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List of motion picture film stocks

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979: 2491: 1612:
Replaced 5381/7381, 5383/7283, 7378, 7379. So-called low-fade "LPP." Brought "improved cyan dye dark-keeping" and ECP-2 from 7379, and "reduced sensitivity to process variations" introducing process ECP-2A (persulfate bleach replaced ferricyanide bleach, and bromide concentration was increased).
321:
stopped production of all motion picture film stocks on March 31, 2013. For negative stocks, "85" prefix designates 35 mm, "86" prefix designates 16 mm stock. Stock numbers ending in a "2" are Fuji's Super-F emulsions (1990s) and the stocks ending in "3" are the new Eterna emulsions.
87:
film was first made commercially available in 1936 (16 mm reversal and 35 mm), Agfa-Gevaert has discontinued their line of motion picture camera films. Agfa Wittner-Chrome, Aviphot-Chrome or Agfachrome reversal stocks (rated at 200 ISO, made from Wittner-Chrome 35mm still film) are
533:
Eterna-RDS 4791(Polyester base) Fujicolor recording film (RDS short for Recording for Digital Separation). The black-and-white recording film designed to be used for digital archive. Process with D96 or D97. Introduced in April
3043: 20:. Those films known to be no longer available have been marked "(discontinued)". This article includes color and black-and-white negative films, reversal camera films, intermediate stocks, and print stocks. 712:
A "T" suffix designates a tungsten (3200K) balanced negative and a "D" suffix designates a daylight (5600K) negative. The number preceding this is the film's exposure index as determined by Kodak (it is
3136:
Pytlak, John P. "Film Notes For the Reel People: A Technical Service for Filmhandlers from Eastman Kodak Company"; Publication H-50-34, October 1994 and H-50-35, December 1994. 2386 was first used on
92:
in Germany or Spectra Film and Video in the United States. The Agfa label was also used in widely produced East German film stocks based on Agfa patents before the introduction of ORWO in 1964.
1738:
Replaced 5386. ESTAR-base; processes ECP-2D and ECP-2E, no rem-jet backing. (Process ECP-2E removes soundtrack redeveloper and the "first fixer"; it is suitable for cyan-dye soundtrack prints)
3063:
J. Baptista; J. Erwin; F. Franzwa; C. Hunt; H. Johnston; E. Knutssen; C. Maggiulli; R. O'Connell (1978), "Two New Eastman Color Print Films with Improved Cyan Dye Dark-Keeping Stability",
334:
Fuji also introduced their Reala film, a color stock with a fourth color emulsion layer, which is also the fastest daylight balanced color motion picture stock ever offered at 500 ISO.
2836: 2733: 2975:
K.J. Carl, Jr.; J.W. Erwin; S.J. Powell; F.R. Reinking; R.C. Sehlin; S.W. Spakowsky; W.A. Szafranski; R.W. Wien (December 1982), "Eastman Color Print Film 5384",
1455:
Replaced 5382 and 7383. "Improved definition and speed". Process ECP, wet time reduced to 28 min. in 1966, and 20 min. in 1967. Not the same as 1993 film.
2945: 2917: 530:
Eterna-RDI 8511/4511(Polyester base) Fujicolor recording film (RDI short for Recording for Digital Intermediate). Designed to be used with Arri Laser.
89: 328:
For intermediate stocks, as negatives', adding "45" prefix designates 35 mm in polyester (PET) base, and "87" prefix designates 65/70 mm.
440:
Containing a fourth color layer, Reala is nominally considered a part of the Super-F series. Its analogue in the stills market is Superia Reala.
73: 3237: 2707: 2878: 3163: 2323:
SFX 200T Color Negative Film (35 mm only) introduced in 1998. Special-order film intended for special effects. (discontinued in 2004)
2804: 3371: 3185: 2347:
specialises in B&W films and, until 2003, produced motion picture versions of their photographic films for 16mm and 35mm cameras.
2406: 2509: 1630:
Replaced 5738/7738. "Low contrast for video transfers." Process ECP-2A, dye stability, and reduced process sensitivity from 5384
595:
In films from 1950 on, the first two digits (the prefix) of the four-digit emulsion number identify the gauge and base of film:
284:
is German company in the tradition of Agfa, manufacturing black-and-white materials. The brand ORWO stands for Original Wolfen.
1022:
5247 100T Process ECN-2 introduced in 1974 (discontinued in 1976), it has sharper/finer grain compared to its predecessor 5254
253:
The list below is from 1970; "A" was 16mm, "B" was 35mm. Films marked with ‡ could also be processed as a negative film stock
3111:
S.J. Powell; C. Didier; B. Gagny; K.J. Carl; J.W. Erwin; I.A. Halman (March 1984), "Eastman Color LC Print Film 5380/7380",
2840: 2730: 2682: 3201: 3386: 2751: 520:
Super F-CI 8702(65/70 mm)/8502/4502(Polyester base)/8602 Fujicolor intermediate film. (One of the Super F-Series)
3346: 3331: 3316: 3301: 2583: 2305:
Black-and-white recording film. ESTAR-based. Intended for making archival separations from color digital masters.
576:
Ansco Ultra-Speed, Type 456, very high speed, medium grain, panchromatic. E.I. 100 Day, 64 Tungsten (discontinued)
56: 331:
For positive and print stocks, "35" indicates 35 mm print film, and "36" indicates 16 mm print film.
3096: 3025: 2942: 2914: 978: 2329:
Ektagraphic High Contrast Slide (HCS) orthochromatic negative film for making reverse-text title slides etc.
246:
The 1969 list is identical to 1966. 1969 is the last appearance of DuPont motion picture film stocks in the
570:
Ansco Color Reversal Duplicating Film, Type 538, for duplication of positive image originals (discontinued)
325:
Also, Eterna Vivid series negatives' last second suffix as "4", and the ending suffix as different "E.I.".
567:
Ansco Color Print Film, Type 848, for release prints, balanced for approx. 3,000 degrees K (discontinued)
501:
Eterna-CP 3514DI/3614DI Fujicolor positive film. High-contrast. Polyester base. Introduced in April 2010.
207:
High Speed Rapid Reversal Film, Type 931A (could be used as negative or reversal) B&W (discontinued)
2504: 928: 483: 3372:
https://web.archive.org/web/20070703225400/http://www.filmotec.de/English_Site/Products/products.html
2529: 3232: 2715: 573:
Ansco Supreme, Type 453, panchromatic (black & white?). E.I. 50 Day, 32 Tungsten (discontinued)
495:
Eterna-CP 3513DI/3613DI Fujicolor positive film. High-contrast. Polyester base. Introduced in 2002.
215:
Fine Grain Superior 2 Negative, Type 936 B and A (ASA 125 Day, 100 Tungsten) B&W (discontinued)
2874: 2286:
Recording film. ESTAR-based. Optimized for productions that originate or are finished digitally.
150:
The list below is of film stocks in use in 1956; the "B" designation was for 35mm, "A" was 16mm.
3050:, topic "Kodak '4B' print stock" (topic #2835), page 1 (post #4). 27 November 2001 02:22PM (CT) 2409:
is a Russian film manufacturer. They no longer produce motion picture film but do still produce
3158: 2332:
Fine Grain Release Positive, blue-sensitive negative film specially for motion film duplication
561:
Ansco Color Negative, Type 844. E.I. 16 Day (w/ Wratten #85 filter), 25 Tungsten (discontinued)
507:
Eterna-CP 3512/3612 Fujicolor positive film. High-contrast. Polyester base. Introduced in 2010.
2808: 3180: 3144: 2410: 958:
Plus-X Panchromatic Negative film 5231/7231 80D/64T introduced in 1956 (discontinued in 2010)
204:
Rapid Reversal Film, Type 930A (could be used as negative or reversal) B&W (discontinued)
504:
Eterna-CP 3523XD Fujicolor positive film. High-contrast. Polyester base. Introduced in 2010.
498:
Eterna-CP 3521XD Fujicolor positive film. High-contrast. Polyester base. Introduced in 2007.
181:
Fine Grain Release Positive, Type 825B, for optimum picture and sound quality (discontinued)
2544: 970:
Eastman 4-X negative Pan film 5224/7224 500D/400T introduced in 1964 (discontinued in 1990)
201:
Panchromatic Film, Type 914A (could be used as negative or reversal) B&W (discontinued)
1269:
5218/7218 (35, 16, & 8 mm) Vision2 500T introduced in 2002. discontinued in 2009.
1266:
5217/7217 (35, 16, & 8 mm) Vision2 200T introduced in 2004. discontinued in 2010.
8: 2893: 230:
Ultra Speed Reversal, Type 932 B and A (ASA 320 Day, 250 Tungsten) B&W (discontinued)
1012:
Eastman Color Negative film 5254/7254 100T introduced in 1968 (discontinued March, 1977)
227:
High Speed Reversal, Type 931 B and A (ASA 160 Day, 125 Tungsten) B&W (discontinued)
221:
Superior 4 Negative, Type 928 B and A (ASA 320 Day, 250 Tungsten) B&W (discontinued)
218:
Superior 3 Negative, Type 937 B and A (ASA 250 Day, 200 Tungsten) B&W (discontinued)
169:
Sound Recording, Type 801B, Variable area or density optical sound tracks (discontinued)
1169: 444:
Reala 500D 8592/8692 was introduced in December 2001, and discontinued in February 2011
2390:
Ilford SFX 200 Negative for Special Effects, ASA 200 Day, 100 Tungsten (B&W, 16mm)
1178:
5294/7294 400T (35 mm)/320T (16 mm) introduced in 1983, discontinued in 1986
1035:
Eastman Ektachrome Video News Film 7239 (VNF) 160D, introduced in 1976. Replaced 7241.
990:
Eastman XT Panchromatic Negative Film 5220, 25D/20T, 1964–1970, replacing Background-X
489:
F-CP 3519D Fujicolor positive film. High-contrast. Polyester base. Introduced in 1999.
142:
no longer manufactures film. It first entered the 35mm motion picture market in 1926.
3342: 3327: 3312: 3297: 2785: 2773: 2579: 1278:
5299/7299 Vision2 "HD Color Scan film" 500T introduced in 2005. discontinued in 2009.
2805:"FUJIFILM Global | Products | Motion Picture Films | Product Line-up" 1149:
7294 100D (Super-8, 16mm) introduced in 2018, reformulated version of 5285/7285 100D
3120: 2984: 2458: 1250: 1544:
Process ECP-2. Similar quality to 5381/7381. "Short Process" (10-minute wet time)
3241: 3189: 3167: 3138: 2949: 2921: 2882: 2737: 2524: 1038:
Eastman Ektachrome Video News Film 7240 125T, introduced in 1976. Replaced 7242.
492:
Super F-CP 3510/3610 Fujicolor positive film. Polyester base. Introduced in 2002.
2974: 172:
VA Sound Recording, Type 831B, Variable area optical sound tracks (discontinued)
163:
Duplicating Negative, Type 908B, Fine grain, panchromatic B&W (discontinued)
3352:
Herrmann, Karl (January 1990). "Film Stock Tests: Eastman (third in a series)"
3288:
www.pixpast.com for samples of original 35mm agfacolor film from 1936 to 1945.
2384:
Ilford Fine Grain Safety Positive for release prints (B&W, 35mm & 16mm)
1092: 198:
Superior 4, Type 928 B and A (ASA 320 Day, 250 Tungsten) B&W (discontinued)
195:
Superior 2, Type 936 B and A (ASA 125 Day, 100 Tungsten) B&W (discontinued)
2731:
Fujifilm Expands Eterna Family with the Introduction of Eterna 400, Eterna 250
1387:
Replaced by 5382. Process ECP, 45 minute wet time. Not the same as 1972 film.
1009:
Eastman Color Negative film 5251 50T introduced in 1962 (discontinued in 1968)
1006:
Eastman Color Negative film 5250 50T introduced in 1959 (discontinued in 1962)
1003:
Eastman Color Negative film 5248 25T introduced in 1952 (discontinued in 1959)
1000:
Eastman Color Negative film 5247 16D introduced in 1950 (discontinued in 1952)
973:
Kodak 4-X reversal film 7277 400D/320T introduced in 1967 discontinued in 1990
564:
Ansco Color Dupe Negative, Type 846, for Intermediate Negatives (discontinued)
272:
Ultra Speed Rapid Reversal, Type 932 B and A, B&W Reversal‡ (discontinued)
72:
color film (as early as 1908), invented by German chemists Rudolf Fischer and
44:
Fine Grain Release Positive, Type 150, B&W, 35mm & 16mm (discontinued)
38:
CR 250 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued)
35:
CR 160 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued)
3380: 2317:
5600 Primetime EXR 640T Teleproduction Film introduced in 1995 (discontinued)
1275:
5260 Vision2 500T introduced in 2009 (35 mm only). discontinued in 2011.
1272:
5229/7229 Vision2 "Expression" 500T introduced in 2003. discontinued in 2011.
586: 269:
High-Speed Rapid Reversal, Type 931 B and A, B&W Reversal‡ (discontinued)
175:
Fine Grain Sound Recording, Type 837B, (to increase sharpness) (discontinued)
41:
CR 64 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued)
2759: 2375:
Ilford Mark V Negative, ASA 250 Day, 200 Tungsten (B&W, 35mm & 16mm)
2335:
Rapid Process Copy (RPC) ultra-slow duplicating film with a blue-tinted base
2326:
5230/7230 500T Color Negative Film introduced in 2011 (discontinued in 2012)
1234:
5284/7284 Vision 500T "Expression" introduced in 2001 (discontinued in 2003)
1041:
Eastman Ektachrome High-Speed Video News Film 7250 400T, introduced in 1977.
160:
Superior 3, Type 927B (ASA 125 Day, 100 Incandescent) B&W (discontinued)
2344: 1159: 224:
Rapid Reversal, Type 930A, (ASA 64 Day, 50 Tungsten) B&W (discontinued)
84: 69: 1755:
ESTAR-base; processes ECP-2D and ECP-2E. Higher density blacks than 2383.
1044:
Eastman Ektachrome High-Speed Daylight Film 7251 400D, introduced in 1981.
949:
Eastman Tri-X panchromatic Negative film 5233 320D/250T introduced in 1954
157:
Superior 2, Type 926B (ASA 80 Day, 64 Incandescent) B&W (discontinued)
154:
Superior 1, Type 904B (ASA 23 Day, 20 Incandescent) B&W (discontinued)
2496: 2378:
Ilford HPS Negative, ASA 400 Day, 320 Tungsten (B&W, 35mm & 16mm)
2366:
Ilford Pan F Negative, ASA 25 Day, 20 Tungsten (B&W, 35mm & 16mm)
543: 466:
Eterna 400T 8583/8683 introduced in March 2005, discontinued in July 2011
337:
As of March 2013, Fuji had ceased production of all motion picture film.
233:
Fine Grain Duplicating Negative, Type 908 B and A, B&W (discontinued)
2372:
Ilford HP3 Negative, ASA 200 Day, 160 Tungsten (B&W, 35mm & 16mm
1288:
5219/7219 Vision3 500T introduced in 2007. SO-219 is ESTAR-base variant.
187:
Low Contrast Positive, Type 824B, for kinescope recording (discontinued)
78: 2539: 2519: 2369:
Ilford FP3 Negative, ASA 80 Day, 64 Tungsten (B&W, 35mm & 16mm)
2155:
ESTAR-based and 35 mm only. For optical soundtrack recording use.
1240:
7289 Vision 800T (16 mm) introduced in 1999 (discontinued in 2004)
1098: 1054: 1282: 1025:
5247/7247 100T (updated) introduced in 1976 (discontinued March, 1983)
1016: 3110: 2534: 2466: 2356: 2351: 976:
Kodak Tri-X TV reversal film 7727, TVTX, no longer identified by EKC
517:
Eterna-CI 8503/4503(Polyester base)/8603 Fujicolor intermediate film.
239:
Fine Grain Release Positive, Type 825 B and A, B&W (discontinued)
3062: 1294:
5213/7213 (35, 16, & 8 mm) Vision3 200T introduced in 2010.
1168:
7292 320T introduced in 1986 (discontinued in 1992) (First partial "
178:
Release Positive, Type 803B, High speed, normal grain (discontinued)
3368:
Kodak publication H-2 (January 2006) (12th ed.). pp. MPF-4 – MPF-5.
3124: 2988: 2514: 1244: 1110:
5285/7285 100D (reversal) introduced in 1999 (discontinued in 2012)
1064: 318: 1213: 294:
ORWO P(ositive) F(ilm) 2 and PF 2 plus with an anti-halo undercoat
2896:. "History of Professional Black-and-White Motion-Picture film", 1146:
Ektachrome SM 7244 (super 8 mm)(reversal) introduced in 1975
236:
Pan Rapid Reversal Duplicating, Type 910A, B&W (discontinued)
1263:
5212/7212 Vision2 100T introduced in 2004. discontinued in 2010.
1260:
5205/7205 Vision2 250D introduced in 2004. discontinued in 2009.
1128:
7255 introduced in 1958 (discontinued in 1970, replaced by 7252)
2442:
OCh 200 Black-and-white reversal, Asa 200 D, 160 T discontinued
1257:
5201/7201 Vision2 50D introduced in 2005. discontinued in 2012.
1231:
5279/7279 Vision 500T introduced in 1996 (discontinued in 2006)
1228:
5277/7277 Vision 320T introduced in 1996 (discontinued in 2005)
1225:
5274/7274 Vision 200T introduced in 1997 (discontinued in 2006)
1222:
5263/7263 Vision 500T introduced in 2002 (discontinued in 2003)
1219:
5246/7246 Vision 250D introduced in 1997 (discontinued in 2005)
1188: 1184:
5297/7297 HS Day 250D introduced in 1986 (discontinued in 1997)
139: 994: 987:
Eastman Background-X Negative Film 5230, ISO 32 (discontinued)
3209: 2899: 2454: 2432: 1506:
Replaced 5385 "for 35mm end use". Not the same as 1950 film.
1143:
Ektachrome (Type A) 160T (super 8 mm) introduced in 1971
263:
Superior 4, Type 928 B and A, B&W Negative (discontinued)
260:
Superior 3, Type 937 B and A, B&W Negative (discontinued)
257:
Superior 2, Type 936 B and A, B&W Negative (discontinued)
166:
Master Positive, Type 828B, Fine grain B&W (discontinued)
127:
Note: 1993 is the last appearance of Agfa film stocks in the
2439:
OCh 50 Black-and-white reversal, Asa 50 D, 40 T discontinued
1209:
5298/7298 EXR 500T introduced in 1994 (discontinued in 2003)
1206:
5296/7296 EXR 500T introduced in 1989 (discontinued in 1995)
1203:
5293/7293 EXR 200T introduced in 1992 (discontinued in 2004)
1200:
5287/7287 EXR 200T introduced in 1996 (discontinued in 1996)
1197:
5248/7248 EXR 100T introduced in 1989 (discontinued in 2005)
1093:
Ektachrome color reversal film (E1–E6 and related processes)
1194:
5245/7245 EXR 50D introduced in 1989 (discontinued in 2006)
1079:
5268 (16 mm) introduced in 1946 (discontinued in 1958)
1073:
5265 (16 mm) introduced in 1940 (discontinued in 1950)
1070:
5262 (16 mm) introduced in 1938 (discontinued in 1946)
1067:) & 8 mm introduced in 1936 (discontinued in 2009) 1029: 281: 266:
Rapid Reversal, Type 930A, B&W Reversal‡ (discontinued)
242:
TV Recording Film, Type 834 B and A, B&W (discontinued)
184:
Title Stock, Type 805B, a high contrast film (discontinued)
3362:
Kodak publication H-2 (September 1998). pp. MPF-4 – MPF-5.
2875:
Kodak H-1: Selecting Films: Film Types, Names, and Numbers
2320:
5620/7620 Primetime 640T introduced in 1997 (discontinued)
1877:
Eastman Fine Grain Duplicating Panchromatic Negative film
1861:
Eastman Fine Grain Duplicating Panchromatic Negative film
1237:
5289 Vision 800T introduced in 1998 (discontinued in 2004)
967:
Tri-X reversal 7266 (16 mm & 8 mm) 200D/160T
964:
Plus-X reversal 7265 (16 mm & 8 mm) 100D/80T
352:
8514/8524 (35 mm & 16 mm) Fujicolor AX 500T
211:
The list below is from 1966; "A" was 16mm, "B" was 35mm.
191:
The list below is from 1960; "A" was 16mm, "B" was 35mm.
2683:"A New Motion Picture Film Stock Arrives Thanks To ORWO" 2174:
ESTAR-based only. For optical soundtrack recording use.
1578:
Process ECP. "Improved cyan dye dark-keeping stability"
355:
8518/8528 (35 mm & 16 mm) Fujicolor A 250T
349:
8511/8521 (35 mm & 16 mm) Fujicolor A 125T
2010:
ESTAR-based version of 5369. Also provided 16 mm.
1404:
Replaced 5381 ("Better definition"), replaced by 5385.
28: 3097:
Chronology of Motion Picture Films: 1980-today (Part 4
3026:
Chronology of Motion Picture Films: 1960–1979 (Part 3)
2943:
Chronology of Motion Picture Films: 1940–1959 (Part 2)
2915:
Chronology of Motion Picture Films: 1889–1939 (Part 1)
2863:
American Cinematographer Hand Book and Reference Guide
2621:
American Cinematographer Hand Book and Reference Guide
1107:
5240/7240 (16 mm & 8 mm) (reversal) 125T
557:
The list below is of 35mm film stocks in use in 1956.
47:
Reversal Print, Type 160, B&W, 16mm (discontinued)
2423:
Black-and-white positive print film МZ-3 ISO/GOST ~5T
1175:
5293/7293 250T introduced in 1982 (discontinued 1983)
955:
Tri-X reversal film 7278 200D/160T introduced in 1955
50:
Color Print, Type 650, 35mm & 16mm (discontinued)
3058: 3056: 2970: 2968: 2966: 2964: 2962: 2960: 2486: 2381:
Ilford HRT Television Recording Film (B&W, 16mm)
1647:
Replaced 5380/7380. Not the same as 1962–1972 film.
1613:
Modified in 1998 for ECP-2B (eliminating formalin).
1153: 1088:
7270 40T (16 mm & 8 mm) (discontinued)
1085:
7267 25D (16 mm & 8 mm) (discontinued)
952:
Plus-X reversal film 7276 50D/40T introduced in 1955
702:
Acetate-base 16 mm or 8 mm lab/print film
3038: 3036: 2752:"Discontinuation of Motion Picture Film production" 2417:
Black-and-white negative film NK-2 ISO/GOST 32D/25T
1283:
Vision3 color negative (ECN-2 process 2007–present)
1165:
7291 100T introduced in 1983 (discontinued in 1989)
1017:
Eastman Color Negative II (ECN-2 process 1974–1976)
686:Acetate-base 35 mm (or larger) lab/print film 113:
XTS400 (35 mm & 16 mm) (discontinued)
107:
XTR250 (35 mm & 16 mm) (discontinued)
1681:ESTAR-base version of 5386, with rem-jet backing. 1249:"Vision2" redirects here. For the TV channel, see 1125:7252 25T introduced in 1970 (discontinued in 1984) 724: 656:ESTAR-base 16 mm or 8 mm lab/print film 110:XT320 (35 mm & 16 mm) (discontinued) 104:XT125 (35 mm & 16 mm) (discontinued) 101:XT100 (35 mm & 16 mm) (discontinued) 3104: 3053: 2957: 2420:Black-and-white negative NK-2Sh ISO/GOST 100D/80T 1353:Black-and-white, nitrate-base. Replaced by 5302. 1048: 694:Acetate-base 16 mm or 8 mm camera film 640:ESTAR-base 35 mm (or larger) lab/print film 3378: 3130: 3033: 2623:, Jackson J. Rose, 9th Edition 1956, pages 52–53 2599:, Starword, London, third edition, 2009, pg 198. 2107:Eastman High Contrast Black/White Positive Film 1245:Vision2 color negative (ECN-2 process 2002–2007) 678:Acetate-base 35 mm (or larger) camera film 2829: 2827: 2597:Film Style and Technology: History and Analysis 1438:"16mm only. Better image structure than 7302." 1214:Vision color negative (ECN-2 process 1996–2002) 961:Double-X 5222/7222 250D/200T introduced in 1959 648:ESTAR-base 16 mm or 8 mm camera film 303:ORWO T(on-) F(ilm) 12 d(igital), orthochromatic 3042:Pytlak, John P. Eastman Kodak Corporation. At 2446:OCH 50 and OCH 200: Products of TASMA company 2258:Kodak Vision3 Color Digital Intermediate Film 943: 777:Super Speed Cine Negative Film, orthochromatic 632:ESTAR-base 35 mm (or larger) camera film 482:F-CP 3519 Fujicolor positive film. Polyester ( 472:Eterna Vivid 500T 8547/8647 introduced in 2009 457:Eterna Vivid 250D 8546/8646 introduced in 2010 454:Eterna Vivid 160T 8543/8643 introduced in 2007 368:8428 (16 mm) Fujicolor RT 500T (reversal) 365:8427 (16 mm) Fujicolor RT 125T (reversal) 2191:ESTAR-based version and 35 mm only too. 2126:Eastman Fine Grain Duplicating Positive Film 1301: 2865:, Jackson J. Rose, 9th Edition 1956, page 51 2824: 2229:ESTAR-based version of 5242. Process ECN-2. 1189:EXR color negative (ECN-2 process 1989–1996) 995:Fine grain color negative films (1950–1968) 306:ORWO L(eader) F(ilm) 2, ortho. High Contrast 288:ORWO U(niversal) N(egative Film) 54, ISO 100 31:no longer manufactures motion picture film. 3279:, Hollywood, 4th edition, 1973, pp 235–237. 3267:, Hollywood, 3rd edition, 1969, pp 209–211. 3255:, Hollywood, 2nd edition, 1966, pp 278–281. 3019: 3017: 1140:7280 (8 mm) 64T (discontinued in 2010) 54:Note: 1973 is first and last appearance in 3090: 3088: 3086: 3084: 3082: 3080: 3078: 3076: 3074: 3015: 3013: 3011: 3009: 3007: 3005: 3003: 3001: 2999: 2997: 2936: 2934: 2932: 2786:Discontinue announcement from fujifilm.jp. 2774:Discontinue announcement from fujifilm.jp. 2435:was a Soviet/Ukrainian film manufacturer. 1291:5207/7207 Vision3 250D introduced in 2009. 846:Super-Sensitive Cine Negative Panchromatic 764:Cine Negative Film, Type F, orthochromatic 750:Cine Negative Film, Type E, orthochromatic 340: 2670:Professional 16/35mm Cameraman's Handbook 1930:Eastman Color Reversal Intermediate film 1297:5203/7203 Vision3 50D introduced in 2011. 1116:7242 125T, introduced 1966, replaced 7258 1113:7241 160D, introduced 1966, replaced 7257 818:Type III Cine Negative Panchromatic Films 2387:Ilford Newsreel Positive (B&W, 35mm) 2144:Kodak Panchromatic Sound Recording Film 2001:Eastman High Contrast Panchromatic Film 1984:Eastman High Contrast Panchromatic Film 1060:Kodachrome 16 mm introduced in 1935 1030:Video News Film 16 mm (VNF-1)(1976–1981) 977: 805:Type II Cine Negative Panchromatic Films 469:Eterna 500T 8573/8673 introduced in 2004 463:Eterna 250T 8553/8653 introduced in 2006 460:Eterna 250D 8563/8663 introduced in 2006 410: 3071: 2994: 2929: 2906: 2837:"Fujifilm: Motion Picture Imaging News" 2510:List of discontinued photographic films 1122:7251 High Speed 400D introduced in 1981 3379: 3341:(8th ed.) ASC Press pp. 860–861. 2797: 2795: 2793: 2465:), located in the Russian Republic of 2294:Kodak Vision3 Digital Separation Film 616:Nitrate-base 35 mm negative film 123:Agfapan 250 250 D/200 T (discontinued) 2218:Kodak Vision Color Intermediate Film 2199:Kodak Vision Color Intermediate Film 2044:Introduced in 1976, improved in 1986 448: 2833:Released starts early summer of 2007 2635:, first edition, 1960, pages 128–130 2018:Eastman Color Internegative II Film 1552:Eastman Color SP Low Contrast Print 1429:Eastman Fine Grain Release Positive 1361:Eastman Fine Grain Release Positive 1344:Eastman Fine Grain Release Positive 1082:5269 (16 mm) introduced in 1950 1076:5267 (35 mm) introduced in 1942 915:Super-XX reversal film, panchromatic 553:GAF Anscochrome 100 T (discontinued) 550:GAF Anscochrome 500 D (discontinued) 511: 372: 300:ORWO D(uplicating) N(egative Film) 2 297:ORWO D(uplicating) P(ositive Film) 3 3366:Kodak Cinematographer's Field Guide 3360:Kodak Cinematographer's Field Guide 2790: 2182:Kodak Panchromatic Separation Film 2027:Process ECN-2. Replaced 5271/7271. 1463:Eastman Color Print (super 8 only) 791:Kodak Panchromatic Cine Film Type I 624:Nitrate-base 35 mm print film 359: 146:Rapid X Reversal Pan (discontinued) 13: 3326:(7th ed.) ASC Press pp. 127. 2659:, 3rd edition, 1969, pages 188–192 2647:, 2nd edition, 1966, pages 247–251 2611:; vol. 6, #11, February 1926, pg 2 2277:Kodak Color Asset Protection Film 1922:16 mm only, Black-and White. 1595:Process ECP-2 counterpart of 7379 385: 381:72161 (16 mm) Fuji RP 80D/64T 378:71112 (35 mm) Fuji FG 80D/64T 117: 14: 3398: 3354:American Cinematographer Magazine 3311:(6th ed.) ASC Press pp. 67. 3159:Kodak Vision Color Teleprint Film 2394:Note: 1973 is last appearance in 2163:Eastman EXR Sound Recording Film 1480:Eastman Color Print (16 mm) 1154:Eastmancolor Negative (1982–1986) 524: 68:Although a very early pioneer in 3294:The Filmmaker's Pocket Reference 3065:SMPTE 120th Technical Conference 2489: 2069:Eastman Color Intermediate Film 2052:Eastman Color Intermediate Film 2035:Eastman Color Intermediate Film 580: 291:ORWO N(egative Film) 74, ISO 400 276: 3339:American Cinematographer Manual 3324:American Cinematographer Manual 3309:American Cinematographer Manual 3307:Detmers, Fred H. (ed.) (1986). 3296:Focal Press. pp. 160–161. 3277:American Cinematographer Manual 3270: 3265:American Cinematographer Manual 3258: 3253:American Cinematographer Manual 3246: 3224: 3194: 3181:Black-and-white print film 2302 3172: 3151: 3094:Kodak | Motion Picture Imaging 3023:Kodak | Motion Picture Imaging 2940:Kodak | Motion Picture Imaging 2912:Kodak | Motion Picture Imaging 2887: 2868: 2856: 2778: 2766: 2758:. April 2, 2013. Archived from 2744: 2722: 2700: 2675: 2657:American Cinematographer Manual 2645:American Cinematographer Manual 2633:American Cinematographer Manual 2578:(2nd ed.) HarperCollins Press. 2565:, Hollywood, 1973, pp 234, 238. 2563:American Cinematographer Manual 2396:American Cinematographer Manual 1913:Eastman Reversal BW Print Film 1791:Complements 5302. Process D97. 725:Early nitrate films (1916–1941) 406:8570/8670 F-500T (discontinued) 403:8560/8660 F-250D (discontinued) 248:American Cinematographer Manual 129:American Cinematographer Manual 88:available in 16mm and 8mm from 57:American Cinematographer Manual 2672:, first edition, 1970, page 23 2662: 2650: 2638: 2626: 2614: 2602: 2589: 2568: 2556: 2362:(As used in Hollywood, 1960s) 1698:ESTAR-base. Antistatic layer. 1049:Kodachrome color reversal film 476: 400:8550/8650 F250T (discontinued) 397:8530/8630 F125T (discontinued) 1: 3230:Kodak | Color Negative Films 2550: 2078:ESTAR-based version of 5244. 1888:ESTAR-based version of 5234. 546:no longer manufactures film. 394:8520/8620 F64D (discontinued) 391:8510/8610 F64T (discontinued) 3322:Dr. Ryan, Rod (ed.) (1993). 3233:SFX 200T Color Negative Film 2821:, Retrieved 10 October 2007. 1818: 1181:5295 400T introduced in 1986 538: 346:8517 100T introduced in 1977 18:list of motion picture films 7: 3236:, Retrieved 29 March 2007. 3184:, Retrieved 29 March 2007. 3162:, Retrieved 29 March 2007. 2877:, Retrieved 28 March 2007. 2668:Carlson, Verne and Sylvia. 2482: 1746:Vision Premier Color Print 944:Black-and-White (1954–1967) 486:) base. Introduced in 1996. 10: 3403: 3356:ASC Press. pp. 83–88. 3337:Hummel, Rob (ed.) (2001). 3166:February 12, 2007, at the 2903:, Volume 63, October 1954. 2853:, Retrieved 16 April 2007. 2505:List of photographic films 2401: 2289: 2272: 2253: 2213: 2194: 2177: 2158: 2139: 2121: 2118:Used for title production 2102: 2085: 2064: 2047: 2030: 2013: 1996: 1979: 1962: 1942: 1925: 1908: 1896:Eastman Panchromatic film 1891: 1872: 1856: 1775: 1758: 1741: 1722: 1705: 1684: 1667: 1650: 1633: 1616: 1598: 1581: 1564: 1547: 1530: 1513: 1492: 1475: 1458: 1441: 1424: 1407: 1390: 1373: 1356: 1339: 1302:Print films (1941–present) 1248: 1157: 1137:7258 125T, introduced 1959 1134:7257 160D, introduced 1959 1096: 1052: 584: 3387:Film and video technology 3240:November 5, 2006, at the 2728:Fuji (January 12, 2006). 2530:Color motion picture film 2472:NK-1 – ISO/GOST 250D/200T 2462: 2339: 1843: 1832:Introduced/Discontinued? 1831: 1586:Eastman Color LFSP print 1326: 1315:Introduced/Discontinued? 1314: 1104:5239/7239 (reversal) 160D 710: 662: 600: 593: 134: 3101:Retrieved 28 March 2007. 3030:Retrieved 28 March 2007. 2954:Retrieved 29 March 2007. 2926:Retrieved 28 March 2007. 2801:Fujifilm Motion Picture 2609:American Cinematographer 2475:NK-2 – ISO/GOST 100D/80T 2449: 2427: 2311: 1993:35 and 70 mm only. 1905:35 and 70 mm only. 1849: 1846: 1840: 1672:Eastman EXR Color Print 1655:Eastman EXR Color Print 1332: 1329: 1323: 1131:5256/7256 64D, 1963–1984 832:Panchromatic K, infrared 435: 3202:"Discontinued Listings" 2478:NK-3 – ISO/GOST 32D/25T 1947:Eastman Direct MP Film 1763:Vision Color Teleprint 1638:Eastman Color LC Print 1621:Eastman Color LC Print 1569:Eastman Color LF print 1535:Eastman Color SP Print 1063:Kodachrome 35 mm ( 341:Color negatives (1980s) 313: 63: 3292:Brown, Blaine (1994). 2741:Retrieved July 8, 2006 2574:Katz, Ephraim (1994). 2457:is a Russian company ( 1780:Black-and-white Print 983: 3188:July 7, 2006, at the 3145:Getting Even with Dad 2881:May 24, 2006, at the 2576:The Film Encyclopedia 2411:photographic emulsion 981: 411:Super F-Series (1999) 95: 23: 3048:Film Handler's Forum 2708:"Discontinued Films" 2545:List of film formats 2061:Replaced 5243/7243. 1772:Low-contrast prints 1603:Eastman Color Print 1497:Eastman Color Print 1446:Eastman Color Print 1412:Eastman Color Print 1395:Eastman Color Print 1378:Eastman Color Print 1119:7250 High Speed 400T 874:Eastman Background-X 2894:Mees, C. E. Kenneth 2718:on 18 January 2018. 2234: 2083: 2075:unknown, but disc. 2058:unknown, but disc. 2041:unknown, but disc. 1960: 1953:unknown, but disc. 1936:unknown, but disc. 1919:unknown, but disc. 1837: 1824: 1796: 1727:Vision Color Print 1703: 1664:Replaced 5384/7384 1511: 1320: 1307: 908:19?? (5323 Safety) 894:19?? (5231 Safety) 880:1956 (5230 Safety) 730: 131:(seventh edition). 2948:2009-06-25 at the 2920:2011-07-23 at the 2736:2006-10-17 at the 2398:(fourth edition). 2233: 2082: 1959: 1836: 1823: 1795: 1702: 1689:Special Order 886 1510: 1421:Replaced by 7383. 1319: 1306: 984: 729: 449:Eterna (2004–2013) 2983:(12): 1161–1170, 2309: 2308: 2232: 2081: 1958: 1835: 1816: 1815: 1794: 1701: 1509: 1318: 941: 940: 722: 721: 706: 705: 660: 659: 512:Intermediate film 3394: 3280: 3274: 3268: 3262: 3256: 3250: 3244: 3228: 3222: 3221: 3219: 3218: 3206: 3198: 3192: 3176: 3170: 3155: 3149: 3134: 3128: 3127: 3108: 3102: 3092: 3069: 3068: 3060: 3051: 3044:Film-Tech Forums 3040: 3031: 3021: 2992: 2991: 2972: 2955: 2938: 2927: 2910: 2904: 2891: 2885: 2872: 2866: 2860: 2854: 2851: 2849: 2848: 2839:. Archived from 2831: 2822: 2819: 2817: 2816: 2807:. Archived from 2799: 2788: 2782: 2776: 2770: 2764: 2763: 2762:on 5 April 2013. 2748: 2742: 2726: 2720: 2719: 2714:. Archived from 2704: 2698: 2697: 2695: 2694: 2679: 2673: 2666: 2660: 2654: 2648: 2642: 2636: 2630: 2624: 2618: 2612: 2606: 2600: 2593: 2587: 2572: 2566: 2560: 2499: 2494: 2493: 2492: 2464: 2269:Recording film. 2235: 2084: 1961: 1838: 1825: 1822: 1797: 1704: 1512: 1321: 1308: 1305: 1251:FMN (TV channel) 902:Eastman Super-XX 731: 728: 664: 663: 602: 601: 591: 590: 431:F-400T 8582/8682 428:F-500T 8572/8672 425:F-250D 8562/8662 422:F-250T 8552/8652 419:F-125T 8532/8632 360:Reversal (1980s) 82: 3402: 3401: 3397: 3396: 3395: 3393: 3392: 3391: 3377: 3376: 3283: 3275: 3271: 3263: 3259: 3251: 3247: 3242:Wayback Machine 3229: 3225: 3216: 3214: 3204: 3200: 3199: 3195: 3190:Wayback Machine 3177: 3173: 3168:Wayback Machine 3156: 3152: 3135: 3131: 3109: 3105: 3093: 3072: 3061: 3054: 3041: 3034: 3022: 2995: 2973: 2958: 2950:Wayback Machine 2939: 2930: 2922:Wayback Machine 2911: 2907: 2898:Journal of the 2892: 2888: 2883:Wayback Machine 2873: 2869: 2861: 2857: 2846: 2844: 2835: 2832: 2825: 2814: 2812: 2803: 2800: 2791: 2783: 2779: 2771: 2767: 2756:Fujifilm Global 2750: 2749: 2745: 2738:Wayback Machine 2727: 2723: 2706: 2705: 2701: 2692: 2690: 2681: 2680: 2676: 2667: 2663: 2655: 2651: 2643: 2639: 2631: 2627: 2619: 2615: 2607: 2603: 2594: 2590: 2573: 2569: 2561: 2557: 2553: 2495: 2490: 2488: 2485: 2452: 2430: 2404: 2342: 2314: 2210:Process ECN-2. 1939:Process CRI-1. 1821: 1561:Process ECP-2. 1489:Replaced 7385. 1472:Replaced 7380. 1370:Replaced 1302. 1304: 1285: 1254: 1247: 1216: 1191: 1162: 1156: 1101: 1095: 1057: 1051: 1032: 1019: 997: 946: 860:Eastman Super-X 727: 589: 583: 541: 527: 514: 479: 451: 438: 416:F-64D 8522/8622 413: 388: 386:F-Series (1988) 375: 373:Black-and-white 362: 343: 316: 279: 137: 120: 118:Black-and-white 98: 90:Wittner-Cinetec 76: 66: 60:(4th edition). 26: 12: 11: 5: 3400: 3390: 3389: 3375: 3374: 3369: 3363: 3357: 3350: 3335: 3320: 3305: 3282: 3281: 3269: 3257: 3245: 3223: 3193: 3171: 3150: 3129: 3125:10.5594/J03621 3119:(3): 228–234, 3103: 3070: 3052: 3032: 2993: 2989:10.5594/J02009 2956: 2928: 2905: 2886: 2867: 2855: 2823: 2789: 2777: 2765: 2743: 2721: 2699: 2687:No Film School 2674: 2661: 2649: 2637: 2625: 2613: 2601: 2588: 2567: 2554: 2552: 2549: 2548: 2547: 2542: 2537: 2532: 2527: 2522: 2517: 2512: 2507: 2501: 2500: 2484: 2481: 2480: 2479: 2476: 2473: 2451: 2448: 2444: 2443: 2440: 2429: 2426: 2425: 2424: 2421: 2418: 2403: 2400: 2392: 2391: 2388: 2385: 2382: 2379: 2376: 2373: 2370: 2367: 2360: 2359: 2354: 2341: 2338: 2337: 2336: 2333: 2330: 2327: 2324: 2321: 2318: 2313: 2310: 2307: 2306: 2303: 2298: 2295: 2292: 2288: 2287: 2284: 2281: 2278: 2275: 2271: 2270: 2267: 2262: 2259: 2256: 2252: 2251: 2248: 2245: 2242: 2239: 2231: 2230: 2227: 2222: 2219: 2216: 2212: 2211: 2208: 2203: 2200: 2197: 2193: 2192: 2189: 2186: 2183: 2180: 2176: 2175: 2172: 2167: 2164: 2161: 2157: 2156: 2153: 2148: 2145: 2142: 2138: 2137: 2135: 2130: 2127: 2124: 2120: 2119: 2116: 2111: 2108: 2105: 2101: 2100: 2097: 2094: 2091: 2088: 2080: 2079: 2076: 2073: 2070: 2067: 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1086: 1083: 1080: 1077: 1074: 1071: 1068: 1061: 1053:Main article: 1050: 1047: 1046: 1045: 1042: 1039: 1036: 1031: 1028: 1027: 1026: 1023: 1018: 1015: 1014: 1013: 1010: 1007: 1004: 1001: 996: 993: 992: 991: 988: 985: 974: 971: 968: 965: 962: 959: 956: 953: 950: 945: 942: 939: 938: 935: 932: 926: 923: 922: 919: 916: 913: 910: 909: 906: 903: 900: 896: 895: 892: 889: 888:Eastman Plus-X 886: 882: 881: 878: 875: 872: 868: 867: 864: 861: 858: 854: 853: 850: 847: 844: 840: 839: 836: 833: 830: 826: 825: 822: 819: 816: 813: 812: 809: 806: 803: 799: 798: 795: 792: 789: 785: 784: 781: 778: 775: 772: 771: 768: 765: 762: 758: 757: 754: 751: 748: 745: 744: 741: 738: 735: 726: 723: 720: 719: 708: 707: 704: 703: 700: 696: 695: 692: 688: 687: 684: 680: 679: 676: 672: 671: 668: 661: 658: 657: 654: 650: 649: 646: 642: 641: 638: 634: 633: 630: 626: 625: 622: 618: 617: 614: 610: 609: 606: 598: 597: 585:Main article: 582: 579: 578: 577: 574: 571: 568: 565: 562: 555: 554: 551: 540: 537: 536: 535: 531: 526: 525:Recording film 523: 522: 521: 518: 513: 510: 509: 508: 505: 502: 499: 496: 493: 490: 487: 478: 475: 474: 473: 470: 467: 464: 461: 458: 455: 450: 447: 446: 445: 437: 434: 433: 432: 429: 426: 423: 420: 417: 412: 409: 408: 407: 404: 401: 398: 395: 392: 387: 384: 383: 382: 379: 374: 371: 370: 369: 366: 361: 358: 357: 356: 353: 350: 347: 342: 339: 315: 312: 311: 310: 307: 304: 301: 298: 295: 292: 289: 278: 275: 274: 273: 270: 267: 264: 261: 258: 244: 243: 240: 237: 234: 231: 228: 225: 222: 219: 216: 209: 208: 205: 202: 199: 196: 189: 188: 185: 182: 179: 176: 173: 170: 167: 164: 161: 158: 155: 148: 147: 136: 133: 125: 124: 119: 116: 115: 114: 111: 108: 105: 102: 97: 94: 65: 62: 52: 51: 48: 45: 42: 39: 36: 25: 22: 9: 6: 4: 3: 2: 3399: 3388: 3385: 3384: 3382: 3373: 3370: 3367: 3364: 3361: 3358: 3355: 3351: 3348: 3347:0-935578-15-3 3344: 3340: 3336: 3333: 3332:0-935578-11-0 3329: 3325: 3321: 3318: 3317:0-935578-07-2 3314: 3310: 3306: 3303: 3302:0-240-80058-3 3299: 3295: 3291: 3290: 3289: 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Index

3M
American Cinematographer Manual
trichromatic
Benno Homolka
d
Agfa
Wittner-Cinetec
DuPont
Filmotec/ORWO
Fujifilm
PET
GAF/Ansco
Eastman Kodak
Kodacolor

Kodachrome
135
Ektachrome
Eastmancolor
T-Grain
FMN (TV channel)
Ilford
FP4plus
HP5plus
Slavich
photographic emulsion
Svema
Tasma
Russian
Tatarstan

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