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Le Solitaire

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701:, where Christophe d'Yvoire wrote that " seems to keep bringing up the miracle recipe that made him the number one star of French cinema. But everybody was already close to indigestion." He added that "either the script (the same old story of a vengeful, tough yet kind hearted cop who fights against all odds), nor the tone, the characters, the acting, or the direction present any kind of interest." Jacques Siclier of 431:, an acclaimed novelist known for both intimate and hardboiled crime stories, the writing process was not a smooth one. Deray opined that "the story is simplistic and the dialogues are flat". Belmondo was also dissatisfied with the final script, which he felt was the primary reason for the film's failure, saying: "There were writing issues that was never able to leave behind." The original title was 274:
murderer of Christian's father to justice, he allows Christian to call him "Dad". He, who has put his godson away into boarding schools all the time and lived only for his police work, now demonstrates a shift in priorities. When they drive home, Jalard puts a police siren on top of his car and drives wiggly lines just because that obviously amuses little Christian a lot.
479:. Belmondo's then girlfriend, Brazilian model and singer Maria Carlos Sottomayor, also shows up in a musical number, in the final of her three on-screen appearances with the star. They broke up in 1987, although they remained on good terms. Shortly before this film, stage actor Jean-Pierre Malo had portrayed a ruthless hitman in 707:
was also critical, writing: " take and bundle together all the situations, all the characters that have been lying around for the last twenty years in French cop films, and you will get an idea of what is awaiting you: clichés, clichés and more clichés." He did have a few good words for the director,
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opened in first place with 401,000 admissions in its first week, a decent if unspectacular performance. However, it quickly faded at the box office and finished its run with only 918,197 admissions, a steep decline from the already diminishing returns of Belmondo's last few films. It was the first
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Jalard identifies Schneider's new accomplices and puts them under pressure. Step by step he closes in on him until he can confront him in his hide-out. Schneider refuses to show any regret, eludes and steals a car. He tries to run over Jalard who arrests him anyway. Now that Jalard has brought the
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Jalard changes his mind. He dedicates his life all the more to police work. After two more years he has been promoted but he had no chance to get Schneider yet because Schneider disappeared. Eventually Schneider returns to France and commits crimes. Moreover, he threatens Jalard on the phone and
29: 748:, they take up unforgivably little screen time. It seems that Jacques Deray, as an experiment, decided to build a police thriller on dialogue alone, hoping that the commercial success of the film would be ensured by the mere fact that the main role was played by the irresistible Belmondo". 708:
adding that "Deray can't help but show his craft in the action scenes, on the technical side". Of the star's performance, he said: "Belmondo does everything he thinks is expected of him at the cinema. He does not look tired, but maybe we are longing for something different anyway."
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signifies both the end of an era and the bankruptcy of a system. While unmemorable in itself, it will go down in history. Because it likely constitutes the pathetic final page of a whole chapter of French cinema. Pretty sad, actually." In his history of French cinema, academic
832:. He saw these films' loss of favor in a broader sociological context, writing that France's popular audience had stopped going out to the movies, and had only been partially replaced by a younger crowd that cared more about "images coming from elsewhere". 724:
called the film "a succession of tropes, staged with a certain efficiency but not much enthusiasm by an experienced director." He did commend "a few touches of tenderness and humor brought forth by the presence of the cop's protégé, a cheeky orphan."
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was slightly kinder, calling it "a (relative) failure". Belmondo, for his part, regretted making the film. In 2009, he told Gilles Durieux, another of his biographers: "It was one cop film too many. I was tired of them, and so was the public."
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cinema, Italian critic Pier Maria Bocchi was more positive, praising Belmondo's attempt to steer his career away from "the image that had always constrained him, that of an athletic man of action, in a difficult role devoid of
266:. Single father Lecache has already asked his son Christian about it. But at the very evening when Lecache tells Jalard that his son approves of their plan, Lecache is murdered by the professional killer Charly Schneider. 620:, that have come to characterize the period of his career. It was preceded by a teaser poster that only showed Belmondo's eyes, his name and the release date against a black background, while omitting the title entirely. 650:, once a dependable market, the film was released by Metropol-Filmverleih, a smaller than usual distributor for the actor. It generated 329,000 admissions and finished in 54th place at the 1987 box office, well below 744:, Sergey Lavrentiev opined that "he plotline here is extremely simple, typical and familiar Moreover, the general lethargy is not compensated for by the genre's seemingly obligatory brawls and shootings: in 1093: 589:, enjoying critical acclaim for his first stage work in thirty years. As a result, the majority of his promotional air time was dedicated to the play, rather than to the more conventional 1519: 520: 2351: 607:
once despite being a film publication. Additionally, the French film industry was experiencing a multi-year attendance slump at the time, which particularly affected domestic films.
352:. Veteran helmer Jacques Deray was already attached at the time, and was the actor's choice. It was a natural one, as he had directed Belmondo in three prior films, including 1983's 780:, by far the dominant force in French television, and delivered the expected audience, drawing an average of 12.1 million viewers for a massive 48 percent share on 9 October 1990. 262:
The policeman Stan Jalard and his colleague Simon Lecache are rather fed up with police work. They are toying with the idea to quit police service in order to run a hotel on the
2328: 2390: 1997: 1016:. In addition to a score by British composer Danny Schogger, it includes two songs performed by Maria Carlos Sottomayor: "Life Time", which Polydor also released as a 2382: 1243: 476: 2367: 1434: 307: 1381: 2320: 1190: 658:, where Belmondo's name still carried great mystique at this stage of his career, the film drew in a sizeable audience, with 27.8 million tickets sold. 1918: 1891: 289: 828:, "the mechanic stopped working" for Belmondo and French crime films in general, noting the similar box office erosion of the star's long time rival, 412:". Another, more pragmatic reason for its low action quotient was a serious spinal injury suffered by Belmondo while attempting an air lift stunt for 2336: 2312: 734:
Antonio Albert found Belmondo's character "as cold a guy as he is uninteresting, except with the token little orphan." Writing for state-sponsored
523:(neither of which exist anymore), and into the adjacent rue Vercingétorix and rue Jean Zay. The hotel depicted in the final showdown is located on 397:. The action scenes were noted for being far more subdued than in the actor's prior body of work. This was acknowledged by Deray, who declared: " 1744: 319: 1792: 1024:. A so-called Special Remix of "Life Time" by veteran sound engineer Thierry Rogen was also issued as a promo 7-inch by the same label. 2444: 348:, Belmondo announced that he had two projects lined-up: his long awaited return to the stage and another crime film, which became 2128: 385:, saying that while it remained "Belmondian", the actor wanted a more story-driven affair, in the prestigious tradition of the 548:. The documentary draws a parallel between Belmondo's filming preparation and the pre-race rituals of its other subject, star 2224: 772:
theatrical run, Belmondo's star power was enduring enough to ensure a considerable home viewership. The rights to the film's
2439: 1572: 593:, which Deray partially blamed for the film's tepid commercial performance. For example, the March 1987 issue of magazine 2434: 1120: 1970: 1302: 2048: 1953: 1874: 1683: 1407: 1285: 811:
Some contemporary articles immediately saw the film as a death knell for France's traditional genre production, with
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is of course a film about movement and action, but Jean-Paul does not perform any stunt. wanted to take a break.
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is a film where there is no outstanding physical feat. He is more of a psychological hero than a physical one."
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time since 1964 that one of his vehicles had failed to draw at least one million patrons in his home country.
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In his memoirs however, Deray was more upfront regarding the film's limited ambitions, calling it "a copy of
982: 683: 844:", whereas Delon, "to the contrary, doubled down on the masculinity of a genre without future". He called 270:
later devastates his flat. He even sends somebody to shoot Jalard and his godson Christian in the street.
2454: 2372: 2121: 1355: 990:. However, the actor never again scored a sizeable hit, and his final attempt at an action film, 1998's 2288: 1464: 2304: 2264: 2176: 1752: 2341: 821: 512: 2168: 1160: 516: 2023: 1244:"Jean-Paul Belmondo : quand l'acteur a frĂ´lĂ© la mort dans une Ă©mission de Patrick Sabatier" 962:
In 1987, Belmondo's biographer Philippe Durant described the film as his worse failure to date.
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The film was poorly received by critics. Bernard GĂ©rin of highbrow cultural magazine
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the following year. It was a critical and commercial success, for which he won a
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At the time of release, Deray insisted on the differences between this film and
2359: 1009: 973: 929: 740: 503:—the last of six films shot there by the actor— and on location throughout the 390: 1048: 987: 616:
poster retained the same style and font, devised by Belmondo's former manager
544:, directed by Florence Moncorgé, the daughter of Belmondo's erstwhile co-star 2423: 2184: 2137: 1624: 1598: 673: 468: 378:, although quite successful, had not lived up to the star's lofty standards. 364: 325: 313: 295: 233: 225: 83: 53: 39: 519:
entertainment complex, inside the New York New York night club, through the
1435:"Jean-Paul Belmondo, des rôles en cascade pour une carrière hors du commun" 915: 721: 655: 508: 507:. The two major confrontations between Jalard and Schneider were filmed in 504: 467:
As usual, several of Belmondo's close friends feature in the cast, such as
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International reception was along the same lines. Robert-Claude Bérubé of
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further highlighted its formulaic nature. Other considered titles were
1382:"Studios de cinĂ©ma : quand BĂ©bel tournait Ă  Boulogne-Billancourt" 1917:
Calfan, Nicole; Bourdon, Laurent; Sevaistre, Bruno (29 August 2017).
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Siclier, Jacques (26 March 1987). "'Le Solitaire' de Jacques Deray".
1005: 459:('Shadow of a Cop'), the latter being Deray and Belmondo's favorite. 427:
Despite the contributions of former police officer Simon Michaël and
386: 2101: 1469:. Nathan UniversitĂ© (2nd ed.). Paris: Nathan. pp. 93–96. 836: 749: 703: 263: 1121:"La mort d'une icĂ´ne du cinĂ©ma français : Jean-Paul Belmondo" 1094:"Comment Jean-Paul Belmondo est devenu le boss du cinĂ©ma français" 2256: 1013: 727: 647: 568:
At the time of the film's release, Belmondo was also starring in
416:('Belmondo from A to Z'), a variety television special hosted by 2106: 752:'s Dan Pavlides rated the film a two on a scale of one to five. 599:, which coincided with the film's release, included a review of 1463:
Jeancolas, Jean-Pierre (1995). "Le cinéma relatif. 1975–1974".
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summed up the critical consensus, assessing: "If you have seen
549: 1494:"Jean-Paul Belmondo et les affichistes : les magnifiques" 1869:. Cinema (in Italian). Soveria Mannelli: Rubbettino Editore. 735: 697:. The film was belatedly reviewed in the May 1987 issue of 515:. Lecache's murder and the ensuing chase take place at the 491:
The picture was shot in September and October 1986, at the
803:. It received its release certificate on 6 October 2009. 792: 777: 483:, another hardboiled cop movie written by Simon MichaĂ«l. 362:), which had been a massive hit, whereas his next three, 224:) is a 1987 French crime film directed and co-written by 1165:. Lausanne: Pierre-Marcel Favre. pp. 172–175, 217. 996:, which paired him with Alain Delon, was another flop. 1969:
Bourdon, Laurent; Tibon, Thérèse (September 8, 2021).
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Belmondo experienced a brief resurgence when director
1690:. Vol. 1, no. 3. Paris: Studio. p. 16. 1971:"Belmondo : une vie en sept films et une pièce" 1867:
Brivido caldo: Una storia contemporanea del neo-noir
1191:"Belmondo : un nom, une marque qui Ă©crase tout" 1948:(in French). Paris: Le Cherche midi. p. 299. 1553:(in French). Centre national de la cinĂ©matographie 654:, which had ranked 16th for 1983. However in the 477:Conservatoire national supĂ©rieur d'art dramatique 424:, which had left him with persistent discomfort. 2421: 1184: 1182: 1919:"Belmondo, Le Magnifique ou enfant gâtĂ© ?" 1197:. De Belmondo Ă  BĂ©bel (Part 6 of 6) (in French) 342:During promotion for his previous film, 1985's 835:In a retrospective assessment for his book on 2122: 2049:"Carlos Sottomayor – Life Time Special Remix" 1179: 1968: 1681: 1458: 1456: 435:but, following the release of the eponymous 244:made by Belmondo, which started with 1975's 240:. It was the last in a series of commercial 1433:Carmarans, Christophe (September 6, 2021). 1020:single, and "Ecstasy", which served as its 854:Le Solitaire : Bande originale du film 2129: 2115: 1677: 1675: 1520:"Le Solitaire affiche prĂ©ventive Belmondo" 1330:"Jean-Paul Belmondo: les femmes de sa vie" 1188: 337: 27: 2355:(segment: "Arnaud et ses copains") (1994) 1462: 1453: 1432: 1271: 1269: 1267: 1265: 1154: 1152: 1150: 1148: 1146: 1144: 1142: 540:shoot was memorialized in the short film 1995: 1890:Belpeche, StĂ©phanie (6 September 2021). 1889: 527:and remains in operation as part of the 1943: 1700: 1672: 1544: 1488: 1486: 1275: 1215: 1209: 848:"one of the star's purest noir parts". 2422: 2016: 1864: 1813: 1742: 1303:"Belmondo, les copains d'abord !" 1276:Bourdon, Laurent (November 15, 2017). 1262: 1241: 1158: 1139: 1118: 1091: 1043: 1041: 1039: 1037: 1004:The film's soundtrack was released on 693:, don't bother, you have already seen 2110: 1910: 1648: 1646: 1573:"Le Solitaire Box Office Information" 1301:Borde, Alexandre (6 September 2021). 1300: 633:Released in France on 18 March 1987, 1944:Durieux, Gilles (January 22, 2009). 1751:(in Spanish). Madrid. Archived from 1483: 1242:Thomas, Camille (23 February 2018). 1565: 1545:Ferment, Fabrice (24 August 2020). 1327: 1189:Blumenfeld, Samuel (24 July 2020). 1119:Gallet, JĂ©rĂ©my (8 September 2021). 1034: 13: 2225:Un peu de soleil dans l'eau froide 1715: 1643: 711: 14: 2466: 2136: 2070: 1996:Lachasse, JĂ©rĂ´me (28 July 2023). 1816:"The Loner (Le solitaire) (1987)" 1743:Albert, Antonio (22 March 1992). 1682:D'Yvoire, Christophe (May 1987). 1092:JaeglĂ©, Yves (6 September 2021). 250:and made him a powerhouse at the 765:While audience fatigue hindered 641: 2445:Films directed by Jacques Deray 2041: 1989: 1962: 1937: 1883: 1858: 1833: 1814:Nyland, Ray (31 January 2012). 1807: 1785: 1759: 1736: 1709: 1694: 1684:"Critiques : Le Solitaire" 1617: 1591: 1538: 1512: 1426: 1400: 1374: 1348: 1321: 1294: 755: 475:, two of his classmates at the 2352:3000 scĂ©narios contre un virus 1235: 1112: 1085: 1067: 976:, based on his performance in 1: 1745:"CrĂ­tica : El solitario" 1388:(in French). 9 September 2021 1027: 999: 799:, via Australian distributor 783: 760: 666: 623: 332: 1524:vintagehandnewautographs.com 1414:(in French). 2 February 2009 983:Itinerary of a Spoiled Child 661: 563: 7: 2440:French crime thriller films 1865:Bocchi, Pier Maria (2019). 1793:"Primetimes – octobre 1990" 1500:(in French). 21 August 2018 1466:Histoire du cinĂ©ma français 628: 521:GaĂ®tĂ©-Montparnasse Ice Rink 439:starrer, it was changed to 10: 2471: 2435:1980s crime thriller films 2289:He Died with His Eyes Open 1625:"Top 100 Deutschland 1983" 1599:"Top 100 Deutschland 1987" 1551:Les Archives du box office 1547:"BO France – 24 mars 1987" 980:, cast him in the dramedy 795:with English subtitles by 558: 486: 462: 2401: 2265:Butterfly on the Shoulder 2177:Crime on a Summer Morning 2144: 1441:(in French). Radio France 1328:FDA (September 7, 2021). 1159:Durant, Philippe (1987). 956: 939: 928: 924: 914: 898: 879: 871: 858: 853: 806: 286:: Commissaire Stan Jalard 201: 193: 185: 175: 151: 143: 127: 119: 111: 103: 93: 73: 63: 45: 35: 26: 21: 822:fr:Jean-Pierre Jeancolas 443:, whose similarity with 2329:NetchaĂŻev est de retour 2169:Symphony for a Massacre 2028:soundtrackcollector.com 1716:BĂ©rubĂ©, Robert-Claude. 1408:"Solitaire (Le) (1987)" 1386:boulognebillancourt.com 1278:DĂ©finitivement Belmondo 1216:Travers, James (2001). 866:Maria Carlos Sottomayor 776:debut were acquired by 513:arrondissement of Paris 338:Development and writing 277: 257: 160:18 March 1987 2450:Police detective films 2024:"Solitaire, Le (1987)" 1896:Le Journal du Dimanche 965:Le Journal du Dimanche 493:fr:Studios de Boulogne 2391:Lettre d'une inconnue 1845:classification.gov.au 1767:"Le Solitaire (1987)" 1218:"Le Solitaire (1987)" 1075:"Le Solitaire (1987)" 1803:on 26 February 2005. 1705:. 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Index

Le Solitaire
Jacques Deray
Alphonse Boudard
Jacques Deray
Alain Sarde
Jean-Paul Belmondo
Michel Beaune
Pierre Vernier
Jean-Paul Belmondo
French
Jacques Deray
Jean-Paul Belmondo
Michel Beaune
Pierre Vernier
action films
The Night Caller
continental European
Antilles
Jean-Paul Belmondo
Jean-Pierre Malo
Michel Beaune
Pierre Vernier
François Dunoyer
Michel Creton
Franck Ayas
Bernard Farcy
Hold-Up
The Outsider
The Vultures
Happy Easter

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