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262:âa sung verse following a specific form. Clark states that it is written in typical AlbĂ©niz form as it is "presented monophonically but doubled at the fifteenth for more fullness of sound." The music alters between a solo and accompaniment that is typical of flamenco. The short middle section of the piece is written in the style of a
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traditions (although the drama of the music is congruent with the landscape of the region of
Asturias). The origin of the presumably misattributed name was that in fact Albéniz did compose a piano work actually called (by himself) 'Asturias', which made part of a set of pieces of folk music from all
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Albéniz's biographer, Walter Aaron Clark, describes the piece as "pure
Andalusian flamenco". In the main theme the piano mimics the guitar technique of alternating the thumb and fingers of the right hand, playing a
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Though originally written to imitate guitar playing, the piece cannot be transcribed note for note for guitar. The original version makes uses of the piano keyboard's wider range compared to the
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over Spain for the then Queen of Spain, but this piece is lost, and maybe its name was passed on the now so called one.
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open string with the index finger and a melody with the thumb. The theme itself suggests the rhythm of the
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Some performers see the piece as a challenge to play as fast as possible, though the composer specified
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who put it in its most recognizable key, E minor. According to the guitarist and guitar scholar
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of the guitar, and the key of G minor is not suitable for the guitarâfor example, in the
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The piece, which lasts around six minutes in performance, was originally written for the
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Everything You Ever Wanted To Know About... ALBĂNIZ'S LEYENDA (Preludio-Asturias),
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573:"Viola Virtuosa Albéniz, Tårrega, Sor Vier Solo Transkriptionen aus Spanien"
466:"ALBĂNIZ'S LEYENDA (Preludio-Asturias) by Stanley Yates - PDF Free Download"
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by its composer, is a musical work by the
Spanish composer and pianist
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which is typical of bulerĂas. The second section is reminiscent of a
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Arrangement for castanets, bass and guitar, performed in 2001 by
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492:. Sharon Isbin in the example cited takes over six minutes.
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Many have attributed the first transcription for guitar to
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The opening is shown here in piano score. The repeated
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http://stanleyyates.com/articles/albeniz/leyenda.html
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was given to it posthumously by the German publisher
30:"Leyenda" redirects here. For the Anuel AA song, see
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425:Suite Española, Op. 47 â 5. Asturias (Leyenda)
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551:. Oxford University Press. pp. 97â98.
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127:Learn how and when to remove this message
439:Performed on a guitar by Gordon Rowland.
377:has arranged this piece for solo viola.
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171:is an example of the use of a pedal note
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549:Isaac Albeniz: Portrait of a Romantic
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447:Problems playing these files? See
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852:Compositions by Isaac Albéniz
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27:Musical work by Isaac Albéniz
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862:1890s in Spanish music
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306:standard guitar tuning
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179:and set in the key of
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490:Allegro ma non troppo
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362:song to Asturias and
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744:Rumores de la Caleta
645:List of compositions
577:partitura-verlag.com
373:The italian violist
61:improve this article
368:Middle of the Night
334:Waiting for the Sun
511:2021-02-13 at the
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857:1892 compositions
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341:Iron Maiden
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195:of a three-
117:August 2014
836:Categories
758:Tango in D
582:2023-03-19
475:2023-11-24
449:media help
381:References
364:Elley Duhé
248:pedal-note
228:Andalusian
214:Hofmeister
87:newspapers
786:Orientale
329:The Doors
302:tessitura
264:malagueña
208:The name
185:Barcelona
821:Category
765:Mallorca
735:Asturias
714:Cataluña
509:Archived
286:Asturias
231:flamenco
224:Asturias
197:movement
141:Asturias
802:La Vega
793:CĂłrdoba
779:Prelude
721:Sevilla
707:Granada
530:YouTube
252:bulerĂa
236:Leyenda
193:prelude
181:G minor
153:Prelude
147:Leyenda
101:scholar
18:Leyenda
692:Iberia
674:Merlin
652:Operas
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418:(6:53)
366:song "
240:legend
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684:Piano
354:Also
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187:, by
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347:and
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