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have. I wanted this film to be in its most suitable form to match what this story wanted to depict. I wanted to catch and depict these softer, more subtle aspects. For example, even the slightest aversion of their eyes is something born from their thoughts and feelings. This is something I wanted to take great care of – I wanted to make sure I didn't lose any of it. It's like watching and quietly holding your breath, recording what you see. Like watching the girls behind a pane of glass; a single touch enough to make them disappear. I put importance in using colour to reflect this sense of fragility and fleetingness. For this piece of work subtle emotions and the buildup of feeling was important. So I was careful as to not add acting that was formulaic, like 'they're sad so they'll make a sad face'. For example, the flautist Nozomi. When she lifts the corners of her mouth and narrows her eyes, it is recognised by the other that she is smiling. She's the sort of girl who thinks like this, but looking at it the other way, by ‘smiling’ she's maintaining the distance between her and the other. It was important to not take shortcuts in depiction, as to protect the dignity of these girls who live their lives thinking about this with every step they take."
738:, a lot of people read into that as a gay love story, as you have mentioned. But that wasn't so much the intention. Just to explain a bit more, it wasn't so much the representation of one sexual orientation, but it was a representation of adolescence, what the characters tend to go through at that time. During those years of our lives, everything seems intensified, whether it be friendships, or the reliance on a certain person, or the dependency…. Because of the limitations of the worlds that the characters live in as well. I just wanted to describe how complex living your teenage years could be, and what they tend to go through. So it wasn't a simple depiction of, "Yes, they're gay and this is their love story," because I can't comment on what kind of person they would fall in love with in the future, or who they will become. It's a portrayal of what they were at the time. The answer is, it is quite complicated."
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go of her unconditional attachment so she can live her own life—while Nozomi is closer to Liz, who let the bird go free so that she would not weigh it down. At the next rehearsal, they perform the piece perfectly. Mizore's performance moves her bandmates, and Nozomi exits the practice room in tears. Mizore confronts Nozomi privately afterwards; Nozomi confesses that she knew Mizore was holding back her talent for her sake. She also explains that she didn't intend on applying for music school, and had only said so out of envy for Mizore's talent, because she knew that she didn't have the necessary skill to be accepted. Mizore, upset that Nozomi is seemingly ignoring her feelings and leaving her behind, hugs Nozomi and confesses the true extent of her love. However, Nozomi only laughs, knowing that accepting Mizore's feelings would only continue to confine her.
711:, even though the movie is a completely new story. I hope viewers understand that Nozomi is the same girl from the TV series, and the movie shows different aspects of her not shown before. I'd like to portray her without destroying her image, but surprise viewers with her human side. To be honest, I felt that I could relate to Mizore more than Nozomi at first. I understood Mizore's feelings but not Nozomi's. I didn't understand her looking away or shuffling her feet at the crucial time. I thought she wasn't the girl who I knew well. It took a while for me to understand why she acted like that. She has too much on her mind and can't handle her emotions anymore. On the other hand, Mizore stays the same in the movie, so it's easy to understand her."
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performance filled with so much emotion. The two of them listened to me so attentively, I ended up feeling too comfortable and talked much more than I had meant to. As these two were musicians and not actors I thought it would be best if I talked in specifics like 'play the first two notes then stop'. But in reality they really managed to get on board emotionally and did a great deal of acting. For example there's a moment where Nozomi doesn't want to lose but just can't fight back. They had really broken down and understood this moment, so the expression in the music was so good. The animation can't lose to this, I thought. It really made me excited."
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Yamada also stated in another interview that she "had a very hard time depicting the intricacies of the relation between Mizore and Nozomi. It seemed like one would get a completely different impression by just the way they ended their words in every bit of their conversations. I absolutely wanted to be faithful to the feelings of the two. It was a very risky speech style we went for, however we did not intend to make something where the people we show it to simple-mindedly sees them as "very good friends". In order to protect dignity, so that there was not any falsehood (in the drawings), I was constantly careful not to make it showy."
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few conversations. Therefore, I wondered how I could render her feelings when they were chatting and joking around or playing together in the sun. The director told me that Mizore feels like it's the last chance to be with Nozomi every time she meets her. She always feels insecure about her friendship with Nozomi and fears it'll end abruptly without warning. I understood those feelings towards her during the TV series, so I told her ‘I know. I get it.’ Mizore treasures every moment with Nozomi and was simply happy when Nozomi reacts to her joke by saying, ‘What's that?’ She hasn't changed in that respect."
808:. The footsteps' tempo is always a coprime number but we also slightly moved the tempo because we are humans and not robots. So at the very end of this film, you saw the happy on screen situation - I cannot remember the tone but the footsteps are completely synced. Just the footsteps. So something that happened that even I didn't expect is the footsteps ended up in sync together and for them they never expected that. It felt like a genuine miracle that that happened. It was a joint moment." He also composed some of the soundtrack in a more conventional manner.
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661:. She stated: "I was moved by the focus placed on developing new characters in that section of the story, and remember becoming captivated with the relationship of Mizore and Nozomi. At the same time, I thought it was a terribly sinful story. And yet so very transparent and rash... At any rate, I thought it was fascinating. I can definitively not come up with this kind of perspective by myself. Since I liked it so much, the two have since been on my mind." Yamada had worked as
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that those girls would truly become unable to build connections with others later in life. So I wanted the music to be like holding your breath, secretly watching. There's also the fantastic wind band music that
Matsuda composed. I thought this music was what you should find yourself humming after watching the film, so I tried to make sure I didn't bring the melody out too much in the film music. That's why I decided to go with this unconventional method of composition."
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919:, while seemingly straightforward and simple, is one of the most structurally complex films about the necessity of communication for healthy relationships. It displays human insecurity and vulnerability in beautifully honest ways, and thanks to the combined craft of director Yamada's impeccable vision and composer Ushio's sparse but minimalistic soundtrack, it ends up becoming one of the most touching and moving experiences I've seen this year."
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630:, both of which were abridged adaptations of the anime. However, the movie takes place within the universe of the television series, in which Mizore and Nozomi appear as supporting characters; conversely, main characters in the series such as Kumiko and Reina only appear in supporting roles. Despite being a spin-off, the film is also meant to work as an independent story, and does not require knowledge of
681:, on Mizore and her relationship with Nozomi. The series' crew read the novels before they were published in order to prepare a potential film adaptation; as it would have been difficult to properly depict both Mizore and Kumiko's stories within the same film, the team decided to make two different films instead, with Yamada directing Mizore and Nozomi's because of her "increasing interest in them", and
968:— than to a full-fledged feature, even if a late twist gives everything more gravitas. Aesthetically speaking, there are nonetheless some beautiful moments scattered throughout the story, with the animation switching seamlessly between the detailed manga-style drawings of the classroom scenes and the more ephemeral watercolor renderings of the fairy tale sequences. Like in
962:. He stated: "Despite the way Yamada keeps reiterating how delicate teenage relationships can be, and how easily they can slip away when you move on to the next stage of your life, the story's limited setting and lack of overt drama makes her movie feel somewhat uneventful. It seems closer, at times, to an after-school special — or to an episode of
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s production, and as such helped Yamada develop her own ideas for the film; he stated: "When I read the script, I thought this was a very personal story; a story that should remain hidden from everyone else. If such adolescent feelings, so very delicate like glass, were to be known to others, I think
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anime series. The soundtrack was composed beforehand, and the keyframe animation done afterwards to match with it; the scenes featuring Ushio's music were particularly hard to animate, as he included the sounds of the characters' footsteps as part of the music, and their movements had to be perfectly
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Eventually, the two come to a greater understanding of their relationship, thanks to the assistance of
Niiyama and other members of the band. They ultimately come to realize that, while they associated Mizore to Liz and Nozomi to the blue bird, Mizore is actually closer to the blue bird—having to let
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after graduation so that she can become a professional musician; she is not particularly interested at first, but changes her mind after Nozomi says that she might apply to the same school. This worries their bandmates, as they realize that Mizore's only motivation for playing music is Nozomi, who is
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gave a highly positive review, stating: that Yamada goes "full out with her own style and approach to constructing an experience of loneliness, misperceptions of people, and overcoming unrealistic dreams. She does this in one of the most unique and extraordinary methods I've seen in this medium: by
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Tōyama stated "Nozomi was depicted in the TV series as a truly nice, cheerful person loved by everyone. I tried to render her charisma, not just her motivated and driven personality. However, in the movie, she shows her imperfections, which weren't depicted in the TV series due to her not being the
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Yamada stated about the making of the film: "My first thought was to put my impression of Nozomi and Mizore's story into something visual. Then, when pulling myself right up-close to the problems and growth the two girls experience, I made sure to catch any small changes or realisations the two may
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Mizore's voice actress Atsumi
Tanezaki stated: "There was no confusion about Mizore's role. How she treasures being with Nozomi hasn't changed a bit from the TV series. However, there were very few scenes of the two together in the TV series. There were only the scenes of them making up and then a
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As the concert approaches, Mizore and Nozomi grow apart. Mizore, anxious about her future and recalling that Nozomi quit the band two years prior, is afraid that she is abandoning her again. Meanwhile, Nozomi is uncomfortable with Mizore progressively opening herself to others and being tutored by
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and folding it before putting the end result into music. He described it as "a way of representing how the two girls, that sort of disjoint between them and that gradual separation. We took that and used that as the base for the soundtrack as well so that's one of the reasons why it ended up with
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Some time later, Mizore and Nozomi are seemingly still distant from each other, with Nozomi prioritizing her entrance exams over the band. After they meet in the school's library, Nozomi asks Mizore to join her at a café after school. On the way, she says that she will back up Mizore perfectly in
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to the television series, focusing on the friendship of Mizore
Yoroizuka and Nozomi Kasaki, two supporting characters introduced during the series' second novel (adapted as part of the second season of the anime adaptation). It is intended as a standalone work that can be fully understood without
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The soft character designs also lend to emotional expressions, which aligns perfectly with the kind of people Mizore and Nozomi are. Whether it's the eyes, or slant of the mouth, or even the criss crossing of legs - the attention to detail shows in every frame of the film. The music is also very
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Both Tōyama and
Tanezaki pointed at the importance of Mizore always walking behind Nozomi rather than next to her. Tōyama stated: "Viewers see them from the lateral view, however, from Mizore's perspective, she is always watching Nozomi's back. When Mizore becomes an adult and looks back on her
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Nozomi's voice actress Nao Tōyama stated that Yamada told her that "Mizore's feelings towards Nozomi and Nozomi's feelings towards Mizore aren’t the same. Both care about each other, but their feelings grow apart. They feel empathy for each other, but their relationship is special and unusual."
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turned human (represented by the flute) who become best friends and live together, until the two are forced to part ways. Nozomi and Mizore realize that the story applies closely to their own relationship and impending graduation, which worries Mizore; she sees herself as Liz and Nozomi as the
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To record the soundtrack, Ushio and Yamada went to the real-life school the building in the film is based on, where Ushio recorded himself tapping and using the present objects in different ways, and later included those sounds in the soundtrack; he later remembered that Yamada "couldn't stop
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main character. For instance, she can be cunning and jealous of even Mizore, who she really cares about. I think viewers of the movie will feel an affinity with her human side. To be honest, I was confused when I read the script at first. I didn't want to destroy the fans’ image of her from
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Talking about the recording of the "Liz and the Blue Bird" piece, Yamada stated "The live performance was just so warm... And I could feel a sense of space. Sometimes would take a deep breath and at others they would sing out with their instruments. My chest felt tight listening to such a
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Although Nozomi spends time with other friends from the band, Mizore keeps herself isolated from everyone except Nozomi, and refuses her other bandmates' offers to spend time together. She often tries to express her affection to Nozomi, but finds herself unable to. Niiyama, the band's
823:. The end credits also start with a second original song titled "Girls, Dance, Staircase", composed by Ushio with lyrics by Yamada, although Ushio "added a few words so that they would fit with the music in a more interesting way". At Yamada's idea, the song was sung by a
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It was released on April 21, 2018 in Japan, and had a limited release on
November 9, 2018 in the United States. It received positive reviews from critics, with most praise going to the relationship and personalities of the two main characters, soundtrack, and animation.
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such a nostalgic tone to it. Within the decalcomania you'll see different objects, the beaker, the piano, the desk scraping sound. For example, the footsteps are synchronized to the music. The footsteps had an actual tempo. The tempo is 99, 100, 101. These are
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particular, as Ushio weaves instruments familiar and strange together into a sparse and discreet score to portray the mindset of the main two characters and atmosphere of each scene in the film." She gave the film a 9 out of 10 rating, concluding: "
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soars from the get-go as it weaves together a fantastical fairy tale and a more intimate, relatable high school story. As two sides of the same coin, both stories circle one another until they fuse into a poignant harmony of sight and sound."
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Niiyama, envious of her greater potential. Furthermore, the two have trouble perfecting their duet, both because of their increasingly strained relationship and because of their difficulty connecting with the characters from
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819:, Yôta Tsuruoka as sound director, and Oowara Masahiro as supervising director of the wind band. The band Homecomings provided the theme song for the film, "Songbirds", which is the second song heard during the
1054:. Yamada stated that the "Liz and the Blue Bird" music piece featured in her film "will be connecting the film to ." The film was released in North America on July 11, 2019 (sub) and July 15, 2019 (dub).
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for the high school scenes, and Akito
Matsuda, the composer of the television series, who wrote both the background music for the fairy tale segments, and the concert pieces performed by the characters.
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gave the film a 4.5 out of 5 rating, calling it "brilliantly executed" and stating "Not everyone has been in a wind band, but there are few among us who have never had to say goodbye to a friend. For
412:, which is based on an eponymous, fictional German fairy tale that Nozomi loved as a child. The story is about a young woman named Liz (represented by the oboe in the musical piece) and an unnamed
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their duet, only asking for "a little time". Mizore answers that she will continue to play the oboe. As the two walk together, Nozomi suddenly turns to Mizore, causing Mizore to look surprised.
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Futoshi
Nishiya re-designed the characters instead of using the designs from the series, in order to better fit the film's style, story and themes. The crew also included Mutsuo Shinohara as
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will be a welcome trip back into its world, but this film will resonate just as strongly with anyone who's ever been through the emotional roller coaster known as high school." Writing for
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received positive reviews from critics, with most praise going to the relationship and personalities of the two main characters, soundtrack, and animation.
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pairing her framing and pacing of the story right up with the soundtrack. It is almost impossible to decouple the visual and auditory experiences of
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fairy tale segments and the concert pieces performed by the characters' wind band were composed and conducted by Akito
Matsuda, the composer of the
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900:, which assigns a weighted average rating, the film has a score of 67 out of 100 based on 5 critics, indicating "generally favorable reviews".
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438:; Mizore, in particular, does not understand why Liz would ever let the blue bird go free instead of keeping it with her forever.
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novel series written by Ayano Takeda and its eponymous anime television series adaptation. Inspired in particular by the 2017
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Yamada originally discovered the characters of Mizore and Nozomi when they were introduced in the second of Takeda's novels,
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synchronized with the sounds; the goal was to have "visuals, music, and the sounds of footsteps in complete tandem".
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464:(Japanese) / Laurie Hymes (English) as Mizore Yoroizuka, an introverted third-year high school student and
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and occasional director for the anime series; at the time, Takeda was working on a two-part sequel to the
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The film focuses on the relationship between Mizore and Nozomi as they prepare for a concert with their
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1445:"Liz and the Blue Bird Composer Interview: agraph (Kensuke Ushio) - The Quiet and The Hidden (page 2)"
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488:(Japanese) / Courtney Shaw (English) as both Liz and the Mysterious Girl, the main characters of the
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released the film the United States on
November 9, 2018. It premiered in Canada on January 2, 2019.
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teenage years, she probably remembers Nozomi's back. I become emotional just thinking about that."
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gives the film an 83% approval rating based on 12 reviews, with an average rating of 7.4/10. On
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gave a moderately positive review, unfavourably comparing the film to Yamada's previous work
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540:(Japanese) / Courtney Shaw (English) as Kumiko Oumae, a second-year euphoniumist in the band
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laughing" while he recorded. To compose, Ushio used a method Yamada qualified as "
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Sound! Euphonium 2: The Hottest Summer of Kitauji High School's Wind Ensemble Club
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could have benefited from even more flights of fancy than she allows for here."
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which he joined late during production, Ushio was involved since very early in
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Sound! Euphonium: The Movie – Welcome to the Kitauji High School Concert Band
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Sound! Euphonium: The Movie – Welcome to the Kitauji High School Concert Band
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Sound! Euphonium: The Movie – Welcome to the Kitauji High School Concert Band
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s; it focuses on Kumiko, the main character of the novels who appears in
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Hibike! Yūfoniamu Kitauji Kōkō Suisōgaku-bu, Haran no Dainigakushō Kōhen
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1115:"Interview with Liz and The Blue Bird's Atsumi Tanezaki and Nao Toyama"
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Mizore is a quiet, introverted student in her third and final year of
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1617:"Okko's Inn, Liz and the Blue Bird Win at 73rd Mainichi Film Award"
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for the scenes in high school, while the background music for the
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Hibike! Yūfoniamu Kitauji Kōkō Suisōgaku-bu, Haran no Dainigakushō
574:(Japanese) / Ryan Bartley (English) as Satomi Niiyama, the band's
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Miss Kobayashi's Dragon Maid: A Lonely Dragon Wants to Be Loved
534:(English) as Reina Kousaka, a second-year trumpeter in the band
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524:(English) as Ririka Kenzaki, a first-year oboist in the band
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Ojarumaru the Movie: The Promised Summer - Ojaru and Semira
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1227:"'Liz and the Blue Bird' ('Rizu to Aoi tori'): Film Review"
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Sound! Euphonium: The Movie – Our Promise: A Brand New Day
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Sound! Euphonium: The Movie – Our Promise: A Brand New Day
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Sound! Euphonium: The Movie – Our Promise: A Brand New Day
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on December 5, 2018 in Japan. Eleven Arts later announced
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Sound! Euphonium: The Movie – Our Promise: A Brand New Day
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Satellite Award for Best Animated or Mixed Media Feature
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novels that would be published as two different novels (
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Sound! Euphonium: The Movie – May the Melody Reach You!
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Love, Chunibyo & Other Delusions -Heart Throb- Lite
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Sound! Euphonium: The Movie – May the Melody Reach You!
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Sound! Euphonium: The Movie – May the Melody Reach You!
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Hideaki Hatta (president), Yoko Hatta (vice-president)
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Violet Evergarden: Eternity and the Auto Memory Doll
835:
The film was released in Japan on April 21, 2018 by
2264:
Love, Chunibyo & Other Delusions: Rikka Version
1340:
602:(English) as Noboru Taki, the band's music director
2533:Love, Chunibyo & Other Delusions -Heart Throb-
2094:Love, Chunibyo & Other Delusions -Heart Throb-
1092:
1031:was released on April 19, 2019; it is directed by
677:, would be focused on Kumiko, and the second one,
3405:Buddha 2: Tezuka Osamu no Buddha - Owarinaki Tabi
1187:
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1183:
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430:not truly serious about becoming a professional.
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2344:Love, Chunibyo & Other Delusions! Take on Me
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564:(English) as Sapphire Kawashima, a second-year
286:
2011:Sora o Miageru Shōjo no Hitomi ni Utsuru Sekai
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872:on home video in the region on March 5, 2019.
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685:, the main director of the series, directing
482:in the band and Mizore's more outgoing friend
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1050:in a supporting role, and is "connected" to
588:(English) as Masahiro Hashimoto, the band's
499:(English) as Natsuki Nakagawa, a third-year
3349:Digimon Adventure 02: Revenge of Diaboromon
2469:Lucky Star: Original na Visual to Animation
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513:(English) as Yuuko Yoshikawa, a third-year
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1193:"京都アニメーション山田尚子監督は「リズと青い鳥」で「少女を撮り切る」ことに挑んだ"
695:and would be released the following year.
27:
2642:Love, Chunibyo & Other Delusions Lite
1525:
1074:"Liz and the Blue Bird (2018) box office"
550:(English) as Hazuki Katou, a second-year
478:(English) as Nozomi Kasaki, a third-year
425:instructor, advises Mizore to apply to a
1587:
1063:
815:The crew also included Saito Shigeru as
753:, who had scored Yamada's previous film
3633:Animated films based on animated series
3544:Jing: King of Bandits in Seventh Heaven
2240:Tenjōbito to Akutobito Saigo no Tatakai
1588:Jarowski, Michelle (November 7, 2018).
1224:
3605:
3568:Dead Dead Demon's Dededede Destruction
3493:Dead Dead Demon's Dededede Destruction
2626:The Melancholy of Haruhi-chan Suzumiya
1559:
1162:Official Liz and the Blue Bird website
642:, and Naomi Ishida as color stylist.
3242:Aokana - Four Rhythms Across the Blue
2915:
2729:
1845:
1379:"『リズと青い鳥』メイキングVol.2 童話パート「リズと青い鳥」音楽編"
1225:Mintzer, Jordan (November 14, 2018).
987:grossed $ 737,286 at the box office.
880:
2557:Sound! Euphonium: Ready, Set, Monaka
2517:Love, Chunibyo & Other Delusions
2248:The Disappearance of Haruhi Suzumiya
2062:Love, Chunibyo & Other Delusions
3528:Street Fighter Alpha: The Animation
3373:Tales of Vesperia: The First Strike
2400:Tsurune: The Movie – The First Shot
1871:
1643:. November 28, 2018. Archived from
13:
3552:Student Council's Discretion Lv. 2
2605:Sound! Euphonium: Ensemble Contest
2272:Deara-chan of the Southern Islands
1531:
858:, who is best known for releasing
503:and the vice-president of the band
456:Sound! Euphonium § Characters
33:Japanese theatrical release poster
14:
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3477:The House of the Lost on the Cape
2453:Full Metal Panic! The Second Raid
2445:Munto 2: Beyond the Walls of Time
2288:Beyond the Boundary: I'll Be Here
1971:The Melancholy of Haruhi Suzumiya
1963:Full Metal Panic! The Second Raid
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343:; in parallel, it also depicts a
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3333:Digimon Adventure: Our War Game!
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1532:H., Natasha (October 29, 2018).
654:for the film's English release.
332:prior knowledge of the series.
3365:Kaleido Star: Legend of Phoenix
2650:Beyond the Boundary Idol Trial!
2368:Free! -Road to the World- Dream
2296:High Speed! Free! Starting Days
1715:
1687:
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1633:
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1560:Schley, Matt (April 18, 2018).
1502:"Liz and the Blue Bird Reviews"
846:The film was later released on
3653:Anime and manga set in schools
3638:Films based on Japanese novels
3628:Films directed by Naoko Yamada
3010:Mushiking: The King of Beetles
2185:Miss Kobayashi's Dragon Maid S
1471:"Liz and the Blue Bird (2018)"
1:
3623:Japanese animated drama films
2461:Another World: Tomoyo Chapter
1412:"『リズと青い鳥』メイキングVol.8 音楽シーン編集編"
1392:(in Japanese). April 20, 2018
1057:
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517:and the president of the band
495:Konomi Fujimura (Japanese) /
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3469:Violet Evergarden: The Movie
3026:Canvas 2: Niji Iro no Sketch
2573:Miss Kobayashi's Dragon Maid
2384:Violet Evergarden: The Movie
2142:Miss Kobayashi's Dragon Maid
1158:"監督を務めるとなったときのお気持ちをお聞かせください"
990:
875:
520:Shiori Sugiura (Japanese) /
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3536:Rurouni Kenshin: Reflection
3381:Buddha: The Great Departure
3066:La Corda d'Oro: Primo Passo
2565:Myriad Colors Phantom World
2477:Another World: Kyou Chapter
2126:Myriad Colors Phantom World
730:as a "gay love story": "On
614:is the third film based on
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3397:Blue Exorcist: The Movie
2589:Free! Dive to the Future
2158:Free! Dive to the Future
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689:, which would be titled
217:April 21, 2018
3106:Kurokami: The Animation
2891:Original net animations
2217:20 Seiki Denki Mokuroku
408:from the musical piece
383:
3050:The Story of Saiunkoku
2392:Free! The Final Stroke
1232:The Hollywood Reporter
953:The Hollywood Reporter
548:Alyson Leigh Rosenfeld
3445:Liz and the Blue Bird
3226:Castle Town Dandelion
3202:A Town Where You Live
3042:Ballad of a Shinigami
2970:Jing: King of Bandits
2864:Liz and the Blue Bird
2352:Liz and the Blue Bird
2336:Free! Take Your Marks
2320:Free! Timeless Medley
1827:Liz and the Blue Bird
1811:Liz and the Blue Bird
1794:Liz and the Blue Bird
1041:Liz and the Blue Bird
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912:Liz and the Blue Bird
886:Liz and the Blue Bird
870:Liz and the Blue Bird
785:Liz and the Blue Bird
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732:Liz and the Blue Bird
728:Liz and the Blue Bird
722:In an interview with
612:Liz and the Blue Bird
490:Liz and the Blue Bird
454:Further information:
436:Liz and the Blue Bird
410:Liz and the Blue Bird
361:Liz and the Blue Bird
269:Liz and the Blue Bird
22:Liz and the Blue Bird
3098:Our Home's Fox Deity
3002:Maria-sama ga Miteru
2549:Amagi Brilliant Park
2541:Free! Eternal Summer
2110:Amagi Brilliant Park
2102:Free! Eternal Summer
1647:on November 29, 2018
1001:Sitges Film Festival
965:Degrassi Junior High
562:Cassandra Lee Morris
417:fleeting blue bird.
349:story within a story
3266:Hakumei and Mikochi
2942:Animation works by
2086:Beyond the Boundary
2003:Clannad After Story
1703:. December 28, 2018
1449:ATMA & Funomena
1357:ATMA & Funomena
1267:. December 30, 2018
868:would be releasing
799:", spilling ink on
749:had two composers:
497:Sarah Anne Williams
468:in the concert band
363:had two composers:
295:is a 2018 Japanese
2805:Sound! Euphonium 2
2634:Nyorōn Churuya-san
2493:Nichijou Episode 0
2429:Nurse Witch Komugi
2209:City the Animation
2201:Sound! Euphonium 3
2134:Sound! Euphonium 2
1727:Anime News Network
1700:Anime News Network
1672:Anime News Network
1621:Anime News Network
1328:. November 7, 2018
1295:. November 7, 2022
1292:Anime News Network
1264:Anime News Network
997:Ofuji Noburo Award
950:Jordan Mintzer of
881:Critical reception
724:Anime News Network
636:Character designer
97:Yoshifumi Yarimizu
16:2018 Japanese film
3578:
3577:
3501:The Colors Within
3413:Tamako Love Story
3325:Digimon Adventure
3274:Violet Evergarden
3250:High School Fleet
3154:Saint Seiya Omega
2986:Scrapped Princess
2909:
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2880:The Colors Within
2832:Tamako Love Story
2765:Television series
2723:
2722:
2680: (2001–2004)
2669:Other productions
2661: (2013–2014)
2653: (2013–2014)
2581:Violet Evergarden
2432: (2002–2003)
2395: (2021–2022)
2280:Tamako Love Story
2227:
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2169: (2018–2019)
2150:Violet Evergarden
2006: (2008–2009)
1998: (2007–2008)
1982: (2006–2007)
1974: (2006–2009)
1932:Television series
1910:Yasuhiro Takemoto
1783:television series
1080:. August 20, 2022
995:The film won the
890:Review aggregator
736:Tamako Love Story
663:storyboard artist
265:
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178:Bandai Namco Arts
85:Shinichi Nakamura
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3658:2018 drama films
3618:2018 anime films
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3560:Witchcraft Works
3485:Hula Fulla Dance
3437:Lu Over the Wall
3389:K-On! The Movie!
3162:Girls und Panzer
3018:Sugar Sugar Rune
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1201:. April 24, 2018
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765:background music
709:Sound! Euphonium
683:Tatsuya Ishihara
667:Sound! Euphonium
648:casting director
632:Sound! Euphonium
616:Sound! Euphonium
596:Takahiro Sakurai
396:in the school's
373:background music
367:, who wrote the
324:, the film is a
318:Sound! Euphonium
313:Sound! Euphonium
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288:Rizu to Aoi Tori
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3520:Saiyuki Premium
3507:
3357:The Cat Returns
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3290:The Heike Story
3194:Yowamushi Pedal
3186:Majestic Prince
2954:Animated series
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2899:The Heike Story
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2824:K-On! The Movie
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1924:Takuya Yamamura
1901:Eisaku Kawanami
1893:Taichi Ishidate
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925:The Japan Times
922:Matt Schley of
894:Rotten Tomatoes
883:
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806:coprime numbers
787:
759:, composed the
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582:Yuichi Nakamura
572:Houko Kuwashima
538:Tomoyo Kurosawa
462:Atsumi Tanezaki
458:
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353:Atsumi Tanezaki
310:, based on the
306:and written by
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1743:External links
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1675:. June 3, 2018
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817:music producer
781:A Silent Voice
756:A Silent Voice
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126:Cinematography
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3178:Tamako Market
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2947:Reiko Yoshida
2945:
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2821:
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2818:
2816:Feature films
2814:
2807:
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2799:
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2791:
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2789:Tamako Market
2786:
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2070:Tamako Market
2067:
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1915:Hiroko Utsumi
1913:
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1908:
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1813:
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1808:
1805:
1800:
1796:
1795:
1791:
1784:
1782:
1775:
1772:(in Japanese)
1768:
1766:
1759:
1756:(in Japanese)
1752:
1747:
1746:
1728:
1724:
1718:
1702:
1701:
1696:
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1668:
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1612:
1597:
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1595:The Daily Dot
1591:
1584:
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1528:
1513:
1509:
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1497:
1482:
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1472:
1466:
1451:. 4 July 2018
1450:
1446:
1440:
1424:
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1418:
1413:
1407:
1391:
1389:
1385:
1380:
1374:
1359:. 4 July 2018
1358:
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939:The Daily Dot
935:
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866:North America
863:
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828:
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766:
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751:Kensuke Ushio
748:
739:
737:
734:, as well as
733:
729:
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712:
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637:
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629:
628:
623:
622:
617:
613:
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600:Wayne Grayson
598:(Japanese) /
597:
594:
591:
587:
584:(Japanese) /
583:
580:
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573:
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563:
560:(Japanese) /
559:
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549:
546:(Japanese) /
545:
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529:
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509:(Japanese) /
508:
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418:
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365:Kensuke Ushio
362:
358:
354:
350:
346:
342:
338:
333:
330:
327:
323:
319:
315:
314:
309:
308:Reiko Yoshida
305:
301:
298:
289:
284:
276:
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260:
256:
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236:
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197:
189:
186:
184:
181:
179:
176:
174:
171:
170:
167:
159:
153:Akito Matsuda
152:
150:
149:Kensuke Ushio
147:
146:
144:
140:
136:
132:
128:
124:
118:
115:
113:
110:
109:
107:
103:
96:
93:
91:Shigeru Saitô
90:
88:Eharu Oohashi
87:
84:
83:
81:
77:
69:
68:
64:
63:
61:
57:
54:
53:Reiko Yoshida
51:
49:Screenplay by
47:
44:
41:
37:
30:
25:
20:
3566:
3558:
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3542:
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3526:
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3355:
3347:
3339:
3331:
3323:
3304:
3296:
3288:
3280:
3272:
3264:
3258:Cheer Boys!!
3256:
3248:
3240:
3232:
3224:
3216:
3208:
3200:
3192:
3184:
3176:
3168:
3160:
3152:
3146:Kimi to Boku
3144:
3136:
3128:
3120:
3112:
3104:
3096:
3088:
3080:
3072:
3064:
3056:
3048:
3040:
3032:
3024:
3016:
3008:
3000:
2992:
2984:
2978:Kaleido Star
2976:
2968:
2960:
2944:screenwriter
2897:
2878:
2870:
2863:
2862:
2854:
2846:
2838:
2830:
2822:
2803:
2795:
2787:
2779:
2771:
2757:Naoko Yamada
2707:
2695:Arson attack
2675:
2656:
2648:
2645: (2012)
2640:
2637: (2009)
2632:
2629: (2009)
2624:
2608: (2023)
2603:
2600: (2019)
2595:
2592: (2018)
2587:
2584: (2018)
2579:
2576: (2017)
2571:
2568: (2016)
2563:
2560: (2015)
2555:
2552: (2015)
2547:
2544: (2015)
2539:
2536: (2014)
2531:
2528: (2014)
2523:
2520: (2013)
2515:
2512: (2013)
2507:
2504: (2011)
2499:
2496: (2011)
2491:
2488: (2010)
2483:
2480: (2009)
2475:
2472: (2008)
2467:
2464: (2008)
2459:
2456: (2006)
2451:
2448: (2005)
2443:
2440: (2003)
2435:
2427:
2411: (2025)
2406:
2403: (2022)
2398:
2390:
2387: (2020)
2382:
2379: (2019)
2374:
2371: (2019)
2366:
2363: (2019)
2358:
2355: (2018)
2351:
2350:
2347: (2018)
2342:
2339: (2017)
2334:
2331: (2017)
2326:
2323: (2017)
2318:
2315: (2016)
2310:
2307: (2016)
2302:
2299: (2015)
2294:
2291: (2015)
2286:
2283: (2014)
2278:
2275: (2014)
2270:
2267: (2013)
2262:
2259: (2011)
2254:
2251: (2010)
2246:
2243: (2009)
2238:
2215:
2212: (2025)
2207:
2204: (2024)
2199:
2196: (2023)
2191:
2188: (2021)
2183:
2164:
2161: (2018)
2156:
2153: (2018)
2148:
2145: (2017)
2140:
2137: (2016)
2132:
2129: (2016)
2124:
2121: (2015)
2116:
2113: (2014)
2108:
2105: (2014)
2100:
2097: (2014)
2092:
2089: (2013)
2084:
2081: (2013)
2076:
2073: (2013)
2068:
2065: (2012)
2060:
2057: (2012)
2052:
2049: (2011)
2044:
2041: (2010)
2036:
2022: (2009)
2017:
2014: (2009)
2009:
2001:
1993:
1990: (2007)
1985:
1977:
1969:
1966: (2005)
1961:
1958: (2005)
1953:
1950: (2003)
1945:
1920:Naoko Yamada
1826:
1809:
1793:
1788:(in English)
1780:
1764:
1730:. Retrieved
1726:
1717:
1707:December 31,
1705:. Retrieved
1698:
1689:
1677:. Retrieved
1670:
1661:
1649:. Retrieved
1645:the original
1635:
1624:. Retrieved
1620:
1611:
1599:. Retrieved
1593:
1583:
1571:. Retrieved
1565:
1555:
1543:. Retrieved
1537:
1527:
1515:. Retrieved
1505:
1496:
1484:. Retrieved
1474:
1465:
1453:. Retrieved
1448:
1439:
1427:. Retrieved
1415:
1406:
1394:. Retrieved
1382:
1373:
1361:. Retrieved
1356:
1330:. Retrieved
1323:
1297:. Retrieved
1290:
1281:
1269:. Retrieved
1262:
1236:. Retrieved
1230:
1203:. Retrieved
1196:
1166:. Retrieved
1161:
1123:. Retrieved
1121:. April 2018
1119:MANGA.TOKYO]
1118:
1082:. Retrieved
1051:
1047:
1040:
1037:Jukki Hanada
1028:
1027:film titled
1024:
1022:
1017:
994:
984:
983:
973:
969:
963:
957:
951:
949:
943:
937:
933:
929:
923:
921:
916:
911:
904:
902:
885:
884:
869:
861:Super Sentai
859:
845:
834:
814:
810:
797:decalcomania
793:
784:
780:
778:
772:
768:
754:
746:
745:
735:
731:
727:
721:
717:
713:
708:
705:
701:
697:
690:
686:
678:
674:
670:
666:
658:
656:
652:ADR director
640:art director
631:
625:
619:
618:, following
615:
611:
610:
586:Mike Pollock
532:Cristina Vee
522:Xanthe Huynh
511:Megan Harvey
507:Yuri Yamaoka
501:euphoniumist
489:
444:
440:
435:
432:
427:music school
419:
409:
398:concert band
392:, who is an
387:
378:
360:
334:
321:
317:
311:
304:Naoko Yamada
302:directed by
268:
267:
266:
233:Running time
210:Release date
190:Animation DO
129:Kazuya Takao
65:
43:Naoko Yamada
3298:Blue Period
3138:Mayo Chiki!
2994:Popolocrois
2759:filmography
2485:Live House!
2256:K-On! Movie
2220: (TBA)
1486:October 10,
1325:Crunchyroll
841:Eleven Arts
825:boy soprano
821:end credits
801:sheet music
568:in the band
554:in the band
528:Chika Anzai
390:high school
337:high school
183:Pony Canyon
94:Riri Senami
79:Produced by
39:Directed by
3613:2018 films
3607:Categories
3453:Okko's Inn
3218:Hanayamata
3074:D.Gray-man
3058:Jyu-Oh-Sei
1987:Lucky Star
1816:Metacritic
1732:2019-07-20
1651:January 3,
1626:2019-08-02
1507:Metacritic
1084:August 20,
1058:References
980:Box office
898:Metacritic
646:served as
607:Production
592:instructor
590:percussion
578:instructor
558:Moe Toyota
544:Ayaka Asai
492:fairy tale
486:Miyu Honda
472:Nao Tōyama
450:Voice cast
357:Nao Tōyama
345:fairy tale
300:drama film
258:Box office
237:90 minutes
221:2018-04-21
162:Production
117:Nao Tōyama
3512:OVAs/ONAs
3234:Haruchika
3197:(2013–15)
3122:Chu-Bra!!
3090:Mushi-Uta
2965:(2001–03)
1601:March 21,
1573:March 21,
1545:March 21,
1517:March 21,
1429:March 22,
1396:March 22,
1332:March 20,
1271:March 21,
1238:March 21,
1205:March 20,
1168:March 19,
1125:March 20,
991:Accolades
876:Reception
864:media in
515:trumpeter
414:blue bird
341:wind band
261:$ 737,286
187:Rakuonsha
164:companies
134:Edited by
3170:Mangirl!
2714:Category
2525:Daybreak
2046:Nichijou
1481:Fandango
1023:Another
892:website
837:Shochiku
763:-styled
576:woodwind
423:woodwind
402:flutists
326:spin-off
297:animated
275:Japanese
253:Japanese
250:Language
203:Shochiku
142:Music by
105:Starring
59:Based on
3306:Deaimon
3130:Bakuman
2962:Kasumin
2688:Related
2597:Tsurune
2166:Tsurune
1995:Clannad
1767:website
1679:June 3,
1455:July 4,
1423:channel
1421:YouTube
1390:channel
1388:YouTube
1363:July 4,
1299:May 17,
848:Blu-ray
831:Release
779:Unlike
761:minimal
566:bassist
552:tubaist
480:flutist
371:-style
369:minimal
283:Hepburn
242:Country
219: (
3583:Portal
3571:(2024)
3563:(2015)
3555:(2012)
3547:(2004)
3539:(2001)
3531:(2001)
3523:(1999)
3504:(2024)
3496:(2024)
3488:(2021)
3480:(2021)
3472:(2020)
3464:(2019)
3456:(2018)
3448:(2018)
3440:(2017)
3432:(2016)
3424:(2015)
3416:(2014)
3408:(2014)
3400:(2012)
3392:(2011)
3384:(2011)
3376:(2009)
3368:(2005)
3360:(2002)
3352:(2001)
3344:(2000)
3336:(2000)
3328:(1999)
3309:(2022)
3301:(2021)
3293:(2021)
3285:(2020)
3277:(2018)
3269:(2018)
3261:(2016)
3253:(2016)
3245:(2016)
3237:(2016)
3229:(2015)
3221:(2014)
3213:(2013)
3205:(2013)
3189:(2013)
3181:(2013)
3173:(2013)
3165:(2012)
3157:(2012)
3149:(2011)
3141:(2011)
3133:(2010)
3125:(2010)
3117:(2009)
3109:(2009)
3101:(2008)
3093:(2007)
3085:(2007)
3077:(2006)
3069:(2006)
3061:(2006)
3053:(2006)
3045:(2006)
3037:(2006)
3029:(2005)
3021:(2005)
3013:(2005)
3005:(2004)
2997:(2003)
2989:(2003)
2981:(2003)
2973:(2002)
2902:(2021)
2883:(2024)
2875:(2019)
2867:(2018)
2859:(2017)
2851:(2016)
2843:(2016)
2835:(2014)
2827:(2011)
2808:(2016)
2800:(2015)
2792:(2013)
2784:(2010)
2781:K-On!!
2776:(2009)
2509:Hyouka
2054:Hyouka
2038:K-On!!
1801:
1198:Excite
932:fans,
687:Zenpen
675:Zenpen
466:oboist
394:oboist
329:sequel
320:novel
279:リズと青い鳥
3114:K-On!
2773:K-On!
2501:Plan!
2437:Munto
2232:Films
2177:2020s
2078:Free!
2030:2010s
2019:K-On!
1979:Kanon
1939:2000s
1044:'
788:'
742:Music
679:Kōhen
245:Japan
3597:Film
3282:Arte
2617:ONAs
2420:OVAs
1799:IMDb
1709:2018
1681:2018
1653:2019
1603:2019
1575:2019
1547:2019
1519:2019
1488:2021
1457:2018
1431:2019
1398:2019
1365:2018
1334:2019
1301:2024
1273:2019
1240:2019
1207:2019
1170:2019
1127:2019
1086:2022
850:and
650:and
624:and
406:duet
384:Plot
355:and
3034:Rec
1955:Air
1830:at
1814:at
1797:at
1539:IGN
1419:'s
1386:'s
1052:Liz
1048:Liz
934:Liz
906:IGN
852:DVD
339:'s
3609::
1725:.
1697:.
1669:.
1619:.
1592:.
1564:.
1536:.
1510:.
1504:.
1479:.
1473:.
1447:.
1414:.
1381:.
1355:.
1342:^
1322:.
1309:^
1289:.
1261:.
1248:^
1229:.
1215:^
1195:.
1178:^
1160:.
1135:^
1117:.
1094:^
1076:.
1065:^
1007:.
839:.
634:.
351:.
285::
281:,
277::
3585::
2935:e
2928:t
2921:v
2749:e
2742:t
2735:v
1865:e
1858:t
1851:v
1735:.
1711:.
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292:)
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223:)
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