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On this Monday evening, Dr. Bauza leaned over the piano and instructed Varona to play the same piano vamp he did the night before. Varona's left hand began the introduction of
Gilberto Valdes' El Botellero. Bauza then instructed Julio Andino what to play; then the saxes; then the trumpets. The broken
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The first band to explore jazz arranging techniques with authentic Afro-Cuban rhythms on a consistent basis giving it a unique identifiable sound that no other band in the genre of Afro-Cuban based dance music had at the time. Cuban big band arranger Chico O'Farill stated: "This was a new concept in
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has a habanera-tresillo bass line. Handy noted a reaction to the habanera rhythm included in Will H. Tyler's "Maori": "I observed that there was a sudden, proud and graceful reaction to the rhythm...White dancers, as I had observed them, took the number in stride. I began to suspect that there was
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Most jazz histories emphasize the narrative that jazz is exclusively an
American music—a style created by African Americans in the early 20th century, fusing elements of African rhythm and improvisations with European instrumentation, harmonies, and formal structures. The influences of musics from
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is in the style known as ponchando, a type of non-arpeggiated guajeo using block chords. The sequence of attack-points is emphasized, rather than a sequence of different pitches. As a form of accompaniment it can be played in a strictly repetitive fashion or as a varied motif akin to jazz comping.
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concept and terminology. A chord progression can begin on either side of clave. When the progression begins on the three-side, the song or song section is said to be in 3–2 clave. When the chord progression begins on the two-side, it is in 2–3 clave. In North
America, salsa and Latin jazz charts
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Thereafter, whenever "Tanga" was played, it sounded different, depending on a soloist's individuality. In August 1948, when trumpeter Howard McGhee soloed with
Machito's orchestra at the Apollo Theatre, his ad-libs to "Tanga" resulted in "Cu-Bop City," a tune which was recorded by Roost Records
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It is probably safe to say that by and large the simpler
African rhythmic patterns survived in jazz ... because they could be adapted more readily to European rhythmic conceptions. Some survived, others were discarded as the Europeanization progressed. It may also account for the fact that
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The
Machito orchestra's ten- or fifteen-minute jams were the first in Latin music to break away from the traditional under-four-minute recordings. In February 1949, the Machito orchestra became the first to set a precedent in Latin music when it featured tenor saxophonist Flip Phillips in a
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and
Birdland between 1948 and 1949, when Howard McGhee, tenor saxophonist Brew Moore, Charlie Parker and Dizzy Gillespie sat in with the Machito orchestra, were unrehearsed, uninhibited, unheard-of-before jam sessions which at the time, master of ceremonies Symphony Sid called
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The first band to successfully wed jazz big band arranging techniques within an original composition with jazz oriented soloists utilizing an authentic Afro-Cuban based rhythm section in a successful manner. e.g. Gene
Johnson - alto, Brew Moore - tenor, composition - "Tanga"
596:, which is considered by some to be the first Latin jazz recording by American jazz musicians. The Kenton band was augmented by Ivan Lopez on bongos and Eugenio Reyes on maracas. Later, on December 6 the same year, Stan Kenton recorded an arrangement of the Afro-Cuban tune "
1132:'s Afro-Latin Jazz Orchestra, Bobby Sanabria's Multiverse Big Band, Raices Jazz Orchestra, Mambo Legends Orchestra, Pacific Mambo Orchestra, as well as others. In Latin jazz bands, percussion is often featured in solos. Contemporary Latin jazz pieces by musicians such as
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Now in one of my earliest tunes, "New
Orleans Blues," you can notice the Spanish tinge. In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning, I call it, for jazz—Morton (1938: Library of Congress
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The first band to explore modal harmony (a concept explored much later by Miles Davis and Gil Evans) from a jazz arranging perspective through their recording of "Tanga." Of note is the sheet of sound effect in the arrangement through the use of multiple
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something
Negroid in that beat." After noting a similar reaction to the same rhythm in "La Paloma", Handy included this rhythm in his "St. Louis Blues", the instrumental copy of "Memphis Blues", the chorus of "Beale Street Blues", and other compositions.
1193:, and Jerry and Andy Gonzalez in the broader jazz cannon. From this perspective, all jazz, including Latin Jazz, is not viewed as a uniquely American expression, but rather as "a global music" that is "transcultural in its stylistic scope."
1173:, to the music's Post-War development in New York City, and to the continued evolution of jazz in twenty-first century urban centers. Proponents of this view advocate for the inclusion of influential Caribbean band leaders including Frank
285:, a habanera-based pattern. The big four (below) was the first syncopated bass drum pattern to deviate from the standard on-the-beat march. As the example below shows, the second half of the big four pattern is the habanera rhythm.
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explore the concept of clave counterpoint from an arranging standpoint. The ability to weave seamlessly from one side of the clave to the other without breaking its rhythmic integrity within the structure of a musical
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format made popular in the 1950s in America, where the musicians play a standard melody, many of the musicians play an improvised solo, and then everyone plays the melody again. Prominent Latin jazz big bands include
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856:, but the second note on the two-side is delayed by one pulse (subdivision). The pattern is shown below in 2/4, as it is written in Brazil. In North American charts it is more likely to be written in cut-time.
220:
470:(2/2); this is most likely the influence of jazz conventions. When clave is written in two measures (above) changing from one clave sequence to the other is a matter of reversing the order of the measures.
232:
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396:, heard pianist Luis Varona and bassist Julio Andino play El Botellero composition and arrangements of the Cuban-born Gilberto Valdez which would serve as a permanent sign off (end the dance) tune.
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rehearsal on May 29, 1943, at the Park Palace Ballroom, at 110th Street and 5th Avenue. At this time, Machito was at Fort Dix (New Jersey) in his fourth week of basic training. The day before at
751:) brought significant popularity of this musical style in Brazil and elsewhere in Latin America, which spread to North America via visiting American jazz musicians. The resulting recordings by
1063:, which released three albums in 1978, 1980 and 1982. While Vasconcelos uses Afro-Brazilian rhythms and instruments, he like Airto, transcend the categories of Brazilian jazz and Latin jazz.
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is a hybrid form based on the samba rhythm, but influenced by European and American music from Debussy to US jazz. Bossa nova originated in the 1950s, largely from the efforts of Brazilians
627:. The song begins with the bass repeatedly playing 6 cross-beats per each measure of 12/8, or 6 cross-beats per 4 main beats—6:4 (two cells of 3:2). The following example shows the original
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make little mention of Latin jazz. More recent scholarship has challenged this paradigm, arguing that music from the Caribbean and Latin American were essential to the emergence of early
834:
674:, it is more complex harmonically and less percussive. Bossa nova emerged primarily from the upscale beachside neighborhoods of Rio de Janeiro as opposed to samba's origins in the
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982:. Besides energetic rhythmic textures, Airto added percussion color, using bells, shakers, and whistles to create evocative textures of timbre. Airto paved the way for other
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to the United States. Once in the U.S., Airto introduced Afro-Brazilian folkloric instruments into a wide variety of jazz styles, in ways that had not been done before. In
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interpreting Cuban music with as much (harmonic) richness as possible. You have to understand how important this was. It made every other band that came after, followers."
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The first big band to explore, from an Afro-Cuban rhythmic perspective, large-scale extended compositional works. e.g. "The Afro-Cuban Jazz Suite" by Chico O'Farill.
1157:—have received little or no mention in standard jazz textbooks used in most American universities. Likewise, the influential 1973 compilation of recordings, the
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and his Afro-Cubans the same year, 1943. The tune was initially a descarga (Cuban jam) with jazz solos superimposed, spontaneously composed by Bauzá.
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first recorded his composition "Afro Blue" in 1959. "Afro Blue" was the first jazz standard built upon a typical African three-against-two (3:2)
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The first bossa nova single to achieve international popularity was perhaps the most successful of all time, the 1964 Getz/Gilberto recording "
604:"Minor's Holiday", "Basheer's Dream", Hank Mobley "Recado Bossa Nova" and Sabu Martinez jazz tune developed Afro-Cuban jazz from 50s to 60s.
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Although the exact origins of jazz syncopation may never be known, there is evidence that the habanera-tresillo was there at its conception.
256:) to be an essential ingredient of jazz. The habanera rhythm can be heard in his left hand on songs like "The Crave" (1910, recorded 1938).
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chord sounds soon began to take shape into an Afro-Cuban jazzed up melody. Gene Johnson's alto sax then emitted oriental-like jazz phrases.
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are too limiting a label for the types of music Airto participated in the U.S. during the 1970s. Airto played in the two most important
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785:). Since that time, the bossa nova style maintains a lasting influence in world music for several decades and even up to the present.
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796:, Gilberto's then wife. The genre would withstand substantial "watering down" by popular artists throughout the next four decades.
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The Cuban influence is evident in many pre-1940s jazz tunes, but rhythmically, they are all based on single-celled motifs such as
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Latin jazz music, like most types of jazz music, can be played in small or large groups. Small groups, or combos, often use the
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Neto, Luiz Costa Lima (2000). "The experimental music of Hermeto Paschoal e Grupo (1981-93): a musical system in the making".
171:) gained international popularity. The habanera was the first written music to be rhythmically based on an African motif. The
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of Rio. Certain similar elements were already evident, even influencing Western classical music like Gershwin's
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patterns such as . . . remained one of the most useful and common syncopated patterns in jazz—Schuller (1968).
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1351:: foreword by Abbe Niles. Macmillan Company, New York; (1941) pages 99, 100. no ISBN in this first printing
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Bossa nova was developed in Brazil in the mid-1950s, with its creation being credited to artists including
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The following example is in the style of a 1949 recording by Machito. 2‐3 clave, piano by René Hernández.
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are mostly composed for these small groups, with percussion solos as well as many wind-instrumentals.
371:"Tanga" in the style of Machito and His Afro‐Cubans (recorded 1949). 2‐3 clave, piano: René Hernández.
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2096:(1998). "Du tango à la salsa: le bal sous influence latino-américaine". In Cité de la Musique (ed.).
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895:). Jobim later regretted that Latino musicians misunderstood the role of this bossa nova pattern.
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became a professional musician at age 13. He won acclaim as a member of the samba jazz pioneers
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often quoted comments on the "Spanish tinge" rhythms of early New Orleans jazz, and trumpeter
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and first performed in 1936, is an early proto-Latin jazz composition. It is not clave-based.
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was invented when Bauza composed "Tanga" (African word for marijuana) that evening of 1943.
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555:) of the A section and the introduction, and Gillespie wrote the bridge. The rhythm of the
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The so-called "bossa nova clave" (or "Brazilian clave") is played on the snare rim of the
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On March 31, 1946, Stan Kenton recorded "Machito," written by his collaborator / arranger
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738:(lyrics) and Antonio Carlos Jobim (music). The song was soon after released by Gilberto.
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is often debated by historians and fans, but a similar "cool sensibility" is apparent.
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121:, rhythmically based on Cuban popular dance music, with a rhythm section employing
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887:, who developed the pattern, considers it to be merely a rhythmic motif and not a
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476:, who was Bauzá's drummer, cites several important innovations of Machito's band:
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Beyond Salsa Piano; The Cuban Timba Piano Revolution v.2 Early Cuban Piano Tumbao
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to be the New Orleans "clave," although technically, the pattern is only half a
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1516:"Afro-Cuban - Kenny Dorham | Songs, Reviews, Credits | AllMusic"
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635:(not bass notes), where you would normally tap your foot to "keep time."
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The Latin tinge: the impact of Latin American music on the United States
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The Clave Matrix; Afro-Cuban Rhythm: Its Principles and African Origins
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The Clave Matrix; Afro-Cuban Rhythm: Its Principles and African Origins
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The Clave Matrix; Afro-Cuban Rhythm: Its Principles and African Origins
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152:"Spanish tinge"—The Cuban influence in early jazz and proto-Latin jazz
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Du tango au reggae: Musiques noires d'Amérique latine et des Caraïbes
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642:"Afro Blue" bass line, with main beats indicated by slashed noteheads
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1722:. Michael Ullman, Ed Hazell. Englewood Cliffs, N.J.: Prentice Hall.
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in bossa nova. The pattern has a similar rhythm to that of the son
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five-minute recording of "Tanga." The twelve-inch 78 RPM, part of
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The first descarga that made the world take notice is traced to a
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978:. He also performed on more mainstream albums, such as those of
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cemented its popularity and led to a worldwide boom with 1964's
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631:"Afro Blue" bass line. The slashed noteheads indicate the main
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1751:
Kelley, Robin. "Into the Mist: Thoughts on Ken Burns's Jazz".
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band, Airto was able to showcase his samba prowess on several
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months later. The jams which took place at the Royal Roots,
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2022:
La musique sud-américaine: rythmes et danses d'un continent
1608:"Jazz Festival - A Study Of Folk-Jazz Fusion - Nytimes.Com"
1373:
Morton, "Jelly Roll" (1938: Library of Congress Recording)
1071:
In comparison with straight-ahead jazz, Latin jazz employs
687:
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in 1947. According to Gillespie, Pozo created the layered,
341:
110:
71:
42:
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Latin jazz : the first of the fusions, 1880s to today
1437:(1940–1959) p. 17. Santa Cruz, CA: Moore Music/Timba.com.
1153:'s famous Post-War collaborations with Afro-Cuban drummer
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concerts from early 1980s to early 1990s. In 1976 joined
837:, which he received from singer and Minister of Culture,
765:, numerous recordings by famous jazz performers such as
2246:
1278:
Cubano Be Cubano Bop; One Hundred Years of Jazz in Cuba
2020:(1997). "Du boogaloo à la salsa". In Gallimard (ed.).
252:
considered the tresillo-habanera (which he called the
3718:
1200:
1083:, but contemporary forms fuse the backbeat with the
1488:Notes from The Mambo Inn -The Story of Mario Bauza
1453:Salazar, Max (1997). "The Beginning and Its Best"
2132:(2000). "La salsa". In Editions Autrement (ed.).
1246:Latin Grammy Award for Best Latin Jazz/Jazz Album
833:– 1981). In 2005, Henri Salvador was awarded the
782:Francis Albert Sinatra & Antônio Carlos Jobim
16:Styles of jazz influenced by Latin American music
5134:
1940:(1985). "Salsa and Latin jazz". In Quill (ed.).
1914:(1979). "Latin Jazz, the Best of Both Worlds".
1327:, p. 237. La Habana, Editorial Letras Cubanas.
799:An early influence on bossa nova was the song "
1582:Bobby Sanabria cited by Peñalosa (2009: 243).
1552:(Mongo Santamaria) Prestige CD 24018-2 (1959).
1111:often used in addition to, or in place of the
993:Another innovative Brazilian percussionist is
306:, and not do not contain an overt two-celled,
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2170:Cuban Fire: The Story of salsa and Latin jazz
1880:"¿Una habitación propia en el "Jazz Latino"?"
1630:
1401:Early Jazz; Its Roots and Musical Development
1338:
1139:
1067:Comparing Latin jazz with straight-ahead jazz
938:in 1967. Shortly after, he followed his wife
281:jazz musician, is credited with creating the
163:musical motifs in the 19th century, when the
4848:Hispanic-influenced music in the Philippines
915:Naná Vasconcelos playing the Afro-Brazilian
713:"(Gilberto). Bossa nova was made popular by
600:" with members of Machito's rhythm section.
466:commonly represent clave in two measures of
1719:Jazz : from its origins to the present
4881:
4867:
3711:
3697:
2269:
2255:
2156:: CS1 maint: location missing publisher (
2120:: CS1 maint: location missing publisher (
2084:: CS1 maint: location missing publisher (
2044:: CS1 maint: location missing publisher (
1964:: CS1 maint: location missing publisher (
1928:: CS1 maint: location missing publisher (
990:, to enter the North American jazz scene.
559:of the A section is identical to a common
129:, and Afro-Brazilian jazz, which includes
1835:
1807:. New York, NY: Oxford University Press.
1800:
792:", edited to include only the singing of
495:The first Afro-Cuban based dance band to
3920:
2164:
2128:
2092:
2052:
2016:
1994:
1972:
1936:
1910:
1588:
1267:. Philadelphia: Temple University Press.
910:
902:
858:
845:for his influence on Brazilian culture.
637:
606:
568:
503:
428:
366:
325:
287:
264:
230:
211:
189:) can be thought of as a combination of
3303:
1891:Caliente, una historia del Jazz Latino.
1765:
1690:
1265:Creolizing Contradance in the Caribbean
1159:Smithsonian Collection of Classic Jazz,
1047:'s album "If You Look Far Enough" with
686:rhythm. The influence on bossa nova of
670:. While the musical style evolved from
5135:
2188:Salsa Guidebook for Piano and Ensemble
1840:. Oxford University Press. p. 3.
1715:
1605:
1468:Salsa Guidebook for Piano and Ensemble
1291:Salsa Guidebook for Piano and Ensemble
1241:Grammy Award for Best Latin Jazz Album
4862:
4597:
3692:
2250:
1375:The Complete Recordings By Alan Lomax
1345:Father of the Blues: An Autobiography
1280:. Washington D.C.: Smithsonian Books.
1145:the Caribbean and Latin America—save
1079:. Early Latin jazz rarely employed a
907:Brazilian percussionist Airto Moreira
807:, featured in the 1957 Italian movie
682:which has the characteristic 'Latin'
117:rhythms. The two main categories are
4208:
2190:. Petaluma, California: Sher Music.
1655:
1470:. Petaluma, California: Sher Music.
1293:. Petaluma, California: Sher Music.
1001:albums from 1976 to 1980 (including
898:
662:. Its most famous song is arguably "
461:Mario Bauzá developed the 3-2 / 2-3
425:album, sold for $ 25—Salazar (1997).
359:The right hand of the "Tanga" piano
1942:Hot Sauces: Latin and Caribbean Pop
1898:Carambola, vidas en el Jazz Latino.
1875:. Washington DC: Smithsonian Books.
1051:. Vasconcelos formed a group named
1009:and Hassell), and later to several
13:
1750:
1658:British Journal of Ethnomusicology
1386:Marsalis, Wynton (2000: DVD n.1).
1031:label. In 1984 he appeared on the
997:. Vasconcelos contributed to four
140:
14:
5184:
3624:Album covers of Blue Note Records
2231:
1873:One Hundred Years of Jazz in Cuba
1693:Jazz Styles, History and Analysis
1075:(or "even-eighths"), rather than
835:Brazilian Order of Cultural Merit
666:" sung by Gilberto and his wife,
292:Buddy Bolden's "big four" pattern
4893:
3672:
1804:Latin jazz : the other jazz
1217:
1203:
747:("Black Orpheus", with score by
321:
1865:
1829:
1801:Washburne, Christopher (2020).
1794:
1759:
1755:. 30, no.2 (Spring 2001): 8–15.
1744:
1709:
1684:
1649:
1624:
1599:
1576:
1555:
1542:
1528:
1508:
1499:Bobby Sanabria, posting to the
1493:
1481:
1460:
1447:
1427:
1416:p. 256. Redway, CA: Bembe Inc.
1406:
1393:
1325:Diccionario de la Música Cubana
970:electric jazz bands of the day—
930:and for his landmark recording
841:, in the presence of President
3004:Institutions and organizations
2223:Wasaburne, Christopher.(2020)
1565:p. 26. Redway, CA: Bembe Inc.
1380:
1367:
1354:
1317:
1304:
1283:
1270:
1257:
863:Bossa nova snare rim pattern (
709:. One of the first songs was "
536:. "Manteca" was co-written by
1:
2701:Cool jazz and West Coast jazz
1944:. New York. pp. 94–115.
1606:Palmer, Robert (1982-06-28).
1399:Schuller, Gunther (1968: 19)
1251:
646:
5168:Puerto Rican styles of music
2064:. Madrid. pp. 107–108.
1772:. New York: Schirmer Books.
1766:Roberts, John Storm (1999).
1631:Robert Palmer (1987-09-03).
1276:Acosta, Leonardo (2003: 5).
986:Brazilian musicians such as
532:to be rhythmically based on
7:
4900:Latin music (United States)
2216:Roberts, John Storm (1999)
2136:. Paris. pp. 113–123.
2100:. Paris. pp. 115–122.
1466:Mauleón, Rebeca (1993: 52)
1347:. by W.C. Handy, edited by
1196:
520:to the Cuban conga drummer
78:, United States; and Brazil
10:
5189:
2227:, Oxford University Press.
2225:Latin Jazz: The Other Jazz
1360:Roberts, John Storm 1979.
1314:. CBS News (26 June 2011).
1310:"Wynton Marsalis part 2."
1263:Manuel, Peter (2009: 69).
1140:Latin Jazz as Global Music
1118:
717:'s "Saudade da Bahia" and
573:Top: opening measures of "
344:piece to be overtly based
144:
5148:Brazilian styles of music
5048:
5028:
5012:
4996:
4989:
4932:
4916:
4909:
4828:
4737:
4674:
4443:
4363:
4265:
4172:
4093:
4055:
3995:
3962:
3882:
3775:
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3616:
3526:
3410:
3390:
3369:
3353:
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3161:
3106:
3063:
3056:
3030:See Template: Jazz theory
2991:
2913:
2777:
2739:
2683:
2605:
2387:
2284:
2220:New York: Schirmer Books.
2205:. Redway, CA: Bembe Inc.
2024:. Paris. pp. 82–85.
1978:La Salsa et le Latin jazz
1670:10.1080/09681220008567294
1536:"Hank Mobley discography"
1501:Latinjazz discussion list
1490:. PBS documentary (1998).
1403:. New York: Oxford Press.
1237:- a film about Latin jazz
1165:popular documentary film
577:" melody. Bottom: common
87:
82:
67:
26:
21:
2276:
2201:Peñalosa, David (2009).
2186:Mauleón, Rebeca (1993).
1878:Campos Fonseca, Susan.
1871:Acosta, Leonardo (2003)
1561:Peñalosa, David (2010).
922:Brazilian percussionist
2172:. New York: Continuum.
2056:(1998). "La salsa". In
883:the Brazilian composer
5163:Music of Latin America
1716:Porter, Lewis (1993).
1691:Gridley, Mark (1978).
1412:Peñalosa, David 2010.
1109:percussion instruments
952:percussion instruments
919:
908:
876:
823:Los Danseros en Bolero
643:
612:
611:Mongo Santamaria, 1969
589:
509:
458:
427:
372:
337:
300:
293:
270:
263:
236:
228:
157:African American music
5153:Cuban styles of music
2002:. Paris: Flammarion.
1903:Delannoy, Luc (2012)
1896:Delannoy, Luc (2005)
1889:Delannoy, Luc (2001)
1886:, Vol. 1, Nº2 (2010).
1433:Moore, Kevin (2009).
1323:Orovio, Helio. 1981.
1043:. He also appears on
958:. However, the terms
914:
906:
879:According to drummer
862:
790:The Girl From Ipanema
728:Canção do Amor Demais
664:The Girl from Ipanema
641:
610:
572:
508:Dizzy Gillespie, 1955
507:
457:) written in cut-time
432:
374:
370:
329:
295:
291:
268:
258:
234:
215:
5090:Women in Latin music
3719:Music genres in the
3418:Bibliography of jazz
3198:Continental European
885:Antonio Carlos Jobim
703:Antonio Carlos Jobim
656:Antonio Carlos Jobim
615:Cuban percussionist
159:began incorporating
49:Afro-Brazilian jazz:
4682:Afro-Peruvian music
4005:Afro-Peruvian music
3659:Straight, No Chaser
3448:Straight-ahead jazz
2905:Winter & Winter
2354:French horn in jazz
1455:Latin Beat Magazine
1147:Jelly Roll Morton's
815:Alessandro Blasetti
803:" by French singer
310:-based structure. "
5173:Latin music genres
4588:Charanga-vallenata
4020:Son de los Diablos
3603:West African music
3428:British dance band
3218:European free jazz
3191:British dance band
2684:Musicians by genre
2464:Free improvisation
2166:Leymarie, Isabelle
2130:Leymarie, Isabelle
2094:Leymarie, Isabelle
2062:Músicas del Caribe
2054:Leymarie, Isabelle
2018:Leymarie, Isabelle
1996:Leymarie, Isabelle
1974:Leymarie, Isabelle
1938:Leymarie, Isabelle
1916:Jazz Spotlite News
1912:Leymarie, Isabelle
1836:Washburne (2020).
1637:The New York Times
1633:"Jazz: Don Cherry"
1612:The New York Times
1595:Allmusic Biography
1289:Mauleón (1999: 4)
1225:Latin music portal
920:
909:
877:
736:Vinícius de Moraes
644:
613:
590:
510:
459:
373:
338:
294:
271:
237:
229:
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5044:
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4984:
4856:
4855:
4670:
4669:
4261:
4260:
3958:
3957:
3686:
3685:
3559:New Orleans blues
3406:
3405:
3349:
3348:
2923:Beaches (Toronto)
2334:Swing performance
1847:978-0-19-751085-8
1814:978-0-19-751085-8
1695:. Prentice Hall.
1584:The Clave Matrix.
1024:Dança das cabeças
1011:Pat Metheny Group
948:Return to Forever
899:Beyond Latin jazz
772:Ella Abraça Jobim
721:'s recording of "
598:The Peanut Vendor
512:Bauzá introduced
445:) and 2-3 clave (
269:Jelly Roll Morton
250:Jelly Roll Morton
104:
103:
27:Stylistic origins
5180:
5036:Tejano (Tex-Mex)
5004:New Mexico music
4994:
4993:
4914:
4913:
4898:
4897:
4883:
4876:
4869:
4860:
4859:
4750:Canción melódica
4595:
4594:
4364:Traditional folk
4206:
4205:
3997:Peruvian coastal
3980:Paraguayan polka
3918:
3917:
3713:
3706:
3699:
3690:
3689:
3677:
3676:
3443:Continental jazz
3336:Washington, D.C.
3301:
3300:
3203:Czech and Slovak
3061:
3060:
2845:India Navigation
2543:Progressive jazz
2397:Avant-garde jazz
2271:
2264:
2257:
2248:
2247:
2183:
2161:
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2147:
2125:
2119:
2111:
2098:Histoires de bal
2089:
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2075:
2049:
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2013:
1991:
1969:
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1955:
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1268:
1261:
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1222:
1221:
1220:
1213:
1208:
1207:
1171:New Orleans jazz
1130:Arturo O'Farrill
1019:Egberto Gismonti
995:Naná Vasconcelos
874:
873:
872:
870:
723:Chega de Saudade
617:Mongo Santamaria
456:
455:
454:
452:
444:
443:
442:
440:
352:and recorded by
227:
226:
225:
223:
68:Cultural origins
31:Afro-Cuban jazz:
19:
18:
5188:
5187:
5183:
5182:
5181:
5179:
5178:
5177:
5133:
5132:
5131:
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5040:
5024:
5008:
4981:
4940:Brown-eyed soul
4928:
4905:
4904:
4892:
4887:
4857:
4852:
4824:
4733:
4707:Afro-Cuban jazz
4692:Bomba del Chota
4666:
4593:
4439:
4359:
4257:
4253:Orquesta típica
4243:Uruguayan tango
4218:Argentine tango
4204:
4168:
4096:
4089:
4051:
3991:
3954:
3916:
3878:
3771:
3723:
3717:
3687:
3682:
3679:Jazz portal
3671:
3664:
3645:The Jazz Singer
3612:
3591:Novelty ragtime
3522:
3402:
3386:
3365:
3345:
3299:
3266:
3157:
3102:
3057:Regional scenes
3052:
2987:
2909:
2835:Groove Merchant
2825:Flying Dutchman
2773:
2735:
2679:
2601:
2533:Orchestral jazz
2513:Mainstream jazz
2501:Afro-Cuban jazz
2383:
2292:Outline of jazz
2280:
2275:
2234:
2180:
2149:
2148:
2144:
2113:
2112:
2108:
2077:
2076:
2072:
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2032:
2010:
1988:
1957:
1956:
1952:
1921:
1920:
1868:
1863:
1848:
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1815:
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1760:
1753:ISAM Newsletter
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1258:
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1218:
1216:
1209:
1202:
1199:
1183:Chico O'Farrill
1151:Dizzy Gillespie
1142:
1134:Hermeto Pascoal
1121:
1073:straight rhythm
1069:
1003:Possible Musics
988:Hermeto Pascoal
936:Hermeto Pascoal
928:Sambalanço Trio
901:
868:
865:
864:
831:Outras Palavras
810:Europa di notte
794:Astrud Gilberto
767:Ella Fitzgerald
719:Elizete Cardoso
690:styles such as
668:Astrud Gilberto
649:
538:Dizzy Gillespie
528:" is the first
518:Dizzy Gillespie
450:
447:
446:
438:
435:
434:
415:Afro-Cuban jazz
402:Afro-Cuban jazz
333:and his sister
324:
241:St. Louis Blues
235:Habanera rhythm
221:
218:
217:
199:Wynton Marsalis
175:(also known as
173:habanera rhythm
154:
149:
147:Afro-Cuban jazz
143:
141:Afro-Cuban jazz
119:Afro-Cuban jazz
100:
83:Regional scenes
63:
56:Brazilian music
51:
47:
33:
17:
12:
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5050:
5049:Related topics
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4190:Música cebolla
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3848:Canary Islands
3844:
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3832:
3827:
3825:Rumba flamenca
3822:
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3662:
3655:
3652:Round Midnight
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3382:Latin American
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3370:South American
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3350:
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3318:
3313:
3311:Baltimore jazz
3307:
3305:
3298:
3297:
3296:
3295:
3288:Latin American
3285:
3280:
3274:
3272:
3271:North American
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2640:Percussionists
2637:
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2602:
2600:
2599:
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2570:
2563:Spiritual jazz
2560:
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2285:General topics
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2232:External links
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2184:
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2142:
2134:Danses Latines
2126:
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2058:Ediciones Akal
2050:
2030:
2014:
2008:
1992:
1986:
1980:. Paris: PUF.
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1905:Convergencias
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1068:
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1061:Collin Walcott
1045:Arild Andersen
976:Weather Report
900:
897:
881:Bobby Sanabria
827:Caetano Veloso
805:Henri Salvador
734:, composed by
715:Dorival Caymmi
680:Cuban Overture
648:
645:
502:
501:
493:
489:
486:
482:
474:Bobby Sanabria
423:The Jazz Scene
394:music director
323:
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314:", written by
153:
150:
145:Main article:
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139:
125:patterns or a
115:Latin American
109:is a genre of
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5020:Nuyorican rap
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4810:Spanish opera
4808:
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4800:Punto guajiro
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4376:Gaita zuliana
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4173:Southern Cone
4171:
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4080:Nueva canción
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3823:
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3820:Flamenco jazz
3818:
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3811:
3808:
3806:
3803:
3802:
3801:
3798:
3796:
3793:
3791:
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3785:Catalan rumba
3783:
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3777:Spaniard folk
3774:
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3721:Hispanosphere
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3608:Western swing
3606:
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3359:
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3342:
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3337:
3334:
3332:
3331:New York City
3329:
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3319:
3317:
3314:
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3309:
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3286:
3284:
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3279:
3276:
3275:
3273:
3269:
3263:
3260:
3256:
3255:Flamenco jazz
3253:
3252:
3251:
3248:
3244:
3241:
3240:
3239:
3236:
3234:
3231:
3229:
3226:
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3081:South African
3079:
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2780:
2778:Discographies
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2665:Vibraphonists
2663:
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2586:
2585:Swing revival
2583:
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2573:
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2467:
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2462:
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2452:
2450:
2447:
2445:
2444:Flamenco jazz
2442:
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2435:
2432:
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2427:
2425:
2422:
2418:
2415:
2413:
2410:
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2405:
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2403:
2400:
2398:
2395:
2394:
2392:
2390:
2386:
2380:
2379:Women in jazz
2377:
2375:
2372:
2370:
2367:
2365:
2364:Jazz trombone
2362:
2360:
2357:
2355:
2352:
2350:
2347:
2345:
2344:Jazz drumming
2342:
2340:
2337:
2335:
2332:
2330:
2327:
2325:
2322:
2318:
2315:
2314:
2313:
2312:Improvisation
2310:
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2222:
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2215:
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2211:1-886502-80-3
2208:
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2196:0-9614701-9-4
2193:
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2175:
2171:
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2143:2-7467-0118-9
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2031:2-07-053391-3
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2015:
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1884:IASPM@Journal
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1571:1-886502-80-3
1568:
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1558:
1551:
1548:"Afro Blue,"
1545:
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1496:
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1476:0-9614701-9-4
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1422:1-886502-80-3
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1349:Arna Bontemps
1346:
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1334:
1333:959-10-0048-0
1330:
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1299:0-9614701-9-4
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1037:Singing Drums
1034:
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1016:
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989:
985:
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937:
933:
932:Quarteto Novo
929:
925:
924:Airto Moreira
918:
913:
905:
896:
894:
893:guide pattern
890:
886:
882:
871:
861:
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851:
846:
844:
840:
836:
832:
828:
824:
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819:Eumir Deodato
816:
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811:
806:
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797:
795:
791:
786:
784:
783:
778:
777:Frank Sinatra
774:
773:
768:
764:
763:
762:Getz/Gilberto
758:
754:
750:
746:
745:
739:
737:
733:
730:
729:
724:
720:
716:
712:
708:
707:João Gilberto
704:
700:
695:
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689:
685:
681:
677:
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669:
665:
661:
660:João Gilberto
657:
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543:
539:
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531:
530:jazz standard
527:
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387:
383:
382:La Conga Club
379:
369:
365:
362:
357:
355:
351:
347:
343:
336:
332:
328:
322:Jazz in-clave
319:
317:
313:
309:
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286:
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280:
276:
267:
262:
257:
255:
254:Spanish tinge
251:
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96:
94:United States
93:
90:
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86:
81:
77:
76:New York City
73:
70:
66:
59:
57:
54:
53:
50:
44:
41:
39:
36:
35:
32:
29:
25:
20:
5099:
5073:Chicano rock
5060:
4815:Spanish jazz
4738:Other genres
4701:
4340:Puerto Rican
3670:
3657:
3650:
3643:
3639:(miniseries)
3636:
3628:
3598:Sophisti-pop
3381:
3287:
3028:
3019:Jazz royalty
3009:Jazz funeral
2805:Contemporary
2696:Chamber jazz
2650:Saxophonists
2620:Clarinetists
2592:Third stream
2495:
2429:Chamber jazz
2329:Scat singing
2224:
2217:
2202:
2187:
2169:
2133:
2097:
2061:
2021:
1999:
1977:
1941:
1915:
1907:Mexico: FCE.
1904:
1900:Mexico: FCE.
1897:
1893:Mexico: FCE.
1890:
1883:
1872:
1866:Bibliography
1837:
1831:
1803:
1796:
1768:
1761:
1752:
1746:
1718:
1711:
1692:
1686:
1661:
1657:
1651:
1640:. Retrieved
1636:
1626:
1615:. Retrieved
1611:
1601:
1590:
1583:
1578:
1562:
1557:
1549:
1544:
1530:
1519:
1510:
1500:
1495:
1487:
1483:
1467:
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1454:
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1400:
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1340:
1324:
1319:
1311:
1306:
1290:
1285:
1277:
1272:
1264:
1259:
1232:
1191:Ray Barretto
1166:
1158:
1143:
1122:
1077:swung rhythm
1070:
1049:Ralph Towner
1036:
1033:Pierre Favre
1022:
1015:Jan Garbarek
992:
963:
959:
954:, including
946:'s original
931:
921:
878:
847:
839:Gilberto Gil
830:
825:– 1964) and
822:
808:
801:Dans mon île
798:
787:
780:
770:
760:
753:Charlie Byrd
742:
740:
726:
696:
650:
621:cross-rhythm
614:
602:Kenny Dorham
591:
582:bell pattern
564:bell pattern
551:(Afro-Cuban
546:contrapuntal
511:
500:arrangement.
496:
472:
460:
422:
419:
406:
398:
388:, Machito's
375:
358:
345:
339:
301:
296:
282:
278:
277:, the first
275:Buddy Bolden
272:
259:
243:" (1914) by
238:
184:
180:
176:
172:
155:
106:
105:
48:
30:
5158:Jazz genres
5068:Chicano rap
4836:Latin music
4760:Contradanza
4652:Tecnocumbia
4627:New Chilean
4612:Bullerengue
4468:Cha-cha-cha
4401:jalisciense
4391:Mexican Son
4275:Alternative
4238:Nuevo tango
4137:Duranguense
4085:Nueva trova
3930:Alternative
3884:Latin urban
3742:Carnavalito
3581:Quiet storm
3544:Contradanza
3326:New Orleans
3321:Kansas City
3124:Jazz mugham
3119:Azerbaijani
3043:Second line
3038:Rare groove
3024:Jazz theory
3014:Jazz poetry
2999:Contrafacts
2983:Saint Lucia
2963:New Orleans
2895:Strata-East
2870:MPS Records
2800:Cobblestone
2721:Smooth jazz
2711:Jazz fusion
2655:Trombonists
2568:Sacred jazz
2553:Smooth jazz
2486:Jazz fusion
2369:Jazz violin
2349:Jazz guitar
2324:Jam session
2297:Jazz (word)
2218:Latin Jazz.
1918:. New York.
1664:: 119–142.
1211:Jazz portal
1187:Tito Puente
1179:Mario Bauzá
1041:Paul Motian
1039:along with
999:Jon Hassell
984:avant garde
980:CTI Records
972:Miles Davis
968:avant-garde
944:Chick Corea
940:Flora Purim
744:Orfeu Negro
594:Pete Rugolo
433:3-2 clave (
386:Mario Bauza
350:Mario Bauza
261:Recording).
245:W. C. Handy
181:tango-congo
169:contradanza
38:Cuban music
5143:Latin jazz
5137:Categories
4997:New Mexico
4917:Prehistory
4820:Villancico
4702:Latin jazz
4675:Afro-Latin
4632:Panamanian
4562:Son cubano
4355:Venezuelan
4315:Latin rock
4310:Ecuadorian
3970:Chamarrita
3963:Litoraleña
3950:Panamanian
3940:Moombahton
3846:Isa (from
3566:Brass band
3554:Jump blues
3398:Ethno jazz
3361:Australian
3341:West Coast
3098:Zimbabwean
2938:Copenhagen
2860:Mainstream
2670:Violinists
2660:Trumpeters
2630:Guitarists
2538:Organ trio
2523:Modal jazz
2496:Latin jazz
2476:Gypsy jazz
2374:Vocal jazz
2359:Jazz piano
2238:Latin jazz
2179:0826455867
2009:2082108139
1987:2130453171
1856:1125295202
1838:Latin Jazz
1823:1125295202
1642:2014-02-24
1617:2014-02-24
1550:Afro Roots
1443:144998018X
1312:60 Minutes
1252:References
1163:Ken Burns'
1155:Chano Pozo
1057:Don Cherry
1021:to record
1013:works and
964:Latin jazz
960:jazz samba
749:Luiz Bonfá
699:Johnny Alf
652:Bossa nova
647:Bossa nova
542:Chano Pozo
522:Chano Pozo
516:innovator
340:The first
316:Juan Tizol
201:considers
161:Afro-Cuban
135:bossa nova
107:Latin jazz
22:Latin jazz
4975:romántica
4960:Reggaeton
4955:Freestyle
4910:By decade
4841:subgenres
4780:Pasacalle
4755:Christian
4745:Aguinaldo
4617:Colombian
4607:Argentine
4584:Vallenato
4555:romántica
4538:Guaguancó
4418:Zamacueca
4371:Chacarera
4350:Uruguayan
4330:Nueva ola
4305:Dominican
4295:Colombian
4280:Argentine
4248:Bandoneon
4070:Colombian
4057:Latin pop
4047:Zamacueca
4025:Toro Mata
3945:Neoperreo
3922:Reggaeton
3869:Tajaraste
3864:Pasodoble
3859:Malagueña
3534:Acid jazz
3391:Worldwide
3377:Brazilian
3174:Bulgarian
3136:Indo jazz
3086:Cape jazz
2973:North Sea
2928:Cape Town
2915:Festivals
2890:Riverside
2865:Milestone
2790:Blue Note
2785:Bethlehem
2769:post-1950
2741:Standards
2726:Soul jazz
2675:Vocalists
2635:Organists
2607:Musicians
2597:Trad jazz
2558:Soul jazz
2481:Jazz-funk
2469:Punk jazz
2459:Free funk
2454:Free jazz
2449:Folk jazz
2439:Dixieland
2434:Cool jazz
2424:Cape jazz
2339:Jazz bass
2302:Jazz band
2152:cite book
2116:cite book
2080:cite book
2040:cite book
1960:cite book
1924:cite book
1678:217508944
1457:v.7 n. 1.
1364:. Oxford.
1007:Brian Eno
757:Stan Getz
725:" on the
692:cool jazz
553:ostinatos
485:layering.
390:trumpeter
216:Tresillo
5062:Category
5013:New York
4945:Boogaloo
4697:Candombe
4637:Peruvian
4528:Pachanga
4523:Méringue
4518:Merengue
4508:Guaracha
4493:Cuarteto
4483:Charanga
4473:Champeta
4445:Tropical
4428:Marinera
4396:huasteco
4335:Peruvian
4233:Neotango
4180:Candombe
4157:Ranchera
4147:Mariachi
4110:Conjunto
4095:Regional
4032:Marinera
3975:Guarania
3935:Bachatón
3874:Zarzuela
3815:Cantiñas
3810:Bulerías
3800:Flamenco
3795:Fandango
3757:Morenada
3747:Diablada
3539:Afrobeat
3453:Pre-1920
3438:Jazz Age
3354:Oceanian
3304:American
3278:Canadian
3162:European
3153:Japanese
3114:Armenian
3076:Malawian
3071:Ethiopia
2958:Montreux
2953:Montreal
2948:Monterey
2885:Prestige
2855:Landmark
2840:Impulse!
2820:ESP-Disk
2749:Pre-1920
2706:Hard bop
2645:Pianists
2625:Drummers
2615:Bassists
2548:Ska jazz
2491:Jazz rap
2417:Post-bop
2407:Hard bop
2307:Big band
2168:(2002).
1998:(1995).
1976:(1993).
1788:40256200
1738:26850817
1521:AllMusic
1503:(2008).
1234:Calle 54
1197:See also
1177:Grillo,
1113:drum kit
1081:backbeat
956:drum kit
917:Berimbau
850:drum kit
629:ostinato
468:cut-time
410:Bop City
346:in-clave
335:Graciela
304:tresillo
283:big four
203:tresillo
195:backbeat
193:and the
191:tresillo
165:habanera
123:ostinato
5095:Hip hop
5083:Western
5078:Country
5056:Article
4990:By area
4829:Related
4785:Pasillo
4765:Criolla
4719:Milonga
4662:Cachaca
4657:Villera
4622:Mexican
4567:montuno
4503:Guajira
4478:Changüí
4463:Calypso
4453:Bachata
4406:jarocho
4345:Spanish
4325:Mexican
4290:Chilean
4285:Chicano
4223:Milonga
4195:Milonga
4132:Grupera
4115:Norteño
4105:Corrido
4097:Mexican
4075:Mexican
4037:Tondero
4010:Festejo
3985:Chamamé
3907:R&B
3892:Hip hop
3805:Alboreá
3737:Bambuco
3586:Ragtime
3571:Exotica
3527:Related
3433:Ragtime
3411:History
3316:Chicago
3283:Haitian
3262:Swedish
3250:Spanish
3233:Italian
3186:British
3181:Belgian
3148:Iranian
3064:African
2992:Culture
2968:Newport
2943:Jakarta
2933:Chicago
2830:Freedom
2528:Nu jazz
2412:Neo-bop
2060:(ed.).
1175:Machito
1119:Formats
1093:timbale
711:Bim-Bom
676:favelas
625:hemiola
575:Manteca
549:guajeos
526:Manteca
497:overtly
492:(1943).
378:Machito
354:Machito
331:Machito
312:Caravan
167:(Cuban
4933:1960s-
4795:Pregón
4775:Décima
4724:Tambor
4714:Mapalé
4599:Cumbia
4498:Danzón
4458:Bolero
4413:Tonada
4386:Joropo
4164:Trival
4152:Jarabe
4125:Tejano
4120:Nortec
4065:Ballad
3902:Reggae
3752:Huayno
3729:Andean
3238:Polish
3228:German
3223:French
3208:Danish
3169:Balkan
3131:Indian
3091:Marabi
3048:Venues
2575:Stride
2518:Marabi
2508:M-Base
2389:Genres
2242:Curlie
2209:
2194:
2176:
2140:
2104:
2068:
2028:
2006:
1984:
1948:
1882:. En:
1854:
1844:
1821:
1811:
1786:
1776:
1736:
1726:
1699:
1676:
1569:
1474:
1441:
1420:
1331:
1297:
1105:claves
1103:, and
1101:bongos
1087:. The
1053:Codona
1035:album
775:) and
557:melody
361:guajeo
97:Brazil
5029:Texas
4965:Salsa
4950:Disco
4924:Mambo
4790:Plena
4770:Danza
4687:Bomba
4642:Porro
4579:Trova
4574:Timba
4545:Salsa
4533:Rumba
4513:Mambo
4488:Conga
4433:Zamba
4423:Cueca
4320:Metal
4300:Cuban
4210:Tango
4200:Murga
4185:Cueca
4142:Banda
4015:Landó
3897:House
3842:Folia
3835:Soleá
3830:Saeta
3790:Copla
3767:Tinku
3617:Media
3576:Plugg
3549:Blues
3503:2010s
3498:2000s
3493:1990s
3488:1980s
3483:1970s
3478:1960s
3473:1950s
3468:1940s
3463:1930s
3458:1920s
3423:Blues
3293:Cuban
3213:Dutch
3141:Sitar
3107:Asian
2900:Verve
2764:1940s
2759:1930s
2754:1920s
2731:Swing
2691:Bebop
2580:Swing
2402:Bebop
1674:S2CID
1390:. PBS
1167:Jazz,
1125:bebop
1097:güiro
1089:conga
1085:clave
1055:with
934:with
889:clave
854:clave
684:clave
672:samba
633:beats
623:, or
586:clave
584:(2-3
579:mambo
561:mambo
534:clave
514:bebop
463:clave
308:clave
279:known
207:clave
186:tango
183:, or
177:congo
131:samba
127:clave
113:with
5122:Punk
5112:Rock
5105:Soul
5100:Jazz
4970:dura
4805:Seis
4550:dura
4381:Gato
4267:Rock
4228:Vals
4042:Vals
3912:Trap
3854:Jota
3762:Saya
3637:Jazz
3630:Bird
3518:2022
3513:2021
3508:2020
3243:Yass
2978:Pori
2880:Muse
2716:Scat
2317:Jazz
2278:Jazz
2207:ISBN
2192:ISBN
2174:ISBN
2158:link
2138:ISBN
2122:link
2102:ISBN
2086:link
2066:ISBN
2046:link
2026:ISBN
2004:ISBN
1982:ISBN
1966:link
1946:ISBN
1930:link
1852:OCLC
1842:ISBN
1819:OCLC
1809:ISBN
1784:OCLC
1774:ISBN
1734:OCLC
1724:ISBN
1697:ISBN
1567:ISBN
1472:ISBN
1439:ISBN
1418:ISBN
1388:Jazz
1329:ISBN
1295:ISBN
1161:and
1107:are
1059:and
974:and
869:Play
843:Lula
755:and
705:and
688:jazz
658:and
540:and
451:Play
439:Play
392:and
342:jazz
222:Play
133:and
111:jazz
91:Cuba
72:Cuba
60:jazz
43:jazz
5117:Pop
4647:Rap
2875:MPS
2850:JMT
2815:ECM
2810:CTI
2795:BYG
2240:at
1666:doi
1029:ECM
1027:in
1005:by
962:or
813:by
524:. "
5139::
2154:}}
2150:{{
2118:}}
2114:{{
2082:}}
2078:{{
2042:}}
2038:{{
1962:}}
1958:{{
1926:}}
1922:{{
1850:.
1817:.
1782:.
1732:.
1672:.
1660:.
1635:.
1610:.
1518:.
1189:,
1185:,
1181:,
1115:.
1099:,
1095:,
1091:,
732:LP
701:,
588:).
566:.
417:.
384:,
209:.
197:.
179:,
137:.
74:;
4882:e
4875:t
4868:v
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