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Les Sylphides

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was originally a compilation of dramatic or character dances set to Chopin's piano music. The Glazunov suite upon which this original version was based had only four Chopin pieces; Fokine wanted to use a waltz as an addition to the suite and was able to get Glazunov to orchestrate this to create his
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The newly orchestrated waltz would be Fokine's inspiration to re-choreograph the ballet into its nearly-final form, selecting different Chopin pieces to go with it and getting these orchestrated by the Maryinsky
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Roy Douglas's version has been recorded a number of times, and has largely supplanted the earlier versions. It was written in 1936, to replace what Douglas called "very bad orchestrations of Chopin's music".
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When Fokine's ballet premiered in Paris as part of Diaghilev's "Saison Russe" in 1909, Diaghilev commissioned re-orchestrations of all the dances, except for the Glazunov-orchestrated Waltz, by
1004: 610:(NYCB) produced its own staging of the standard version, omitting the Polonaise in A major (and leaving the Prelude in A major in its original position), under the original title, 385:, also choreographed by Fokine. Fokine also set the ballet for several other companies, and he and his wife, Vera Fokina, danced its leading roles themselves for some years. 363:, New York, on 14 June 1911 (featuring Baldina alone from the Diaghilev cast). However, its authorized premiere on that continent, by Diaghilev Ballets Russes, was at the 1197: 670:. The Ravel orchestration has been lost. The Britten orchestration was considered lost but a score thought to be his was found in 2013 in the archives of the 1243: 1192: 1248: 174: 1258: 589: 578: 446: 1228: 772: 741:
For a list of other works in which a composer paid tribute to another composer by using their name in conjunction with the suffix -ana, see
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The ballet, described as a "romantic reverie", is frequently cited as the first ballet to be simply about mood and dance.
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Identifying the premiere of the fuller ballet poses a challenge. One might say that it premiered in 1907 at the
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as the dreamer, is available from Kultor, entitled "American Ballet Theatre at the Met – Mixed Bill (1985)".
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dancing in the moonlight with the "poet" or "young man" dressed in white tights and a black tunic.
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A number of musicians have orchestrated the Chopin pieces for major ballet companies, including
659: 823: 726:'s definitive account, based on information from Fokine's son Vitale Fokine: "Les Sylphides", 37: 1085: 1078: 619: 360: 1071: 1052: 627: 607: 223: 70: 1017: 8: 710: 458: 872: 615: 492: 372: 264:, Op. 46. In that form, it was introduced to the public in December 1893, conducted by 255: 227: 74: 19:
This article is about Fokine's 1909 ballet. For August Bournonville's 1836 ballet, see
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The London premiere, in the first season of the Diaghilev Ballets Russes, was at the
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on 14 April 1916, where it was paired with a similar work to a piano suite (by
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Portfolio: December 1971, advertised separately by some online booksellers.
723: 667: 327: 247: 218: 184: 170: 42: 974: 663: 631: 331: 318:, Paris. The Diaghilev premiere is the most famous, as its soloists were 20: 742: 709:"Ballet Theater", until 1955. A compact disk of ABT's production, with 916: 635: 381: 276: 1048: 412:, staged by Fokine, had a different musical composition. Also, 334:
that Pavlova originally danced in, and that the entire female
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has no plot but instead consists of several white-clad
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RĂŞverie Romantique: Ballet sur la musique de Chopin
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The long white 275: 1244:Ballets to the music of FrĂ©dĂ©ric Chopin 785: 645: 618:and took place 20 January 1972, at the 367:, New York City, 20 January 1916, with 1259:Arrangements of classical compositions 1211: 754:George Balanchine, and Francis Mason, 393: 326:(as the poet, dreamer, or young man), 280:Scene from a performance in Baku, 2014 271: 254:, with Chopin's music orchestrated by 1021: 803:Stravinsky and the Russian Traditions 716: 211: 1229:Ballets designed by Alexandre Benois 908: 851: 340:adopted soon after, was designed by 1198:List of compositions by opus number 1005:Glazunov, Alexander Constantinovich 510: 426:Polonaise in A major, Op. 40, No. 1 388: 13: 912:Maurice Ravel: A Guide to Research 824:"The Mystery of the Missing Music" 614:. The NYCB premiere was staged by 431:Nocturne in F major, Op. 15, No. 1 14: 1275: 934: 574:Prelude in A major, Op. 28, No. 7 569:Mazurka in C major, Op. 67, No. 3 564:Mazurka in D major, Op. 33, No. 2 536:Prelude in A major, Op. 28, No. 7 1065:An Evening with the Royal Ballet 992: 344:and inspired by a lithograph of 226:, selected and orchestrated by 36: 879: 602:New York City Ballet production 534:(some companies substitute the 1234:New York City Ballet repertory 895:by Raymond Tuttle, buywell.com 868:"Mystery of the Missing Music" 861: 816: 761: 735: 1: 1193:List of compositions by genre 626:. The original cast included 216:) is a short, non-narrative 16:Ballet by Alexander Glazunov 7: 681: 590:Grande valse brillante in E 499:. This version, now titled 455:, as added by Michel Fokine 10: 1280: 1219:Ballets Russes productions 1107:Les Sylphides (Chopiniana) 902: 503:, was first staged at the 18: 1116: 1059: 891:23 September 2015 at the 479:Ballets Russes production 190: 180: 158: 142: 134: 124: 90: 80: 66: 56: 35: 30: 1224:Ballets by Michel Fokine 963:Amazed in Burning Dreams 693: 1010:Encyclopædia Britannica 969:American Ballet Theatre 832:American Ballet Theatre 781:American Ballet Theatre 672:American Ballet Theatre 266:Nikolai Rimsky-Korsakov 125:Original ballet company 1093:A Month in the Country 909:Zank, Stephen (2005). 660:Alexander Gretchaninov 620:New York State Theater 528:Polonaise in A major ( 519:version of the ballet 406: 302: 281: 235: 202: 111: 47: 1239:1909 ballet premieres 1079:Dances at a Gathering 971:, performance details 401: 279: 775:4 March 2016 at the 646:Other orchestrations 628:Karin von Aroldingen 608:New York City Ballet 585:minor, Op. 64, No. 2 559:major, Op. 70, No. 1 548:major, Op. 32, No. 2 453:minor, Op. 64, No. 2 442:minor, Op. 50, No. 3 417:ballet, also called 981:Ballet Encyclopedia 870:by Michael Cooper, 711:Mikhail Baryshnikov 505:Théâtre du Châtelet 402:1909 set design by 394:Original production 316:Théâtre du Châtelet 272:Performance history 117:Théâtre du Châtelet 873:The New York Times 616:Alexandra Danilova 493:Nikolai Tcherepnin 407: 373:Metropolitan Opera 314:on 2 June 1909 at 282: 256:Alexander Glazunov 228:Alexander Glazunov 222:to piano music by 213:[lesilfid] 75:Alexander Glazunov 1254:Orchestral suites 1206: 1205: 926:978-0-8153-1618-3 799:Taruskin, Richard 357:Royal Opera House 286:Mariinsky Theatre 198: 197: 175:Alexandra Baldina 101:Mariinsky Theatre 1271: 1051:to the music of 1042: 1035: 1028: 1019: 1018: 1014: 998: 996: 995: 930: 896: 883: 877: 876:, 27 August 2013 865: 859: 849: 843: 842: 840: 838: 820: 814: 796: 783: 765: 759: 752: 746: 739: 733: 720: 714: 707: 656:Benjamin Britten 595: 594: 584: 583: 558: 557: 547: 546: 532:), Op. 40, No. 1 511:Standard version 507:on 2 June 1909. 475:Maurice Keller. 464: 463: 452: 451: 441: 440: 404:Alexandre Benois 389:Revision history 320:Tamara Karsavina 308:Sergei Diaghilev 305: 290:Saint Petersburg 238: 215: 210: 205: 194:Romantic reverie 163:Tamara Karsavina 147:Alexandre Benois 138:the poet, sylphs 120: 115:): 2 June 1909, 114: 105:Saint Petersburg 50: 40: 28: 27: 1279: 1278: 1274: 1273: 1272: 1270: 1269: 1268: 1209: 1208: 1207: 1202: 1187:FrĂ©dĂ©ric Chopin 1112: 1055: 1053:FrĂ©dĂ©ric Chopin 1046: 1003:, ed. (1911). 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Index

La Sylphide

Anna Pavlova
Mikhail Fokine
Frédéric Chopin
Alexander Glazunov
Mariinsky Theatre
Saint Petersburg
Théâtre du Châtelet
Ballets Russes
Alexandre Benois
LĂ©on Bakst
Tamara Karsavina
Vaslav Nijinsky
Anna Pavlova
Alexandra Baldina
Ballet blanc
[lesilfid]
ballet blanc
Frédéric Chopin
Alexander Glazunov
sylphs
choreography
Michel Fokine
Alexander Glazunov
Nikolai Rimsky-Korsakov

Mariinsky Theatre
Saint Petersburg
Sergei Diaghilev

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