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Landon Ronald

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raised the status of the school." He also formed a professors' club to bring a more collegiate spirit into the school. Under Ronald the standard of teaching was brought into line with that of the Royal Academy of Music and the Royal College of Music. In his later years he laid great emphasis on the importance of live music, and worried that broadcasting and the gramophone were making music so ubiquitous and casually accessible that it was no longer special.
237:, a predecessor of EMI. He accepted the post of musical adviser, and was the pianist on many of the company's early song recordings. Gaisberg calculated that Ronald's varied musical contacts would help the new company recruit the distinguished performers it needed. Ronald helped the company to sign up Melba and other leading singers including 344:, a work regarded by some as Elgar's masterpiece, though Ronald admitted privately, "Never could make head or tail of the piece". He recorded little of Elgar's music, because HMV signed the composer up to record his own works; Ronald recorded the "Coronation March" in March 1935, a year after Elgar's death. 393:
as principal of the Guildhall School of Music, a post he held until 1938. He overhauled the curriculum and the administration of the school. According to his biographer, Raymond Holden, "By modernizing teaching methods, and increasing the morale of those working and studying at the institution, he
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Landon Ronald conducted over four hundred times at the Royal Albert Hall, London between 1898 and 1936, mainly with the Royal Albert Hall Orchestra. His last performance at the Hall was on 4 February 1936 for the 'Memorial Concert in Commemoration of His Late Most Gracious Majesty King George V',
161:'s touring opera company. In 1894, he toured the United States as accompanist for Melba. He composed piano music and songs, some of which were well received. He first conducted at Covent Garden in July 1896, for a production of 264:
as conductor of summer Sunday concerts until where Adelina Patti, Nellie Melba and Caruso performed. He held this position until the First World War. Ronald began to make progress as a conductor after the foundation of the
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orchestra; Ronald remained with it until 1928, when it disbanded. He and the orchestra began recording for HMV in 1909. Their recorded repertoire comprised mostly overtures and short orchestral pieces, mainly by
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in 1935. In 1932 Ronald's wife died by suicide; he married Mary Callison b. 1895, (Aunt of Lady Bridget Faulks, née Bodley b.1921), of Manchester shortly afterwards.
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by a Mr. Elgar, which is the finest thing I have listened to for years. Look out for this man's music'." He was the pianist in the first performance of Elgar's
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called the songs "melodious", but added that they "impressed by their graceful lyrical character rather than by evidence of any inventive fancy."
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parted company from the New Symphony Orchestra in 1908, Ronald succeeded him as its conductor. The orchestra was later known as the
157:, playing the accompaniment from memory, having learned the piece from scratch overnight. The following year he became conductor of 1212: 1197: 1247: 987: 178:
Operatic and concert work was in short supply for young English conductors at the time; Ronald was obliged to seek employment in
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in London. He modernised the curriculum and raised its standards to compete with the leading musical training establishments the
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Among Ronald's output as a composer are more than 200 songs. They include "Serenade espagnole" recorded by Caruso. The critic
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were the only contemporary composers with whose music he was much associated. He retired from conducting in 1929.
1252: 398: 380: 36:) (7 June 1873 – 14 August 1938) was an English conductor, composer, pianist, teacher and administrator. 871: 261: 1098: 250: 113: 269:(LSO) in 1904. He was a frequent guest conductor of the LSO, and in 1905 he was appointed director of the 972: 53:
in 1904 his career began to flourish, and by 1908 he was well-enough established to be chosen to succeed
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Ronald continued to compose serious music; a song-cycle, "Summertime", was written for the tenor
121: 1140: 80: 76: 734: 405:, composed for the coronation of Edward VII in 1902, and incidental music to Robert Hichens’s 128:. Between 1884 and 1890 he was enrolled at the Royal College of Music, where he studied under 1217: 331: 109: 515:", Grove Music Online, Oxford Music Online, Oxford University Press. accessed 20 April 2013 371: 1167: 1162: 1128: 1032: 319:. In later life he recalled Parry's "smacking me on the back and saying 'I heard yesterday 8: 1074: 1056: 183: 335: 234: 214: 182:
in the late 1890s and early 1900s. Among those for whom he conducted and composed were
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as "the finest accompanist until Landon Ronald". His repertoire was limited. Unlike
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The Main Stage - A History of the Blackpool Opera House by Barry Band, p.13-14.
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Ronald died in London at the age of 65 after two years of declining health.
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Conductors in Britain 1870–1914: Wielding the Baton at the Height of Empire
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writes, "His compositions include a symphonic poem, an overture, a ballet,
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Ronald was an early enthusiast for recording, and was associated with the
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shows in the late 19th and early 20th century. With the foundation of the
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he did not feel it his duty to present difficult modern works. Elgar and
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From 1910 until shortly before his death, Ronald was principal of the
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Gramophone Records of the First World War – An HMV Catalogue 1914–18
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helped his professional advancement in the snobbish atmosphere of
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In 1891 Ronald was appointed "maestro al piano" (accompanist and
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Ronald was knighted in 1922, and published a volume of memoirs,
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https://www.gramophone.co.uk/review/the-elgar-edition-vol-3
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Recording History: The British Record Industry, 1888–1931
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In his early career he gained work as an accompanist and
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Royal Scottish National Orchestra Principal Conductors
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as conductor of the New Symphony Orchestra in London.
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Ronald was also closely associated with the music of
120:, and took private music lessons from the violinist 491:"Sir Landon Ronald: A Great Interpreter of Elgar", 260:concerts and in the same year he was contracted by 16:
English conductor, composer and pianist (1873–1938)
1268:Presidents of the Independent Society of Musicians 224: 1154: 936: 420:in the same year. He published a second volume, 347:As a conductor Ronald was especially noted as a 217:, who premiered it in 1901. The music critic of 1238:People educated at St Marylebone Grammar School 351:accompanist; the critic Robert Elkin described 988: 941:. Woodbridge, Suffolk: Boydell and Brewer. 795:"Sir Landon Ronald on his Silver Jubilee", 995: 981: 777:"Ronald, Sir Landon (1873–1938), musician" 967:International Music Score Library Project 312:where he conducted and played the piano. 308:, and in continental European countries. 256:In 1901 Ronald was conductor of London's 869: 755: 753: 751: 610: 608: 606: 540:, 29 April 1894, p. 6; and "New Music", 370: 338:the violinist, and was the dedicatee of 20: 1258:20th-century British conductors (music) 850: 507: 505: 503: 409:(1921, Drury Lane), but it is his song 1188:Conductors (music) awarded knighthoods 1155: 304:Symphony. Ronald also worked with the 290:, but also longer works including the 167:, starring Melba, Charles Bonnard and 68:) from 1900 for the rest of his life. 976: 890: 833: 748: 603: 460: 458: 456: 454: 452: 450: 448: 446: 444: 1178:Alumni of the Royal College of Music 907: 615:"The house conductor: Landon Ronald" 500: 487: 485: 483: 481: 1263:20th-century English male musicians 915:. Newton Abbot: David and Charles. 13: 930: 441: 175:cloth merchant; they had one son. 100:, London, the illegitimate son of 86: 14: 1279: 956: 478: 229:In 1900 Ronald was approached by 108:and half-brother of the novelist 1243:English male classical composers 1173:20th-century classical composers 820:, Shaw Publishing, London (1935) 689:Ronald, Landon. "Modern Music", 466:"Ronald, Sir Landon (1873–1938)" 1213:English male conductors (music) 1198:English male classical pianists 876:. Lanham, US: Scarecrow Press. 853:Barbirolli – Conductor Laureate 811: 802: 789: 766: 759:"Obituary: Sir Landon Ronald", 739: 728: 719: 696: 683: 673: 647: 638: 629: 620: 225:HMV and orchestral appointments 151:told how Ronald coached her in 1248:20th-century English composers 590: 577: 560: 547: 530: 521: 418:Variations on a Personal Theme 366: 91: 1: 1233:Musicians awarded knighthoods 1183:Composers awarded knighthoods 855:. London: MacGibbon and Kee. 827: 596:"Our London Correspondence", 963:Free scores by Landon Ronald 783:UK public library membership 472:UK public library membership 251:Columbia Graphophone Company 114:St Marylebone Grammar School 7: 1203:English classical composers 25:Landon Ronald, c. 1910 10: 1284: 1223:Jewish classical composers 1208:English conductors (music) 1193:English classical pianists 262:Blackpool's Winter Gardens 233:of the recording firm the 1010: 937:Palmer, Fiona M. (2017). 851:Kennedy, Michael (1971). 644:Rust, pp. 25–26 and 28–29 544:, 26 February 1895, p. 10 389:In 1910 Ronald succeeded 378:Ronald as caricatured in 273:Promenade Concerts. When 267:London Symphony Orchestra 134:Charles Villiers Stanford 116:and a boarding school in 73:Guildhall School of Music 51:London Symphony Orchestra 870:Martland, Peter (2013). 799:, 20 October 1935, p. 15 707:"Elgar, Master of Music" 693:, 27 February 1926, p. 9 434: 332:Violin Sonata in E minor 895:. London: Butterworth. 836:Queen's Hall, 1893–1941 763:, 15 August 1938, p. 12 715:(subscription required) 691:The Manchester Guardian 598:The Manchester Guardian 572:The Manchester Guardian 542:The Manchester Guardian 517:(subscription required) 497:, 15 August 1938, p. 15 494:The Manchester Guardian 219:The Manchester Guardian 891:Melba, Nellie (1925). 834:Elkin, Robert (1944). 386: 81:Royal College of Music 77:Royal Academy of Music 26: 1253:English male pianists 893:Melodies and Memories 713:, January 1935, p. 1 655:"CalmView: Home Page" 374: 112:. He was educated at 110:William Clark Russell 34:Landon Ronald Russell 24: 583:"The Musical Word", 574:, 6 April 1899, p. 5 413:that has survived." 1075:Warwick Braithwaite 1057:Vladimir Golschmann 600:, 24 May 1901, p. 5 557:, 3 July 1896, p. 8 513:"Ronald, Sir Landon 407:The Garden of Allah 96:Ronald was born in 818:Who's Who in Music 587:, 5 May 1901, p. 7 426:Who's Who in Music 411:Down in the Forest 387: 306:Scottish Orchestra 235:Gramophone Company 62:Gramophone Company 27: 1150: 1149: 1141:Thomas SøndergĂĄrd 1123:Alexander Lazarev 948:978-1-783-27145-0 838:. London: Rider. 781:(subscription or 711:Music and Letters 511:Kennedy Michael. 470:(subscription or 464:Holden, Raymond. 422:Myself and Others 403:Britannia's Realm 376:"Guildhall Music" 279:Royal Albert Hall 145:Royal Opera House 124:and the composer 30:Sir Landon Ronald 1275: 1228:Knights Bachelor 1099:Alexander Gibson 997: 990: 983: 974: 973: 952: 926: 904: 887: 866: 847: 821: 815: 809: 806: 800: 793: 787: 786: 770: 764: 757: 746: 743: 737: 732: 726: 723: 717: 716: 700: 694: 687: 681: 677: 671: 670: 668: 666: 657:. Archived from 651: 645: 642: 636: 633: 627: 626:Martland, p. 202 624: 618: 612: 601: 594: 588: 581: 575: 564: 558: 551: 545: 534: 528: 525: 519: 518: 509: 498: 489: 476: 475: 462: 1283: 1282: 1278: 1277: 1276: 1274: 1273: 1272: 1153: 1152: 1151: 1146: 1129:StĂ©phane Denève 1081:Walter Susskind 1063:John Barbirolli 1015:George Henschel 1006: 1001: 959: 949: 933: 931:Further reading 923: 884: 863: 830: 825: 824: 816: 812: 807: 803: 794: 790: 780: 771: 767: 758: 749: 744: 740: 733: 729: 724: 720: 714: 703:Tovey, Donald F 701: 697: 688: 684: 678: 674: 664: 662: 653: 652: 648: 643: 639: 634: 630: 625: 621: 613: 604: 595: 591: 582: 578: 566:"At the Play", 565: 561: 552: 548: 535: 531: 527:Melba, p. 98–99 526: 522: 516: 510: 501: 490: 479: 469: 463: 442: 437: 399:Michael Kennedy 385: 384:, December 1913 377: 369: 361:Richard Strauss 243:Charles Santley 227: 159:Augustus Harris 94: 89: 87:Life and career 64:(later part of 17: 12: 11: 5: 1281: 1271: 1270: 1265: 1260: 1255: 1250: 1245: 1240: 1235: 1230: 1225: 1220: 1215: 1210: 1205: 1200: 1195: 1190: 1185: 1180: 1175: 1170: 1165: 1148: 1147: 1145: 1144: 1138: 1135:Peter Oundjian 1132: 1126: 1120: 1114: 1111:Bryden Thomson 1108: 1102: 1096: 1093:Hans Swarowsky 1090: 1084: 1078: 1072: 1066: 1060: 1054: 1048: 1042: 1039:Emil MĹ‚ynarski 1036: 1033:Frederic Cowen 1030: 1024: 1018: 1011: 1008: 1007: 1000: 999: 992: 985: 977: 971: 970: 958: 957:External links 955: 954: 953: 947: 932: 929: 928: 927: 921: 911:, ed. (1975). 905: 888: 883:978-0810882522 882: 867: 861: 848: 829: 826: 823: 822: 810: 801: 788: 773:Cundell, Edric 765: 747: 738: 727: 725:Kennedy, p. 82 718: 695: 682: 672: 646: 637: 628: 619: 602: 589: 576: 559: 546: 529: 520: 499: 477: 439: 438: 436: 433: 375: 368: 365: 353:Arthur Nikisch 334:in 1919, with 275:Thomas Beecham 226: 223: 180:musical comedy 93: 90: 88: 85: 55:Thomas Beecham 15: 9: 6: 4: 3: 2: 1280: 1269: 1266: 1264: 1261: 1259: 1256: 1254: 1251: 1249: 1246: 1244: 1241: 1239: 1236: 1234: 1231: 1229: 1226: 1224: 1221: 1219: 1216: 1214: 1211: 1209: 1206: 1204: 1201: 1199: 1196: 1194: 1191: 1189: 1186: 1184: 1181: 1179: 1176: 1174: 1171: 1169: 1166: 1164: 1161: 1160: 1158: 1142: 1139: 1136: 1133: 1130: 1127: 1124: 1121: 1118: 1117:Walter Weller 1115: 1112: 1109: 1106: 1103: 1100: 1097: 1094: 1091: 1088: 1085: 1082: 1079: 1076: 1073: 1070: 1067: 1064: 1061: 1058: 1055: 1052: 1051:Václav Talich 1049: 1046: 1045:Landon Ronald 1043: 1040: 1037: 1034: 1031: 1028: 1027:Wilhelm Bruch 1025: 1022: 1019: 1016: 1013: 1012: 1009: 1005: 998: 993: 991: 986: 984: 979: 978: 975: 968: 964: 961: 960: 950: 944: 940: 935: 934: 924: 922:0-7153-6842-7 918: 914: 910: 906: 902: 898: 894: 889: 885: 879: 875: 874: 868: 864: 862:0-261-63336-8 858: 854: 849: 845: 841: 837: 832: 831: 819: 814: 805: 798: 792: 784: 778: 774: 769: 762: 756: 754: 752: 742: 736: 731: 722: 712: 708: 704: 699: 692: 686: 680: 676: 661:on 8 May 2020 660: 656: 650: 641: 632: 623: 616: 611: 609: 607: 599: 593: 586: 580: 573: 569: 563: 556: 550: 543: 539: 536:"New Music", 533: 524: 514: 508: 506: 504: 496: 495: 488: 486: 484: 482: 473: 467: 461: 459: 457: 455: 453: 451: 449: 447: 445: 440: 432: 429: 427: 423: 419: 414: 412: 408: 404: 400: 395: 392: 383: 382: 373: 364: 362: 358: 354: 350: 345: 343: 342: 337: 333: 329: 327: 322: 318: 313: 309: 307: 303: 299: 295: 294: 289: 285: 280: 276: 272: 268: 263: 259: 254: 252: 248: 247:Enrico Caruso 244: 240: 239:Adelina Patti 236: 232: 231:Fred Gaisberg 222: 220: 216: 211: 209: 208:fin de siècle 205: 201: 197: 193: 189: 188:Lionel Brough 185: 181: 176: 174: 170: 166: 165: 160: 156: 155: 150: 146: 142: 137: 135: 131: 127: 123: 119: 115: 111: 107: 106:Henry Russell 103: 102:Henry Russell 99: 84: 82: 78: 74: 69: 67: 63: 58: 56: 52: 48: 44: 43: 37: 35: 31: 23: 19: 1218:English Jews 1069:George Szell 1044: 938: 912: 892: 872: 852: 835: 817: 813: 804: 797:The Observer 796: 791: 768: 760: 745:Elkin, p. 24 741: 730: 721: 710: 698: 690: 685: 675: 663:. 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Index


répétiteur
West End
London Symphony Orchestra
Thomas Beecham
Gramophone Company
EMI
Guildhall School of Music
Royal Academy of Music
Royal College of Music
Kensington
Henry Russell
Henry Russell
William Clark Russell
St Marylebone Grammar School
Margate
Henry Holmes
Kate Loder
Hubert Parry
Charles Villiers Stanford
Royal Opera House
Nellie Melba
Manon
Augustus Harris
Faust
Pol Plançon
Frankfurt
musical comedy
Harry Graham
Lionel Brough

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