756:
captain of the carabinieri and Piétro as the Baron de
Campotasso. Gloria-Cassis asks about the three million payment but then Fragoletto and Fiorella (as the innkeeper and his lover) enter. The Granadans become confused when told to retire to bed (at two in the afternoon) but do as they are told. Once out of their clothes, the brigands go for them for the next disguise. However the innkeeper escapes his bonds and cries for help, but the brigands prevail over the carabinieri who, locked in the cellars, have helped themselves to the wine. The brigands head off towards Mantua.
691:
40:
728:
2289:
724:
Granada, setting out the promise to the
Spaniards of a large dowry instead of the debt owed to them. Falsacappa frees the messenger, replacing the princess's portrait in the briefcase with that of his daughter. Fragoletto has earned his place in the band; as the gang celebrate their new member they hear the sound of the boots of the carabinieri approaching, but they pass by without noticing the gang, and the brigands resume their celebration of their plans.
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1494:
114:). The plot is cheerfully amoral in its presentation of theft as a basic principle of society rather than as an aberration. As Falsacappa, the brigand chieftain, notes: "Everybody steals according to their position in society." The piece premiered in Paris in 1869 and has received periodic revivals in France and elsewhere, both in French and in translation.
768:
The Duke is taking advantage of his last hours before marriage bidding farewell to his mistresses. The portrait he has received of his bride reminds him of the peasant girl who assisted him in the mountains (and for whom he has been searching ever since). The Duke is also keen to pay off his debt of
776:
When
Falsacappa asks for the money it emerges that the treasurer has squandered the dowry. Falsacappa is furious, but just then the Mantuans, swiftly followed by the Granadans abandoned at the inn, arrive, along with the carabineri. The real princess introduces herself. The brigands admit who they
719:
His daughter
Fiorella has fallen for the young farmer Fragoletto, whose farm the gang recently raided, and she is beginning to have doubts about their calling. She shows Piétro, the second-in-command a small portrait she has had painted of herself. Fragoletto is brought in by some of the brigands,
294:
Gilbert was displeased with his own work, which he had created merely to secure the
British copyright, and he attempted to prevent its performance in London, without success. He also objected to new songs inserted in the piece but written by another lyricist. Gilbert's arch lyrics pleased operetta
755:
When the
Mantuan party arrive, led by the Baron de Campotasso and accompanied by the carabinieri they fall into the trap, but the brigands have little time to switch clothes again before the Granadan delegation reaches the inn. After a Spanish dance, the Granadans are greeted by Falsacappa as the
751:
The band plan to disguise themselves as cooks and waiters; then, when the
Mantuans arrive, they will capture them in turn and re-disguise themselves as Mantuans, so that when the Granadans arrive they will surprise them, don their clothes and hasten to the Mantuan court to present Fiorella as the
290:
in London, beginning 16 September 1889, running for about 16 nights until 12 October. It then toured, starring Hallam Mostyn as
Falsacappa, H. Lingard as Pietro, Frank Wensley as Fragoletto, Agnes Dellaporte as Fiorella, Marie Luella as the Princess of Granada, and Geraldine St. Maur as Fiametta.
723:
Fiorella is left with Piétro, and a handsome stranger enters. He – fascinated by her – has lost his way. When Piétro goes to find help, she decides to warn him – in fact the Duke of Mantua – to flee. Fragoletto arrives with an intercepted message about the union of the Duke and the
Princess of
715:
The brigands assemble at dawn, but some of them complain to
Falsacappa that they cannot live properly on the rewards of their work. He promises an imminent and profitable venture. The marriage of the Princess of Grenade with the Duc de Mantoue has been announced, and the band will be there.
124:, whose exaggerated attire delighted the Parisian audience during the premiere. In addition to policemen, financiers receive satiric treatment. The satire counterpoints lively musical romps and the frequent use of Italian and Spanish rhythms; "Soyez pitoyables" is a true
747:
The Mantuan delegation is heading for Pipo's inn on the border of Italy and Spain on the road from Granada to Mantua. Posing as beggars the bandits come to the inn; they quickly overwhelm the hotel staff horrified to be victims of the infamous Falsacappa.
772:
When the fake Granadan delegation arrives led by Falsacappa, the Duke is delighted to see Fiorella again, and she recognizes him as the stranger lost in the mountains. Fiorella, playing the princess of Grenade introduces Fragoletto as her page.
171:
in the following months dampened audience enthusiasm. The work was soon popular around Europe and beyond: it was produced in Vienna, Antwerp, Prague, Stockholm, Berlin, Madrid and Budapest in 1870, and in New York City at the
824:
No.7 – Finale A – Choir la réception: 'Pour cette ceremonie'/B – 'Jure d'avoir du courage... Vole, vole, pille, vole'/C – Orgie: 'Flamme claire'/D – Choir des carabiniers: 'Nous sommes les carbiniers'/E – Strette: 'Flamme
281:
as Fiorella, Fred Solomon as Pietro (the brigand lieutenant), Henry Hallam as the Duke, and Fanny Rice as Fragoletto, with an American tour thereafter. Its British premiere was on 2 September 1889 at the
777:
are but when Fiorella enters in her costume from Act 1 and reminds the Duke that she saved him from the brigands, he agrees to an amnesty and they swear to lead good lives from then on.
120:
has a more substantial plot than many Offenbach operettas and integrates the songs more completely into the story. The forces of law and order are represented by the bumbling
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princess whose associate (Pietro in disguise) is worth three millions. Fiorella claims her reward: Fragolettos's hand and the disguising begins.
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144:
and noted that the librettists for this work supplied Bizet's libretto, but standard Offenbach references do not mention any such influence.
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not unwillingly, as he asks for Fiorella's hand, and to join the band. Falsacappa agrees on condition that Fragoletto prove himself.
160:
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159:, Paris on 10 December 1869; this version was in three acts. A four-act version was subsequently prepared for a production at the
1805:
853:
No.14 – Choir et couplets de l'ambassade: 'Dissimulons, dissimulons... Nous avons ce matin tous deux' (Campo Tasso, le capitaine)
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No.15 – Choir, melodrame et scene, couplets: 'Entrez-là !... Grenade, Infante des Espagnes...Jadis vous n'aviez qu'une patrie'
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974:"Sans doute !... il faut voler selon la position qu'on occupe dans la société... c'est élémentaire." Act 2, scene 3.
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1405:
1493:
1308:
330:, beginning on 13 September 1875. Camille Dubois starred as Fragoletto, Julia Vokins was the Princess of Granada and
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323:
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No.17 – Finale: Choir, Ensemble, Scene: 'Entrez-là !... Tous sans trompettes ni tambour... Quels sont ces cris?...'
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three million little knowing that his treasurer Antonio has been spending the ducal money on women of his own.
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17:
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and musical romps in three-quarter time. Many of the characters and situations in the piece are echoed in
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Lords and Ladies of the Grenadan court, Pages of the Princess, Lords and Ladies of the Mantuan court.
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926:, which was recorded and released in 2002 on the Capriccio label, Catalog: 60090. Conductor,
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No.12 – Trio des marmitons: 'Arrête-toi Donc, Je t'en prie' (Fragoletto, Falsacappa, Pietro)
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audiences, who were delighted to accept a rough-and-tumble pirate band speaking impeccable
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was the Prince of Popoli. This version had also been given an 1871 performance in London.
8:
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No.19 – Chœur de fête et couplets du prince: 'L'aurore paraît... Jadis régnait un prince'
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1968:
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1935:
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Meanwhile, another English version by H. S. Leigh had been presented at the
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Chorus: Brigands, Carabinieri, Peasants, Cooks, Pages of the Mantuan court,
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2008:
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Links to English libretto translated by W. S. Gilbert, score and reviews
1162:
1014:, Vienna House, New York, 1974), and Jean-Claude Yon (Yon, Jean-Claude.
2182:
1396:
919:
353:
212:
163:, opening on 25 December 1878. The piece achieved great success as the
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No.4 – Couplets de Fragoletto: 'Quand tu me fis l’insigne honneur...'
1428:
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No.1 C – Couplets de Falsacappa: 'Qui est celui qui par les plaines'
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No.1 B – Couplets des jeunes filles: 'Déjà depuis une grande heure'
456:
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65:
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No.21 – Morceau d’ensemble: Voici venir la princesse et son page'
838:
No.9 – Choir: 'Les fourneaux sont allumés' (Fiorella, Fragoletto)
488:
300:
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recorded the three-act version with chorus and orchestra of the
1505:
1380:, Ed. Brian Jones, Vol. 2, No. 16: Winter 2004, pp. 508–09
1010:, J M Dent & Sons, London, 1978), Mina Curtiss (Curtiss M.
806:
No.2 – Couplets de Fiorella: 'Au chapeau je porte une aigrette'
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No.20 – Couplets du caissier: 'O mes amours, O mes maîtresses'
1599:
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368:
135:
84:. Meilhac and Halévy's libretto lampoons both serious drama (
44:
2316:
1297:
Recordings on operadis-opera-discography.org.uk/CLOFBRIG.HTM
815:
No.4 Bis – Choir de sortie: 'Nous avons pris ce petit homme'
242:
and Macha Makeïeff), and then at the Opéra-Comique in 2011.
1171:
Gilbert & Sullivan: a selling exhibition of memorabilia
1018:, Éditions Gallimard, Paris, 2000), and extended essays on
809:
No.3 – Morceau d'ensemble: 'Nous avons pris ce petit homme'
985:"Recordings; Rare Works Display Offenbach's Varied Gifts"
905:
859:
No.16 – Couplets de Fiorella: 'Je n’en sais rien, Madame'
850:
No.13 – Choir et melodrame: 'A nous, holà ! les marmitons'
134:
article theorized that the music of the piece influenced
128:, and each act finale is a well-developed whole. A 1983
195:
and Dupuis and the same year with Tariol-Baugé, at the
1351:
Introduction, synopsis and other information in French
791:
No.1 A – Chœur des brigands: 'Le cor dans la montagne'
273:
in 1871 but was not performed until 9 May 1889 at the
2305:
1030:, Cambridge University Press, Cambridge, UK, 1992).
884:
No.22 – Finale: 'Coquin, brigand, traître, bandit!'
2329:
1425:from an American production with Lillian Russell
893:This work has been recorded a number of times:
821:No.6 – Saltarelle: 'Ce petit est un vrai luron'
218:More recent revivals have been produced at the
199:in 1921 with Andrée Alvar, Raymonde Vécart and
2230:Le barbier de Séville ou La précaution inutile
1567:Tromb-al-ca-zar, ou Les criminels dramatiques
1444:
1201:Who Was Who in the D'Oyly Carte Opera Company
2368:Libretti by Henri Meilhac and Ludovic Halévy
844:No.11 – Duetto du Notaire: 'Hé! Là ! Hé! Là !'
299:English while describing dastardly deeds to
1399:has original text related to this article:
2272:
2258:
1451:
1437:
950:
948:
946:
944:
915:in 2004, Albany Records, ASIN: B00022FWVS.
911:Gilbert's English version was recorded by
261:The piece was translated in three acts as
2240:La folle journée, ou Le mariage de Figaro
1413:International Music Score Library Project
818:No.5 – Rondo: 'Après avoir pris à droite'
207:in 1931 with Marcelle Denya, Emma Luart,
167:came to an end. Only the outbreak of the
1210:
1208:
993:, 27 March 1983, accessed 22 August 2013
726:
689:
249:
230:in 1988 (then recorded by EMI), 1992 at
38:
1122:trouvent leurs aises à l'Opéra-Comique"
941:
14:
2330:
1254:Gilbert's letter re: Gilbert v. Boosey
1173:, c20th.com, accessed 21 November 2009
1099:Peter Ustinov Foundation, Achievements
147:
1766:Croquefer, ou Le dernier des paladins
1458:
1432:
1214:
1205:
1033:
1309:"Information about OLO recording of
1806:M. Choufleuri restera chez lui le …
1283:. L'Almanacco di Gherardo Casaglia
1087:Gänzl's Book of the Musical Theatre
765:A great hall at the court of Mantua
245:
24:
1723:Vent du soir, ou L'horrible festin
1335:
780:
187:from the original cast, 1900 with
179:Paris revivals included 1885 with
25:
2379:
1384:
1215:Adams, William Davenport (1904).
841:No.10 – Canon: 'Soyez pitoyables'
344:Roles, voice types, premiere cast
2315:
2288:
2287:
2271:
2257:
2196:(conversation alsacienne) (1863)
1866:La Grande-Duchesse de GĂ©rolstein
1630:La chatte métamorphosée en femme
1492:
1390:
1301:
1290:
1265:
1247:
1229:
1189:
1176:
1155:
1144:
1133:
1089:, The Bodley Head, London, 1988
358:Premiere cast, 10 December 1869
1197:Biography of Geraldine St Maur
1111:
1092:
1072:
1054:
1043:. London, John Calder, 1978.
1002:See major studies of Bizet by
996:
977:
965:
13:
1:
2186:(chinoiserie musicale) (1855)
934:
918:There is a German version by
888:
360:Conductor: Jacques Offenbach
34:Operetta by Jacques Offenbach
1378:W.S. Gilbert Society Journal
7:
2338:Operas by Jacques Offenbach
2019:La permission de dix heures
1703:Le financier et le savetier
685:
373:Henri Venderjench 'Cooper'
286:, soon transferring to the
155:was first performed at the
107:Les diamants de la couronne
10:
2384:
1906:La princesse de Trébizonde
1271:Casaglia, Gherardo (2005).
1108:, retrieved 23 August 2013
1068:Internet Broadway Database
1062:Les brigands
1041:Annals of Opera, 1597–1940
26:
2251:
2208:
2176:(légende bretonne) (1855)
2163:
2120:
2099:La fille du tambour-major
1957:
1754:
1743:Apothicaire et perruquier
1691:
1610:Une demoiselle en loterie
1578:
1547:
1540:
1504:
1466:
1218:A Dictionary of the Drama
1186:, 16 September 1889, p. 2
1151:Complete cast information
674:
651:Chief of the carabinieri
326:in London under the name
1999:Monsieur et Madame Denis
1620:Le mariage aux lanternes
1262:, 8 November 1889, p. 10
759:
738:
706:
585:La Princesse de Grenade
337:
1356:Profile of the operetta
962:, Fayard, 2003, p. 1083
958:", in Kaminski, Piotr.
908:in 1988 (CD 7 49830 2).
431:Comte de Gloria-Cassis
310:The Pirates of Penzance
284:Theatre Royal, Plymouth
2353:Works by W. S. Gilbert
2343:French-language operas
2142:Le voyage dans la lune
1989:La chanson de Fortunio
1590:La rose de Saint-Flour
1360:Adrian Corleonis.
1140:Henry Hallam biography
1064:(1870–1871 production)
744:An inn on the frontier
735:
703:
571:the brigand lieutenant
365:Adolphe de Valladolid
258:
48:
1548:Bouffonnerie musicale
1488:The Tales of Hoffmann
1028:Georges Bizet: Carmen
803:No.1 Bis – Melodrame;
730:
693:
407:Baron de Campo-Tasso
380:treasurer to the Duke
265:by English dramatist
253:
43:Jacques Offenbach by
42:
2263:List of compositions
2220:Le malade imaginaire
2193:Lischen et Fritzchen
1786:Geneviève de Brabant
1733:Mesdames de la Halle
1680:Pierrette et Jacquot
1244:of 16 September 1889
1130:review, 28 June 2011
1039:Loewenberg, Alfred.
954:"Jacques Offenbach:
461:Constant Lanjallais
305:Gilbert and Sullivan
222:in 1978 directed by
220:Deutsche Oper Berlin
157:Théâtre des Variétés
29:The Bandits (ballet)
27:For the ballet, see
2059:La jolie parfumeuse
1816:Le pont des soupirs
1372:Crowther, Andrew. "
1346:Boosey & Hawkes
1223:Chatto & Windus
1012:Bizet and his world
898:John Eliot Gardiner
346:
169:Franco-Prussian War
161:Théâtre de la Gaîté
148:Performance history
1886:L'île de Tulipatan
1640:Un mari Ă la porte
1319:on 7 February 2012
1104:23 August 2013 at
990:The New York Times
960:Mille et Un Opéras
736:
712:A wild rocky place
704:
342:
259:
174:Pike's Opera House
49:
2303:
2302:
2277:List of operettas
2204:
2203:
1926:Madame l'archiduc
1876:Le château à Toto
1856:La vie parisienne
1826:Bavard et bavarde
1776:Orphée aux enfers
1713:La bonne d'enfant
1660:Il signor Fagotto
1557:Les deux aveugles
1541:Other stage works
1460:Jacques Offenbach
1401:Original libretto
1281:10 December 1869"
1049:978-0-7145-3657-6
1026:(McClary, Susan.
1016:Jacques Offenbach
928:Pinchas Steinberg
731:Jean Sandberg as
694:Emma Meissner as
683:
682:
579:Jean-Laurent Kopp
468:the brigand chief
414:Charles Blondelet
269:and published by
189:Marguerite Ugalde
70:Jacques Offenbach
16:(Redirected from
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2210:Incidental music
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2013:
2003:
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1983:
1973:
1950:
1946:Maître Péronilla
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1650:Daphnis et Chloé
1644:
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1530:Manuel Rosenthal
1525:Gaîté Parisienne
1519:
1497:
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1453:
1446:
1439:
1430:
1429:
1411:: Scores at the
1394:
1329:
1328:
1326:
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1315:. Archived from
1305:
1299:
1294:
1288:
1286:
1280:
1269:
1263:
1251:
1245:
1238:from Gilbert to
1233:
1227:
1226:
1212:
1203:
1193:
1187:
1184:The Morning Post
1182:"The Brigands",
1180:
1174:
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1148:
1142:
1137:
1131:
1115:
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1037:
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1000:
994:
981:
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963:
952:
913:Ohio Light Opera
872:No.18 – Entracte
800:No.1 D – Strette
543:daughter of Pipo
347:
345:
341:
246:English versions
240:JĂ©rĂ´me Deschamps
234:and 1993 at the
21:
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2029:Robinson Crusoé
2026:
2016:
2006:
1996:
1986:
1976:
1966:
1953:
1943:
1933:
1923:
1913:
1903:
1893:
1883:
1873:
1863:
1853:
1843:
1836:La belle Hélène
1833:
1823:
1813:
1803:
1793:
1783:
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1720:
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1693:Opérette bouffe
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1336:Further reading
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1073:
1059:
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1038:
1034:
1006:(Winton, Dean.
1001:
997:
983:Hughes, Allan.
982:
978:
970:
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953:
942:
937:
891:
783:
781:Musical numbers
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762:
746:
741:
714:
709:
688:
677:
453:Duc de Mantoue
359:
343:
340:
279:Lillian Russell
255:Lillian Russell
248:
232:Amsterdam Opera
193:Mathilde Auguez
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238:(produced by
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2293:Compositions
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2173:Le violoneux
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1916:Les brigands
1915:
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1896:La PĂ©richole
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1407:Les brigands
1406:
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1374:The Brigands
1373:
1363:Les brigands
1362:
1342:Work details
1321:. Retrieved
1317:the original
1311:Les brigands
1310:
1303:
1292:
1285:(in Italian)
1275:Les brigands
1274:
1267:
1257:
1249:
1239:
1231:
1217:
1200:
1191:
1183:
1178:
1170:
1165:The Brigands
1164:
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1125:
1120:Les Brigands
1119:
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979:
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956:Les Brigands
955:
924:Die Banditen
923:
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722:
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711:
710:
695:
675:
570:
556:
550:Fanny GĂ©nat
542:
529:wife of Pipo
528:
516:La Duchesse
499:
498:Fragoletto,
493:Marie Aimée
484:his daughter
483:
467:
466:Falsacappa,
379:
327:
321:
314:
308:
297:drawing room
293:
263:The Brigands
262:
260:
217:
178:
176:in 1870–71.
153:Les brigands
152:
151:
139:
129:
118:Les brigands
117:
116:
105:
99:
89:
72:to a French
62:opéra bouffe
57:
53:Les brigands
52:
51:
50:
36:
18:Les Brigands
2363:1869 operas
2164:Other types
2152:Whittington
2009:Les bergers
1846:Barbe-bleue
1670:Pomme d'api
1516:Le papillon
1409:(Offenbach)
1083:Andrew Lamb
1079:Gänzl, Kurt
1004:Winton Dean
629:Ciccinella
522:A RĂ©gnault
476:José Dupuis
420:Carmagnola
402:Daniel Bac
313:(1879) and
257:as Fiorella
201:Jean PĂ©rier
138:in writing
122:carabinieri
101:Fra Diavolo
91:The Robbers
58:The Bandits
2332:Categories
2183:Ba-ta-clan
1528:(arranged
1397:Wikisource
935:References
920:Ernst Dohm
889:Recordings
696:Fragoletto
664:Preceptor
613:Oppenheim
557:a landlord
482:Fiorella,
394:Barbavano
354:Voice type
328:Falsacappa
213:Louis Musy
47:, c. 1860s
2079:La créole
2069:Bagatelle
2039:Vert-Vert
1259:The Times
1241:The Times
972:Libretto:
654:baritone
640:Marquise
618:Fiametta
602:Julia H.
591:Lucciani
564:Boulange
541:Pipetta,
378:Antonio,
226:, at the
2223:(1851/2)
2049:Fantasio
1969:L'alcĂ´ve
1580:Opérette
1368:AllMusic
1127:Le Monde
1102:Archived
835:Entracte
686:Synopsis
646:Gravier
643:soprano
632:soprano
621:soprano
610:soprano
599:soprano
596:Zerlina
588:soprano
569:Piétro,
547:soprano
533:soprano
519:soprano
500:a farmer
457:baritone
448:Bordier
437:Gourdon
319:(1889).
301:gavottes
88:'s play
86:Schiller
74:libretto
66:operetta
60:) is an
1796:Barkouf
1506:Ballets
1491:(1881)
1323:5 April
1066:at the
825:claire'
702:in 1906
698:at the
670:Videix
635:Douard
607:Bianca
536:LĂ©onie
489:soprano
442:Domino
2348:Operas
2308:Portal
2243:(1852)
2233:(1852)
2155:(1874)
2145:(1875)
2135:(1872)
2112:(1880)
2102:(1879)
2092:(1878)
2082:(1875)
2072:(1874)
2062:(1873)
2052:(1872)
2042:(1869)
2032:(1867)
2022:(1867)
2012:(1865)
2002:(1862)
1992:(1861)
1982:(1853)
1979:PĂ©pito
1972:(1847)
1949:(1878)
1939:(1877)
1929:(1874)
1919:(1869)
1909:(1869)
1899:(1868)
1889:(1868)
1879:(1868)
1869:(1867)
1849:(1866)
1839:(1864)
1829:(1862)
1819:(1861)
1809:(1861)
1799:(1860)
1789:(1859)
1779:(1858)
1769:(1857)
1746:(1861)
1736:(1858)
1726:(1861)
1716:(1856)
1706:(1856)
1683:(1876)
1673:(1873)
1663:(1863)
1653:(1860)
1643:(1859)
1633:(1858)
1623:(1857)
1613:(1857)
1603:(1856)
1593:(1856)
1570:(1856)
1560:(1855)
1481:(1864)
1468:Operas
1423:Photos
1279:
1236:Letter
1047:
1020:Carmen
733:Piétro
624:Bessy
575:tenor
561:tenor
555:Pipo,
527:Pipa,
472:tenor
445:tenor
434:tenor
426:Gobin
423:tenor
410:tenor
388:LĂ©once
384:tenor
271:Boosey
209:Dranem
185:Dupuis
181:LĂ©once
141:Carmen
94:) and
2322:Opera
1600:Le 66
1376:" in
1008:Bizet
867:Act 3
830:Act 2
786:Act 1
760:Act 3
739:Act 2
707:Act 1
667:bass
658:Baron
369:tenor
350:Role
338:Roles
136:Bizet
126:canon
112:Auber
68:, by
64:, or
45:Nadar
1325:2007
1081:and
1045:ISBN
904:for
398:bass
211:and
183:and
104:and
80:and
1366:at
1256:to
1169:at
1022:by
906:EMI
307:'s
110:by
76:by
2334::
1344:,
1221:.
1207:^
1199:,
1124:,
1085:,
987:,
943:^
922:,
215:.
191:,
2310::
1532:)
1452:e
1445:t
1438:v
1327:.
1313:"
1287:.
1277:,
1273:"
1167:"
1163:"
1118:"
1051:.
930:.
98:(
56:(
31:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
