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Li Gonglin

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139: 638: 42: 147: 261:. Li published influential catalogues on his collections. The catalogues, of which none survive, featured a line drawing of each artefact, the philological origin of any inscriptions, and a discussion of the function of the artefact based on his interpretation of received texts. Li's work lay the foundation of Song antiquarian nomenclature and use interpretation of ancient bronze vessels. For example, his use of the term 1558: 272: 213:
at 21 and became a civil officer. He moved to serve at the capital of Kaifeng, a common path at the time. It was there that he became increasingly familiar with the literary figures of the day, both collecting and copying their works.
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based on 3rd and 4th century BCE scripture for a mask like decoration on bronze vessels, became standard vocabulary for the description of bronze vessels and is still used by scholars today.
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A painting of court ladies on horseback, a 12th-century remake by Li Gonglin after an 8th-century original by
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Harrist, Robert E. (1995). "The Artist as Antiquarian: Li Gonglin and His Study of Early Chinese Art".
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Three handscrolls by Li Gonglin in the collection of the Metropolitan Museum, New York
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He became famous for his paintings of horses, then he turned to
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Bronze and stone: the cult of antiquity in Song Dynasty China
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painting. His painting style was attributed to the style of
1244: 247: 1557: 205:Born into a scholarly home near what is modern day 66:. Unsourced material may be challenged and removed. 394: 1606: 1589: 451: 285:, copy in the National Palace Museum, Taipei. 169: 884:Along the River During the Qingming Festival 403:. New York: The Metropolitan Museum of Art. 370:. 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Chinese name
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Li

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Zhang Xuan
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Householder
antiquarian
painter
Northern Song dynasty
Lu'an
civil service examinations
Buddhism
Taoism
portrait
landscape
Gu Kaizhi

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