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457:
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239:, who sold independent singles at a store run by his girlfriend, and asked Bahlman if he would be interested in starting a label and releasing a record by Branca. Bahlman knew little about recording, pressing, and distributing records, but Branca had some experience with Theoretical Records. Having seen some of Branca's shows, Bahlman agreed and decided to make
323:
285:, David Rosenbloom, Jeffrey Glenn, and Stephan Wischerth. They traveled the country performing "Lesson No. 1 for Electric Guitar", "Dissonance", and "Compositions". Ranaldo, who performed with a six-string guitar strung with E
215:
and
Christine Hahn. The group performed "Instrumental for Six Guitars", and its sound convinced Branca to continue composing for multiple guitars. He began performing solo at rock clubs and avant-garde venues such as
321:
322:
519:
commented that "the sound remains close enough to grab hold of you and lift you into Branca's intense world." The publication included "Lesson No. 1 for
Electric Guitar" in its collection of
314:
36:
390:"Dissonance" is performed by Branca and Michael Gross on guitar, F.L. Schröder on bass, Coleman on organ, Wischerth on drums, and Harry Spitz on sledgehammer. Its
211:
invited
Theoretical Girls to perform for a 1979 Easter festival. Branca convinced the venue to book him for a solo gig, and he assembled a group that included
281:. Branca bought tickets providing unlimited flights for three weeks for what became his first tour. The tour began in December 1980 and included Ranaldo,
1083:
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180:
383:, and drums enter the arrangement three minutes into the track. The piece is a structured improvisation where Branca specified the musical and
289:
strings, emerged as a foil to Branca. The two would playfully butt heads or guitars onstage. Some of the tour's audiences were unfamiliar with
515:
said that the EP is "primarily interesting as a historical curiosity that provides deeper insight into the genesis of Branca's music".
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became a seminal work in New York City's no wave movement. It became an influence on Moore and
Ranaldo's work as members of
277:. Ranaldo had seen Branca's ensemble perform at The Kitchen and lived in the same building as Branca's friend, pianist
144:
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that "the effects and textures Mr. Branca achieves are really remarkable, and the sound…is unlike anything in music."
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Branca needed guitar players to form a large guitar orchestra, and he posted fliers at record stores in downtown
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17:
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895:
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and shifting melodies created from repeated electric guitar parts. The guitars build during extended
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1213:
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683:
352:
applies repetitive techniques that Branca learned from
Chatham and Jeff Lohn. It combines these
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183:. The re-release includes the bonus track "Bad Smells". In 2014, Superior Viaduct re-released
1285:
1236:
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8:
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402:. The song features five guitarists: Branca, Sublette, Rosenbloom, Moore, and Ranaldo.
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imitate the constant motion of urban life. "Bad Smells" was originally commissioned by
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was initially upset after hearing the new band, feeling that it was reusing his ideas.
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called the EP "a powerful, wrenching, transcendent piece of rock guitar classicism".
380:
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800:"Glenn Branca's classic 1980 solo album Lesson No. 1 to get landmark vinyl reissue"
533:
254:, who performs on "Bad Smells", auditioned at the recommendation of his girlfriend
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179:, as 99 Records' first release. The EP was remastered and re-released in 2004 by
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251:
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903:
848:
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379:. It introduces one-note parts on the organ and bass that gives the sense of
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247:
43:
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375:. It opens with two-note guitar figures similar to Reich's experiments with
176:
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for a dance piece but was instead included on a 1982 spoken word record by
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Branca's group performed around New York and was invited to perform at the
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220:. Branca "wanted to make sure was understood as rock and nothing else."
217:
212:
64:
371:"Lesson No. 1 for Electric Guitar" was inspired by the work of composer
273:
in
Minneapolis. When three musicians pulled out, he recruited guitarist
250:. He held auditions at his apartment where he conducted guitar players.
1310:
1254:
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341:
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716:(September 5, 1980). "Happy landing for B-52's disk, 'Wild Planet'".
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188:
992:
506:
429:
384:
361:
223:
1315:
200:
69:
35:
742:
Plagenhoef, Scott; Schreiber, Ryan, eds. (November 2008).
293:
and heckled the band by calling the work "devil's music".
387:
structures, but the strumming technique was improvised.
231:
plays guitar on the EP and joined Branca's touring band.
164:
is the debut solo EP by
American avant-garde musician
548:. "Lesson No. 1 for Electric Guitar" is included in
207:. While he was out of town touring with the Static,
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1013:
1011:
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951:
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Don
Hunerberg – recording & mixing engineer (3)
332:often uses repetitive sounds that build gradually.
982:
980:
978:
976:
974:
1323:
1115:
1113:
1006:
946:
900:Goodbye 20th Century: A Biography of Sonic Youth
737:
735:
733:
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729:
971:
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937:
927:
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923:
708:
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1259:Punk 45: Original Punk Rock Singles Cover Art
1110:
726:
677:
675:
673:
671:
528:Despite only selling a few thousand copies,
434:
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825:
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199:In the late 1970s, Branca was a member of
34:
1204:
890:
888:
886:
884:
668:
601:F.L. Schröder (aka Frank Schroder) – bass
565:"Lesson No. 1 for Electric Guitar" – 8:17
1150:"A No-Wave Voyager Unveils His Fun Side"
847:
712:
222:
1230:
820:
405:
1324:
1147:
1119:
1019:
894:
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187:in its original 12" vinyl format as a
853:"His Forte Is Massive Sonic Grandeur"
681:
646:Jim Bonnefond – mixing engineer (1,2)
640:Ed Bahlman – assistant producer (1,2)
415:
1279:
1257:; Baker, Stuart (October 31, 2013).
1175:
1081:
356:compositions with the aesthetics of
1148:Dollar, Steve (November 19, 2010).
957:
168:. It was released in March 1980 on
13:
589:– guitar, assistant producer (1,2)
574:2004 bonus track, recorded in 1982
315:"Lesson No. 1 for Electric Guitar"
303:
14:
1353:
1303:
1178:"Various Artists: New York Noise"
986:
540:, and it paved the way for other
436:
243:the first release by 99 Records.
559:
455:
450:
445:
440:
435:
340:Problems playing this file? See
319:
1169:
1141:
1075:
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1039:
961:(May 9, 2004). "Glenn Branca".
1020:Singer, Liam (July 15, 2004).
872:
841:
832:
792:
780:. Acute Records. March 9, 2010
766:
296:
175:It was originally released on
1:
1198:
1122:"Glenn Branca – Lesson No. 1"
989:"Lesson No. 1 – Glenn Branca"
643:Craig Bishop – engineer (1,2)
1176:Beta, Andy (July 14, 2003).
1047:"Glenn Branca – Lesson No 1"
1022:"Glenn Branca: Lesson No. 1"
682:Rubin, Mike (May 20, 2013).
580:
18:Lesson No.1 (disambiguation)
7:
1120:Howard, Ed (May 25, 2004).
1082:Beta, Andy (May 19, 2004).
655:James Farber – producer (3)
23:1980 EP by Glenn Branca
10:
1358:
607:Harry Spitz – sledgehammer
194:
15:
622:David Rosenbloom – guitar
604:Stephan Wischerth – drums
423:
420:
127:
119:
107:
79:
63:
55:
42:
33:
28:
662:
1214:Hal Leonard Corporation
1155:The Wall Street Journal
652:– master engineer (1,2)
1231:Masters, Marc (2007).
688:Red Bull Music Academy
684:"The 99 Records Story"
598:Michael Gross – guitar
308:
232:
878:Savage and Baker 213.
571:"Bad Smells" – 16:30
307:
226:
1286:Chicago Review Press
1280:Todd, David (2012).
1237:Black Dog Publishing
750:Simon & Schuster
631:Jeffrey Glenn – bass
568:"Dissonance" – 11:37
495:s original release,
411:Professional ratings
406:Reception and impact
381:harmonic progression
360:. Branca uses dense
16:For other uses, see
1332:Glenn Branca albums
1098:on November 9, 2014
808:. November 18, 2013
552:' 2003 compilation
412:
191:with "Bad Smells".
1318:(list of releases)
1246:978-1-906-155-02-5
1206:Duckworth, William
858:The New York Times
719:The New York Times
595:– organ, keyboards
502:The New York Times
410:
309:
258:but was rejected.
233:
1295:978-1-61374-059-0
1272:978-0-9572600-0-9
1263:Soul Jazz Records
1223:978-0-02-870823-2
913:978-0-306-81603-1
759:978-1-4165-6202-3
745:The Pitchfork 500
550:Soul Jazz Records
542:experimental rock
522:The Pitchfork 500
486:
485:
324:
271:Walker Art Center
264:the Gynecologists
209:Max's Kansas City
205:Theoretical Girls
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1094:. Archived from
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1037:
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964:The Sunday Times
955:
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932:
929:
918:
917:
892:
879:
876:
870:
869:
867:
865:
845:
839:
838:Masters 124–125.
836:
830:
827:
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817:
815:
813:
796:
790:
789:
787:
785:
774:"Glenn Branca –
770:
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763:
739:
724:
723:
710:
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637:– producer (1,2)
534:alternative rock
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1182:Pitchfork Media
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1158:
1146:
1142:
1132:
1130:
1127:Stylus Magazine
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1111:
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1084:"Glenn Branca:
1080:
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1071:
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1057:
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1045:
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1026:Pitchfork Media
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851:(May 2, 1982).
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593:Anthony Coleman
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517:Pitchfork Media
492:
477:Stylus Magazine
466:Pitchfork Media
456:
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347:
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279:Anthony Coleman
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51:
24:
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12:
11:
5:
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1342:99 Records EPs
1339:
1337:1980 debut EPs
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1320:
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1305:
1304:External links
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1072:Duckworth 435.
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871:
849:Rockwell, John
840:
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752:. p. 40.
725:
722:. p. C14.
714:Rockwell, John
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650:Howie Weinberg
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554:New York Noise
544:bands such as
512:Slant Magazine
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1210:Talking Music
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987:Jurek, Thom.
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967:. p. 25.
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904:Da Capo Press
901:
898:(June 2009).
897:
896:Browne, David
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560:Track listing
557:
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547:
543:
539:
535:
531:
526:
524:
523:
518:
514:
513:
508:
504:
503:
498:
497:John Rockwell
491:
481:
479:
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474:
473:
469:
467:
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463:
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431:
428:
427:
419:
416:Review scores
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378:
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369:
367:
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354:minimal music
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331:
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248:New York City
244:
242:
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206:
202:
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182:
181:Acute Records
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162:
147:
146:
145:The Ascension
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58:
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50:
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41:
37:
32:
27:
19:
1311:Lesson No. 1
1309:
1282:Feeding Back
1281:
1265:Publishing.
1258:
1232:
1209:
1185:. Retrieved
1171:
1159:. Retrieved
1153:
1143:
1131:. Retrieved
1125:
1100:. Retrieved
1096:the original
1086:Lesson No. 1
1085:
1077:
1068:
1056:. Retrieved
1050:
1041:
1029:. Retrieved
996:. Retrieved
962:
959:Lee, Stewart
943:Masters 127.
931:Masters 126.
899:
874:
862:. Retrieved
856:
843:
834:
810:. Retrieved
803:
794:
782:. Retrieved
776:Lesson No. 1
775:
768:
743:
717:
691:. Retrieved
635:Mark Bingham
626:Ned Sublette
619:– guitar (3)
613:– guitar (3)
587:Glenn Branca
553:
530:Lesson No. 1
529:
527:
520:
510:
500:
490:Lesson No. 1
489:
487:
475:
389:
370:
350:Lesson No. 1
349:
348:
339:
330:Lesson No. 1
329:
283:Ned Sublette
268:
260:Rhys Chatham
245:
241:Lesson No. 1
240:
235:Branca knew
234:
229:Ned Sublette
198:
185:Lesson No. 1
184:
174:
166:Glenn Branca
161:Lesson No. 1
160:
159:
158:
143:
136:Lesson No. 1
135:
134:
121:Glenn Branca
49:Glenn Branca
29:Lesson No. 1
1255:Savage, Jon
1187:November 9,
1161:November 9,
1133:November 9,
1102:November 9,
1058:November 8,
1031:January 11,
998:January 11,
864:November 8,
812:November 8,
784:November 9,
693:November 9,
617:Lee Ranaldo
538:Sonic Youth
400:John Giorno
396:Twyla Tharp
392:polyrhythms
373:Steve Reich
366:crescendoes
297:Composition
275:Lee Ranaldo
218:The Kitchen
213:Barbara Ess
1326:Categories
1199:References
1092:City Pages
499:wrote for
342:media help
256:Kim Gordon
237:Ed Bahlman
170:99 Records
123:chronology
92:(original)
74:noise rock
59:March 1980
829:Todd 209.
581:Personnel
362:overtones
358:punk rock
291:art music
227:Composer
189:double LP
177:12" vinyl
103:(reissue)
1208:(1995).
993:AllMusic
628:– guitar
507:AllMusic
470:(8.7/10)
430:AllMusic
56:Released
46: by
1316:Discogs
1233:No Wave
377:phasing
201:no wave
195:History
149:(1981)
140:(1980)
70:No wave
1292:
1269:
1243:
1220:
910:
756:
424:Rating
421:Source
80:Length
1052:Uncut
663:Notes
546:Swans
536:band
493:'
488:Upon
385:tonal
203:band
109:Label
65:Genre
1290:ISBN
1267:ISBN
1241:ISBN
1218:ISBN
1189:2014
1163:2014
1135:2014
1104:2014
1060:2014
1033:2012
1000:2012
908:ISBN
866:2014
814:2014
805:Fact
786:2014
754:ISBN
695:2014
1314:at
262:of
1328::
1288:.
1284:.
1261:.
1239:.
1235:.
1216:.
1212:.
1180:.
1152:.
1124:.
1112:^
1090:.
1049:.
1024:.
1008:^
991:.
973:^
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906:.
902:.
883:^
855:.
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802:.
748:.
728:^
703:^
686:.
670:^
556:.
525:.
368:.
172:.
114:99
100:18
96:36
89:54
85:19
72:,
44:EP
1298:.
1275:.
1249:.
1226:.
1191:.
1165:.
1137:.
1106:.
1088:"
1062:.
1035:.
1002:.
916:.
868:.
816:.
788:.
778:"
762:.
697:.
482:C
344:.
287:6
98::
87::
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
