944:
854:
890:
981:
926:
29:
908:
872:
943:
726:
Aquilon, the northern wind, rushes stormily over the locale; his cold breath of wind awakens Flora and forces her to seek refuge in the foliage. The appearance of chilling dew brings Flora to despair, and she implores Aurora, the goddess of the dawn, to help them.
743:
With the appearance of resplendent Apollo, everything becomes animated. Smitten with the beauty of Flora, Apollo kisses her. At his call, Zephyr, the god of the gentle west wind, flies to his beloved Flora's embrace. He is followed by Cupid and her little amours.
980:
364:. The production included décor and costumes based on the original designs, and Riccardo Drigo's score was restored from the original hand-written manuscript held in the archives of the Mariinsky Theatre's music library.
889:
764:
Mercury, messenger of the gods, announces Hebé, the goddess of youth, and
Ganymede, cupbearer to the gods. They present Flora and Zephyr a cup of nectar and proclaim that Jupiter has given them eternal youth.
717:
It is night. Flora, the goddess of Spring, is deep asleep with her nymphs; Diana, the goddess of Moon, guards their peace. With the approach of dawn, a freshness is felt in the air. Diana hides in the clouds.
853:
871:
302:. The programme of the ballet was created by L. I. Ivanov and me together, (but) the production of the dances and the mise-en-scène belong exclusively to me; Mr. L. I. Ivanov had no part in them.
207:
25 July] 1894 before the whole of the
Imperial Russian aristocracy, the Imperial court, foreign royalty, and other prominent members of society. Three days later on 9 August [
735:
Aurora consoles Flora with tender caresses and announces that Apollo, the god of day, who will end their sufferings, is following behind her. Aurora, Flora, and her nymphs perform a waltz.
376:
240:
367:
The production was first presented during the VIIth
International Ballet Festival on 12 April 2007 at the Mariinsky Theatre, St. Petersburg. The principal dancers were
842:
has become a popular piece with both ballet academies and professional companies across Russia, while its variations are frequently performed at ballet competitions.
950:
287:
250:
548:
372:
384:
925:
396:
388:
1876:
1197:
392:
907:
1287:
294:
of the ballet also credited the choreography to both Petipa and Ivanov. This caused Marius Petipa to write a letter of correction to the newspaper:
1613:
797:
457:
211:
28 July] 1894 the wedding party and guests attended a lavish performance at the newly renovated imperial theatre of
Peterhof where
1330:
1153:
Burlaka, Yuri (2016). "The
Problem of Reconstruction of M. I. Petipa's Choreography (The Ballets "Le Corsaire" and "Flora's Awakening")".
1911:
1906:
192:
188:
341:
soon after its premiere in 1894, being among the first ballets to be recorded in this method. Today this notation is part of the
298:
In no. 201 of your much respected newspaper, a not fully accurate communication was reported about the production of the ballet
1190:
33:
Mathilde
Kschessinskaya as the goddess Flora (right) and Vera Trefilova as the god Cupid (left) in the original production of
1750:
1113:
1263:
785:
Olympus is revealed; Jupiter appears, Juno, Neptune, Vulcan, Minerva, Ceres, Mars, Pluto, Proserpina, Venus, and others.
1866:
1028:
1856:
1565:
1183:
773:
A procession. The chariot of
Bacchus and Ariadne is accompanied by bacchantes, satyrs, fauns, sylvans, and others. A
239:
8 January] 1895 with the same cast. This performance took place during a farewell benefit for the ballerina
1474:
823:
with four ballerinas performing as the Greco-Roman deities Diana, Aurora, Hebe and Flora. The choreography for the
1386:
338:
196:
1871:
1861:
1410:
1589:
1541:
1662:
1279:
291:
236:
208:
204:
164:
82:
76:
1901:
1726:
1678:
337:
was given its final performance in 1919. Marius Petipa's choreography for the ballet was documented in the
1881:
1458:
1231:
416:
1916:
1886:
1813:
1670:
1314:
1175:
346:
232:
1827:
1490:
1322:
323:
1378:
1306:
1239:
878:
Mathilde
Kschessinskaya as the goddess Flora (left) and Vera Trefilova as the god Cupid (right) in
278:
was erroneously credited as a joint effort between Marius Petipa and the
Imperial Ballet's second
1629:
752:
Everyone is delighted; Cupid, amours, and nymphs rejoice over the lover's happiness. A classical
483:
444:
184:
1442:
255:"...was one of those masterpieces with which Marius Petipa has made a gift to the ballet stage."
1557:
1346:
1255:
464:
268:
88:
1597:
243:, who had been forced into early retirement after sustaining burn injuries in a theatre fire.
1702:
1654:
1621:
356:
utilized this choreographic notation to prepare for a revival of the original production of
28:
1805:
1450:
1434:
1394:
1370:
1338:
404:
221:
8:
529:
342:
1772:
1525:
1063:
477:
380:
368:
1764:
1498:
1024:
827:
utilized notations for four variations found among the materials for the full-length
451:
438:
283:
1742:
1482:
1426:
1354:
542:
470:
361:
127:
120:
1891:
1605:
1402:
809:
353:
315:
264:
160:
156:
1896:
1718:
1506:
1362:
522:
216:
148:
56:
1466:
1170:
1101:
Souvenir program for the
Mariinsky Ballet's production of "Le Réveil de Flore"
1850:
1418:
1207:
509:
144:
46:
1549:
535:
307:
139:
1710:
1271:
496:
260:
1686:
1573:
1205:
1694:
1646:
679:
152:
626:
318:
recorded Pavlova's abridged edition of Drigo's score for his 1974 LP
860:
Frontispiece for the published piano reduction of Drigo's score for
1780:
1638:
1171:
Vaganova School: Awakening of Flora/Пробуждение Флоры Pas de quatre
962:
831:
in the Sergeyev Collection. The music was taken from the score for
578:
503:
200:
1581:
1533:
1247:
1223:
593:
954:
490:
136:
958:
777:
is performed by all assembled, followed by a rousing finale.
516:
259:
Riccardo Drigo's music was also acclaimed and was issued in
249:
was praised by contemporary critics, with the critic of the
1082:
Liner note for the LP record "Homage to Pavlova" (CSA 2232)
1048:
Celebration at Peterhof, Ezhegodnik Imperatorskikh Teatrov
1155:
Bulletin of the Academy of Russian Ballet. A. Y. Vaganova
215:
was presented for the first time after the second act of
1132:
709:
Taken from the original published piano score of 1894.
565:
taken from the piano score that was published in 1914.
408:
that the ballet was "... like an ornate Fabergé egg."
900:
by the brothers Nikolai and Sergei Legat, circa 1903.
235:
where it was first performed on 20 January [
85:
8 January] 1895 (Imperial Mariinsky Theatre)
672:
L’arrivée et scène de Mercure, de Ganymède et d’Hébé
1148:
1146:
1144:
1128:
1126:
1095:
1093:
1091:
1042:
1040:
1014:
1012:
1010:
896:Caricature of Mikhail Fokine as the god Mercury in
314:in the repertory of her touring company. Conductor
1751:The Little Humpbacked Horse (as "The Tsar Maiden")
1062:
1060:
1018:
329:
175:Marius Petipa and Riccardo Drigo's one-act ballet
1848:
1141:
1123:
1088:
1073:
1050:. St. Petersburg Imperial Theatres, 426-9. 1894.
1037:
1007:
835:as well as from other works by Drigo. Today the
819:was based on themes from Marius Petipa's ballet
1107:
991:from the Mariinsky Ballet's reconstruction of
808:for a student workshop of choreography at the
556:
1191:
1079:
1835:The Romance of the Rosebud and the Butterfly
969:in the Mariinsky Ballet's reconstruction of
788:
1590:Le Diable à Quatre (as "The Willful Wife")
1198:
1184:
422:
1877:Ballets premiered at the Peterhof Theatre
1443:Ondine (as "The Naiad and the Fisherman")
1103:. State Academic Mariinsky Theatre. 2007.
625:Entrée de Cupidon suivi des amours–
352:In 2005, the choreographer and historian
339:Stepanov method of choreographic notation
231:was soon transferred to the stage of the
932:Anna Johansson as the goddess Aurora in
1799:Les Ruses d'Amour or The Trial of Damis
1264:The Rose, the Violet, and the Butterfly
1152:
796:In 2004, the teacher and choreographer
1849:
151:, to a libretto written by Petipa and
1179:
914:Mikhail Fokine as the god Mercury in
1275:(*1858, *1863, *1868, *1885, *1899)
1232:Le Diable amoureux (as "Satanella")
1135:Piano score of "Le Réveil de Flore"
957:, Eugenia Obratzova as the goddess
282:Lev Ivanov in the original printed
13:
1912:Greek and Roman deities in fiction
1907:Works based on classical mythology
1021:The Life and Ballets of Lev Ivanov
961:and Maxim Chaschegorov as the god
14:
1928:
1164:
592:Scène et danse de la rosée–
402:Sergei Vikharev commented to the
193:Grand Duke Alexander Mikhailovich
143:in one act, with choreography by
79:25 July] 1894 (Peterhof)
1157:(in Russian) (УДК 792.8): 53–63.
1133:Drigo, Riccardo Eugenio (1914).
979:
942:
924:
906:
888:
870:
852:
310:included an abridged version of
27:
1542:La Vivandière (as "Markitenka")
330:2007 revival by Sergei Vikharev
197:the Cathedral of Peter and Paul
1120:. Retrieved September 11, 2013
1054:
195:. Their wedding took place at
1:
1280:A Marriage During the Regency
1206:The ballets and *revivals of
750:"It is the will of the gods."
561:List of scenes and dances of
411:Sergei Vikharev's revival of
1251:(*1850, *1884, *1899, *1903)
1001:
532:, the Messenger of the Gods
467:, the God of the North Wind
441:, the Goddess of the Spring
179:was originally created as a
66:Marius Petipa and Lev Ivanov
7:
1671:The Caprices of a Butterfly
1061:Wiley, Roland John (1985).
1023:. Oxford University Press.
1019:Wiley, Roland John (1997).
746:"You must be his helpmate,"
704:
557:Résumé of dances and scenes
506:, the God of the West Wind
426:
183:in honor of the wedding of
10:
1933:
1069:. Oxford University Press.
845:
699:Apothéose: Gloire d’Olympe
480:, the Goddess of the Dawn
454:, the Goddess of the Moon
347:Harvard University Library
233:Imperial Mariinsky Theatre
170:
1867:Ballets by Riccardo Drigo
1791:
1517:
1491:The Daughter of the Snows
1298:
1215:
324:London Symphony Orchestra
155:. First presented by the
104:
96:
70:
62:
52:
42:
26:
21:
1857:Ballets by Marius Petipa
1821:The Heart of the Marquis
1459:The Adventures of Peleus
1240:Leda, the Swiss Milkmaid
253:stating that the ballet
167:25 July] 1894.
1630:The Sacrifices to Cupid
1118:: The Mariinsky Ballet"
644:Scène et Pas d'ensemble
545:, the Goddess of Youth
445:Mathilde Kschessinskaya
423:Roles and original cast
395:as the God Mercury and
375:as the Goddess Aurora,
349:'s theatre collection.
267:by the music publisher
1735:The Awakening of Flora
1323:The Pharaoh's Daughter
1116:The Awakening of Flora
1084:. Decca Records. 1974.
995:. St. Petersburg, 2007
973:. St. Petersburg, 2007
586:L’apparition d’Aquilon
379:as the Goddess Diana,
371:as the Goddess Flora,
304:
288:St. Petersburg Gazette
251:St. Petersburg Gazette
203:on 6 August [
163:on 6 August [
124:The Awakening of Flora
89:St. Petersburg, Russia
1872:1894 ballet premieres
1862:Ballets by Lev Ivanov
1558:The Night and the Day
1371:The Benevolent Cupid
1331:The Beauty of Lebanon
1065:Tchaikovsky's Ballets
601:L’apparition d’Aurore
577:Danse de Diane–
549:Claudia Kulichevskaya
493:, the God of the Sun
415:was awarded the 2007
399:as the Goddess Hebe.
296:
274:The choreography for
185:Emperor Alexander III
130:«Пробуждение Флоры»,
81:20 January [
1663:The Enchanted Forest
1617:(1886, *1887, *1900)
1390:(1868, *1891, *1903)
1339:The Traveling Dancer
1326:(1862, *1885, *1898)
678:Grande marche–
405:St. Petersburg Times
373:Xenia Ostreikovskaya
261:orchestral partition
108:Ballet anacréontique
1902:Mercury (mythology)
1679:The Sleeping Beauty
1598:La Fille Mal Gardée
1585:(*1884, 1899, 1903)
1288:The Parisian Market
1256:The Star of Granada
829:Le Réveile de Flore
650:Variation de Zéphyr
634:Pas d’action—
433:St Petersburg 1894
387:as the God Apollo,
383:as the God Zephyr,
343:Sergeyev Collection
320:"Homage to Pavlova"
292:répétition générale
189:Grand Duchess Xenia
75:6 August [
1882:Aurora (mythology)
1614:The King's Command
1526:La Fille du Danube
1080:Manchester, P. W.
993:Le Réveil de Flore
971:Le Réveil de Flore
934:Le Réveil de Flore
916:Le Réveil de Flore
898:Le Réveil de Flore
880:Le Réveil de Flore
862:Le Réveil de Flore
833:Le Réveil de Flore
821:Le Réveil de Flore
782:Apotheosis —
748:Apollo tells her,
656:Variation de Flore
563:Le Réveil de Flore
519:, the God of Love
413:Le Réveil de Flore
391:as the God Cupid,
385:Maxim Chaschegorov
381:Vladimir Shklyarov
369:Evgenia Obraztsova
358:Le Réveil de Flore
335:Le Réveil de Flore
312:Le Réveil de Flore
300:Le Réveil de Flore
286:. A review in the
276:Le Réveil de Flore
247:Le Réveil de Flore
229:Le Réveil de Flore
213:Le Réveil de Flore
177:Le Réveil de Flore
132:Probuzhdenie Flory
116:Le Réveil de Flore
35:Le Réveil de Flore
22:Le Réveil de Flore
1917:Flora (mythology)
1887:Diana (mythology)
1844:
1843:
1837:(never presented)
1499:Frizak the Barber
989:"Gloire d’Olympe"
770:Tableau 6 —
761:Tableau 5 —
740:Tableau 4 —
732:Tableau 3 —
723:Tableau 2 —
714:Tableau 1 —
662:Grande valse-coda
554:
553:
397:Daria Sukhorukova
389:Valeria Martynyuk
284:theatre programme
222:Roméo et Juliette
187:'s daughter, the
112:
111:
1924:
1828:The Magic Mirror
1758:The Cavalry Halt
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619:Entrée de Zéphyr
613:Entrée d’Apollon
471:Alexander Gorsky
427:
393:Alexei Timofeyev
377:Svetland Ivanova
362:Mariinsky Ballet
280:Maître de ballet
181:piece d'occasion
100:Mikhail Bocharov
92:
91:
31:
19:
18:
1932:
1931:
1927:
1926:
1925:
1923:
1922:
1921:
1847:
1846:
1845:
1840:
1787:
1606:The Magic Pills
1513:
1387:Le Roi Candaule
1307:The Blue Dahlia
1294:
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1204:
1167:
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1038:
1031:
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1004:
997:
996:
987:The apotheosis
984:
975:
974:
967:corps de ballet
947:
938:
937:
929:
920:
919:
911:
902:
901:
893:
884:
883:
875:
866:
865:
857:
848:
810:Bolshoi Theatre
794:
789:Pas de quatre
707:
559:
425:
354:Sergei Vikharev
332:
316:Richard Bonynge
265:piano reduction
173:
161:Peterhof Palace
157:Imperial Ballet
87:
86:
80:
74:
38:
17:
12:
11:
5:
1930:
1920:
1919:
1914:
1909:
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1755:
1747:
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1723:
1719:The Nutcracker
1715:
1707:
1699:
1691:
1683:
1675:
1667:
1659:
1651:
1643:
1634:
1626:
1625:(*1886, *1899)
1618:
1610:
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1594:
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1570:
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1455:
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1446:(*1874, *1892)
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1296:
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1228:
1227:(*1847, *1881)
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1188:
1180:
1174:
1173:
1166:
1165:External links
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1030:978-0198165675
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978:
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951:Victor Baranov
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887:
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876:
869:
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859:
858:
851:
847:
844:
793:
787:
756:is performed.
706:
703:
702:
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695:
693:Galop générale
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667:
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665:
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538:
533:
526:
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523:Vera Trefilova
520:
513:
512:
507:
500:
499:
494:
487:
486:
484:Anna Johansson
481:
474:
473:
468:
461:
460:
455:
448:
447:
442:
435:
434:
431:
424:
421:
331:
328:
306:The ballerina
241:Maria Anderson
217:Charles Gounod
172:
169:
149:Riccardo Drigo
110:
109:
106:
102:
101:
98:
94:
93:
72:
68:
67:
64:
60:
59:
57:Riccardo Drigo
54:
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32:
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1918:
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1510:(1879, *1896)
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1470:(1877, *1900)
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1462:(1876, *1897)
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1456:
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1448:
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1436:
1432:
1429:
1428:
1424:
1421:
1420:
1419:The Two Stars
1416:
1413:
1412:
1408:
1405:
1404:
1400:
1398:(1869, *1871)
1397:
1396:
1392:
1389:
1388:
1384:
1381:
1380:
1376:
1373:
1372:
1368:
1365:
1364:
1360:
1357:
1356:
1352:
1349:
1348:
1344:
1341:
1340:
1336:
1333:
1332:
1328:
1325:
1324:
1320:
1317:
1316:
1312:
1310:(1860, *1875)
1309:
1308:
1304:
1303:
1301:
1297:
1291:(1859, *1861)
1290:
1289:
1285:
1282:
1281:
1277:
1274:
1273:
1269:
1266:
1265:
1261:
1258:
1257:
1253:
1250:
1249:
1245:
1242:
1241:
1237:
1234:
1233:
1229:
1226:
1225:
1221:
1220:
1218:
1214:
1209:
1208:Marius Petipa
1201:
1196:
1194:
1189:
1187:
1182:
1181:
1178:
1172:
1169:
1168:
1156:
1149:
1147:
1145:
1136:
1129:
1127:
1119:
1117:
1110:
1102:
1096:
1094:
1092:
1083:
1076:
1067:
1066:
1057:
1049:
1043:
1041:
1032:
1026:
1022:
1015:
1013:
1011:
1006:
994:
990:
982:
977:
972:
968:
964:
960:
956:
952:
945:
940:
935:
927:
922:
918:, circa 1901.
917:
909:
904:
899:
891:
886:
881:
873:
868:
863:
855:
850:
849:
843:
841:
838:
837:pas de quatre
834:
830:
826:
825:pas de quatre
822:
818:
815:
814:pas de quatre
811:
807:
803:
802:pas de quatre
799:
792:
786:
784:
783:
778:
776:
772:
771:
766:
763:
762:
757:
755:
751:
747:
742:
741:
736:
734:
733:
728:
725:
724:
719:
716:
715:
710:
700:
696:
694:
690:
688:
684:
682:
681:
675:
673:
669:
668:
663:
659:
657:
653:
651:
647:
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641:
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638:
635:
631:
629:
628:
622:
620:
616:
614:
610:
608:
604:
602:
598:
596:
595:
589:
587:
583:
581:
580:
574:
572:
568:
567:
566:
564:
550:
547:
544:
541:
540:
537:
534:
531:
528:
527:
524:
521:
518:
515:
514:
511:
510:Nikolai Legat
508:
505:
502:
501:
498:
495:
492:
489:
488:
485:
482:
479:
476:
475:
472:
469:
466:
463:
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459:
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450:
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437:
436:
432:
429:
428:
420:
418:
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409:
407:
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390:
386:
382:
378:
374:
370:
365:
363:
359:
355:
350:
348:
344:
340:
336:
327:
325:
321:
317:
313:
309:
303:
301:
295:
293:
290:of the first
289:
285:
281:
277:
272:
270:
266:
262:
257:
256:
252:
248:
244:
242:
238:
234:
230:
226:
224:
223:
218:
214:
210:
206:
202:
198:
194:
190:
186:
182:
178:
168:
166:
162:
158:
154:
150:
147:and music by
146:
145:Marius Petipa
142:
141:
140:anacréontique
138:
133:
129:
125:
122:
118:
117:
107:
103:
99:
95:
90:
84:
78:
73:
69:
65:
61:
58:
55:
51:
48:
47:Marius Petipa
45:
43:Choreographer
41:
36:
30:
25:
20:
1834:
1826:
1820:
1814:Harlequinade
1812:
1804:
1798:
1779:
1771:
1763:
1757:
1749:
1741:
1734:
1733:
1725:
1717:
1709:
1703:A Fairy Tale
1701:
1693:
1685:
1677:
1669:
1661:
1655:The Talisman
1653:
1645:
1637:
1628:
1622:La Esmeralda
1620:
1612:
1604:
1596:
1588:
1580:
1572:
1564:
1556:
1548:
1540:
1532:
1524:
1505:
1497:
1489:
1481:
1473:
1465:
1457:
1449:
1441:
1433:
1425:
1417:
1409:
1401:
1393:
1385:
1377:
1369:
1361:
1353:
1345:
1337:
1329:
1321:
1313:
1305:
1286:
1278:
1270:
1262:
1254:
1246:
1238:
1230:
1222:
1154:
1137:. Zimmerman.
1134:
1115:
1109:
1100:
1081:
1075:
1064:
1056:
1047:
1020:
992:
988:
970:
966:
933:
915:
897:
879:
861:
839:
836:
832:
828:
824:
820:
816:
813:
805:
801:
798:Yuri Burlaka
795:
790:
781:
780:
779:
774:
769:
768:
767:
760:
759:
758:
754:Pas d’action
753:
749:
745:
739:
738:
737:
731:
730:
729:
722:
721:
720:
713:
712:
711:
708:
698:
692:
686:
677:
671:
661:
655:
649:
643:
633:
624:
623:№07–c
618:
617:№07–b
612:
611:№07–a
606:
600:
591:
585:
576:
570:
562:
560:
536:Sergei Legat
458:Olga Leonova
412:
410:
403:
401:
366:
357:
351:
334:
333:
319:
311:
308:Anna Pavlova
305:
299:
297:
279:
275:
273:
258:
254:
246:
245:
228:
227:
220:
212:
180:
176:
174:
135:
131:
123:
115:
114:
113:
34:
1806:The Seasons
1711:La Sylphide
1467:La Bayadère
1451:The Bandits
1435:Le Papillon
1395:Don Quixote
1315:Terpsichore
1272:Le Corsaire
953:as the god
840:La Roseraie
817:La Roseraie
806:La Roseraie
791:La Roseraie
497:Pavel Gerdt
417:Golden Mask
1851:Categories
1727:Cinderella
1695:Kalkabrino
1647:The Vestal
1550:Pâquerette
800:created a
680:bacchanale
660:—d.
654:—c.
648:—b.
642:—a.
345:, held in
153:Lev Ivanov
1773:Bluebeard
1765:The Pearl
1743:Swan Lake
1566:Pygmalion
1379:The Slave
1210:in Russia
1002:Footnotes
965:with the
775:Grand pas
687:Grand pas
627:pizzicato
322:with the
271:in 1914.
269:Zimmerman
191:, to the
1781:Raymonda
1687:Nénuphar
1639:Fiametta
1574:Coppélia
1411:Catarina
705:Libretto
579:nocturne
360:for the
201:Peterhof
71:Premiere
63:Libretto
1792:1900–03
1754:(*1895)
1746:(*1895)
1714:(*1892)
1666:(*1889)
1601:(*1885)
1593:(*1885)
1582:Giselle
1577:(*1884)
1553:(*1882)
1545:(*1881)
1534:Zoraiya
1529:(*1880)
1518:1880–99
1483:Ariadne
1438:(*1874)
1427:Camargo
1414:(*1870)
1366:(*1867)
1355:Titania
1347:Florida
1299:1860–79
1248:Giselle
1235:(*1848)
1224:Paquita
1216:1847–59
936:, 1894.
882:, 1894.
864:, 1914.
846:Gallery
804:called
594:scherzo
571:Prélude
530:Mercury
465:Aquilon
419:award.
171:History
134:) is a
37:, 1894.
1892:Apollo
1831:(1903)
1823:(1902)
1817:(1900)
1809:(1900)
1801:(1900)
1784:(1898)
1776:(1896)
1768:(1896)
1760:(1896)
1738:(1894)
1730:(1893)
1722:(1892)
1706:(1891)
1698:(1891)
1690:(1890)
1682:(1890)
1650:(1888)
1642:(1887)
1633:(1886)
1609:(1886)
1569:(1883)
1561:(1883)
1537:(1881)
1502:(1879)
1494:(1879)
1486:(1878)
1478:(1878)
1475:Roxana
1454:(1875)
1430:(1872)
1422:(1871)
1406:(1870)
1403:Trilby
1382:(1868)
1374:(1868)
1358:(1866)
1350:(1866)
1342:(1864)
1334:(1863)
1318:(1861)
1283:(1858)
1267:(1857)
1259:(1855)
1243:(1849)
1027:
963:Zephyr
955:Apollo
812:. The
504:Zephyr
491:Apollo
478:Aurora
137:ballet
97:Design
16:Ballet
1897:Cupid
1507:Mlada
1363:Faust
959:Flora
607:Valse
517:Cupid
452:Diana
439:Flora
430:Role
105:Genre
53:Music
1025:ISBN
697:№13
691:№12
685:№11
676:№10
670:№09
632:№08
605:№06
599:№05
590:№04
584:№03
575:№02
569:№01
543:Hebe
263:and
237:O.S.
209:O.S.
205:O.S.
165:O.S.
126:), (
83:O.S.
77:O.S.
219:'s
199:at
159:at
128:ru.
121:en.
1853::
1636:*
1143:^
1125:^
1090:^
1039:^
1009:^
326:.
225:.
1199:e
1192:t
1185:v
1114:"
1033:.
119:(
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