171:
150:
2137:
2147:
44:
2173:
394:(1459–1508), the Arch-Humanist of German Renaissance, taught his students to compose Latin poems using the metric patterns following the model of the Horatian odes. These poems were subsequently "set to simple, four-part music, incorporate the shifting accenmal patterns of the French
410:. The style also became imbued into the new German humanist dramas, thus contributing to the development of Protestant hymnody. The style is present in the earliest German secular polyphony collections such as Johann Ott's
364:
wrote six two-part lieder which are older still, but Oswald's songs (about half of which actually borrow their music from other composers) far surpass the Monk of
Salzburg in both number (about 120 lieder) and quality.
172:
151:
817:
207:" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love.
469:
Schubert found a new balance between words and music, a new expression of the sense of the words in and through the music. He wrote over 600 songs, some of them in sequences or
1008:
Word and Music
Studies: Essays on Music and the Spoken Word and on Surveying the Field: Essays from the Fourth International Conference in Word and Music Studies, Berlin, 2003
797:
360:
is sometimes claimed to be the creator of the lied because of his innovations in combining words and music. The late-fourteenth-century composer known as the
854:
2039:
1180:
815:
Böker-Heil, Norbert; Fallows, David; Baron, John H.; Parsons, James; Sams, Eric; Johnson, Graham; Griffiths, Paul (2001). "Lied".
2044:
1103:
1076:
1040:
1015:
990:
958:
906:
838:
1006:
Thyme, Jürgen (2005). "Schubert's
Strategies in Setting Free Verse". In Lodato, Suzanne M.; Urrows, David Francis (eds.).
226:
during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by
197:
music. The term is used for any kind of song in contemporary German and Dutch, but among
English and French speakers,
2213:
2120:
931:
1148:
862:
429:
344:) first came into general use in German during the early fifteenth century, largely displacing the earlier word
2218:
1599:
1031:
Gramit, David (2004). "The
Circulation of the Lied: The Double Life of an Art Form". In Parsons, James (ed.).
2198:
1091:
2023:
1879:
1173:
525:. Schubert and Schumann are most closely associated with this genre, mainly developed in the Romantic era.
1269:
2082:
2163:
2127:
1369:
1324:
1198:
1095:
880:
645:
1946:
1264:
419:
1854:
1679:
981:
Deaville, James (2004). "A Multitude of Voices: The Lied at Mid
Century". In Parsons, James (ed.).
499:
415:
165:
144:
2203:
2140:
1749:
1166:
822:
446:
231:
1459:
2177:
2150:
2092:
2067:
1899:
1474:
1219:
704:
515:
357:
222:
from as early as the 12th and 13th centuries. It later came especially to refer to settings of
17:
1930:
1769:
1644:
1634:
1399:
830:
639:
1689:
1569:
1524:
1504:
1419:
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were for a single singer and piano, with orchestral accompaniment being a later development.
37:
1464:
735:
2104:
2050:
1889:
1344:
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450:
235:
1849:
8:
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2017:
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1113:
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370:
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1329:
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2012:
1859:
1794:
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1449:
1299:
1061:
792:
1804:
703:'s Russian songs are also analogous. 20th-century English examples, as represented by
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2029:
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281:
For German speakers, the term "Lied" has a long history ranging from twelfth-century
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1364:
875:
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1986:
1874:
1829:
1824:
1764:
1579:
1534:
1379:
1349:
1319:
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708:
462:
The great age of German song came in the nineteenth century. With the flowering of
361:
116:
75:
33:
1709:
1414:
678:
497:(generally three or more) tied by a single narrative or theme, such as Schubert's
214:
date from the late fourteenth or early fifteenth centuries, and can even refer to
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1981:
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1609:
1339:
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1304:
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From the 15th century come three large song collections compiled in
Germany: the
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48:
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1991:
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1869:
1844:
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1529:
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1314:
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1239:
1229:
1189:
682:
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403:
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239:
1374:
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1224:
1152:
766:
745:
561:
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391:
255:
1809:
1729:
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1704:
1669:
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1514:
1499:
1479:
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1424:
1404:
1234:
1214:
894:
716:
616:
595:
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521:
442:
407:
322:
227:
56:
1354:
2072:
1819:
1754:
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1539:
1384:
1359:
712:
612:
603:
505:
1961:
1564:
587:
476:
470:
294:
282:
193:) is a term for setting poetry to classical music to create a piece of
670:
1904:
1309:
1249:
1132:
565:
546:
288:
251:
217:
194:
341:
1996:
1035:. Cambridge and New York: Cambridge University Press. p. 311.
985:. Cambridge and New York: Cambridge University Press. p. 143.
204:
1971:
1158:
1143:
599:
43:
466:, German-speaking composers found more inspiration in poetry.
131:
125:
93:
81:
814:
1126:
798:
The
American Heritage Dictionary of the English Language
351:
1010:. Amsterdam and New York: Editions Rodopi. p. 90.
423:(about 1540 onwards). According to Chester Lee Alwes,
2161:
128:
122:
96:
90:
84:
78:
119:
1140:, public domain transcriptions to play or download
1060:
473:that convey a journey of the soul, not the body.
2185:
901:. Oxford and New York: Oxford University Press.
340:for "song" (cognate with the English dialectal
433:"became the gold standard of the Lied genre".
1174:
892:
690:
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492:
481:
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327:
315:
307:
299:
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215:
198:
109:
66:
178:
32:"Lieder" redirects here. For the name, see
1181:
1167:
1149:"Life On the Other Side – 1971 Darüber..."
64:In the Western classical music tradition,
926:. Oxford University Press. p. 1065.
897:(2002). "Lied". In Latham, Alison (ed.).
625:of a sometimes overtly political nature.
27:Art song in the classical music tradition
980:
549:in the latter half of the 19th century.
398:". The composers of this style included
42:
1063:German Lieder in the Nineteenth Century
953:. Oxford University Press. p. 66.
831:10.1093/gmo/9781561592630.article.16611
810:
808:
791:
313:) to twentieth-century workers' songs (
14:
2186:
1030:
921:
1162:
1005:
946:
352:Late Middle Ages or Early Renaissance
164:
143:
805:
633:Some of the most famous examples of
203:is often used interchangeably with "
2040:Tchaikovsky and the Belyayev circle
1155:, an African-American lieder singer
1088:The Cambridge Companion to the Lied
1033:The Cambridge Companion to the Lied
983:The Cambridge Companion to the Lied
773:. New York: Random House, Inc. 1997
689:are French parallels to the German
157:
105:
24:
1188:
1052:
771:Random House Unabridged Dictionary
436:
412:Mehrstimmiges Deutsches Liederbuch
25:
2230:
1120:
950:A History of Western Choral Music
924:The New Oxford Companion to Music
719:, were often folk-like in idiom.
2171:
2145:
2136:
2135:
115:
74:
1024:
999:
974:
552:
537:The tradition was continued by
430:Innsbruck, ich muss dich lassen
940:
915:
886:
869:
847:
801:(5th ed.). HarperCollins.
785:
759:
728:
385:
270:
13:
1:
1092:Cambridge Companions to Music
1059:Hallmark, Rufus, ed. (1996).
899:The Oxford Companion to Music
861:. BBC Schools. Archived from
722:
576:carried the tradition of the
329:Kabarettlieder, Protestlieder
7:
2083:Gothic Revival architecture
1138:The OpenScore Lieder Corpus
947:Alwes, Chester Lee (2015).
628:
10:
2235:
2024:Neue Zeitschrift für Musik
1199:List of Romantic composers
1096:Cambridge University Press
649:("Death and the Maiden"),
441:German-speaking composers
274:
265:
31:
2115:
2060:
2005:
1939:
1918:
1205:
1196:
665:Other national traditions
420:Frische teutsche Liedlein
2214:Songs in classical music
2045:Tchaikovsky and The Five
1133:The Lieder Sound Archive
1129:, texts and translations
459:for voice and keyboard.
1086:Parsons, James (2004).
881:Encyclopædia Britannica
823:Oxford University Press
781:– via Infoplease.
646:Der Tod und das Mädchen
582:into the 20th century.
447:Wolfgang Amadeus Mozart
376:Schedelsches Liederbuch
232:Wolfgang Amadeus Mozart
2068:Common practice period
922:Arnold, Devis (1984).
705:Ralph Vaughan Williams
691:
621:
607:
578:
530:
516:Frauen-Liebe und Leben
493:
482:
455:
358:Oswald von Wolkenstein
356:The poet and composer
328:
316:
308:
300:
287:
216:
199:
110:
67:
61:
36:. For other uses, see
2219:Medieval music genres
1127:The LiederNet Archive
741:CollinsDictionary.com
652:Gretchen am Spinnrade
275:Further information:
162:German pronunciation:
141:German pronunciation:
46:
38:Lied (disambiguation)
2199:German music history
2105:Romantic nationalism
2051:War of the Romantics
1144:The Art Song Project
451:Ludwig van Beethoven
305:) and church hymns (
236:Ludwig van Beethoven
2100:Musical nationalism
2018:Musical nationalism
1114:Lieder line by line
701:Sergei Rachmaninoff
574:Alexander Zemlinsky
500:Die schöne Müllerin
380:Glogauer Liederbuch
371:Lochamer Liederbuch
2013:Indianist movement
1931:Romantic orchestra
818:Grove Music Online
611:. Somewhat later,
62:
2159:
2158:
2030:New German School
1625:Felix Mendelssohn
1620:Fanny Mendelssohn
1105:978-0-521-80027-3
1078:978-0-02-870845-4
1042:978-0-521-80471-4
1017:978-90-420-1897-6
992:978-0-521-80471-4
960:978-0-19-936193-9
908:978-0-19-866212-9
840:978-1-56159-263-0
697:Modest Mussorgsky
584:Arnold Schoenberg
464:German literature
277:Liederhandschrift
16:(Redirected from
2226:
2176:
2175:
2174:
2167:
2149:
2139:
2138:
2035:Post-romanticism
1900:Vaughan Williams
1183:
1176:
1169:
1160:
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1109:
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997:
996:
978:
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967:
944:
938:
937:
919:
913:
912:
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884:
873:
867:
866:
865:on 4 March 2015.
851:
845:
844:
821:(8th ed.).
812:
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709:Benjamin Britten
694:
658:Der Doppelgänger
624:
610:
581:
533:
496:
491:) are series of
485:
458:
427:'s popular song
362:Monk of Salzburg
336:The German word
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311:
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221:
202:
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166:[ˈliːdɐ]
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34:Lieder (surname)
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2178:Classical music
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2128:Modernist music
2124:
2121:Classical music
2111:
2056:
2001:
1982:Romantic ballet
1977:Orchestral song
1957:Chorale prelude
1952:Character piece
1935:
1926:Romantic guitar
1919:Instrumentation
1914:
1750:Rimsky-Korsakov
1370:Ferdinand David
1207:
1201:
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1053:Further reading
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687:Francis Poulenc
667:
637:are Schubert's
631:
570:Richard Strauss
555:
543:Johannes Brahms
539:Robert Schumann
511:Robert Schumann
439:
437:Common practice
416:Georg Forster's
388:
354:
279:
273:
268:
260:Richard Strauss
248:Johannes Brahms
244:Robert Schumann
224:Romantic poetry
190:
187:
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149:
148:
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118:
114:
89:
77:
73:
49:Robert Schumann
41:
28:
23:
22:
15:
12:
11:
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2204:Romantic music
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2009:
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1994:
1992:Symphonic poem
1989:
1987:Romantic opera
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1365:Félicien David
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1190:Romantic music
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683:Claude Debussy
675:Hector Berlioz
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425:Heinrich Isaac
404:Paul Hofhaimer
400:Heinrich Finck
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317:Arbeiterlieder
272:
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240:Franz Schubert
145:[liːt]
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2006:Other topics
1966:
1830:J. Strauss I
1720:Rachmaninoff
1475:Gretchaninov
1112:
1087:
1067:. New York:
1062:
1032:
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1007:
1001:
982:
976:
964:. Retrieved
949:
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863:the original
858:
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739:
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717:Gerald Finzi
668:
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617:Hanns Eisler
596:Ernst Krenek
592:Anton Webern
556:
553:20th century
536:
527:
522:Dichterliebe
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483:Liederzyklus
480:
475:
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443:Joseph Haydn
440:
428:
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408:Ludwig Senfl
396:vers mesurée
395:
390:The scholar
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280:
228:Joseph Haydn
211:
209:
65:
63:
57:Dichterliebe
55:
52:
51:'s cycle of
29:
2073:Romanticism
1855:Tchaikovsky
1790:R. Schumann
1785:C. Schumann
1770:Saint-Saëns
1665:Niedermeyer
1555:Leoncavallo
1525:Kalkbrenner
1300:Bortkiewicz
966:10 December
777:17 November
751:17 November
713:Ivor Gurney
613:Paul Dessau
604:twelve-tone
528:Typically,
506:Winterreise
489:Liederkreis
477:Song cycles
471:song cycles
414:(1534) and
386:Renaissance
301:Volkslieder
271:Terminology
47:Poster for
2209:Song forms
2188:Categories
2061:Background
1962:Intermezzo
1895:Wieniawski
1875:Vieuxtemps
1840:R. Strauss
1765:Rubinstein
1690:Paderewski
1660:Mussorgsky
1655:Moszkowski
1630:Mercadante
723:References
588:Alban Berg
378:, and the
295:folk songs
283:troubadour
195:polyphonic
1675:Offenbach
1650:Moscheles
1645:Moniuszko
1640:Meyerbeer
1595:Marschner
1580:MacDowell
1395:Donizetti
1340:Cherubini
1330:Chaminade
1255:Beethoven
1240:Balakirev
1230:Atterberg
1208:musicians
566:Max Reger
547:Hugo Wolf
479:(German:
289:Minnesang
252:Hugo Wolf
218:Minnesang
2141:Category
2118: ←
1997:Symphony
1860:Thalberg
1825:Spontini
1800:Sibelius
1795:Scriabin
1780:Schubert
1775:Sarasate
1740:Respighi
1735:Reinecke
1695:Paganini
1605:Massenet
1600:Masarnau
1585:Madetoja
1530:Kreisler
1520:Kalivoda
1465:J. Gomis
1450:Glazunov
1445:Giuliani
1335:Chausson
1325:Chadwick
1315:Bruckner
855:"Lieder"
671:mélodies
640:Erlkönig
629:Examples
205:art song
2131:→
2093:Science
1972:Mazurka
1947:Ballade
1880:Voříšek
1850:Tárrega
1845:Taneyev
1805:Smetana
1760:Rossini
1715:Puccini
1710:Prudent
1670:Nielsen
1635:Méreaux
1610:Medtner
1575:Lysenko
1545:Lachner
1510:Joachim
1490:Herbert
1410:Farrenc
1375:Delibes
1350:Crusell
1295:Borodin
1285:Berwald
1275:Berlioz
1265:Bennett
1260:Bellini
1245:Bazzini
1225:Arensky
878:at the
699:'s and
285:songs (
266:History
182:
2194:Lieder
2164:Portal
2151:Portal
2088:Poetry
1940:Genres
1885:Wagner
1865:Tobias
1730:Reicha
1705:Popper
1685:Pacini
1680:Onslow
1590:Mahler
1570:Lumbye
1535:Kuhlau
1515:Joplin
1505:Hummel
1495:Hérold
1485:Halévy
1470:Gounod
1455:Glinka
1435:Franck
1430:Foster
1400:Dvořák
1390:d'Indy
1380:Delius
1360:Czerny
1345:Chopin
1320:Busoni
1305:Brahms
1280:Bertin
1270:Bériot
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715:, and
685:, and
655:, and
635:Lieder
622:Lieder
619:wrote
608:Lieder
602:, and
600:atonal
594:, and
545:, and
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494:Lieder
456:Lieder
453:wrote
406:, and
374:, the
346:gesang
293:) via
212:Lieder
160:
111:Lieder
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60:(1840)
53:Lieder
18:Lieder
2078:Chess
1910:Ysaÿe
1890:Weber
1870:Verdi
1820:Spohr
1815:Sousa
1700:Paine
1615:Méhul
1565:Loewe
1560:Liszt
1540:Kuula
1500:Holst
1480:Grieg
1460:Gomes
1440:Franz
1425:Foote
1420:Field
1415:Fauré
1405:Elgar
1385:Denza
1310:Bruch
1290:Bizet
1250:Beach
1235:Auber
1220:Alkan
509:, or
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1967:Lied
1905:Wolf
1755:Rode
1745:Ries
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