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In the former studio, on the upper floor, there are about 40 paintings related to the garden and the villa. On the ground floor, the history of the
Liebermann family and the house is documented, including of how the Nazis forced Liebermann's wife, Martha, to sell the villa. The selling price was
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The Max-Liebermann-Gesellschaft Berlin e. V. assists the museum in care of the villa and garden and in restoring them to their original state at the time of the
Liebermanns' occupancy. Paintings of the garden and villa are presented continuously. A Multimedia Installation by
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opens a broader view with historical documents, photographs, sound recordings and films into the 100 years turbulent history of the house and the garden. Visitors can experience the serenity and spirit of the villa as
Liebermann did when he lived and painted there.
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The lengthy garden is divided in two by the villa itself. From the center of the villa, there is a view over the grass to Lake
Wannsee. There is a garden terrace in front of the house, looking toward Wannsee. On one side of the grass, there is the famous
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In 1909, he bought a narrow piece of land with direct access to the shores of Lake
Wannsee to escape from the city noise of Berlin. He lived there during the summer, from 1910 on. The villa was built by the architect
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path, with birch trees growing wherever they sprout. On the other side, there are three hedged gardens. In the rear of the villa, is the garden house and a vegetable plot.
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76:. It has been open to public since April 30, 2006 and shows a collection of Liebermann's paintings of his
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highly undervalued and in the end, she didn't even get that. Hours before she was due to be deported to
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Landhäuser und Villen in Berlin & Potsdam - Nr. 3: Großer
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in 1933 and banned because he was a Jew and a follower of what they considered to be
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is a museum located in the former summer residence of the German painter
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Max
Liebermann (1847–1935) was co-founder and head of the
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396:(1882–1883)
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