1387:Opium use
1289:Symbolism
1184:NĂ©gritude
1119:Imaginism
1099:The Group
1069:Gay Saber
1059:Fugitives
1039:Ecopoetry
939:The Beats
451:Brantwood
375:sociology
311:Edinburgh
242:Coleridge
207:enclosure
70:Mary Lamb
1676:To Burke
1154:Marinism
994:Créolité
712:: 65–80.
161:Grasmere
43:Romantic
2675:Related
1704:To Pitt
1656:Eminent
1545:Zapolya
1299:Zutiste
1124:Imagism
1094:Goliard
919:Acmeism
904:Schools
698:Sources
328:Shelley
173:Penrith
165:Dorothy
33:England
2598:People
2276:Topics
2186:People
2165:Topics
1922:Family
1375:Topics
1224:Others
1214:Oberiu
908:poetry
832:
806:
783:
764:
727:
603:
438:, and
422:, and
84:, and
56:, and
2634:Homes
2580:Prose
2122:Plays
2098:Madoc
2021:Poems
1943:(son)
1937:(son)
1760:poems
1643:Lewti
1527:Plays
1064:Garip
1054:Flarf
758:1–200
708:. 3.
345:Byron
335:Keats
235:Guide
230:Guide
221:Guide
125:irony
98:Bards
25:poets
1511:Love
1014:Dada
865:and
830:ISBN
804:ISBN
781:ISBN
762:ISBN
725:ISBN
601:ISBN
369:and
286:Tory
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