Knowledge

Le pré aux clercs

Source 📝

311:
Henry III, king of France, while detained at the Louvre as a hostage of peace between the two sovereigns, has been accompanied by Isabelle de Montal, a Béarnaise countess. The King of Navarre sends as envoy the Baron de Mergy, a young Béarnaise gentleman, to recall his Queen and her lady-in-waiting Isabelle. Resting after his arrival at Étampes, near Paris, Mergy meets Cantarelli, an Italian, the director of the court festivities and deportment tutor to Isabelle, who informs Mergy of the news from the court concerning Isabelle. The rough swordsman Comminge, a colonel and royal favourite also arrives, angry at having been kept away from the royal hunt by a challenge to a duel from a young man, whom he had killed. Next Marguerite and Isabelle, having been with the royal hunting party in the forest, come to visit Nicette. The Queen expresses her concerns for Isabelle's unhappiness and rejection of suitors at court. Isabelle responds that she wishes to return home; Marguerite however informs her of the plans to marry Isabelle to Comminge. When Isabelle reacts to this news, Mergy comes to her and the lovers embrace; their emotion causes suspicion in Comminge, to whom Mergy is introduced as Henri III's messenger. Marguerite invites Nicette to the Louvre to claim her dowry.
320:
Nicette and Girot. Cantarelli is blackmailed into assisting them by means of an incriminating letter. During the masked ball Cantarelli will bring Mergy to Marguerite’s chambers whence they will flee to a country church. However Comminge’s suspicions bring him to confront Cantarelli whom he threatens if he discovers a conspiracy to rob him of Isabelle. Comminge is misled by Cantarelli into believing the love intrigue is between Mergy and Marguerite. Now a message arrives refusing Isabelle’s departure with Marguerite – the countess must marry Comminge, and Mergy is ordered to return. Mergy, slighted by an offer from Comminge to assist him in meeting the Queen, challenges the colonel to a duel at dawn at the Pré-aux-Clercs. Nonetheless the curtain falls with some hope for the young lovers as Nicette informs Mergy that Marguerite is resolute in her plans for them to wed after Nicette and Girot.
19: 329:
not Marguerite, and the discovery that they are in fact wed makes the colonel even more furious. Comminge falls and his body is put on a boat to be taken to Chaillot to be received by the monks. Cantarelli comes to announce the result of the duel, as the boat passes, and all believe Mergy to be dead. However, the joy of his victory joins with that of the wedding celebration and Isabelle and Mergy flee to Navarre with Cantarelli as their guide.
328:
The wedding festivities for Nicette and Girot are under way and at the chapel Mergy and Isabelle are secretly wed. Cantarelli arrives with passports for the pair’s escape then leaves to act as second for Comminge’s duel with Mergy. During the duel Comminge learns that it is Isabelle whom Mergy loves,
360:
A historic (1959) French studio recording was released on CD in 2017, with Denise Boursin (Isabella), Joseph Peyron (de Mergy), Berthe Monmart (Marguerite), Lucien Lovano (Girot), Claudine Collart (Nicette) and Gaston Rey (Contarelli) in the main roles, with the Chorus and Orchestra of RTF Paris,
319:
Isabelle sings of her love for Mergy ("Jours de mon enfance"). Marguerite meanwhile is plotting with Nicette and Cantarelli to marry Isabelle to Mergy in secret and secure their flight to Navarre. The marriage is fixed to take place at the chapel of the Pré-aux-Clercs, simultaneously with that of
310:
The opera opens at Nicette’s country inn where festivities anticipate the wedding of Nicette (the god-daughter of Marguerite) and Girot, the host of the famous Pré-aux-Clercs in Paris – known both for lovers’ rendez-vous and for duels. Marguerite, wife of Henry IV, king of Navarre, and sister to
82:
on 15 December 1832. After the first performance the leading lady, Madame Casimir, refused – after unsuccessfully demanding more money – to sing in the subsequent performances, and
553: 723: 718: 631: 703: 580: 135:, where it was conducted by Jean-Luc Tingaud as part of the 2015 festival, and subsequently broadcast on BBC Radio 3. 86:
of the Opéra was coached by Hérold over five days to take over the role of Isabelle. According to Hérold's biographer
547: 624: 341:
label, with Marie Lenormand (Marguerite de Valois), Marie-Eve Munger (Isabelle Montal), Jeanne Crousaud (Nicette),
698: 97:
in 1840, and enjoying some 1,000 performances up to 1871, and reaching its 1,600th at the Opéra-Comique by 1949.
728: 90:, this incident exacerbated the composer's ill-health, leading to his death five weeks after the premiere. 617: 379: 419: 18: 132: 591: 575: 603: 708: 350: 124: 56: 337:
A 2015 studio recording based on the Opéra-Comique production was released in 2016 on the
52: 8: 447: 676: 640: 44: 282:
Chorus: Guards, officers, light horsemen, courtiers, archers, masques, people, dancers.
163: 79: 571: 543: 511: 101: 299: 83: 120: 93:
The opera, Hérold's last completed one, was very successful, inaugurating the new
75: 40: 23: 713: 671: 596:
Biographie universelle des musiciens et Bibliographie générale de la musique par
155: 587: 498: 434: 342: 597: 346: 692: 414: 354: 128: 109: 87: 464: 94: 515: 100:
Though rarely performed in recent years, a studio production conducted by
105: 295: 113: 609: 338: 242: 48: 181: 168: 345:(Baron de Mergy), Emiliano Gonzalez Toro (Comte de Comminges), 655: 218: 205: 576:"Valentino, Henri Justin Armand Joseph", vol. 4, p. 214 302:and the grounds of the 'Pré aux clercs', in 1582. 186:Alphonsine-Virginie-Marie Dubois ('Mme. Casimir') 690: 497:Violin solos were played by Javault, a pupil of 526:Notes to Cantus Classicus CD set CACD 5.01956 F 349:(Cantarelli), Christian Helmer (Girot) and the 592:"Valentino (Henri-Justin-Joseph)", pp. 597–598 432:Blanmont, Nicolas. Report from Paris, France. 123:in March 2015, directed by Éric Ruf, with the 625: 540:The Complete Dictionary of Opera and Operetta 178:Isabelle Montal (a young Béarnaise countess) 403:Un demi-siècle d'Opéra-Comique (1900-1950). 719:Opera world premieres at the Opéra-Comique 632: 618: 152:Premiere Cast, 15 December 1832 724:Operas based on works by Prosper Mérimée 17: 691: 542:, James Anderson, (Wings Books, 1993) 66: 613: 454:, January 2016, Vol 67 No. 1, p54-58. 450:. Report from 2015 Wexford Festival. 380:Hérold, biographie critique illustrée 371: 239:Girot (host of the 'Pré aux clercs') 119:The opera was performed at the Paris 639: 383:, Henri Laurens, Paris, 1906, p. 122 581:A Dictionary of Music and Musicians 564:. L'Almanacco di Gherardo Casaglia 438:, July 2015, Vol 66 No. 7, p859-60. 13: 465:"Afternoon on 3: 26 November 2015" 53:François-Antoine-Eugène de Planard 14: 740: 510:Notes to Bru Zane CD set ES 1025 210:Étienne-Bernard-Auguste Thénard 61:Chronique du temps de Charles IX 602:, vol. 2. Paris: Firmin-Didot. 584:, 4 volumes. London: Macmillan. 533: 520: 504: 361:conducted by Robert Benedetti. 173:Marie-Sophie Carrault-Ponchard 491: 482: 457: 441: 426: 408: 395: 386: 252:Un exempt du guet (detective) 131:, in a co-production with the 74:was premiered in Paris by the 1: 332: 191:Nicette (betrothed to Girot) 7: 488:Pougin 1880; Chouquet 1889. 289: 10: 745: 704:Operas by Ferdinand Hérold 600:. Supplément et complément 552:Casaglia, Gherardo (2005). 294:The action takes place in 647: 405:André Bonne, Paris, 1953. 353:and Chorus, conducted by 280: 223:Louis-Augustin Lemonnier 364: 323: 314: 305: 138: 392:Pougin, op. cit, p. 111 298:, then in Paris at the 699:French-language operas 423:, November 1987, 1338. 133:Wexford Festival Opera 27: 417:. On Radio - review. 21: 729:Operas set in France 448:Wheatcroft, Geoffrey 351:Gulbenkian Orchestra 164:Marguerite de Valois 156:Henri Valentino 125:Gulbenkian Orchestra 675:(completed 1833 by 215:Comte de Comminges 67:Performance history 80:Salle de la Bourse 37:The Clerks' Meadow 28: 686: 685: 664:Le pré aux clercs 572:Chouquet, Gustave 562:15 December 1832" 556:Le pré aux clercs 287: 286: 104:was broadcast by 72:Le pré aux clercs 43:in three acts by 32:Le pré aux clercs 22:2015 production, 736: 641:Ferdinand Hérold 634: 627: 620: 611: 610: 606:at Google Books. 567: 561: 527: 524: 518: 508: 502: 495: 489: 486: 480: 479: 477: 475: 461: 455: 445: 439: 430: 424: 412: 406: 399: 393: 390: 384: 375: 300:Palais du Louvre 143: 142: 116:among the cast. 45:Ferdinand Hérold 744: 743: 739: 738: 737: 735: 734: 733: 689: 688: 687: 682: 643: 638: 565: 559: 536: 531: 530: 525: 521: 509: 505: 496: 492: 487: 483: 473: 471: 463: 462: 458: 446: 442: 431: 427: 413: 409: 400: 396: 391: 387: 376: 372: 367: 335: 326: 317: 308: 292: 202:Baron de Mergy 153: 141: 78:company at the 69: 57:Prosper Mérimée 12: 11: 5: 742: 732: 731: 726: 721: 716: 711: 706: 701: 684: 683: 681: 680: 668: 660: 651: 649: 645: 644: 637: 636: 629: 622: 614: 608: 607: 588:Pougin, Arthur 585: 569: 550: 535: 532: 529: 528: 519: 503: 499:Pierre Baillot 490: 481: 456: 440: 425: 407: 394: 385: 369: 368: 366: 363: 343:Michael Spyres 334: 331: 325: 322: 316: 313: 307: 304: 291: 288: 285: 284: 278: 277: 275: 273: 269: 268: 266: 264: 263:Three archers 260: 259: 256: 253: 249: 248: 245: 240: 236: 235: 232: 229: 225: 224: 221: 216: 212: 211: 208: 203: 199: 198: 195: 192: 188: 187: 184: 179: 175: 174: 171: 166: 160: 159: 150: 147: 140: 137: 108:in 1987, with 102:José Serebrier 68: 65: 9: 6: 4: 3: 2: 741: 730: 727: 725: 722: 720: 717: 715: 712: 710: 707: 705: 702: 700: 697: 696: 694: 678: 674: 673: 669: 666: 665: 661: 658: 657: 653: 652: 650: 646: 642: 635: 630: 628: 623: 621: 616: 615: 612: 605: 601: 599: 593: 589: 586: 583: 582: 577: 573: 570: 563: 557: 551: 549: 548:0-517-09156-9 545: 541: 538: 537: 523: 517: 513: 507: 500: 494: 485: 470: 466: 460: 453: 449: 444: 437: 436: 429: 422: 421: 416: 411: 404: 398: 389: 382: 381: 374: 370: 362: 358: 356: 355:Paul McCreesh 352: 348: 344: 340: 330: 321: 312: 303: 301: 297: 283: 279: 276: 274: 271: 270: 267: 265: 262: 261: 257: 254: 251: 250: 246: 244: 241: 238: 237: 234:Louis Féréol 233: 230: 227: 226: 222: 220: 217: 214: 213: 209: 207: 204: 201: 200: 196: 193: 190: 189: 185: 183: 180: 177: 176: 172: 170: 167: 165: 162: 161: 157: 151: 148: 145: 144: 136: 134: 130: 129:Paul McCreesh 127:conducted by 126: 122: 121:Opéra-Comique 117: 115: 111: 110:Carole Farley 107: 103: 98: 96: 91: 89: 88:Arthur Pougin 85: 81: 77: 76:Opéra-Comique 73: 64: 62: 58: 54: 50: 46: 42: 41:opéra comique 38: 34: 33: 25: 24:Opéra-Comique 20: 16: 670: 663: 662: 654: 595: 579: 566:(in Italian) 555: 539: 534:Bibliography 522: 506: 493: 484: 472:. Retrieved 468: 459: 451: 443: 433: 428: 418: 410: 402: 397: 388: 378: 373: 359: 336: 327: 318: 309: 293: 281: 197:Marie Massy 118: 99: 95:Salle Favart 92: 71: 70: 60: 36: 31: 30: 29: 15: 709:1832 operas 598:F.-J. Fétis 474:26 November 347:Éric Huchet 272:An officer 228:Cantarelli 154:(Conductor: 149:Voice type 106:BBC Radio 3 693:Categories 377:Pougin A. 333:Recordings 84:Mlle Dorus 516:986344792 415:Jacobs, A 401:Wolff S. 247:Fargueil 114:John Aler 63:of 1829. 55:based on 590:(1880). 574:(1889). 339:Bru Zane 290:Synopsis 243:baritone 194:soprano 49:libretto 39:) is an 672:Ludovic 296:Étampes 182:soprano 169:soprano 47:with a 26:, Paris 714:Operas 677:Halévy 667:(1832) 659:(1831) 648:Operas 560:  546:  514:  258:Génot 231:tenor 656:Zampa 594:, in 578:, in 452:Opera 435:Opera 420:Opera 365:Notes 324:Act 3 315:Act 2 306:Act 1 255:bass 219:tenor 206:tenor 146:Role 139:Roles 604:View 544:ISBN 512:OCLC 476:2015 112:and 469:BBC 59:'s 51:by 695:: 467:. 357:. 158:) 679:) 633:e 626:t 619:v 568:. 558:, 554:" 501:. 478:. 35:(

Index

Theatre scene with men in 15th-century costume facing off with drawn swords, while a young couple embrace protectively at the rear of the stage
Opéra-Comique
opéra comique
Ferdinand Hérold
libretto
François-Antoine-Eugène de Planard
Prosper Mérimée
Opéra-Comique
Salle de la Bourse
Mlle Dorus
Arthur Pougin
Salle Favart
José Serebrier
BBC Radio 3
Carole Farley
John Aler
Opéra-Comique
Gulbenkian Orchestra
Paul McCreesh
Wexford Festival Opera
Henri Valentino
Marguerite de Valois
soprano
soprano
tenor
tenor
baritone
Étampes
Palais du Louvre
Bru Zane

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.