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Stuart composed some 65 songs including, in addition to those mentioned above, "The
Bandolero", and "Little Dolly Daydream." His instrumental pieces included at least one Cakewalk. As a songwriter, Stuart suffered so much from the effects of copyright infringement that it can be speculated that his
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By 1911, the lack of any new stage successes, coupled with gambling debts and the interest due on them, resulted in Stuart's appearance before the bankruptcy courts. He was declared bankrupt in 1913 and not discharged until 1920. At the age of 48 he found that changing tastes in musical styles and
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Thomas
Barrett had been property master at the Amphitheatre, Liverpool, and both his sons had quickly gained a taste for the theatre. Stuart's elder brother, Stephen (1855–1924), became a music-hall performer, appearing under the stage name Lester Barrett. Gradually the music Stuart composed for
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as a church organist, for 14 years, and taught music while beginning to compose church music and secular songs in the late 1870s. In the 1880s, he began to promote and conduct orchestral and vocal concerts of popular and theatre music as "Mr. T. A. Barrett's
Concerts". He began to focus his
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behind him, Stuart succeeded in stopping this practice in his next few pieces. Similarly, he had succeeded from time to time in parts of his fight in
Britain and in America against unauthorized music distribution and on behalf of firmer national and international copyright laws.
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Stuart was evasive about his true age. Various different years of birth have been given including 1866, and no official birth record is known to exist. However, his 1871 and 1881 census entries seem to establish that he was born in 1863. See Lamb, p.
628:, where he performed his most famous songs accompanying himself on the piano. However, after the bankruptcy, he began to drink and have marital problems. Stuart's last years were spent partly in trying to achieve production of his musical play
335:(1895), Stuart wrote several numbers that were interpolated (including "The Soldiers of the Queen", which was later famous as "Soldiers of the King"), and both wrote the lyric and composed "Trilby Will Be True" for Maurice Farkoa to perform at
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said that he had proved the quality of Stuart's music: he took a Stuart song, halved the tempo, supplied German words – and serious musicians accepted without demur his assertion that it was a recently discovered cradle song by
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made much of an impact. By 1911, Stuart's gambling debts sent him into bankruptcy. Unable to adapt to changing musical tastes, he was no longer in demand as a composer, although he had some success as a piano sketch artist in
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the influence of modern dance rhythms meant his career as a composer was effectively over, although he did write a number of songs that were inserted, against his principles, in the shows of other composers and a musical,
473:. With traditional slow love ballads as well as waltzes and more rhythmic and playful concerted numbers, the score and show became a worldwide hit. The double sextet from that show, "Tell me, pretty maiden", became a
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symphony. It is extraordinary to find music such as this in a musical comedy". He ended by writing that in its own way it was "just as perfect a composition … as is the quintet in
636:. The Shubert brothers took out an option to produce the work, but nothing materialised. In 1927, shortly before his death, Stuart wrote a series of fourteen short pieces for the
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530:. Publishers and wealthy second-rate songwriters would pay producers, for the exposure, to insert their songs into a hit musical. With the strength of the fame of
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Stuart's earliest theatrical composing and writing was also for the
Manchester theatre. Here he provided songs and incidental music for, in particular, the local
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wrote about the "beautiful and unexpected phrasing and transitions" in the number, continuing, "it begins with a long phrase, rather like the opening bars of a
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and touring musicals by other composers. Later in his career, he would actively oppose this practice. The first of these songs was "Lousiana Lou". [
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songs as "T. A. Barrett" and under the pseudonyms "Leslie Thomas", "Lester
Barrett" and, most notably, "Leslie Stuart". He wrote many popular songs for the
703:
as Stuart. It features several of Stuart's songs. Stuart's songs have been used in over a dozen other films. A bronzed plaster plaque of Stuart, made by
294:, which boasted famous names in their casts. Stuart made a name in the 1890s by writing popular individual numbers that were interpolated into several
74:". Stuart later campaigned against the interpolation of new songs into musical theatre scores and for better enforcement of musical copyrights.
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Stuart also promoted and conducted orchestral and vocal concerts. In the 1880s and 1890s he presented "Mr T. A. Barrett's
Concerts" at the
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local shows, and his popular ballads and music-hall songs began to supersede the composition of serious and religious music. He composed
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move to the musical theatre was an attempt to avoid the loss of royalty income from the publication of sheet music and performances.
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was produced at the Gaiety in 1911 and had a reasonable but not outstanding run, from March to
November in London, as well as a
650:(1886–1956), Thomas "Leslie" (1888–1970), Marie "Dollie" (1891–1949), Stephen "Chap" (b. 1894) and Constance "Lola" (b. 1896).
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coast. He was the younger son of Thomas
Barrett, a cabinet-maker, and his wife, Mary Ann Burke,
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in 1899. The show became an international hit, and its song "Tell me, pretty maiden", became a
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The success of Stuart's shows led George
Edwardes to hope that he would be able to replace the
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590:(1910), made only a modest impact, though it was produced in New York as well as in London.
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called Stuart "the most gifted composer of musical comedy in Britain between Sullivan and
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Stuart retained an income, provided by continued revivals and performances of the popular
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writing partnership on their departure from the Gaiety Theatre. Stuart's next show,
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and inserted, along with "The Little Mademoiselle", into the original production of
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Murray, Roderick: "Establishing a Performing Text for Leslie Stuart's Havana" in
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in April 1939, inscribed "A son of Manchester who moved the nation to song".
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519:(1908). All these shows were successful and were produced internationally.
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269:" (1898), and "Little Dolly Daydream." He also wrote the patriotic ballad "
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Milnes, Rodney. "Rodney Milnes reviews a new biography of Leslie Stuart",
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rights and called for tighter laws on both national and international
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617:(1914), that was produced only in the provinces on a small scale.
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and London shows touring through Manchester; and ballads such as "
877:, 12 October 1891, p. 6 (Ysaÿe); "Mr. T. A. Barrett's Concerts",
1028:"Mr. Leslie Stuart's Affairs: Losses Owing to 'Pirated' Music",
885:, 26 October 1891, p. 5 (Paderewski); and Lamb, pp. 32–33 (Roze)
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standard. Other musical comedy successes followed, including
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572:(1909), however, was not for the Gaiety, and it was a flop.
265:, including perhaps his best-remembered music hall song, "
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Lester, who were both from western Ireland. He grew up in
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People educated at St Francis Xavier's College, Liverpool
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304:] This had already been published and performed in
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351:(1896), the London production of the American musical
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London Cemeteries: An Illustrated Guide and Gazetteer
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604:, these pieces "failed to add to his reputation".
1239:"Leslie Stuart: Memorial Plaque for Manchester",
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1116:, "Leslie Stuart – Famous Song-Writer's Death",
844:Review of "Leslie Stuart: Composer of Florodora"
657:, in 1928, at the age of 65, and was buried in
178:Stuart began his career aged 15 as organist at
962:, MusicWeb International, accessed 26 May 2012
1424:Discography of American Historical Recordings
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818:, Oxford Music Online, accessed 26 May 2012
463:Stuart's greatest acclaim came in 1899 with
1174:(fifth ed.). Stroud, Gloucestershire:
89:. His first full musical comedy score was
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1305:Stuart, Leslie (2003). Andrew Lamb (ed.).
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960:"An Eighth Garland of British Light Music"
653:Stuart died at his daughter May's home in
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446:Edison Records, 1902: Frank C. Stanley
66:"; songs for musical theatre, such as
1170:Meller, Hugh; Parsons, Brian (2011).
1080:, 7 March 1911, p. 8 and "Theatres",
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522:Stuart was an active campaigner for
339:. Subsequently he had songs used in
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454:Problems playing these files? See
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115:(1908). Of his later shows, only
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241:. Instrumental soloists included
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1309:. Croydon: Fullers Wood Press.
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46:(1899) and many popular songs.
1287:Operetta: A Theatrical History
1098:, at Casino, is queer mixture"
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40:, best known for the hit show
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1057:"Elsie Janis a Slim Princess"
854:journal, issue 1: Spring 2003
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1469:Burials at Richmond Cemetery
1353:Annual (2003) pp. 35–45
669:The mid-20th century critic
205:, and excerpts from English
16:English composer (1863–1928)
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1333:Sullivan and His Satellites
477:standard. The music critic
157:St Francis Xavier's College
36:was an English composer of
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1392:Internet Broadway Database
709:Manchester Central Library
432:"In the shade of the palm"
308:before being picked up by
1454:Musicians from Southport
1439:English male songwriters
1420:Leslie Stuart recordings
1084:, 15 November 1911, p. 8
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38:Edwardian musical comedy
34:Thomas Augustine Barrett
1290:. New York: Routledge.
1241:The Manchester Guardian
1118:The Manchester Guardian
1047:, 16 January 1910, p. 5
1030:The Manchester Guardian
883:The Manchester Guardian
879:The Manchester Guardian
875:The Manchester Guardian
871:The Manchester Guardian
866:The Manchester Guardian
820:(subscription required)
766:(subscription required)
404:"Tell me pretty maiden"
184:Church of the Holy Name
81:'s London shows at the
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1266:. London: Routledge.
699:about Stuart starred
678:. In 2003 the critic
665:Reputation and legacy
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524:intellectual property
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243:Ignacy Jan Paderewski
197:by such composers as
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62:performers, such as "
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1379:at Wikimedia Commons
1335:. London: Chappell.
1331:Hyman, Alan (1978).
1178:. pp. 290–294.
1008:The Belle of Mayfair
707:, was placed in the
510:The Belle of Mayfair
271:Soldiers of the King
155:, where he attended
106:The Belle of Mayfair
72:Soldiers of the King
1120:, 28 May 1928, p. 6
989:, July 2003, p. 817
830:Lamb, pp. 26 and 33
634:The Girl from Nyusa
217:. Singers included
139:Stuart was born in
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1102:The New York Times
1062:The New York Times
1000:The Silver Slipper
842:Murray, Roderick.
815:Grove Music Online
782:Johncassidy.org.uk
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499:The Silver Slipper
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325:During the run of
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1383:Profile of Stuart
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1360:. BBC Books, 1980
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1212:You Will Remember
1176:The History Press
1104:, 8 December 1911
696:You Will Remember
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47:
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30:Leslie Stuart
25:Leslie Stuart
23:
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1410:Find a Grave
1357:
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1332:
1306:
1286:
1262:
1258:Lamb, Andrew
1240:
1235:
1223:. Retrieved
1217:
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1129:Lamb, p. 258
1125:
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1074:"Theatres",
1070:
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684:Vivian Ellis
668:
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573:
570:Captain Kidd
569:
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544:Phyllis Dare
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513:(1906), and
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235:Durward Lely
207:grand operas
195:comic operas
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1464:1928 deaths
1459:1863 births
1198:Lamb, p. 66
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948:The Yashmak
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921:Lamb, p. 58
903:Lamb, p. 62
894:Lamb, p. 27
848:Andrew Lamb
671:James Agate
639:Empire News
608:Later years
602:Andrew Lamb
393:Music from
366:The Yashmak
363:(1897) and
135:Early years
109:(1906) and
1433:Categories
1351:The Gaiety
1342:0903443244
1316:0952414937
1297:0415966418
1273:0415937477
1251:References
1225:9 November
852:The Gaiety
727:Lamb, p. 3
648:Mary "May"
475:vaudeville
456:media help
377:Peak years
306:music hall
292:pantomimes
261:performer
255:music hall
227:Ben Davies
223:Marie Roze
161:Manchester
145:Lancashire
95:vaudeville
68:pantomimes
56:music hall
51:Manchester
1082:The Times
1077:The Times
787:8 January
693:entitled
622:Florodora
532:Florodora
528:copyright
495:Florodora
471:Owen Hall
466:Florodora
423:Ada Jones
396:Florodora
283:Florodora
259:blackface
163:in 1873.
153:Liverpool
143:, on the
141:Southport
91:Florodora
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986:Opera
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715:Notes
593:Peggy
553:Peggy
211:Balfe
118:Peggy
1401:IMDb
1337:ISBN
1311:ISBN
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1268:ISBN
1227:2023
1180:ISBN
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