44:
1181:, 22 June 1959: "In a publisher's warehouse in Milan last fall, Kalamazoo-born conductor Thomas Schippers discovered an opera score dedicated to Queen Margherita of Italy and tied up in purple string. In Spoleto last week, at the opening of Gian Carlo Menotti's Festival of Two Worlds, he unwrapped his find before a capacity audience. Italian critics promptly hailed the long-forgotten work as one of the finest creations of composer Gaetano Donizetti". Retrieved 9 February 2014.
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to suppress the rebellion against
Spanish rule. Shortly before the action begins, Amelia's father Egmont, a Flemish hero, had been executed by the Duke and she is now determined to assassinate him. The Duke discovers that his long-lost son Marcello, Amelia's lover, is now the leader of the rebellion.
354:
At the Teatro Nuovo of
Spoleto on 11 June 1959 was staged a further purported revival of the Donizetti/Salvi opera, again in three acts, the orchestra reduced throughout to "Donizettian" sound-bites (as though the Paris Opéra of his day would have been deficient in instrumentation), with preludes and
642:
When
Marcello is freed from prison, he appeals to the Duke to spare his co-conspirators and Amelia, all of whom have been arrested in Daniele Bauer's tavern. The Duke reveals to Marcello that he is his father. In exchange for his friends' freedom, Marcello kneels before the Duke and acknowledges him
651:
Marcello confesses to Amelia that he is the Duke's son. She asks him to kill the Duke as proof of his love for her. Torn between his father and the woman he loves, Marcello hesitates. Later at the port of
Antwerp, Amelia, disguised as a man, takes matters into her own hands and attempts to stab the
221:
Although abandoned for the Opéra and still incomplete, Donizetti felt that his contract for this opera had been broken and, in late May 1845, decided to leave Vienna for Paris where he would claim a forfeit from the Opéra for its non-production, which was still unfinished, as was the libretto. He
327:
The opera has only been rarely performed since 1882 and "no one seems even to have remembered its existence, until, that is, Fernando
Previtali discovered the battered full-score used by the conductor at that momentous prima on a market stall in Rome ". Prof. Alexander Weatherson of London's
217:
in 1839, and
Donizetti worked on it throughout most of that year. However, he abandoned the project with only the first two acts completed, plus notes for the melodies and bass lines for acts 3 and 4. The opera remained unfinished at the time of his death in 1848.
336:
was brought back to life, complete, in a concert performance in that same city of Rome where it had been discovered on that famous market stall. But this is far from correct. That rebirth version was already abridged, the opera was given in three acts, not
422:
When the
Schippers version with the Visconti production was revived at the Teatro Nuovo in Spoleto (Festival dei Due Mondi) on 1 July 1992 "...there was a further attempt...this time under the baton of Alberto Maria Giuri when the Donizetti/Salvi
349:
rediscovered the score (originally found in 1952), reworked it by removing most of Salvi's additions and reconstructing the final acts himself from
Donizetti's notes. All the same, Weatherson has also stated:
2414:
446:(Duca), Arturo Chacón-Cruz (Marcello), Francesco Ellero d'Artegna (Sandoval) and Mauro Corna (Daniele) with the Orchestre National de Montpellier. The performance has been subsequently issued on CD."
258:
and Cesare
Domeniceti. Angelo Zanardini translated Scribe's libretto from the original French into Italian. The names of the two lovers 'Henri' and 'Hélène' (which by that time had been used in
419:
in the title role. About this performance, Weatherson notes: "where there were cuts galore but also the restitution of many of the more characterful sections of the Salvi score".
203:
1194:. Naples, Public Relations Office of the Teatro S. Carlo, 1979. The performances are listed as taking place on 27 and 30 December 1979 and on 3, 6, 9 and 12 January 1980.
427:
finally made an appearance in an edition at last musically worthy of its original dimensions and dramatic character, far more complete now, the Duca d'Alba sung by
288:
in
Antwerp and Ghent presented the first performances of the original French opera in a four-act version, which had been completed in 2012 with additional music by
222:
left Vienna for the last time on 10 July 1845, but appears to have done nothing about the claim when he arrived in Paris, and his final illness soon claimed him.
815:
435:
1172:
271:. For the premiere, Salvi composed a replacement aria, 'Angelo casto e bel'. He also added recitatives and combined acts 3 and 4 into a single final act.
1223:
1453:, Vlaamse Opera, Antwerp & Ghent, 25 May – 2 June 2012", Donizetti Society (London). (Reactions to seeing the Vlaamse Opera's production in 2012)
265:
When Donizetti abandoned the opera, he re-cycled the famous tenor aria, 'Ange si pur' ( 'Spirto gentil' in the Italian version) for his 1840 opera
1516:
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145:
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It received almost no performances in Italian until the mid-20th century and was only given its first performances in French in May 2012.
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This 1959 cut-price version outlined the merest skeleton of the composer's musical plan, Mr Schippers, it would seem, had no taste for
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1958:
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156:, the director's mistress, disliked her intended role of Hélène and Donizetti put the work aside when it was half completed".
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431:, Marcello by César Hernàndez, Amelia by Michaela Sburiati, Sandoval by Marco Pauluzzo and Carlo by Dennis Petersen."
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in Brussels in 1979 (using sets inspired by Carlo Ferrario's 1882 designs), the run of six performances at the
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214:
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Performance history insists that it was under the baton of Fernando Previtali that the treasured score of
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771:
408:
1381:
Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century
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who has written extensive notes on the evolution of this original version. The French version featured
171:, and thus it was nearly 34 years after the composer's death that it was completed by his former pupil
652:
Duke to death. Marcello throws himself on the Duke to shield him and is unwittingly killed by Amelia.
2288:
2006:
1878:
1854:
1822:
1790:
1357:"The 'hache sanglante' of the Duke of Alba: Part 3 – The opera's performance history since the 1950s"
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Schippers presented the United States premiere of the work later that year under the umbrella of the
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1990:
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1982:
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1998:
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1038:
250:, a former pupil of Donizetti's, completed the opera from Donizetti's notes with the help of
1336:"The 'hache sanglante' of the Duke of Alba: Part 2 – The structure and numbers of the opera"
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1974:
1966:
1934:
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Donizetti then abandoned the score in favour of continuing to work simultaneously on both
8:
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1950:
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and received its first performance in an Italian translation and under its Italian title
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1406:, Shaftesbury: Element Books, Ltd (UK); Rockport, Massachusetts: Element, Inc. (USA)
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Donizetti Society, in his study of the opera's performance history notes that:
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1059:"We asked composer Giorgio Battistelli to finish Donizetti's unfinished opera"
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2014:
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780:
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304:
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1404:
Donizetti: In the Light of Romanticism and the Teaching of Johann Simon Mayr
1315:"The 'hache sanglante' of the Duke of Alba: Part 1 – A history of the opera"
1309:(written in conjunction with the Vlaamse Opera reconstruction performances).
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such as he might have composed some ten years before his Paris adventure."
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who completed Donizetti's score for the opera's 1882 posthumous premiere
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However, there was a major revival of the Italian version at the 1959
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in the title role, Abigaille Bruschi Chiatti as Amelia di Egmont, and
2059:
805:
439:
148:. The work was intended for performance at the Paris Opéra. However,
1565:
314:
2415:
Cultural depictions of Fernando Álvarez de Toledo, 3rd Duke of Alba
1838:
1465:"Filling in the Missing Links of an Opera Donizetti Never Finished"
892:(Recorded at a performance given by the Vlaamse Opera in May 2012)
630:
611:
494:
407:, Naples, in December 1979 and January 1980, and, in October 1982,
236:
129:
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509:
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and Latvian Radio Chorus. (Recording of a concert performance)
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The Duke arrests him when he refuses to join the Spanish army.
240:
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as Hélène d'Egmont. and it was conducted by Paolo Carignani.
117:
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In 1855, Scribe and Duveyrier's libretto was transferred to
990:
415:
gave a concert performance of a version of the opera with
359:
once again making an inappropriate appearance in place of
235:, with the setting changed from the Spanish occupation of
1504:, 2nd Edition, 1979, Oxford University Press. p. 144
434:
On 16 July 2007, a concert performance was given by the
1481:
The Bel Canto Operas of Rossini, Donizetti, and Bellini
318:
Julián Gayarre who created the role of Marcello in 1882
816:
Orchestre national de Montpellier Languedoc-Roussillon
436:
Orchestre national de Montpellier Languedoc-Roussillon
369:
and tried to rewrite Donizetti's score as if it was a
2317:
1473:(an account of the leading up to the 2012 production)
213:The opera had been originally commissioned for the
1293:"Donizetti's Forgotten French Opera: In Search of
1094:at vlaamseopera.be/en. Retrieved 26 December 2013
1097:
381:, who used restored sets from the 1882 premiere.
2341:
1517:The New Grove Dictionary of Music and Musicians
1426:Ashbrook, William and Sarah Hibberd (2001), in
1204:Cast and production details on the OONY website
980:"A Donizetti Work Is Resurrected, Sets and All"
1581:
438:. "It was conducted by Enrique Mazzola; with
355:recitatives dropped....and pared-down codas.
1116:Premiere cast from Donizetti Society, London
833:: Completed by Giorgio Battistelli in 2012.
146:Fernando Álvarez de Toledo, 3rd Duke of Alba
1354:
1333:
1312:
1161:
1134:
1130:
1126:
712:CD: Bongiovanni Historical Opera Collection
663:: Prepared by Angelo Zanardini, Rome 1882.
262:) were changed to 'Marcello' and 'Amelia'.
1588:
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42:
1561:International Music Score Library Project
1375:
1157:
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996:
1903:Le convenienze ed inconvenienze teatrali
1799:Le convenienze ed inconvenienze teatrali
1255:
963:
313:
201:
1460:, 2nd edition. Rowman and Littlefield
1313:Weatherson, Alexander (October 2007a).
1002:
779:(Recording of a concert performance in
377:The Spoleto production was directed by
2342:
1502:The Concise Oxford Dictionary of Opera
1287:
1140:
1137:, for a history of the Italian version
1103:
831:Original version using the French text
709:Orchestra sinfonica della RAI di Roma
274:
197:
1595:
1569:
1447:"Past Production Report: Donizetti's
1076:
1074:
959:
957:
886:Symphony Orchestra and Chorus of the
521:Marcello di Bruges / Henri de Bruges,
120:in three acts originally composed by
48:Set design for the 1882 premiere, by
1855:Elisabetta al castello di Kenilworth
1520:. 2nd edition. London: Macmillan.
1483:, Portland, Oregon: Amadeus Press.
524:a Flemish patriot and Amelia's lover
399:Other stagings included that at the
239:in 1573 to the French occupation of
1959:Il furioso all'isola di San Domingo
1242:, operadis-opera-discography.org.uk
1226:. L'Almanacco di Gherardo Casaglia
506:Amelia di Egmont / Hélène d'Egmont
13:
1396:
1273:. Vol. 1. London: MacMillan.
1071:
954:
629:The Duke of Alba has been sent to
14:
2426:
2400:Works about the Eighty Years' War
1547:
1270:The New Grove Dictionary of Opera
456:Roles, voice types, premiere cast
140:. Its title, which translates as
2327:
2302:
2301:
2051:
1085:" on the Vlaamse Opera's website
116:(its later Italian title) is an
1233:
1216:
1197:
1184:
1166:
1120:
571:Daniele Brauer / Daniel Brauer,
110:(its original French title) or
16:1882 opera by Gaetano Donizetti
2370:Operas set in the 16th century
1703:Chiara e Serafina, o Il pirata
1463:Loomis, George (15 May 2012),
1416:, Cambridge University Press.
1224:"Le duc d'Albe, 22 March 1882"
1109:
1052:
1031:
969:
740:Trieste Philharmonic Orchestra
487:Governor of Flanders for King
482:Il duca d'Alba / Le Duc d'Albe
183:in Rome on 22 March 1882 with
1:
1656:I piccioli virtuosi ambulanti
1402:Allitt, John Stewart (1991),
942:
655:
586:Il taverniere / Un Tavernier,
542:Captain of the Spanish troops
476:Conductor: Marino Mancinelli
2076:Betly, o La capanna svizzera
1434:, New York: Penguin Putnam.
1383:. New York: Pantheon Books.
1363:. Donizetti Society (London)
1342:. Donizetti Society (London)
1321:. Donizetti Society (London)
1299:. Donizetti Society (London)
1190:In-house theatre programme,
744:Teatro Lirico Giuseppe Verdi
474:Premiere cast, 22 March 1882
345:in Spoleto, after conductor
144:, refers to its protagonist
7:
2390:Operas by Gaetano Donizetti
2385:Operas based on real people
1919:La romanziera e l'uomo nero
1456:Loewenberg, Alfred (1970).
1432:The New Penguin Opera Guide
1049:(accessed 26 December 2013)
1016:"Concert: Eve Queler leads
776:Schola Cantorum of New York
772:Opera Orchestra of New York
604:
409:Opera Orchestra of New York
401:Théâtre Royal de la Monnaie
10:
2431:
1815:L'eremitaggio di Liverpool
1458:Annals of Opera, 1597–1940
1222:Casaglia, Gherardo (2005).
1173:"Music: Donizetti Revived"
851:Opera house and orchestra
681:Opera house and orchestra
2355:Libretti by Eugène Scribe
2297:
2271:
2254:
1823:Alina, regina di Golconda
1791:Il borgomastro di Saardam
1612:
1603:
1445:Jackson, Alan (in part),
1355:— (October 2007c).
1334:— (October 2007b).
515:Abigaille Bruschi-Chiatti
77:
56:
41:
30:
23:
1414:Donizetti and His Operas
646:
637:
624:
449:
1663:Il falegname di Livonia
788:CD: Omega Opera Archive
280:Original French version
82:22 March 1882
2350:French-language operas
2289:Donizetti's birthplace
2007:Rosmonda d'Inghilterra
1879:Imelda de' Lambertazzi
785:New York, 28 October)
386:American Opera Society
375:
343:Festival dei Due Mondi
339:
319:
260:Les vêpres siciliennes
232:Les vêpres siciliennes
210:
2380:Works set in Flanders
2375:Operas set in Belgium
1999:Il diluvio universale
1871:Il diluvio universale
1213:Retrieved 12 May 2012
672:Cast (Il duca d'Alba,
581:Alessandro Silvestri
352:
330:
317:
205:
2172:La fille du régiment
1967:Otto mesi in due ore
1935:Ugo, conte di Parigi
1863:I pazzi per progetto
1783:Otto mesi in due ore
1727:L'ajo nell'imbarazzo
1719:Il fortunato inganno
1514:(exec. ed.) (2004),
1068:, on vlaamseopera.be
928:, Opera Rara Chorus
842:Cast (Le Duc d'Albe,
396:on 15 October 1959.
371:melodramma romantico
2405:Brussels in fiction
2132:Lucie de Lammermoor
2084:L'assedio di Calais
2047:Lucia di Lammermoor
1951:Sancia di Castiglia
1735:Emilia di Liverpool
1014:, 31 October 1982,
999:, pp. 231–232.
674:Marcello di Bruges,
458:
361:Angelo casto e bel.
290:Giorgio Battistelli
275:Performance history
252:Amilcare Ponchielli
198:Composition history
2410:Antwerp in fiction
2279:Donizetti Monument
2255:Other compositions
2212:Linda di Chamounix
1767:Gabriella di Vergy
1695:La lettera anonima
1679:Zoraida di Granata
1641:Enrico di Borgogna
1470:The New York Times
1377:Weinstock, Herbert
1209:2015-04-02 at the
1090:2009-03-10 at the
1064:2009-03-10 at the
1025:The New York Times
985:The New York Times
801:Arturo Chacón Cruz
761:Dalmacio González,
759:Matteo Manuguerra,
705:Fernando Previtali
693:Giangiacomo Guelfi
676:Amelia di Egmont)
489:Philip II of Spain
454:
320:
211:
2395:Unfinished operas
2315:
2314:
1911:Francesca di Foix
1847:Il giovedì grasso
1743:Alahor in Granata
1711:Alfredo il grande
1671:Le nozze in villa
1597:Gaetano Donizetti
1526:978-0-19-517067-2
1410:Ashbrook, William
1257:Ashbrook, William
1045:, on Forum Opéra
940:
939:
846:Hélène d'Egmont)
828:
827:
763:Marina Krilovici
602:
601:
574:a Flemish patriot
557:a Spanish officer
464:Italian / French
417:Matteo Manuguerra
138:Charles Duveyrier
122:Gaetano Donizetti
103:
102:
69:Charles Duveyrier
36:Gaetano Donizetti
2422:
2332:
2331:
2323:
2305:
2304:
2284:Donizetti Museum
2220:Caterina Cornaro
2148:L'Ange de Nisida
2100:Roberto Devereux
2055:
1943:L'elisir d'amore
1895:Gianni di Parigi
1831:Gianni di Calais
1775:Olivo e Pasquale
1634:L'ira di Achille
1590:
1583:
1576:
1567:
1566:
1559:: Scores at the
1477:Osborne, Charles
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1162:Weatherson 2007c
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1135:Weatherson 2007c
1131:Weatherson 2007b
1127:Weatherson 2007a
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1037:Yolen Buldrini,
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976:Edward Rothstein
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967:
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884:Paolo Carignani,
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844:Henri de Bruges,
836:
835:
736:Thomas Schippers
700:Caterina Mancini
666:
665:
459:
457:
453:
405:Teatro San Carlo
390:Academy of Music
379:Luchino Visconti
347:Thomas Schippers
307:as the Duke and
294:critical edition
168:L'elisir d'amore
162:L'ange de Nisida
150:William Ashbrook
142:The Duke of Alba
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2156:Lucrezia Borgia
2124:Pia de' Tolomei
2108:Maria de Rudenz
2092:Pia de' Tolomei
1991:Lucrezia Borgia
1807:L'esule di Roma
1608:
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1397:Further reading
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1211:Wayback Machine
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978:, 30 May 1992,
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926:Hallé Orchestra
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880:Rachel Harnisch
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811:Enrique Mazzola
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798:Franck Ferrari,
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749:CD: Opera D'Oro
741:
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714:Cat: HOC015-16
713:
708:
698:
697:Amedeo Berdini,
696:
680:
675:
673:
661:Italian version
658:
649:
643:as his father.
640:
627:
607:
587:
572:
565:Giovanni Paroli
555:
554:Carlo / Carlos,
522:
500:Leone Giraldoni
485:
475:
473:
472:Italian version
463:
455:
452:
323:Italian version
309:Rachel Harnisch
292:. It used the
277:
256:Antonio Bazzini
200:
185:Leone Giraldoni
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2265:
2258:
2256:
2252:
2251:
2249:
2248:
2240:
2236:Maria di Rohan
2232:
2224:
2216:
2208:
2200:
2192:
2184:
2176:
2168:
2160:
2152:
2144:
2136:
2128:
2120:
2112:
2104:
2096:
2088:
2080:
2072:
2064:
2056:
2043:
2039:Marino Faliero
2035:
2031:Gemma di Vergy
2027:
2019:
2011:
2003:
1995:
1987:
1983:Torquato Tasso
1979:
1971:
1963:
1955:
1947:
1939:
1931:
1923:
1915:
1907:
1899:
1891:
1883:
1875:
1867:
1859:
1851:
1843:
1835:
1827:
1819:
1811:
1803:
1795:
1787:
1779:
1771:
1763:
1755:
1747:
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1707:
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1683:
1675:
1667:
1659:
1653:
1645:
1637:
1631:
1625:
1616:
1614:
1610:
1609:
1606:List of operas
1604:
1601:
1600:
1593:
1592:
1585:
1578:
1570:
1564:
1563:
1555:Il duca d'Alba
1549:
1548:External links
1546:
1545:
1544:
1508:Sadie, Stanley
1505:
1491:
1474:
1461:
1454:
1443:
1428:Holden, Amanda
1424:
1407:
1398:
1395:
1394:
1393:
1373:
1361:Newsletter 102
1352:
1340:Newsletter 102
1331:
1319:Newsletter 102
1310:
1285:
1279:
1245:
1244:
1232:
1215:
1196:
1192:Il duca d'Alba
1183:
1165:
1139:
1119:
1108:
1096:
1070:
1051:
1041:Il Duca d'Alba
1030:
1001:
997:Weinstock 1963
989:
968:
966:, p. 1263
952:
951:
944:
941:
938:
937:
929:
918:
911:Michael Spyres
906:Laurent Naouri
903:
899:
898:
897:Cat: CDS 7665
893:
882:
860:
856:
855:
852:
847:
840:
826:
825:
820:
808:
796:
792:
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786:
764:
757:
753:
752:
747:
733:
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710:
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690:
686:
685:
682:
677:
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648:
645:
639:
636:
626:
623:
622:
621:
618:
606:
603:
600:
599:
598:Romeo Sartori
596:
591:
583:
582:
579:
576:
568:
567:
562:
559:
551:
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547:
544:
537:
536:
534:Julián Gayarre
531:
526:
518:
517:
512:
507:
503:
502:
497:
492:
478:
477:
470:
465:
451:
448:
444:Franck Ferrari
425:Il duca d'Alba
334:Il duca d'Alba
276:
273:
199:
196:
189:Julián Gayarre
177:Il duca d'Alba
113:Il duca d'Alba
101:
100:
91:
81:
79:
75:
74:
72:
71:
66:
60:
58:
54:
53:
50:Carlo Ferrario
47:
39:
38:
28:
27:
26:Il duca d'Alba
15:
9:
6:
4:
3:
2:
2427:
2416:
2413:
2411:
2408:
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2257:
2253:
2246:
2245:
2244:Dom Sébastien
2241:
2238:
2237:
2233:
2230:
2229:
2225:
2222:
2221:
2217:
2214:
2213:
2209:
2206:
2205:
2204:Maria Padilla
2201:
2198:
2197:
2193:
2190:
2189:
2185:
2182:
2181:
2177:
2174:
2173:
2169:
2166:
2165:
2161:
2158:
2157:
2153:
2150:
2149:
2145:
2142:
2141:
2140:Le duc d'Albe
2137:
2134:
2133:
2129:
2126:
2125:
2121:
2118:
2117:
2113:
2110:
2109:
2105:
2102:
2101:
2097:
2094:
2093:
2089:
2086:
2085:
2081:
2078:
2077:
2073:
2070:
2069:
2068:Il campanello
2065:
2062:
2061:
2057:
2054:
2049:
2048:
2044:
2041:
2040:
2036:
2033:
2032:
2028:
2025:
2024:
2020:
2017:
2016:
2015:Maria Stuarda
2012:
2009:
2008:
2004:
2001:
2000:
1996:
1993:
1992:
1988:
1985:
1984:
1980:
1977:
1976:
1972:
1969:
1968:
1964:
1961:
1960:
1956:
1953:
1952:
1948:
1945:
1944:
1940:
1937:
1936:
1932:
1929:
1928:
1924:
1921:
1920:
1916:
1913:
1912:
1908:
1905:
1904:
1900:
1897:
1896:
1892:
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1888:
1884:
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1880:
1876:
1873:
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1868:
1865:
1864:
1860:
1857:
1856:
1852:
1849:
1848:
1844:
1841:
1840:
1836:
1833:
1832:
1828:
1825:
1824:
1820:
1817:
1816:
1812:
1809:
1808:
1804:
1801:
1800:
1796:
1793:
1792:
1788:
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1777:
1776:
1772:
1769:
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1713:
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1708:
1705:
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1668:
1665:
1664:
1660:
1657:
1654:
1651:
1650:
1646:
1643:
1642:
1638:
1635:
1632:
1629:
1626:
1623:
1622:
1621:Il Pigmalione
1618:
1617:
1615:
1611:
1607:
1602:
1598:
1591:
1586:
1584:
1579:
1577:
1572:
1571:
1568:
1562:
1558:
1556:
1552:
1551:
1542:
1538:
1535:
1534:0-19-517067-9
1531:
1528:(hardcover).
1527:
1523:
1519:
1518:
1513:
1509:
1506:
1503:
1499:
1495:
1494:Rosenthal, H.
1492:
1490:
1489:0-931340-71-3
1486:
1482:
1478:
1475:
1472:
1471:
1466:
1462:
1459:
1455:
1452:
1450:
1449:Le Duc d'Albe
1444:
1441:
1440:0-14-029312-4
1437:
1433:
1429:
1425:
1423:
1422:0-521-23526-X
1419:
1415:
1411:
1408:
1405:
1401:
1400:
1390:
1386:
1382:
1378:
1374:
1362:
1358:
1353:
1341:
1337:
1332:
1320:
1316:
1311:
1298:
1296:
1295:Le Duc d'Albe
1291:(June 2012).
1290:
1289:Parker, Roger
1286:
1282:
1280:0-333-73432-7
1276:
1272:
1271:
1266:
1265:Stanley Sadie
1262:
1261:Le duc d'Albe
1258:
1254:
1253:
1252:
1251:
1250:Cited sources
1241:
1236:
1225:
1219:
1212:
1208:
1205:
1200:
1193:
1187:
1180:
1179:
1174:
1169:
1163:
1158:
1156:
1154:
1152:
1150:
1148:
1146:
1144:
1136:
1132:
1128:
1123:
1117:
1112:
1105:
1100:
1093:
1089:
1086:
1084:
1083:Le Duc d'Albe
1077:
1075:
1067:
1063:
1060:
1055:
1044:
1042:
1034:
1027:
1026:
1021:
1019:
1013:
1012:John Rockwell
1008:
1006:
998:
993:
987:
986:
981:
977:
972:
965:
964:Ashbrook 1998
960:
958:
953:
950:
949:
934:
930:
927:
922:
919:
917:
912:
907:
904:
901:
900:
895:CD: Dynamic,
894:
890:Antwerp/Ghent
889:
888:Vlaamse Opera
883:
881:
874:
869:
864:
863:George Petean
861:
858:
857:
853:
848:
841:
838:
837:
834:
832:
824:Cat: 4800845
821:
817:
812:
809:
807:
802:
797:
794:
793:
787:
782:
781:Carnegie Hall
777:
773:
768:
765:
758:
755:
754:
751:Cat: OPD1178
748:
745:
737:
734:
732:Ivana Tosini
729:
724:
723:Louis Quilico
721:
718:
717:
711:
706:
703:
701:
694:
691:
688:
687:
683:
678:
671:
668:
667:
664:
662:
653:
644:
635:
632:
619:
617:
613:
609:
608:
597:
595:
592:
590:
589:a beer seller
585:
584:
580:
577:
575:
570:
569:
566:
563:
560:
558:
553:
552:
549:Hjalmar Frey
548:
545:
543:
539:
538:
535:
532:
530:
527:
525:
520:
519:
516:
513:
511:
508:
505:
504:
501:
498:
496:
493:
491:
490:
483:
480:
479:
471:
469:
466:
461:
460:
447:
445:
441:
437:
432:
430:
426:
420:
418:
414:
411:conducted by
410:
406:
402:
397:
395:
391:
387:
382:
380:
374:
372:
368:
367:
362:
358:
357:Spirto gentil
351:
348:
344:
338:
335:
329:
325:
324:
316:
312:
310:
306:
305:George Petean
302:
299:
295:
291:
287:
286:Vlaamse Opera
282:
281:
272:
270:
269:
263:
261:
257:
253:
249:
244:
242:
238:
234:
233:
228:
223:
219:
216:
208:
204:
195:
192:
191:as Marcello.
190:
186:
182:
181:Teatro Apollo
178:
174:
170:
169:
164:
163:
157:
155:
154:Rosine Stoltz
151:
147:
143:
139:
135:
134:Eugène Scribe
131:
127:
124:in 1839 to a
123:
119:
115:
114:
109:
108:
107:Le duc d'Albe
95:
94:Teatro Apollo
80:
76:
70:
67:
65:
64:Eugène Scribe
62:
61:
59:
55:
51:
45:
40:
37:
33:
29:
24:Le duc d'Albe
22:
19:
2242:
2234:
2228:Don Pasquale
2226:
2218:
2210:
2202:
2194:
2186:
2178:
2170:
2162:
2154:
2146:
2139:
2138:
2130:
2122:
2114:
2106:
2098:
2090:
2082:
2074:
2066:
2058:
2045:
2037:
2029:
2023:Buondelmonte
2021:
2013:
2005:
1997:
1989:
1981:
1973:
1965:
1957:
1949:
1941:
1933:
1925:
1917:
1909:
1901:
1893:
1885:
1877:
1869:
1861:
1853:
1845:
1837:
1829:
1821:
1813:
1805:
1797:
1789:
1781:
1773:
1765:
1757:
1751:Don Gregorio
1749:
1741:
1733:
1725:
1717:
1709:
1701:
1693:
1685:
1677:
1669:
1661:
1655:
1647:
1639:
1633:
1627:
1619:
1554:
1515:
1501:
1480:
1468:
1457:
1448:
1431:
1413:
1403:
1380:
1365:. Retrieved
1360:
1344:. Retrieved
1339:
1323:. Retrieved
1318:
1301:. Retrieved
1294:
1268:
1260:
1249:
1248:
1235:
1228:(in Italian)
1218:
1199:
1191:
1186:
1176:
1168:
1122:
1111:
1099:
1082:
1054:
1040:
1033:
1023:
1017:
992:
983:
971:
947:
946:
916:Angela Meade
868:Ismael Jordi
830:
829:
728:Renato Cioni
660:
659:
650:
641:
628:
588:
573:
556:
541:
523:
486:
433:
424:
421:
398:
394:Philadelphia
383:
376:
370:
364:
360:
356:
353:
340:
333:
331:
326:
322:
321:
301:Roger Parker
298:musicologist
296:prepared by
284:In May 2012
283:
279:
278:
266:
264:
259:
248:Matteo Salvi
245:
230:
224:
220:
212:
207:Matteo Salvi
193:
176:
173:Matteo Salvi
166:
160:
158:
152:notes that "
141:
112:
111:
106:
105:
104:
18:
2365:1882 operas
2180:La favorite
2164:Les martyrs
1887:Anna Bolena
1557:(Donizetti)
1512:John Tyrell
1498:Warrack, J.
1479:, (1994),
1104:Parker 2012
1047:(in French)
871: [
366:grand opera
268:La favorite
215:Paris Opéra
2344:Categories
1687:La zingara
1649:Una follia
1367:8 November
1346:8 November
1325:8 November
1303:8 November
1240:Recordings
1039:"Dossier:
943:References
936:Cat:ORC54
933:Opera Rara
921:Mark Elder
849:Conductor,
822:CD: Accord
790:Cat: 2574
767:Eve Queler
679:Conductor,
656:Recordings
620:Time: 1573
540:Sandoval,
468:Voice type
442:(Amelia),
429:Alan Titus
413:Eve Queler
86:1882-03-22
57:Librettist
2060:Belisario
1898:(1828-31)
1628:Olimpiade
1543:(eBook).
1541:419285866
1510:, (ed.);
1259:(1998). "
806:Inva Mula
578:baritone
546:baritone
440:Inva Mula
243:in 1282.
229:'s opera
128:language
2307:Category
1975:Parisina
1839:Il paria
1412:(1982),
1389:63013703
1379:(1963).
1207:Archived
1088:Archived
1062:Archived
631:Flanders
612:Brussels
605:Synopsis
495:baritone
246:In 1881
237:Flanders
130:libretto
78:Premiere
2272:Related
2262:Requiem
2116:Poliuto
2050:(1835)
1430:(Ed.),
1267:(ed.).
746:Chorus
616:Antwerp
610:Place:
510:soprano
388:at the
179:at the
84: (
2360:Operas
2320:Portal
2264:(1835)
2247:(1843)
2239:(1843)
2231:(1843)
2223:(1844)
2215:(1842)
2207:(1841)
2199:(1841)
2191:(1841)
2188:Adelia
2183:(1840)
2175:(1840)
2167:(1840)
2159:(1840)
2151:(1839)
2143:(1839)
2135:(1839)
2127:(1838)
2119:(1838)
2111:(1838)
2103:(1837)
2095:(1837)
2087:(1836)
2079:(1836)
2071:(1836)
2063:(1836)
2042:(1835)
2034:(1834)
2026:(1834)
2018:(1834)
2010:(1834)
2002:(1834)
1994:(1833)
1986:(1833)
1978:(1833)
1970:(1833)
1962:(1833)
1954:(1832)
1946:(1832)
1938:(1832)
1930:(1832)
1927:Fausta
1922:(1831)
1914:(1831)
1906:(1831)
1890:(1830)
1882:(1830)
1874:(1830)
1866:(1830)
1858:(1829)
1850:(1829)
1842:(1829)
1834:(1828)
1826:(1828)
1818:(1828)
1810:(1828)
1802:(1827)
1794:(1827)
1786:(1827)
1778:(1827)
1770:(1826)
1762:(1826)
1759:Elvida
1754:(1826)
1746:(1826)
1738:(1824)
1730:(1824)
1722:(1823)
1714:(1823)
1706:(1822)
1698:(1822)
1690:(1822)
1682:(1822)
1674:(1820)
1666:(1819)
1658:(1819)
1652:(1818)
1644:(1818)
1636:(1817)
1630:(1817)
1624:(1816)
1613:Operas
1539:
1532:
1524:
1487:
1438:
1420:
1387:
1277:
1263:". In
854:Label
684:Label
561:tenor
241:Sicily
126:French
96:, Rome
2334:Opera
948:Notes
902:2016
875:]
859:2012
839:Year
795:2007
756:1982
719:1959
689:1951
669:Year
647:Act 3
638:Act 2
625:Act 1
529:tenor
450:Roles
337:four.
227:Verdi
118:opera
32:Opera
2196:Rita
1537:OCLC
1530:ISBN
1522:ISBN
1496:and
1485:ISBN
1436:ISBN
1418:ISBN
1385:LCCN
1369:2023
1348:2023
1327:2023
1305:2023
1275:ISBN
1178:Time
1018:Alba
774:and
742:and
614:and
594:bass
462:Role
165:and
136:and
1442:.
931:CD:
392:in
132:by
34:by
2346::
1500:,
1467:,
1359:.
1338:.
1317:.
1175:,
1142:^
1133:,
1129:,
1073:^
1022:,
1004:^
982:,
956:^
923:,
913:,
873:es
254:,
2322::
1589:e
1582:t
1575:v
1451:"
1391:.
1371:.
1350:.
1329:.
1307:.
1297:"
1283:.
1230:.
1106:.
1081:"
1043:"
1028:.
1020:"
908:,
877:,
865:,
813:,
803:,
783:,
769:,
738:,
730:,
725:,
707:,
695:,
484:,
88:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
