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On the week of August 8, 1928, Chenault made his debut appearance on the stage of the Harlem
Alhambra, alongside Billy Andrews and George Randall. A short while later, however, on August 17, Chenault collapsed shortly after completing a performance. The source of his trouble is related to the passing
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Chenault was heavily associated with the race film movement, both from his recurring roles in
Micheaux's films as well as the close association between the Lafayette Players and Reol Productions, another well-known studio for creating films aimed for African-American audiences. His role in Micheaux's
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Chenault joined multiple acting troupes throughout his life, the first one being Al G. Field's Negro
Minstrels in 1895. One of the more famous groups he took part in were the Lafayette Players, where he would become one of their leading men. Chenault also was an actor in several films from 1920 to
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Lawrence
Chenault was born on November 23, 1877, in Mt. Sterling, Kentucky, to Mollie Mitchell and William O. Chenault. They later moved to Cincinnati, Ohio, where Chenault became a soloist for the Allen Temple Church. In 1888, Chenault's mother Mollie Mitchell married Ambrose Saunders. Because of
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reflects the director's choice of casting Black actors as both heroes and villains in his films. Chenault's acting style on camera was noted to be much more impacted by his time with the
Lafayette Players than his earlier career in minstrel shows.
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Petro, Patrice, et al. “African
American Stardom Inside and Outside of Hollywood; Ernest Morrison, Noble Johnson, Evelyn Preer, and Lincon Perry.” Idols of Modernity: Movie Stars of the 1920s. Rutgers University Press, 2010, pp.
405:"New Faces in the Drama this Week: Billy Andrews, Lawrence Chenault and George Randall in Alhambra Debut." The New York Amsterdam News (1922-1938), Aug 08, 1928, p. 7.
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Petersen, Christina. "The 'Reol' Story: Race
Authorship and Consciousness in Robert Levy's Reol Productions, 1921-1926." Film History 20.3 (2008): 308-24.
431:"Collapsed on the Alhambra Stage: Lawrence Chenault Suffers Breakdown Last Friday Afternoon." The New York Amsterdam News (1922-1938), Aug 22 1928, p. 7.
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Bowser, Pearl, and Louise Spence. "Oscar
Micheaux's Body and Soul and the Burden of Representation." Cinema Journal, vol. 39, no. 3, 2000, pp. 3-29.
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actor. He appeared in approximately 24 films between years 1920 and 1934; most of his performances were in films directed by pioneering
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Wintz, Cary D. and Paul
Finkelman. Encyclopedia of the Harlem Renaissance. Ebook, Taylor & Francis group. 2004
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this, Chenault became
Saunders' stepson and was listed in the 1900 US Census as Lawrence Saunders.
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NYPL Digital Gallery, African American Motion Picture Actors and Actresses, (Laurence Chenault)
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International Center of Photography. “The Crimson Skull.” International Center of Photography.
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414:"Chenault is Stricken; for Friend." Philadelphia Tribune (1912-2001), Sep 06, 1928, pp. 8.
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123:. His brother, Jack Chenault (September 26, 1888 – May 22, 1925), was also a film actor.
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of a friend of his, Johnnie Woods, who he had shared a room with for many years.
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in 1920, with other standouts from his career being the all-Black western
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331:"Chenault, Lawrence E. · Notable Kentucky African Americans Database".
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Lupack, Barbara. Early Race Filmmaking in America, Routledge, 2016
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https://www.icp.org/browse/archive/objects/the-crimson-skull-0
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Chenault (center), publicity still from The Jazz Hounds
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141:1934. His debut was in Oscar Micheaux's
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272:(1932) sound remake of
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