281:
565:
62:
1154:
1185:
1171:
1202:
replicate "true jazz." When he wrote of white jazz musicians, he often pointed out that they were white. As a result, he was sometimes criticized for stoking a reverse discrimination. Panassié resigned under pressure as editor-in-chief, but he had a following and continued to lead the anti-bebop wing of the French establishment.
706:— for African American musicians. Brubeck, popular in America, never caught on in France. His use of formal music training in jazz offended Hodier and Delaunay. According to Suddarth, Vian was so offended by it that he refused to distribute Brubeck's recordings, and for similar reasons he refused to distribute
625:
and establishing a new openness to evolving jazz redefined the publication as a comprehensive jazz magazine — expanding its coverage in multiple countries and cities, rather than maintaining the erstwhile fan club publication of a revivalist niche style of jazz, for which a prime locus — a hotbed for
617:
Jazz scholar Andy Fry wrote that the dispute was less about traditional jazz versus modern than it was about closed and open notions of jazz tradition, and it involved a "healthy slice of professional jealousy." Jazz
Scholar Matthew F. Jordan wrote that the split had begun not over whether jazz was a
560:
and
President of the Hot Club of France, was furious over Delaunay's views in support for new jazz and threw him out as Secretary General of the Hot Club. Panassié declared a schism in the Association of Hot Clubs movement. A few regional clubs sided with Panassié but the Hot Club in Paris sided with
1530:
Krikor
Kelekian; 1898–1971), who, beginning 1928, also led a jazz orchestra with Stéphane Grappelli at the piano. It was the first French magazine to focus exclusively on jazz, but also served to promote his Grégor's big band. The magazine lasted for less than a year, ending March 1930, Issue No. 9.
449:
before the war, was adamant his entire life that "authentic jazz" was strictly
Dixieland of the 1920s and Chicago-style jazz — or hot jazz similar to the style of Louis Armstrong and others. Panassié further insisted that "real jazz" was the music of African Americans and that non-African Americans
1578:
asked
Panassié to become a columnist. The publication was a monthly and targeted professional musicians in dance bands. When approximately three-thousand Parisian musicians were out of work, a riff developed over Panassié declarations that true was had to be performed by black musicians. Stéphane
928:
Pierre Nourry, one of the original contributors in 1936. In 1934, Panassié and Nourry, both co-founders of the Hot Club of France became
President and Secretary General, respectively, of the club; Nourry, an impresario, is credited for inviting, in 1934, Django Reinhardt and Stéphane Grappelli to
530:
Delaunay, who spent World War II years in Paris, had been following developments in progressive jazz, namely bebop and cool jazz. Delaunay also saw economic potential given that jazz in post-war France was big. Delaunay had been speaking of tolerance for modern jazz and "old white traditionalist"
356:
was interrupted during World War II, giving way to jazz magazines that have been published without interruption. The issue sequence of the pre-war series, from March 1935 to July–August 1939, numbers 1 through 32, is independent from the issue sequence of the post-war series, which begins
October
588:
independence from Hot Club. In
December 1946 (Issue No. 11), the cover featured a full-page photo of Dizzy Gillespie and the erstwhile words on the cover, "Revue du Hot Club de France," disappeared. Henceforth, Delaunay was the publisher, Hodeir, editor-in-chief, TĂ©not, editorial secretary, and
329:
series — March 1935, Issue No. 1 to July–August 1939, Issue No. 32 — is referred to as the "First Series" or the "Original Series" or the "Pre-War Series." The First Series was bilingual, in French and selectively in
English. The postwar series, beginning with Issue No. 1 in October 1945, was
1201:
Panassié sought to define "true jazz" for France as being strictly
Dixieland. To that end, he ridiculed some of the leading jazz musicians of his time. Panassié also ardently expressed the view that jazz played by whites was artificial jazz, though he lauded a few whites for their ability to
477:
Panassié argued that real jazz was innately inspired. He praised so-called black rhythm over white harmony and innate black jazz talent over white jazz mastery. As one musician put it, "If a black man knows some , that's talent. If a white guy knows the same , he's smart. For Panassié,
1655:
According to Scott DeVeaux, the "jazz as high art" movement did not reach its zenith until the 1950s, when a scholarly and journalistic effort was made to classify bebop as a legitimate art form, placing bebop at the peak of a stylistic evolution.
474:" in 1945, he refused to accept it as jazz and frequently admonished its artists and proponents. He harbored the same objections to cool and other progressive jazz. His refusal to accept new genres of jazz as "real jazz" lasted his entire life.
71:
690:, once an American diplomat, wrote a masters thesis, "French Stewardship of Jazz: The Case of France Musique and France Culture." In it, he stated that the French never developed a strong taste for white swing bands such as
416:
of Southern France and Delaunay, using the Hot Club as cover, gathered intelligence that was transmitted to England. He also traveled around France, organizing concerts, and giving lectures on music — all sanctioned by the
683:
had risen through the 1940s on the tide of big band swing, which declined in the late 1940s. Bebop, however, continued to develop and spread globally into a jazz mainstay but has never been big in a commercial sense.
490:, represented a betrayal to African American jazz musicians and a departure from jazz itself because bebop required learned musicianship, which, according to Panassié, contaminated jazz because it was white music.
702:. He and other historians attribute this to the fact that the French were cut off from American music during the war. And also, the French developed a preference — strongly expressed by Panassié, Delaunay, and
401:
was instrumental in the club's efforts to curate, restore, and import live and recorded Dixieland. The magazine endured under the auspices of the Hot Club of France for 45 issues — the entire 32 issues before
739:
from November 1948 to October 1956. The Hot Club of Belgium was founded April 1, 1939, by Willy De Cort, Albert Bettonville (1916–2000), Carlos de Radzitzky, and others. The club disbanded in the mid-1960s.
1304:
Le Bris had been a protégé of Delaunay. His authority had been sharply curtailed late 1968 by Delaunay, who became alarmed that the magazine had become too political. Le Bris was, at the time, a member of
1579:(Marcel) Mougin (1909–1945), a pianist with the Gregor Orchestra and musicians' union organizer, contributed articles that ran counter to Panassié, in support of French musicians. Mougin was editor of
754:
a leftist daily underground newspaper established in 1943, mocking Panassié In 1947, Delaunay co-edited some essays called "Jazz 47" that were published in a special edition of the French publication,
306:
is acclaimed for having innovated scholarly jazz criticism before and after World War II — jazz criticism that was also distinguished with literary merit, and in some articles before 1968, with
500:
in the unoccupied zone of Southern France, isolated from developments in jazz. Bebop began to develop in Harlem late 1939. The outrage by Panassié began when Delaunay, in 1945, sent him a 1944
310:
political views. Several of its early contributors are credited for helping to intellectualize jazz journalism and to draw attention to it from fine arts establishments and institutions.
391:— which had lost popularity due to the swing craze of the 1930s — record listening sessions, and camaraderie among like-mined enthusiasts. Panassié and Delaunay were the founders of the
1550:
was founded in Paris October 1930, Issue No. 1, and ran monthly until 1938. The magazine was published monthly and targeted professional musicians in dance bands that played jazz and
776:
movement with much fanfare, devoting considerable space to the movement beginning in 1965 and throughout the peak of free jazz from about 1968 to 1972. Critics included
493:
Panassié also argued that jazz was an art that should not be contaminated by commercialism. He was one of the most hostile critics of swing, which emerged in the 1930s.
618:
threat to true French culture, but over authority over the definition of jazz and commercial control of what had become a popular and marketable form of mass culture.
875:(1920–1959), a protégé of Jean-Paul Sartre, and a novelist, poet, playwright, songwriter, jazz trumpeter, screenwriter, and actor, made his first contribution to
1108:, the first classical music professional to take jazz seriously, wrote a seminal article in 1919, "Sur un Orchestre de NĂ©gre," in the October 1, 1919, issue of
791:
725:
2736:
988:
artists. Some historians credit him as the discoverer of post-war Chicago blues. His articles on Chicago blues spanned from the 1960s to the 1970s. He left
1311:
980:
Dimitri Wyschnegradsky; born 1924 Paris), Frenchified his name to Dimitri Vicheney but wrote under the pseudonym Jacques DemĂŞtre (his father was composer
280:
426:
758:. The article appeared under the auspices of the Hot Club of Paris but apparently without getting approval from the club. It included essays by Sartre,
1519:
814:
590:
321:
was published monthly but irregularly, typically combining months in the summers and sometimes the winters. Beginning with Issue No. 649, Fall 2009,
885:
article stated that, "like many old-time French fans, Vian thought a white person could not play jazz, except for French white persons." Outside of
2625:
2079:
2948:
1873:
669:
412:
suspended publication — the last being July–August 1939, Issue No. 32 — for 6 years, 1 month. Panassié spent the war years at his chateau in the
3291:
634:
2239:
604:
383:
as president and Pierre Nourry as secretary general. In August 1938, the club was dissolved and reestablished with Panassié as president and
330:
referred to as the "Second Series" or the "New Series" or the "Post-World War II Series." The Second Series was and still is in French only.
3276:
1309:
and was sympathetic to protests. Le Bris was fired in December 1969, but went on to become editor of Gauche prolétarienne's publication,
777:
496:
From June 22, 1940, to November 11, 1944, Germany occupied Northern France, Panassié spent that time safely at his family's château in
352:
is the oldest jazz magazine in the world, but the distinction has two caveats. Oldest does not mean longest running; publication of
3039:
1956:
433:
from September 1941 to June 1945 that was inserted in the programs of Hot Club concerts. The Hot Club of France resumed publishing
406:
and first 13 consecutive issues after World War II — until February 1947, when it became privately owned and headed by Delaunay.
3286:
3271:
3301:
2911:
720:, ran from March to November 1945, Issues 1 through 13. After a one-month hiatus, it resumed in January 1946 under the name
1606:
a Dutch publication, was founded by Ben Bakema (artist name Red. R. Dubroy), who published the first issue in August 1931.
3085:
660:
began to add coverage of evolving jazz, which at the time consisted of so-called progressive jazz — bebop from New York,
1931:
1657:
889:
Vian published works under twenty-seven pseudonyms, and translated a great deal of American fiction, including works by
564:
457:
For music is, above all, the cry of the heart, the natural, spontaneous song expressing what man feels within himself.
1658:"Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz,"
454:
In music, primitive man generally has greater talent than civilized man. An excess of culture atrophies inspiration.
3296:
857:). As of September 2024, the publication has endured 76 years as the official magazine of the Hot Club of France.
913:(1925–2004), one of the critics who, in 1946 with Vian, began to question Panassié's nostalgic definition of jazz
3253:"Charles Delaunay (1911–1988): his place and role in the history of jazz in France during the 1930s and 1940s,"
3070:
2867:
2193:
1069:
648:— beginning with December 1946 issue, Vol. 12, No. 11 — removed Panassié's name as director from the masthead.
70:
1971:"Four Decades of French Blues Research in Chicago: From the Fifties Into the Nineties," by André J.M. Prévos,
1544:. The magazine is often cited as the first French jazz magazine, though its focus was not exclusively on jazz.
1859:
939:(1912–2008) was one of the original contributors in 1936 and was also a co-founder of the Hot Club of France.
2647:
1526:
was first published in Paris July 1929, Issue No. 1, by an Armenian eccentric dancer and impresario, Grégor
2426:
1973:
1348:
3256:
2544:
1554:. The magazine published the official news for the Hot Club of France until Panassié and Delaunay founded
1025:
Jacques D. LaCava, PhD, researched Chicago blues and wrote and produced the 1986 French documentary film,
2359:
1809:
1075:
611:
17:
1949:
3139:
3252:
2676:
1661:
1000:
3183:"East Meets West at Jazz Hot: Maoism, Race, and Revolution in French Jazz Criticism," by Tad Shull
2684:
2628:
2107:("Jazz" is in Vol. 2 of 4), Charles Andrew Gallagher (born 1962) & Cameron D. Lippard (eds.),
3281:
3018:
2386:
2314:
2243:
2227:
2052:
1998:
936:
890:
569:
3212:
3060:
2966:
2937:
2759:
2693:
2607:
2177:
1369:
1306:
1066:
to describe those in between revivalist and modern, or alternatively between Dixieland and bebop
854:
846:
251:
3067:
Harlem in Montmartre: A Paris Jazz Story between the Great Wars, Music of the African Diaspora,
2553:
2549:
2512:
2150:
1088:
Walter Eliott Schaap; 1917–2005) became a committed follower of jazz while an undergraduate at
960:
922:
794:
728:
687:
3133:
3008:
2863:
Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968–1981
2862:
2739:
2419:
2378:
2304:
2101:
1992:
1832:
3224:
3152:
2978:
2957:
2618:
2353:
2199:
2188:
2017:
1837:
1803:
1622:
1315:
735:. Beginning November 1948, the publication was absorbed and appeared as a two-page insert in
118:
114:
2889:
2082:
933:
and Roger Chaput on guitar, and Louis Vola on bass, when all of them were virtually unknown.
387:
as secretary general. The club was primarily interested in Dixieland recordings, revival of
1250:
1014:
Laurent Goddet was a prolific contributor, notable articles include one 1976, "Free Blues:
3037:"Beyond Le Boeuf: Interdisciplinary Rereadings of Jazz in France" (reviews), by Andy Fry,
2022:
The Counter-Narratives of Radical Theology and Popular Music: Songs of Fear and Trembling,
8:
2334:
1540:
was founded in 1925 in Paris, partly to promote the success in France of performances by
1523:
1093:
1089:
981:
818:
717:
679:
of Chicago, had been publishing articles that extoled bebop as serious music since 1940.
504:
bebop recording of Dizzy Gillespie's "Salt Peanuts", a 1943 composition by Gillespie and
296:
2710:
2656:
2025:
1689:
1273:
1224:
930:
773:
749:
593:
418:
376:
307:
3082:
Le tumulte noir: Modernist Art and Popular Entertainment in Jazz-Age Paris, 1900–1930,
2807:
2483:
Reading jazz: A Gathering of Autobiography, Reportage, and Criticism From 1919 to Now,
2131:
2075:
1626:
which, as a general music magazine, included some jazz writing by critic Edgar Jackson
380:
284:
144:
30:
This article is about a French language jazz magazine. For the song from the musical,
3234:
3208:
3192:
3165:
3104:
3089:
3074:
3056:
3044:
3022:
2992:
2962:
2933:
2921:
2871:
2755:
2743:
2689:
2661:
2632:
2603:
2591:
2572:
2557:
2493:
2458:
2431:
2390:
2363:
2318:
2257:
2203:
2173:
2161:
2135:
2112:
2086:
2056:
2029:
2002:
1916:
1904:
1878:
1841:
1813:
1665:
1490:
1473:
1450:
1434:
1418:
1399:
1390:
1374:
1365:
1298:
1081:
850:
842:
822:
787:
600:
487:
246:
1718:
1537:
2952:
2773:
2728:
2651:
2450:
2223:
2155:
1693:
966:
916:
894:
672:
384:
148:
130:
2849:
2829:
3157:
3014:
2485:
2275:
2108:
1936:
1751:
1588:
1551:
1541:
1506:
1406:
1341:
1231:
1125:
1119:
1105:
1063:
1043:(1910–1999), who had been profoundly influenced by Panassié, wrote an article on
959:
Albert Bettonville (1916–2000), co-founder of the Hot Club of Belgium, was, with
637:
479:
364:
32:
1214:
called Hodeir's first compilation of jazz writings, written in the early 1950s,
821:: "Organe Officiel Du Hot Club De France," in January 1949 (Issue Issue No. 1) (
577:
363:
was published in March 1935 in Paris on one page in the back of a program for a
2916:
2898:
2489:
2478:
2291:
2279:
1269:
1055:
correspondent in the U.S.; from 1948 until his death in 1999, he wrote for the
1019:
881:
784:
675:(born 1926) and André Hodeir (1921–2011). Other influential magazines, notably
607:
536:
483:
2789:
1260:
in 1958. As editor, Koechlin published of 30,000 copies of a special issue of
1153:
910:
581:
314:
has played an integral role integrating jazz into a French national identity.
3265:
2988:
2845:
2798:
2724:
2287:
2269:
2265:
1734:
1634:
was founded in 1926, which, at the time, mostly targeted dance band musicians
1285:
1236:
1040:
1008:
985:
949:
904:
759:
699:
543:
Jazz is more than just Dixieland or just re-bop...It's both of them and more.
61:
3230:
3204:
3200:
3196:
3052:
3048:
2984:
2781:
2665:
2508:
2398:
2261:
2048:
1630:
1593:
1264:
in the summer of 1966, titled "Rock & Folk," which featured a photo of
1057:
1044:
898:
780:
695:
691:
641:
532:
505:
471:
403:
368:
326:
80:
37:
3238:
2996:
2929:
2925:
2875:
2751:
2747:
2599:
2580:
2561:
2466:
2435:
2402:
2394:
2367:
2169:
2165:
2116:
2090:
2033:
1920:
1912:
1908:
1886:
1882:
1845:
1817:
1669:
1458:
1454:
1438:
1403:
1394:
1386:
1382:
1003:(born 1928), who works primarily in radio and TV, wrote some articles for
826:
3169:
3108:
3093:
3078:
3026:
2893:
2636:
2545:
French Stewardship of Jazz: The Case of France Musique and France Culture
2497:
2462:
2322:
2310:
2207:
2006:
1685:
1477:
1422:
1281:
1277:
1097:
994:
834:
707:
292:
288:
2595:
2576:
2509:"Comparing the Shaming of Jazz and Rhythm and Blues in Music Criticism,"
2151:"Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology,"
1378:
830:
3161:
2816:
2705:
2139:
2060:
1618:, an Argentine publication, was founded in Buenos Aires in August 1934.
1159:
1135:
1015:
872:
703:
665:
413:
357:
1945 with issue 1, which clouds the connection between the two series.
519:
and because he set a standard for covering jazz as editor-in-chief of
515:
when he left the magazine in 1946. But because he was a co-founder of
450:
could only aspire to be imitators or exploiters of African Americans.
2530:
2339:
1265:
1184:
769:
661:
614:
Delaunay remained as the financial backer for 34 years — until 1980.
501:
388:
265:
215:
1494:
1116:
published it in French and English; Schaap translated it to English.
1096:; while there, he collaborated with Panassié and Delaunay; his son,
1022:, sports journalist and director of Tour de France from 1936 to 1986
425:, Delaunay issued clandestine, one-page publications. Following the
317:
From inception of the First and Second Series, until November 2007,
984:). He is one of the earliest musicologists in the world to analyze
340:
110:
2454:
929:
form the Quintette du Hot Club de France with Reinhardt's brother
2920:, December 25, 2006, pps. 134–138, and January 1, 2007, pg. 134;
2283:
1170:
556:
Panassié, who through November 1946, had been editor-in-chief of
497:
2912:"Prince of Saint-Germain: How Boris Vian Brought Cool to Paris,"
1967:
1965:
1856:
3100:
744:
429:, Delaunay began issuing a clandestine, one-page duplex sheet,
348:
it was not exclusively a jazz magazine at the time. Therefore,
1903:
in French, adopted from Legrand's 2005 doctoral dissertation;
1574:
beginning with the May–June 1936 issue, No. 67. The editor of
762:, and Panassié, but Panassié was not invited to be an editor.
3179:
3177:
2233:
1962:
1915:), by Anne Legrand, PhD, Éditions du Layeur (2009), pg. 239;
1360:
Fédération internationale des hot clubs.; Hot Club de France.
269:
2641:
2354:
More Important Than The Music: A History of Jazz Discography
2144:
1901:(Charles Delaunay and the Jazz in France in the Years 30–40;
1688:
and later moved to Algeria in the mid-1930s. When the Club
1943:
1898:
Charles Delaunay et le Jazz en France dans les années 30-40
1833:
Making Jazz French: Music and Modern Life in Interwar Paris
1101:
3174:
1953:— The Assimilation of American Jazz in France, 1917–1940,"
629:
In December 1946, Panassié resigned as editor-in-chief of
234:
2670:
2383:
The Oxford Handbook of the New Cultural History of Music,
2038:
1558:
in 1936. For a few publications, beginning around 1933,
1240:
to make sure Barclay's new releases would be reviewed —
722:
Hot Club Magazine: revue illustrée de la musique de jazz
3009:
Chasin' the Bird: The Life and Legacy of Charlie Parker
2815:"Méfie de l’orchestre" ("Beware of the Orchestra"), by
2189:"'Moldy Figs' and Modernists: Jazz at War (1942–1946),"
2095:
1758:, Vol. 4, Issue N° 28, November–December 1938, pps. 4–8
633:
claiming that "our correspondent in the United States,
2905:
2240:"Decazeville. Gironde a Attiré Près de 150 Personnes,"
2018:"Louis Armstrong — A Rhapsody on Repetition and Time,"
1780:"Courrier" (Letters to the Editor), by Alain Lejeune,
1326:
Sportis moved the head office from Paris to Marseille.
440:
2585:
2305:
Swing Under the Nazis: Jazz as a Metaphor for Freedom
1767:"Préjugés" (translated by Jean-Jacques Finsterwald),
572:, Manhattan, October 1946 (William P. Gottlieb photo)
2379:"Remembrance of Jazz Past: Sidney Bechet in France,"
2372:
2250:
2045:
Bourbon Street Black; the New Orleans Black Jazzman,
1335:
3145:
3114:
2885:
2883:
2518:
1597:. LĂ©on Fiot, a musician, was one of the editors of
2942:
2698:
2011:
1735:"Free Blues: Don Pullen" (translated by Mike Bond)
1680:
1678:
486:foray into bebop, despite the fact that they were
333:
3097:New Orleans sur Seine: Histoire dujazz en France,
2623:Dictionnaire du Jazz: Ă Bruxelles et en Wallonie,
2566:
2256:Discography (possible reference, not confirmed):
1531:Panassié contributed two articles to this series.
1051:in March 1935; in 1946, he married Helen Oakley,
325:has been published quarterly, regularly. The pre-
264:is a French quarterly jazz magazine published in
3263:
2880:
2717:
2477:"On the Corner: The Sellout of Miles Davis," by
2202:(1995), pg. 52 of pps. 31–56 (see end note 11);
1218:"the best analytical book on jazz ever written."
790:(born 1944), Guy Kopelowicz, Bruno Vincent, and
511:Panassié's views ceased to reflect the views of
445:Panassié, editor-in-chief since the founding of
3164:(eds.), Oxford University Press (1999), pg 92;
1857:"Jazz Periodicals: Greenwood Press, 1930–1970,"
1744:
1696:assumed his role as Secretary General. (Dregni)
1675:
1660:doctorate dissertation, by Aaron J. West, PhD,
1210:Hodeir was an early French proponent of bebop.
3001:
2961:, 2000–2001, pg. 243 (article: pps. 221–248);
2612:
2414:
2412:
2410:
2327:
1987:
1985:
1983:
1850:
1827:
1825:
1268:on the cover and contained articles about the
1230:Souplet left the magazine in 1954 to work for
52:(the international journal of jazz since 1935)
2797:"Origins of Jazz and Jazz and Surrealism, by
2537:
2440:
2346:
2212:
2121:
2065:
1925:
1292:to keep up with the developments in New York.
800:Beginning with Issue No. 647, November 2008,
724:and ran to August 1948, Issues 1 through 29.
379:, an organization founded in January 1934 by
295:, New York, New York, between 1946 and 1948 (
2679:Le Jazz: Jazz and French Cultural Identity,"
2502:
2182:
2160:Vol. 20, No. 2, Winter, 1994, pps. 283–313;
1993:Django: The Life and Music of a Gypsy Legend
3217:
2971:
2471:
2447:Delaunay's Dilemma: De La Peinture Au Jazz,
2407:
2297:
1980:
1891:
1822:
1796:
1774:
1761:
1728:
1711:
1465:L'Annuaire du jazz; supplément de la revue
1198:Hugues Panassié: 1935–1939 & 1945–1946
668:from France. Notable contributors included
47:La revue internationale du jazz depuis 1935
3126:
2855:
2420:Le Jazz: Jazz and French Cultural Identity
2274:Dizzy Gillespie and His All-Star Quintet:
1977:, Vol. 12, No. 1, Spring 1992, pps. 97–112
1804:Blowin' Hot and Cool: Jazz and Its Critics
470:When Panassié heard a bebop recording of "
69:
2333:"Delaunay On First Visit to America," by
2268:(on label): G565, Recorded May 11, 1945,
2218:"Canassié, Delaunay et Cie" (Chapter 1),
1840:, by Jeffrey H. Jackson (2004), pg. 160;
1512:
3040:Journal of the Royal Musical Association
3031:
1959:, Vol. 25, No. 1, Spring 1984, pps. 5–24
1957:Mid-America American Studies Association
1649:
1288:. In the 1960s, it became difficult for
963:, the most important Belgian jazz critic
860:
656:Beginning December 1946 (Issue No. 11),
563:
371:on February 21, 1935. At its inception,
279:
3191:Vol. 8, No. 1, April 2014, pps. 25–44;
3187:Thomas Barclay Shull, Jr.; born 1955),
3043:, Vol. 128, No. 1, 2003, pps. 137–153;
2343:Vol. 13, No. 18, August 26, 1946, pg. 4
1808:by John Remo Gennari, PhD (born 1960),
1725:, Vol. 17, Second Series, November 1947
1128:(1902–1983) wrote a regular column for
807:
14:
3264:
2735:(periodical, special edition), Paris:
2534:(2007), pg. 7 (retrieved May 19, 2015)
2020:by Jeffrey W. Robbins, from the book,
1955:by William H. Kenney III (born 1940),
1865:
992:in the 1970s and later contributed to
3292:Monthly magazines published in France
3153:The Biographical Encyclopedia of Jazz
2949:"Visiting Firemen 18: Louis Mitchell"
2631:(1991), pg. 36 (article: pps 27–44);
2621:(chapter 3), by Jean-Pol Schroeder,
2134:, Smith & Durrell, Inc. (1942);
2104:Race and Racism in the United States
1784:Issue N° 207, March 1965, pps. 15–16
1612:was founded in Chicago in June 1934.
1256:Koechlin started as a columnist for
338:Although the American jazz magazine
3277:Music magazines published in France
3086:Pennsylvania State University Press
2528:A History As Rich As Jazz Itself,"
1932:"French Critics and American Jazz,"
1684:Pierre Nourry was called up by the
1143:
1033:
925:(1915–1985), a Belgian music critic
747:protégé, contributed an article to
731:(1915–1985) was editor-in-chief of
441:Dispute over the definition of jazz
24:
3225:Stephane Grappelli: A Life In Jazz
2688:, Vol. 15, N°1, 2012, pps. 72–75;
2358:by Bruce D. Epperson (born 1957),
1104:in New York City. Swiss conductor
956:beginning in the mid to late 1980s
865:
268:. It was founded in March 1935 in
25:
3313:
3246:
2389:(2011), pg. 314 of pps. 307–331;
1336:Extant copies and archival access
942:Franck Bergerot, journalist with
651:
437:in December 1945 as Issue No. 1.
375:was the official magazine of the
85:At the top: logo designed in 1935
1216:Jazz: Its Evolution and Essence,
1183:
1169:
1152:
1100:(1951–2021), was a jazz host on
1062:in the 1950s he coined the term
952:(born 1963) was a journalist at
879:March 1946, Issue No. 5. A 1994
431:Circulaire du Hot Club de France
60:
2914:by Daniel Halpern (born 1945),
2619:"Les Annes-Lumiere (1940–1960)"
1244:had been ignoring many of them.
946:, 1979 to 1980 and 1984 to 1989
743:In October 1947, Boris Vian, a
344:was founded four months before
334:World's oldest jazz publication
3071:University of California Press
2868:University of California Press
2457:: Editions W (1985), pg. 161;
1771:Issue N° 45, June 1950, pg. 11
1587:Notable contributors included
1413:Jazz Hot/Editions de L'Instant
839:Bulletin Du Hot Club De France
716:, a magazine published by the
523:he is closely identified with
435:Bulletin du Hot Club de France
275:
13:
1:
3287:Magazines established in 1935
3272:1935 establishments in France
2272:, Cross Reference Guild 1003:
1860:Center for Research Libraries
1750:"Sur un Orchestre NĂ©gre," by
1638:
1331:Jean-Claude Cintas: 1988–1990
626:a latent genre — was France.
548:Charles Delaunay, August 1946
78:cover, Winter 2011, Issue 658
3302:Magazines published in Paris
3134:The Rise of a Jazz Art World
2821:Design, artwork, and photos:
2682:by Bruce Boyd Raeburn, PhD:
2511:by Matthew T. Brennan, PhD,
2427:University of Illinois Press
2260:518 (Catalog No.), Side A: "
1974:Black Music Research Journal
1692:was re-established in 1938,
1591:, who had a job writing for
576:In November 1946, Delaunay,
7:
2837:Photos by Jean-Louis BĂ©doin
2660:(retrieved June 17, 2015);
2360:University of Chicago Press
1940:, Autumn 1965; pps. 583–587
1810:University of Chicago Press
877:Revue du Hot Club de France
837:). He was editor-in-chief.
10:
3318:
3140:Cambridge University Press
2890:"An Empire Built on Jazz,"
1741:Issue N° 331, October 1976
1501:National Library of France
1323:Yves Sportis: 1982??–19??
841:was started January 1948 (
772:scene in New York and the
29:
3257:Université Paris-Sorbonne
2315:First Cooper Square Press
2194:Jazz Among the Discourses
2047:by Jack V. Buerkle &
1662:University of North Texas
1092:; in 1937, he studied at
621:Nonetheless, privatizing
245:
229:
221:
211:
203:
195:
180:
168:October 1, 1945
154:
140:
124:
106:
98:
90:
68:
59:
3101:Librairie Artheme Fayard
2704:"Le jazz en France," by
2685:The Communication Review
1754:, translated by Schaap,
1570:merged with L'orchestre
1207:André Hodeir: 1947–1951
1112:. Nineteen years later,
1011:in May 1960 and May 1969
3297:Mass media in Marseille
3138:by Paul Douglas Lopes,
3123:, March 9, 1951, pg. 10
3019:Oxford University Press
2979:Best Music Writing 2009
2648:"Hot Club de Belgique,"
2481:(1986), from the book,
2387:Oxford University Press
2385:Jane F. Fulcher (ed.),
2228:Oxford University Press
2053:Oxford University Press
1999:Oxford University Press
1572:L'orchestre, Jazz-Tango
768:greeted the arrival of
427:Decree of July 17, 1941
184:March 1, 1935
158:March 1, 1935
2870:(2011), pps. 118–119;
2828:Lithographic plate by
2554:University of Maryland
2550:Roscoe Seldon Suddarth
2513:University of Stirling
2424:by Matthew F. Jordan,
1871:"Hot Club de France,"
1513:Earlier jazz magazines
1047:in the first issue of
1001:Jean-Christophe Averty
969:(born 1926) wrote for
688:Roscoe Seldon Suddarth
640:, was used to compare
573:
554:
468:
300:
3255:Special Collections,
3069:by William A. Shack,
2983:by Daphne Carr &
2844:Other and artwork by
2200:Duke University Press
2024:Mike Grimshaw (ed.),
1838:Duke University Press
1717:Cover: "Jack Diéval"
1176:Michel Le Bris (2008)
861:Selected contributors
644:to Louis Armstrong!"
567:
541:
452:
397:Before World War II,
283:
199:Jazz Hot Publications
128:Jazz Hot Publications
3099:by Ludovic Tournès,
2742:, N° 5, March 1947;
2548:(master thesis), by
2198:Krin Gabbard (ed.),
2191:by Bernard Gendron,
1307:Gauche prolétarienne
1007:, notable two about
937:Jacques Bureau (SOE)
808:Related publications
568:Charles Delaunay on
421:. Unable to publish
27:French jazz magazine
2902:, November 23, 1994
2220:American Musicians,
1997:by Michael Dregni,
1874:Oxford Music Online
1564:Jazz-Tango Dancing.
1485:Library of Congress
1223:fr:Jacques Souplet
1090:Columbia University
982:Ivan Wyschnegradsky
923:Carlos de Radzitzky
792:Philippe Constantin
726:Carlos de Radzitzky
718:Hot Club of Belgium
297:William P. Gottlieb
56:
3189:Jazz Perspectives,
2806:"Jazz Greats," by
2714:, October 23, 1947
2657:Grove Music Online
2381:by Andy Fry, PhD,
2244:La DĂ©pĂŞche du Midi
2153:by Ingrid Monson,
2111:(2014), pg. 628;
2026:Palgrave Macmillan
1934:by David Strauss,
1690:Hot Club of France
1312:La Cause du Peuple
1249:Philippe Koechlin
1190:Maxim Saury (1996)
1027:Sweet Home Chicago
1018:;" His father was
774:European free jazz
664:from Los Angeles,
584:formally declared
574:
419:Propaganda-Staffel
377:Hot Club of France
301:
42:
2772:"Nick's Bar," by
2650:by Robert Pernet
2430:(2010), pg. 238;
2317:(2000), pg. 135;
2247:, October 4, 2013
1791:Secondary sources
1445:Unnamed publisher
973:from 1946 to 1956
812:Panassié started
733:Hot Club Magazine
601:registered office
488:African Americans
257:
256:
136:
54:
16:(Redirected from
3309:
3241:
3233:(2010), pg. 59;
3229:by Paul Balmer,
3221:
3215:
3181:
3172:
3149:
3143:
3130:
3124:
3118:
3112:
3035:
3029:
3005:
2999:
2991:(2009), pg. 52;
2975:
2969:
2955:and Howard Rye,
2946:
2940:
2909:
2903:
2887:
2878:
2859:
2853:
2843:
2836:
2827:
2814:
2805:
2796:
2788:
2780:
2774:Jean-Paul Sartre
2771:
2737:Éditions Seghers
2729:Charles Delaunay
2721:
2715:
2702:
2696:
2674:
2668:
2645:
2639:
2616:
2610:
2589:
2583:
2570:
2564:
2541:
2535:
2522:
2516:
2506:
2500:
2475:
2469:
2451:Charles Delaunay
2444:
2438:
2416:
2405:
2376:
2370:
2362:(2013), pg. 57;
2350:
2344:
2331:
2325:
2301:
2295:
2254:
2248:
2237:
2231:
2224:Whitney Balliett
2216:
2210:
2186:
2180:
2156:Critical Inquiry
2148:
2142:
2125:
2119:
2099:
2093:
2069:
2063:
2042:
2036:
2028:(2014), pg. 95;
2015:
2009:
1989:
1978:
1969:
1960:
1947:
1941:
1929:
1923:
1895:
1889:
1869:
1863:
1862:Reference Folder
1854:
1848:
1836:(2nd printing),
1829:
1820:
1812:(2006), pg. 58;
1800:
1785:
1778:
1772:
1765:
1759:
1748:
1742:
1732:
1726:
1715:
1697:
1682:
1673:
1653:
1581:La Revue du Jazz
1520:La Revue du Jazz
1187:
1173:
1156:
1144:Editors in chief
1110:La Revue Romande
1034:English language
976:Jacques DemĂŞtre
931:Joseph Reinhardt
895:Raymond Chandler
815:La Revue Du Jazz
552:
551:
466:
465:
462:Hugues Panassié
385:Charles Delaunay
241:
238:
236:
191:
189:
175:
173:
165:
163:
149:Charles Delaunay
134:
131:Charles Delaunay
73:
64:
57:
53:
50:
48:
41:
21:
3317:
3316:
3312:
3311:
3310:
3308:
3307:
3306:
3262:
3261:
3249:
3244:
3222:
3218:
3182:
3175:
3158:Leonard Feather
3150:
3146:
3131:
3127:
3119:
3115:
3111:
3084:by Jody Blake,
3063:
3036:
3032:
3015:Brian Priestley
3006:
3002:
2976:
2972:
2947:
2943:
2910:
2906:
2888:
2881:
2866:by Eric Drott,
2860:
2856:
2852:
2841:
2838:
2834:
2832:
2825:
2823:
2819:
2812:
2810:
2808:Hugues Panassié
2803:
2801:
2794:
2792:
2786:
2784:
2778:
2776:
2769:
2767:
2722:
2718:
2703:
2699:
2675:
2671:
2646:
2642:
2617:
2613:
2590:
2586:
2571:
2567:
2542:
2538:
2523:
2519:
2507:
2503:
2486:Robert Gottlieb
2476:
2472:
2445:
2441:
2417:
2408:
2377:
2373:
2351:
2347:
2332:
2328:
2302:
2298:
2294:
2276:Dizzy Gillespie
2255:
2251:
2238:
2234:
2217:
2213:
2187:
2183:
2149:
2145:
2132:Hugues Panassié
2126:
2122:
2109:Greenwood Press
2100:
2096:
2080:Éditions Correa
2076:Hugues Panassié
2074:(the book), by
2070:
2066:
2043:
2039:
2016:
2012:
1990:
1981:
1970:
1963:
1948:
1944:
1930:
1926:
1896:
1892:
1870:
1866:
1855:
1851:
1830:
1823:
1801:
1797:
1788:
1779:
1775:
1766:
1762:
1752:Ernest Ansermet
1749:
1745:
1733:
1729:
1716:
1712:
1703:Citations from
1700:
1683:
1676:
1654:
1650:
1641:
1616:SĂncopa y Ritmo
1604:Der Jazzwereld,
1589:Jacques Canetti
1552:Argentine tango
1542:Josephine Baker
1515:
1407:Greenwood Press
1349:Greenwood Press
1342:Greenwood Press
1338:
1297:Michel Le Bris
1232:Barclay Records
1195:
1194:
1193:
1192:
1191:
1188:
1179:
1178:
1177:
1174:
1165:
1164:
1163:
1157:
1146:
1141:
1126:Preston Jackson
1120:Leonard Feather
1106:Ernest Ansermet
1036:
1031:
868:
866:French language
863:
810:
654:
591:Jacques Souplet
553:
549:
547:
527:, even today..
467:
463:
461:
456:
455:
443:
414:unoccupied zone
367:concert at the
365:Coleman Hawkins
336:
285:Hugues Panassié
278:
233:
187:
185:
171:
169:
167:
161:
159:
147:
145:Hugues Panassié
133:
129:
117:
113:
91:Editor-in-chief
86:
84:
79:
51:
49:
46:
45:
40:
33:Victor Victoria
28:
23:
22:
15:
12:
11:
5:
3315:
3305:
3304:
3299:
3294:
3289:
3284:
3282:Jazz magazines
3279:
3274:
3260:
3259:
3248:
3247:External links
3245:
3243:
3242:
3216:
3173:
3144:
3125:
3113:
3065:
3030:
3000:
2970:
2941:
2904:
2899:New York Times
2879:
2854:
2762:
2716:
2697:
2677:"Book Review:
2669:
2640:
2626:Pierre Mardaga
2611:
2584:
2565:
2536:
2517:
2501:
2490:Pantheon Books
2479:Stanley Crouch
2470:
2439:
2406:
2371:
2345:
2326:
2296:
2292:Sidney Catlett
2280:Charlie Parker
2273:
2249:
2232:
2211:
2181:
2143:
2130:(1st ed.), by
2120:
2094:
2064:
2037:
2010:
1979:
1961:
1942:
1924:
1890:
1864:
1849:
1821:
1794:
1787:
1786:
1773:
1760:
1743:
1727:
1709:
1699:
1698:
1674:
1647:
1640:
1637:
1636:
1635:
1627:
1619:
1613:
1607:
1601:
1545:
1532:
1514:
1511:
1510:
1509:
1507:FRBNF 12118676
1498:
1497:
1482:
1481:
1462:
1461:
1442:
1441:
1429:Jazz-Diffusion
1426:
1425:
1410:
1409:
1397:
1372:
1352:
1351:
1337:
1334:
1333:
1332:
1329:
1328:
1327:
1321:
1320:
1319:
1295:
1294:
1293:
1270:Rolling Stones
1247:
1246:
1245:
1221:
1220:
1219:
1205:
1204:
1203:
1189:
1182:
1181:
1180:
1175:
1168:
1167:
1166:
1162:(date unknown)
1158:
1151:
1150:
1149:
1148:
1147:
1145:
1142:
1140:
1139:
1133:
1123:
1117:
1079:
1076:George Frazier
1073:
1067:
1037:
1035:
1032:
1030:
1029:
1023:
1020:Jacques Goddet
1012:
998:
974:
964:
957:
947:
940:
934:
926:
920:
914:
908:
902:
891:Richard Wright
882:New York Times
869:
867:
864:
862:
859:
809:
806:
785:Michel Le Bris
653:
652:Bebop and cool
650:
545:
537:Jack Teagarden
459:
442:
439:
335:
332:
277:
274:
255:
254:
249:
243:
242:
231:
227:
226:
223:
219:
218:
213:
209:
208:
205:
201:
200:
197:
193:
192:
182:
178:
177:
156:
152:
151:
142:
138:
137:
126:
122:
121:
108:
104:
103:
100:
96:
95:
92:
88:
87:
74:
66:
65:
26:
9:
6:
4:
3:
2:
3314:
3303:
3300:
3298:
3295:
3293:
3290:
3288:
3285:
3283:
3280:
3278:
3275:
3273:
3270:
3269:
3267:
3258:
3254:
3251:
3250:
3240:
3236:
3232:
3228:
3226:
3220:
3214:
3210:
3206:
3202:
3198:
3194:
3190:
3186:
3180:
3178:
3171:
3167:
3163:
3159:
3156:
3154:
3148:
3141:
3137:
3135:
3129:
3122:
3117:
3110:
3106:
3102:
3098:
3095:
3091:
3087:
3083:
3080:
3076:
3072:
3068:
3062:
3058:
3054:
3050:
3046:
3042:
3041:
3034:
3028:
3024:
3020:
3016:
3012:
3010:
3004:
2998:
2994:
2990:
2989:Da Capo Press
2986:
2982:
2980:
2974:
2968:
2964:
2960:
2959:
2954:
2953:Robert Pernet
2950:
2945:
2939:
2935:
2931:
2927:
2923:
2919:
2918:
2913:
2908:
2901:
2900:
2895:
2891:
2886:
2884:
2877:
2873:
2869:
2865:
2864:
2858:
2851:
2850:FĂ©lix Labisse
2847:
2846:Jean Dubuffet
2839:
2831:
2830:Fernand LĂ©ger
2822:
2818:
2809:
2800:
2799:Robert Goffin
2791:
2783:
2775:
2766:
2761:
2757:
2753:
2749:
2745:
2741:
2738:
2734:
2730:
2726:
2725:Robert Goffin
2720:
2713:
2712:
2707:
2701:
2695:
2691:
2687:
2686:
2681:
2680:
2673:
2667:
2663:
2659:
2658:
2654:(1940–2001),
2653:
2649:
2644:
2638:
2634:
2630:
2627:
2624:
2620:
2615:
2609:
2605:
2601:
2597:
2593:
2588:
2582:
2578:
2574:
2569:
2563:
2559:
2555:
2552:(1935–2013),
2551:
2547:
2546:
2540:
2533:
2532:
2527:
2521:
2514:
2510:
2505:
2499:
2495:
2491:
2487:
2484:
2480:
2474:
2468:
2464:
2460:
2456:
2452:
2448:
2443:
2437:
2433:
2429:
2428:
2423:
2421:
2415:
2413:
2411:
2404:
2400:
2396:
2392:
2388:
2384:
2380:
2375:
2369:
2365:
2361:
2357:
2355:
2349:
2342:
2341:
2336:
2335:Bill Gottlieb
2330:
2324:
2320:
2316:
2312:
2308:
2306:
2300:
2293:
2289:
2288:Curly Russell
2285:
2281:
2277:
2271:
2270:New York City
2267:
2263:
2259:
2253:
2246:
2245:
2241:
2236:
2229:
2225:
2221:
2215:
2209:
2205:
2201:
2197:
2195:
2190:
2185:
2179:
2175:
2171:
2167:
2163:
2159:
2157:
2152:
2147:
2141:
2137:
2133:
2129:
2128:The Real Jazz
2124:
2118:
2114:
2110:
2106:
2105:
2098:
2092:
2088:
2084:
2081:
2077:
2073:
2068:
2062:
2058:
2054:
2050:
2046:
2041:
2035:
2031:
2027:
2023:
2019:
2014:
2008:
2004:
2000:
1996:
1994:
1988:
1986:
1984:
1976:
1975:
1968:
1966:
1958:
1954:
1952:
1946:
1939:
1938:
1933:
1928:
1922:
1918:
1914:
1910:
1906:
1902:
1899:
1894:
1888:
1884:
1880:
1876:
1875:
1868:
1861:
1858:
1853:
1847:
1843:
1839:
1835:
1834:
1828:
1826:
1819:
1815:
1811:
1807:
1805:
1799:
1795:
1793:
1792:
1783:
1777:
1770:
1764:
1757:
1753:
1747:
1740:
1736:
1731:
1724:
1720:
1714:
1710:
1708:
1707:
1706:
1695:
1691:
1687:
1681:
1679:
1671:
1667:
1663:
1659:
1652:
1648:
1646:
1645:
1633:
1632:
1628:
1625:
1624:
1620:
1617:
1614:
1611:
1608:
1605:
1602:
1600:
1596:
1595:
1590:
1586:
1582:
1577:
1573:
1569:
1565:
1561:
1557:
1553:
1549:
1546:
1543:
1539:
1536:
1533:
1529:
1525:
1522:
1521:
1517:
1516:
1508:
1505:
1504:
1503:
1502:
1496:
1492:
1489:
1488:
1487:
1486:
1480:(discography)
1479:
1475:
1472:
1471:
1470:
1469:
1468:
1460:
1456:
1452:
1449:
1448:
1447:
1446:
1440:
1436:
1433:
1432:
1431:
1430:
1424:
1420:
1417:
1416:
1415:
1414:
1408:
1405:
1401:
1398:
1396:
1392:
1388:
1384:
1380:
1376:
1373:
1371:
1367:
1364:
1363:
1362:
1361:
1357:
1356:
1350:
1347:
1346:
1345:
1344:
1343:
1330:
1325:
1324:
1322:
1317:
1314:
1313:
1308:
1303:
1302:
1300:
1296:
1291:
1287:
1286:Eddy Mitchell
1283:
1279:
1275:
1271:
1267:
1263:
1259:
1255:
1254:
1253:: 1965–1968
1252:
1248:
1243:
1239:
1238:
1237:Jazz Magazine
1234:. He founded
1233:
1229:
1228:
1226:
1222:
1217:
1213:
1209:
1208:
1206:
1200:
1199:
1197:
1196:
1186:
1172:
1161:
1155:
1137:
1134:
1131:
1127:
1124:
1121:
1118:
1115:
1111:
1107:
1103:
1099:
1095:
1091:
1087:
1083:
1082:Walter Schaap
1080:
1077:
1074:
1071:
1068:
1065:
1061:
1059:
1054:
1050:
1046:
1042:
1041:Stanley Dance
1039:
1038:
1028:
1024:
1021:
1017:
1013:
1010:
1009:Sidney Bechet
1006:
1002:
999:
997:
996:
991:
987:
986:Chicago blues
983:
979:
975:
972:
968:
967:Lucien Malson
965:
962:
958:
955:
951:
950:Arnaud Merlin
948:
945:
941:
938:
935:
932:
927:
924:
921:
918:
917:Lucien Malson
915:
912:
909:
906:
905:Marcel Zanini
903:
900:
896:
892:
888:
884:
883:
878:
874:
871:
870:
858:
856:
852:
848:
844:
840:
836:
832:
828:
824:
820:
817:
816:
805:
804:went online.
803:
798:
797:(1944–1996).
796:
793:
789:
786:
783:(born 1938),
782:
779:
775:
771:
767:
763:
761:
760:Robert Goffin
757:
753:
751:
746:
741:
738:
734:
730:
727:
723:
719:
715:
711:
709:
705:
701:
700:Benny Goodman
697:
693:
689:
685:
682:
678:
674:
671:
670:Lucien Malson
667:
663:
659:
649:
647:
643:
639:
636:
632:
627:
624:
619:
615:
613:
609:
606:
602:
599:
595:
592:
587:
583:
579:
571:
566:
562:
559:
544:
540:
538:
534:
528:
526:
522:
518:
514:
509:
507:
503:
499:
494:
491:
489:
485:
481:
475:
473:
458:
451:
448:
438:
436:
432:
428:
424:
420:
415:
411:
407:
405:
400:
395:
394:
390:
386:
382:
378:
374:
370:
366:
362:
358:
355:
351:
347:
343:
342:
331:
328:
324:
320:
315:
313:
309:
305:
298:
294:
290:
286:
282:
273:
271:
267:
263:
262:
253:
250:
248:
244:
240:
232:
228:
224:
220:
217:
214:
210:
206:
202:
198:
194:
183:
179:
157:
153:
150:
146:
143:
139:
132:
127:
123:
120:
119:Mobile device
116:
112:
109:
105:
101:
97:
93:
89:
82:
77:
72:
67:
63:
58:
55:
39:
35:
34:
19:
3231:Bobcat Books
3223:
3219:
3188:
3184:
3151:
3147:
3132:
3128:
3120:
3116:
3096:
3081:
3066:
3038:
3033:
3007:
3003:
2985:Greil Marcus
2977:
2973:
2956:
2944:
2915:
2907:
2897:
2861:
2857:
2842:
2835:
2826:
2820:
2813:
2804:
2795:
2787:
2782:Jean Cocteau
2779:
2770:
2764:
2763:
2732:
2719:
2709:
2700:
2683:
2678:
2672:
2655:
2643:
2622:
2614:
2587:
2568:
2543:
2539:
2529:
2525:
2520:
2504:
2482:
2473:
2446:
2442:
2425:
2418:
2382:
2374:
2352:
2348:
2338:
2329:
2303:
2299:
2262:Salt Peanuts
2252:
2242:
2235:
2219:
2214:
2192:
2184:
2154:
2146:
2127:
2123:
2103:
2097:
2071:
2067:
2049:Danny Barker
2044:
2040:
2021:
2013:
1991:
1972:
1950:
1945:
1935:
1927:
1900:
1897:
1893:
1872:
1867:
1852:
1831:
1802:
1798:
1790:
1789:
1781:
1776:
1768:
1763:
1755:
1746:
1738:
1730:
1722:
1713:
1704:
1702:
1701:
1651:
1643:
1642:
1631:Melody Maker
1629:
1621:
1615:
1609:
1603:
1598:
1594:Melody Maker
1592:
1584:
1580:
1575:
1571:
1567:
1563:
1562:was renamed
1559:
1555:
1547:
1535:Review NĂ©gre
1534:
1527:
1518:
1500:
1499:
1484:
1483:
1466:
1464:
1463:
1444:
1443:
1428:
1427:
1412:
1411:
1359:
1358:
1354:
1353:
1340:
1339:
1310:
1301:: 1968-1969
1289:
1261:
1257:
1241:
1235:
1215:
1211:
1132:in the 1930s
1129:
1113:
1109:
1085:
1070:John Hammond
1058:Jazz Journal
1056:
1052:
1048:
1045:Teddy Wilson
1026:
1004:
993:
989:
977:
970:
953:
943:
899:Ray Bradbury
886:
880:
876:
838:
813:
811:
801:
799:
765:
764:
755:
748:
742:
736:
732:
721:
713:
712:
696:Tommy Dorsey
692:Glenn Miller
686:
680:
676:
657:
655:
645:
642:Bunk Johnson
635:Franck Bauer
630:
628:
622:
620:
616:
597:
596:, director.
585:
578:André Hodeir
575:
557:
555:
542:
533:Eddie Condon
529:
524:
520:
516:
512:
510:
506:Kenny Clarke
495:
492:
476:
472:Salt Peanuts
469:
453:
446:
444:
434:
430:
422:
409:
408:
404:World War II
398:
396:
392:
372:
369:Salle Pleyel
360:
359:
353:
349:
345:
339:
337:
327:World War II
322:
318:
316:
311:
303:
302:
260:
259:
258:
176:– 2nd series
166:– 1st series
94:Yves Sportis
83:on the cover
81:Billy Harper
75:
43:
38:Le Jazz Hot!
31:
2894:Mike Zwerin
2790:Frank TĂ©not
2723:"Jazz 47,"
2311:Mike Zwerin
2072:Le Jazz Hot
1686:French Navy
1599:Jazz-Tango.
1585:Jazz-Tango.
1282:Nino Ferrer
1278:Chuck Berry
1227::195?–1954
1138:(1928–2019)
1122:(1914–1994)
1098:Phil Schaap
1078:(1911–1974)
1072:(1910-1987)
919:(born 1926)
911:Frank TĂ©not
907:(born 1923)
708:Stan Kenton
605:rue Chaptal
582:Frank TĂ©not
570:52nd Street
293:Tiny Grimes
289:Red Prysock
276:Early years
181:First issue
135:(1947–1980)
18:Le Jazz Hot
3266:Categories
3205:5712619757
3201:5688435200
3197:5686458242
3162:Ira Gitler
3064:Review of:
3053:5548341388
3049:4641333338
2958:Storyville
2917:New Yorker
2817:Boris Vian
2706:Boris Vian
2666:5104954637
2526:Down Beat,
2399:5104771002
1639:References
1623:Gramophone
1576:Jazz-Tango
1568:Jazz-Tango
1560:Jazz-Tango
1548:Jazz-Tango
1160:Boris Vian
1136:Ira Gitler
1064:mainstream
1053:Jazz Hot's
1016:Don Pullen
873:Boris Vian
598:Jazz Hot's
586:Jazz Hot's
561:Delaunay.
188:1935-03-01
172:1945-10-01
162:1935-03-01
3239:227278674
3213:1749-4060
3121:Down Beat
3061:0269-0403
2997:316825636
2967:0039-2030
2938:0028-792X
2930:230879652
2926:203857235
2876:748593760
2760:2018-5693
2752:858132265
2748:491593078
2694:1071-4421
2608:2033-8694
2600:780289758
2581:183295612
2562:551767714
2531:Down Beat
2467:842166067
2436:460058062
2403:808062796
2395:632228317
2368:842307572
2340:Down Beat
2258:Musicraft
2178:0093-1896
2170:208728269
2166:729035395
2117:842880937
2091:906165198
2034:870285614
1921:629704167
1913:552534701
1909:723055178
1887:644475451
1883:219650052
1846:265091395
1818:701053921
1782:Jazz Hot,
1769:Jazz Hot,
1739:Jazz Hot,
1670:464575154
1610:Down Beat
1566:In 1936,
1459:803863494
1455:742648550
1439:715124017
1404:858501229
1395:474348184
1387:243423718
1383:771213112
1370:0021-5643
1266:Bob Dylan
961:Radzitzky
887:Jazz Hot,
855:1144-987X
847:0755-7272
827:173877110
778:Yves Buin
770:free jazz
681:Down Beat
677:Down Beat
631:Jazz Hot,
521:Jazz Hot,
502:Musicraft
480:Gillespie
393:Jazz Hot.
389:Dixieland
346:Jazz Hot,
323:Jazz Hot,
266:Marseille
252:0021-5643
216:Marseille
125:Publisher
102:Quarterly
99:Frequency
3170:38746731
3109:41506608
3103:(1999);
3094:37373655
3088:(1999);
3079:45023134
3073:(2001);
3027:61479676
3021:(2006);
2731:(eds.),
2637:30357595
2556:(2008);
2498:34515658
2492:(1995);
2463:17411790
2323:44313406
2208:31604682
2102:"Jazz,"
2085:(1934);
2055:(1973);
2007:62872303
2001:(2004);
1951:" Le Hot
1756:Jazz Hot
1723:Jazz Hot
1705:Jazz Hot
1694:Delaunay
1664:, 2008;
1556:Jazz Hot
1478:31041885
1467:Jazz-hot
1423:35260815
1355:Worldcat
1290:Jazz Hot
1262:Jazz Hot
1258:Hot Jazz
1242:Jazz Hot
1212:DownBeat
1130:Jazz Hot
1114:Jazz Hot
1094:Sorbonne
1049:Jazz Hot
1005:Jazz Hot
995:Soul Bag
990:Jazz Hot
971:Jazz Hot
954:Jazz Hot
944:Jazz Hot
835:19880297
802:Jazz Hot
766:Jazz Hot
737:Jazz Hot
658:Jazz Hot
646:Jazz Hot
623:Jazz Hot
612:Paris 9e
603:was 14,
558:Jazz Hot
546:—
531:such as
525:Jazz Hot
517:Jazz Hot
513:Jazz Hot
484:Parker's
460:—
447:Jazz Hot
423:Jazz Hot
410:Jazz Hot
399:Jazz Hot
381:Panassié
373:Jazz Hot
361:Jazz Hot
354:Jazz Hot
350:Jazz Hot
341:DownBeat
319:Jazz Hot
312:Jazz Hot
304:Jazz Hot
261:Jazz Hot
237:.jazzhot
222:Language
212:Based in
76:Jazz Hot
44:Jazz Hot
2765:Essays:
2733:America
2596:5358361
2577:1789466
2524:"About
2488:(ed.),
2284:Al Haig
1379:6542520
1274:Antoine
831:4979636
756:America
498:Gironde
482:'s and
308:leftist
230:Website
204:Country
196:Company
186: (
170: (
160: (
155:Founded
141:Founder
115:Digital
3237:
3211:
3195:
3168:
3160:&
3142:(2002)
3107:
3092:
3077:
3059:
3047:
3025:
2995:
2965:
2936:
2924:
2874:
2758:
2746:
2727:&
2711:Combat
2692:
2664:
2635:
2606:
2594:
2575:
2560:
2515:(2007)
2496:
2461:
2434:
2393:
2366:
2321:
2266:Matrix
2230:(1986)
2206:
2176:
2164:
2140:892252
2138:
2115:
2089:
2061:694101
2059:
2032:
2005:
1919:
1907:
1881:
1844:
1816:
1668:
1493:
1476:
1453:
1437:
1421:
1402:
1393:
1377:
1368:
1284:, and
897:, and
853:
845:
825:
750:Combat
745:Sartre
698:, and
580:, and
550:
464:
299:photo)
291:, and
225:French
207:France
107:Format
36:, see
2951:, by
2455:Mâcon
1937:Notes
1644:Notes
1495:63-65
666:gypsy
270:Paris
111:Print
3235:OCLC
3209:ISSN
3193:OCLC
3166:OCLC
3105:OCLC
3090:OCLC
3075:OCLC
3057:ISSN
3045:OCLC
3023:OCLC
2993:OCLC
2963:ISSN
2934:ISSN
2922:OCLC
2872:OCLC
2848:and
2756:ISSN
2744:OCLC
2740:(fr)
2690:ISSN
2662:OCLC
2652:(de)
2633:OCLC
2629:(fr)
2604:ISSN
2592:OCLC
2573:OCLC
2558:OCLC
2494:OCLC
2459:OCLC
2432:OCLC
2391:OCLC
2364:OCLC
2319:OCLC
2204:OCLC
2174:ISSN
2162:OCLC
2136:OCLC
2113:OCLC
2087:OCLC
2083:(fr)
2057:OCLC
2030:OCLC
2003:OCLC
1917:OCLC
1905:OCLC
1879:OCLC
1842:OCLC
1814:OCLC
1719:(fr)
1666:OCLC
1583:and
1538:(fr)
1524:(fr)
1491:LCCN
1474:OCLC
1451:OCLC
1435:OCLC
1419:OCLC
1400:OCLC
1391:OCLC
1375:OCLC
1366:ISSN
1316:(fr)
1299:(fr)
1251:(fr)
1225:(fr)
1102:WKCR
851:ISSN
843:ISSN
823:OCLC
819:(fr)
795:(fr)
788:(fr)
781:(fr)
729:(fr)
714:Jazz
710:'s.
704:Vian
673:(fr)
662:cool
638:(fr)
608:(fr)
594:(fr)
535:and
247:ISSN
239:.net
3185:(né
3013:by
2892:by
2449:by
2309:by
2264:,"
2222:by
1528:(né
978:(né
235:www
3268::
3207:,
3203:,
3199:,
3176:^
3055:;
3051:,
3017:,
2987:,
2932:,
2928:,
2896:,
2882:^
2840:c)
2833:b)
2824:a)
2811:6.
2802:5.
2793:4.
2785:3.
2777:2.
2768:1.
2754:,
2750:,
2708:,
2602:,
2598:,
2579:,
2465:,
2453:,
2409:^
2401:,
2397:,
2337:,
2313:,
2290:,
2286:,
2282:,
2278:,
2226:,
2172:,
2168:,
2078:,
2051:,
1982:^
1964:^
1911:,
1885:,
1877:;
1824:^
1737:,
1721:,
1677:^
1457:,
1389:,
1385:,
1381:,
1280:,
1276:,
1272:,
1086:né
893:,
849:,
833:,
829:,
694:,
610:,
539:.
508:.
287:,
272:.
3227:,
3155:,
3136:,
3011:,
2981:,
2422:,
2356:,
2307:,
2196:,
2158:,
1995:,
1806:,
1672:)
1656:(
1318:.
1084:(
1060:;
901:.
752:,
190:)
174:)
164:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)
.jpg)
.jpg)