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upwards and resting on her hands, which are clasped together. This sleeping state would become her signature image. In contrast to other full portraits that
Picasso produced of his model, he chose to focus this painting on her facial features, providing an incredibly intimate portrait. By depicting his subject asleep, Picasso conveys both her physical attractiveness and her innocence, a combination which he found particularly alluring.
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The sleeping woman was a theme that
Picasso explored in numerous works of this period. He said, "When a man watches a woman asleep, he tries to understand". This theme explored the depiction of Walter lost in her subconscious, drawing connections with Picasso's Surrealist works. Picasso was intrigued
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comments on the significance of these sleeping portraits of Walter. "Picasso's frequent portrayals of Marie-Thérèse sleeping provided the ideal platform for his eloquent, sensual, romantic visions of her, hinting at the languid eroticism of their lifestyle in the secluded château, while also tapping
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Marie-Thérèse, now firmly entrenched in both the city and country life of a lover twenty-eight years her senior, could at last emerge from the wings to center stage, where she could preside as a radiant deity, in new roles that changed from
Madonna to sphinx, from odalisque to earth mother. At times
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This classic, dreamy example from his critical year of 1932 is immediately recognizable, and captures the key elements of his work inspired by Marie
Therese. Its lush, painterly quality and vibrant colors stand in stark contrast to Picasso's final portraits of his first wife, Olga Khokhlova, which
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are differentiated from other portraits by their extreme close ups of the subject's face. The rest of Walter's body has been completely removed from the composition. Picasso filled these paintings entirely with Walter's face, conveying the intimacy of the portraits from the close proximity of her
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was one of several paintings that
Picasso created of Walter in the first half of 1932. It is a small canvas, measuring 46 cm x 46 cm. It demonstrates the formidable influence of Walter on Picasso's personal life and art during this period. Walter is depicted asleep, with her head facing
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During this period, Picasso enjoyed experimenting with a much freer composition to his previous work, categorised by rich colours and sweeping brushwork. This new style represents the renewed energy and romance within his personal life. Picasso particularly made use of yellow and violet hues to
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in Zurich. It was as a result of this exhibition that
Khokhlova realised that her husband had been having a long-term affair, after witnessing the many canvases that Picasso chose to exhibit featuring intimate portraits of Walter. This marked a transition in Picasso's artwork, which now openly
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Marie-Thérèse embodied for
Picasso an ideal type – love, model and goddess. She offered him a release into sensuality and inspired the series of reclining, sleeping nudes of the early 1930s. Through Marie-Thérèse, Picasso discovered a new amplitude of form; less solemn than the monumental
124:. This marked a change in their relationship, as it moved from a clandestine affair to a tranquil and relaxed home life away from Khokhlova. This turning point can also be seen reflected in Picasso's artwork, as it was during this time that his paintings moved away from depicting violent
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her master seems to worship humbly at her shrine, capturing a fixed, confrontational stare of almost supernatural power; but more often, he becomes an ecstatic voyeur, who quietly captures his beloved, reading, meditating, catnapping, or surrendering to the deepest abandon of sleep.
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convey Walter's hair and skin, and placed her head between complimentary shades of red and green. In an exhibition catalogue for the
National Gallery of Victoria, Melbourne & Art Gallery of New South Wales, Patrick McCaughey noted the evolution of Picasso's art in terms of form.
117:, so the relationship with Walter remained a secret. Simon Shaw, co-head of Sotheby's Worldwide Impressionist & Modern Art Department, described Walter as Picasso's "golden muse" and opined that Walter was "arguably the love of his life".
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Picasso first met Marie-Therese Walter on the streets of Paris in 1927, when she was just 17 years of age. Walter would recall the event years later. "I knew nothing - either of life or of
Picasso... I had gone to do some shopping at the
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was one of a series of sleeping portraits of Walter that
Picasso created in 1932. On 14 May 2018, the painting achieved a value of $ 36.9 million when it was sold at
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426:"Will Picasso's Le Repos, a Portrait of His "Golden Muse," Marie-Thérèse Walter, Be the Sleeper Hit of the Upcoming Auction Season?"
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referred to the period in which Picasso focused his artwork on Walter as, "his most innovative period since cubism".
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1932 was the year of Picasso's first retrospective exhibition, which was held at Galerie Georges Petit in Paris and
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immediately precede this extraordinary period – generally considered the strongest in Picasso's entire career."
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Walter was painted by Picasso on numerous occasions in a variety of poses, particularly in notable works like
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by dreams and the subconscious, and depicted Walter free of constraint, as an image of serenity and calm.
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Farrell, B. (27 December 1968). "Picasso: His Women: The Wonder Is that He Found So Much Time to Paint".
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In 1932, Picasso and Walter spent a blissful period of time together at Picasso's recently purchased
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510:. Sydney: National Gallery of Victoria, Melbourne & Art Gallery of New South Wales. p. 211.
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described the painting as, "a stunning and intimate depiction of Picasso’s 'golden muse'."
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distortions to a more gentle depiction of the female form in his portraits of Walter.
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46 cm Ă— 46 cm (18 1/8 in Ă— 18 1/8 in)
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neo-classical nudes of the 1920s and with a promise of abundance and pleasure.
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R. Rosenblum in Picasso and Portraiture: Representation and Transformation
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Private Collection, London - sold at Sotheby's, New York, 9 November 2000
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Illa Kodicek, London - sold at Christie's, London, 23 June 1993
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397:"Picasso's 'Le Repos' to headline Sotheby's modern art auction"
538:"Picasso painting at center of pricey divorce sells for $ 37M"
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wrote about the importance of this event in Picasso's artwork.
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Femme au béret et à la robe quadrillée (Marie-Thérèse Walter)
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showcased Walter as his muse. In an exhibition catalogue,
482:"Sotheby's Has $ 25m 1932 Picasso 'Le Repos' for May"
525:. New York: The Museum of Modern Art. p. 342.
563:A Life of Picasso: The Triumphant Years 1917-1932
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2059:If I Told Him: A Completed Portrait of Picasso
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1248:Woman in Hat and Fur Collar
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453:. New York. p. 317.
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278:Woman in a Red Armchair
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565:. London. p. 460.
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1715:Museo Picasso Málaga
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134:Girl before a Mirror
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752:Science and Charity
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1453:Vollard Suite
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86:Pablo Picasso
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61:oil on canvas
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44:Pablo Picasso
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2087:
2079:
2064:
2049:
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2027:
2019:
1975:
1967:
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1951:
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1789:(first wife)
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1065:La Coiffeuse
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598:at Sotheby's
593:
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545:. Retrieved
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490:. Retrieved
488:. 2018-03-06
485:
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403:. 2018-03-06
400:
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24:
18:
2092:(1993 play)
2032:(2006 book)
2000:Carl Nesjar
1710:(Barcelona)
1590: 1941
1542:(1945-1946)
1531:Lithographs
1512:Don Quixote
1456:(1930–1937)
1404:Bull's Head
1337:Las Meninas
1307:(1944–1945)
1129: 1921
888: 1905
867:(1904-1905)
792:Yo, Picasso
784:La Gommeuse
667:(1910–1919)
661:(1907–1909)
655:(1904–1906)
649:(1901–1904)
153:Description
2111:Categories
2010:Lump (dog)
1969:Modigliani
1862:Residences
1845:(grandson)
1821:(daughter)
1805:(daughter)
1734:(Normandy)
1658:Pulcinella
1539:Le Taureau
1485:347 Series
1380:Sculptures
1361:Jacqueline
1176:La Lecture
547:2021-01-13
492:2021-01-13
435:2021-01-12
407:2021-01-13
381:13 January
372:"Le Repos"
335:2021-01-11
299:References
252:Christie's
233:, sold at
231:Bill Gross
210:Provenance
187:Exhibition
126:Surrealist
104:Background
66:Dimensions
2041:Theft of
1911:Films and
1760:Dora Maar
1702:(Antibes)
970:(1905–06)
962:(1905–06)
864:The Actor
819:(1901-02)
736:Paintings
722:1971–1973
717:1961–1970
712:1951–1960
707:1941–1950
702:1931–1940
697:1921–1930
692:1911–1920
687:1901–1910
682:1889–1900
571:cite book
459:cite book
376:Sotheby's
259:Sotheby's
235:Sotheby's
193:Kunsthaus
100:auction.
98:Sotheby's
1929:Guernica
1864:(France)
1853:(father)
1743:Partners
1726:(Malaga)
1718:(Malaga)
1496:Drawings
1445:Etchings
1434:Sylvette
1232:Guernica
1160:Le Repos
1105:Ma Jolie
1097:Arlequin
1089:Ma Jolie
595:Le Repos
271:See also
170:Le Repos
158:Le Repos
94:Le Repos
77:Le Repos
25:Le repos
1988:Related
1694:(Paris)
1684:Museums
1674:Mercure
1184:Le RĂŞve
659:African
640:Periods
508:Picasso
292:Le RĂŞve
140:Le RĂŞve
1977:Genius
1972:(2004)
1964:(2001)
1956:(1996)
1948:(1978)
1940:(1956)
1932:(1950)
1924:(1949)
1779:Family
1644:Parade
1615:Poetry
1558:Murals
1550:(1949)
1523:(1961)
1515:(1955)
1507:(1905)
1488:(1968)
1480:(1937)
1472:(1935)
1464:(1933)
1437:(1970)
1429:(1967)
1415:(1951)
1407:(1942)
1399:(1941)
1391:(1931)
1372:(1962)
1364:(1961)
1356:(1960)
1348:(1958)
1340:(1957)
1332:(1955)
1330:series
1323:(1951)
1315:(1948)
1299:(1941)
1291:(1939)
1283:(1938)
1275:(1937)
1267:(1937)
1259:(1937)
1251:(1937)
1243:(1937)
1235:(1937)
1227:(1935)
1219:(1934)
1211:(1932)
1203:(1932)
1195:(1932)
1187:(1932)
1179:(1932)
1171:(1932)
1163:(1932)
1155:(1929)
1147:(1925)
1139:(1923)
1116:(1921)
1108:(1914)
1100:(1913)
1092:(1912)
1084:(1912)
1076:(1912)
1068:(1911)
1060:(1911)
1052:(1911)
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922:(1905)
914:(1905)
906:(1905)
898:(1905)
875:(1904)
859:(1904)
851:(1903)
843:(1903)
840:La Vie
835:(1903)
827:(1903)
811:(1901)
803:(1901)
795:(1901)
787:(1901)
779:(1901)
771:(1901)
763:(1900)
755:(1897)
747:(1889)
665:Cubism
58:Medium
40:Artist
1813:(son)
1574:Plays
430:Vogue
1547:Dove
653:Rose
647:Blue
577:link
465:link
383:2021
351:Life
143:and
53:1932
50:Year
2113::
1602:c.
1587:c.
1126:c.
885:c.
573:}}
569:{{
540:.
484:.
473:^
461:}}
457:{{
428:.
416:^
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359:^
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307:^
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883:(
625:e
618:t
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385:.
338:.
136:,
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