1689:
1646:
319:
607:
375:
40:
595:
307:, as her work was seen as the perfect reciprocity between idea and symbol. Fuller began adapting and expanding her costume and lighting, so that they became the principal element in her performance—perhaps even more important than the actual choreography, especially as the length of the skirt was increased and became the central focus, while the body became mostly hidden within the depths of the fabric. The choreography of the
277:
619:
288:). In the hope of receiving serious artistic recognition that she was not getting in America, Fuller left for Europe in June 1892. She became one of the first of many American modern dancers who traveled to Europe to seek recognition. Her warm reception in Paris persuaded Fuller to remain in France, where she became one of the leading revolutionaries in the arts.
504:
543:. Marie and Fuller became close, and maintained an extensive correspondence as close friends. Their relationship was the subject of scandalous rumors, alleging that Fuller and Queen Marie were lovers. Fuller, through a connection at the United States embassy in Paris, played a role in arranging a United States loan for Romania during World War I.
531:
Fuller and Bloch's relationship initially attracted some attention in the press, as Bloch dressed exclusively in menswear, and was 8 years Fuller's junior. The press coverage of their relationship declined over time, focusing more on Fuller's mother, and allowing Bloch and Fuller to live a relatively
499:
Loie Fuller's original stage name was "Louie". In modern French "L'ouïe" is the word for a sense of hearing. When Fuller reached Paris she gained a nickname which was a pun on "Louie"/"L'ouïe". She was renamed "Loïe" – this nickname is a corruption of the early or
Medieval French "L'oïe", a precursor
706:
Fuller continues to be an influence on contemporary choreographers. Sperling, who re-imagines Fuller's genre from a contemporary perspective, has choreographed dozens of works inspired by Fuller and expanded Fuller's vocabulary and technique into the 21st century. Sperling's company Time Lapse Dance
637:
inherited the dance troupe as well as the laboratory Fuller had operated. Sorère took legal action against dancers who wrongfully used Fuller's fame to enhance their own careers and produced both films and theatrical productions to honor Fuller's legacy as a visual effects artist.
773:
Fuller's autobiography is a first hand account, and she was known for being very adaptive in her story telling. There are seven highly dramatized versions of how she got her first silk skirt; however, the real story is unknown. As well as writing about inventing the
508:
554:, she befriended them; they were unaware of her connection to Carol's mother Marie. Fuller initially advocated to Marie on behalf of the couple, but later schemed unsuccessfully with Marie to separate Carol from Lupescu. With Queen Marie and American businessman
506:
215:. Fuller's career as a child performer progressed with little formal training and much variety, as she experimented with dramatic reading, singing, and dance. As a child, Fuller's family moved in and out of Chicago, with Fuller eventually securing a part in
352:"The only surviving reel of her work is a segment from Le Lys de la Vie, and features a show within a show with classically-costumed figures dancing by the sea, a banquet, royal intrigue, and romance with René Clair featured as a prince on horseback."
528:, in the mid-1890s. Sorère was born Gabrielle Bloch, the daughter of wealthy French bankers, in 1870, and eventually took the name Gab Sorère in 1920. Bloch first saw Fuller perform at the age of 14, and by 1898 Fuller and Bloch were living together.
507:
2332:
1958:
472:
to continue. The judge in the case ruled that Fuller's original choreography told no story and therefore could not be copyrighted. The precedent set by Fuller's case remained in place until the passage of the
645:
demonstrates her centrality not only to dance, but also modernist performance. Sally R. Sommer has written extensively about Fuller's life and times Marcia and
Richard Current published a biography entitled
770:
by H. Jenkins (London) in 1913. The New York Public
Library Jerome Robbins Dance Collection holds the nearly complete manuscript to the English edition and materials related to the French edition.
272:. However, Fuller's artistic achievements were soon dwarfed by legal troubles (among them, a copyright infringement suit against Minnie Renwood, the dancer Aronson hired to replace Fuller..."
244:. After much difficulty finding someone willing to produce her work when she was primarily known as an actress, she was finally hired to perform her piece between acts of a comedy entitled
505:
658:, his history of modern aesthetics, to Fuller's 1893 performances in Paris, which he considers emblematic of Art Nouveau in their attempt to link artistic and technological invention.
2320:
711:, who collaborated with a lighting designer on a series of works that drew inspiration from Fuller's original lighting design patents. Shela Xoregos choreographed a tribute,
1948:
936:
699:
choreographed Soko's dances for the movie, served as creative consultant and was Soko's dance coach, training her in Fuller technique. The movie premiered at the
1896:
1401:
708:
574:
Fuller occasionally returned to
America to stage performances by her students, the "Fullerets" or Muses, but spent the end of her life in Paris. She died of
725:
featured a segment dedicated to Fuller. During her performance of "Dress" each night on the tour, several dancers recreated the "Serpentine Dance." In the
207:
Fuller debuted on the stage as a toddler, performing a variety of dramatic and dance roles in
Chicago. Her dramatic debut at the age of four was at the
1735:
1669:
2001:
849:
268:. Fuller achieved critical success with her Serpentine performances at the Casino and—when a dispute with Aronson forced her to switch venues—at the
265:
2468:
230:
techniques. In multiple shows she experimented with a long skirt, choreographing its movements and playing with the ways it could reflect light.
2340:
Kraut, Anthea (May 12, 2011). "White
Womanhood, Property Rights, and the Campaign for Choreographic Copyright: Loïe Fuller's Serpentine Dance".
1212:
2087:
356:
2049:
2550:
762:
was written in
English, translated into French by Bojidar Karageorgevitch and published by F. Juven (Paris) in 1908 with an introduction by
2324:
1776:
1626:
1419:
238:
By 1891, Fuller combined her choreography with silk costumes illuminated by multi-coloured lighting of her own design, and created the
2230:
The Gay & Lesbian
Theatrical Legacy: A Biographical Dictionary of Major Figures in American Stage History in the Pre-Stonewall Era
1600:
2555:
2066:
After performing "Dress," a dedication to the late actress and dancer Loie Fuller, who passed away in 1928, appeared on the screen.
478:
1152:
Coleman, Bud (2002). "The
Electric Fairy: The Woman Behind the Apparition of Loie Fuller". In Marra, Kim; Schanke, Robert (eds.).
2585:
2570:
2445:
1979:
1926:
2024:
1570:
641:
Fuller's work has been experiencing a resurgence of professional and public interest. Rhonda K. Garelick's 2009 study entitled
477:, which explicitly extended protection to nondramatic choreographic works. Another notorious imitator was Lord Yarmouth, later
962:
2256:
2237:
1874:
1836:
1770:
1319:
1161:
889:
2540:
1261:
1244:
2560:
386:
Fuller's pioneering work attracted the attention, respect, and friendship of many French artists and scientists, including
2590:
443:
1080:
1890:
1263:
Bulletin de la Société astronomique de France et revue mensuelle d'astronomie, de météorologie et de physique du globe
578:
at the age of 65 on
January 1, 1928, in Paris, two weeks shy of her 66th birthday. She was cremated and buried in the
500:
to "L'ouïe", which means "receptiveness" or "understanding". She was also referred to by the nickname "Lo Lo Fuller".
2600:
2402:
1814:
1461:
1005:
496:. Fuller helped Duncan ignite her European career in 1902 by sponsoring independent concerts in Vienna and Budapest.
2565:
2530:
2525:
666:
in 1994. In the 1980s, Munich dancer Brygida Ochaim revived Fuller's dances and techniques, also appearing in the
2183:
2158:
2133:
536:
464:
Fuller also sought legal protection for her choreography, but was less successful. Her lawsuit against imitator
449:
Fuller patented many of her innovations in stage lighting, including the use of chemical compounds for creating
322:
Table lamp: Dance of the Lily (Loie Fuller) – around 1901-Gilt bronze-Museum Wiesbaden-Raoul Larche (1860–1912)
261:
877:
742:) is a friend of the main character Marie Curie. The scientist envisions Fuller dancing in the green light of
2595:
1376:
1659:
469:
1993:
845:
312:
2545:
1702:
2225:
1724:. Media History Digital Library Media History Digital Library. New York, NY: Variety Publishing Company.
1052:"Serpentine Dancer: The life and legacy of the wildly inventive choreographer and performer Loie Fuller"
367:"persuaded a reluctant Clair to play the role of a suave Parisian in Loie Fuller's poetic film on dance
208:
1278:
2535:
700:
611:
391:
2079:
1688:
1645:
583:
98:
1436:
766:. She drafted her memoirs again in English a few years later, which were published under the title
407:
395:
222:
Marie Louise Fuller changed her name to the more glamorous "Loïe" at the age of sixteen. An early
1762:
1664:
1337:"65th Anniversary of the First Copyrighted Choreography—Although Not Copyrighted As Choreography"
729:
concert film on Netflix, after "Dress" there is a message showing Taylor's dedication to Fuller.
726:
671:
513:
196:. When Fuller was two, her parents Reuben Fuller and Delilah Eaton moved to Chicago and opened a
1138:
1125:""La Loïe" as Pre-Cinematic Performance – Descriptive Continuity of Movement – Senses of Cinema"
1124:
683:
559:
435:
346:
269:
264:. He named her dance “The Serpentine” and hired her to perform it as an entr’act in the comedy
2394:
1754:
678:
2420:
1994:"13 Seriously Impressive Facts You Probably Didn't Know About Taylor Swift's Reputation Tour"
1809:
Sally R. Sommer, "La Loie: The Life and Art of Loie Fuller", Penguin Publishing Group, 1986,
1622:
474:
189:
2377:
1363:
A Secret Between Gentlemen: Lord Battersea's hidden scandal and the lives it changed forever
986:
399:
2580:
2575:
1177:
Christout, Marie-Françoise; Palfy, Barbara (1996). "The Dancing Muse of the Belle Époque".
997:
419:
1336:
1312:
Choreographing copyright: race, gender, and intellectual property rights in American dance
821:
8:
2453:
1592:
1310:
Kraut, Anthea (2016). "White Womanhood and Early Campaigns for Choreographic Copyright".
707:
consists of six dancers all versed in Fuller-style technique and performance. Another is
618:
547:
364:
177:
2369:
806:
651:
431:
2408:
2357:
2283:
1213:"Camille Saint-Saëns and La Loïe Fuller at the Panama-Pacific International Exposition"
1194:
895:
734:
67:
20:
423:
2412:
2398:
2361:
2353:
2252:
2233:
1918:
1870:
1832:
1810:
1766:
1544:
1457:
1315:
1157:
1056:
1001:
885:
318:
1562:
606:
292:
2433:
2390:
2349:
2321:"Loïe Fuller, une danseuse avant-gardiste | Moteur Collections | Culture"
2308:
2300:
2275:
1186:
1051:
1021:
993:
954:
563:
550:
was alienated from the Romanian royal family and living in Paris with his mistress
454:
304:
240:
140:
1230:
2503:
1755:"Resurrecting the Future: Body, Image, and Technology in the Work of Loïe Fuller"
1084:
787:
722:
411:
257:
1279:"Dancing and Copyright: Judge Lacombe Decides Against Loie Fuller's Skirt Dance"
823:
Fifteen years of a dancer's life, with some account of her distinguished friends
778:, she also wrote extensively about her own theories of modern dance and motion.
627:
387:
374:
349:, a close friend of the couple and is the only one of the films which survived.
2508:
2498:
2492:
1719:
1681:
1638:
792:
763:
692:
667:
659:
493:
465:
285:
197:
1505:
1190:
1077:
253:
2519:
2304:
1953:
1625:. Wilkes-Barre, Pennsylvania: The Evening News. January 28, 1928. p. 4.
696:
688:
599:
551:
427:
415:
403:
227:
634:
525:
360:
326:
125:
1548:
747:
718:
216:
173:
1139:"True Republican 8 January 1921 — Illinois Digital Newspaper Collections"
739:
579:
555:
458:
439:
300:
201:
192:, on a remote farm conveniently linked to Chicago by a newly-constructed
2312:
2287:
2050:"9 Things You Might Have Missed in Taylor Swift's Netflix Concert Film"
1198:
489:
223:
193:
39:
2484:
2479:
2474:
2437:
575:
540:
512:
A dancer, possibly Fuller, performing Fuller's serpentine dance in a
450:
2279:
1296:"Copyright – 'Dramatic Composition' – Stage Dance (Fuller v. Bemis)
594:
984:
Cohen, Selma (1998). "Fuller, Loie". In Cohen, Selma Jeanne (ed.).
1623:"Loie Fuller's Work in Life Will Be Carried on by Intimate Friend"
662:
compiled a 680-page book of Fuller-inspired art work and texts in
315:, but it is unclear whether the recordings depict Fuller herself.
2430:
Gender, Class and Cinephilia: Parisian Cinema Cultures, 1918-1925
2025:"Vogue Visited Taylor Swift's Muse, Loie Fuller, at Home in 1913"
1365:, Alchemie Books, Sydney 2022, ISBN 978-0-6456178-0-1, pp104-106.
200:. Fuller's parents took her to the Progressive Lyceum, a hub of
2499:
US Patent 513102: Mechanism for the Production of Stage Effects
2184:"Chapter 20 (with a section which eventually became chapter 3)"
2080:"'Radioactive' Review: Marie Curie and the Science of Autonomy"
1949:"Lily-Rose Depp et Soko, comme une évidence dans "La Danseuse""
815:]. Translated by Karageorgevitch, Bojidar. Paris: F. Juven.
743:
371:, by telling him about the pretty girls who would be present."
1919:"Jody Sperling Brings the Magic of Loie Fuller to La Danseuse"
284:
Almost immediately, she was replaced by imitators (originally
276:
2232:. Ann Arbor: University of Michigan Press. pp. 171–175.
848:. National Library Service for the Blind and Print Disabled.
468:
was decided in Bemis' favor, allowing Bemis' performances at
86:
633:
After Fuller's death, her romantic partner of thirty years,
539:, later to become Queen Marie, in 1902, at a performance in
226:
practitioner, Fuller developed her own natural movement and
152:
149:
1154:
Staging Desire: Queer Readings of American Theater History
715:, a solo which shows several of Fuller's special effects.
1475:
1473:
1105:
1095:
1093:
2249:
Electric Salome: Loie Fuller's Performance of Modernism
1827:
Current, Richard Nelson; Current, Marcia Ewing (1997).
876:
Current, Richard Nelson; Current, Marcia Ewing (1997).
2297:
A cinema of movement : dance and the moving image
1520:
1470:
1377:"On this day: The twirling Earl of Yarmouth in Mackay"
1090:
1028:
919:
917:
488:
Fuller supported other pioneering performers, such as
1563:"About Maryhill Museum of Art's Permanent Collection"
1485:
1441:. United States: Boni and Liverlight. pp. 94–96.
902:
188:
Marie Louise Fuller was born on January 15, 1862, in
164:; January 15, 1862 – January 1, 1928), also known as
2491:
United States patents for inventions by Fuller, via
2201:
1791:
146:
1668:. London, England. September 19, 1929. p. 12.
914:
311:was filmed by multiple early filmmakers, including
143:
2114:
2102:
1853:Aisthesis: Scenes from the Aesthetic Regime of Art
1543:. London: V. Gollancz Ltd. pp. 28–32, 58–61.
1277:
1156:. University of Michigan Press. pp. 311–337.
985:
937:"West End Opera House Grand Complimentary Benefit"
524:Fuller met her romantic partner of over 30 years,
566:, which has permanent exhibits about her career.
345:was a silent film, based upon a story written by
2517:
2446:"Loïe Fuller, pionnière de l'abstraction dansée"
2022:
1869:. Hermann Danse (2nd ed.). Paris: Hermann.
1704:Chicago Daily Tribune 1929-09-13: Vol 88 Iss 220
2469:New York Public Library for the Performing Arts
2266:Sommer, Sally R. (March 1975). "Loïe Fuller".
1826:
1176:
875:
687:about the life of Loïe Fuller, with actresses
2251:. Princeton, NJ: Princeton University Press.
1246:Bulletin de la Société Astronomique de France
485:under the stage name of ‘Mademoiselle Roze’.
280:Portrait of Fuller by Frederick Glasier, 1902
2509:US Patent 533167: Theatrical Stage Mechanism
2480:Loie Fuller notebooks and letters, 1907–1911
1078:"'Serpentine Dance' by the Lumière brothers"
329:and Fuller would make three films together,
2228:. In Harbin, Billy J.; et al. (eds.).
1456:. New York: Thames and Hudson. p. 90.
1424:(in French). France: Ludovic Baschet. 1900.
2385:Potter, Susan (2019). "Looking Backward".
2023:Borrelli-Persson, Laird (August 8, 2019).
1759:The Oxford Handbook of Screendance Studies
1503:
172:, was an American dancer and a pioneer of
38:
2378:"Le lys de la vie – Court-métrage (1921)"
2294:
1855:, trans. Zakir Paul, Verso, 2013, 93–109.
1831:. Boston: Northeastern University Press.
1538:
884:. Boston: Northeastern University Press.
546:Later, during the period when the future
2467:Loie Fuller archival collections at the
2246:
1867:Loïe Fuller, danseuse de la Belle Époque
1797:
1752:
1526:
1491:
1260:France, Société astronomique de (1895).
1111:
1099:
908:
664:Loïe Fuller, Danseuse de la Belle Epoque
617:
605:
593:
502:
373:
317:
275:
2395:10.5622/illinois/9780252042461.003.0006
2223:
2071:
1916:
1899:from the original on September 22, 2020
1717:
1479:
1435:Duncan, Isadora (1927). "Chapter Ten".
1151:
988:The International Encyclopedia of Dance
569:
303:movement and was often identified with
219:'s touring act at the age of nineteen.
183:
2518:
2384:
2265:
2207:
2120:
2108:
2077:
1779:from the original on February 10, 2023
1434:
1374:
1259:
1049:
1034:
923:
819:
804:
299:, Fuller became the embodiment of the
2504:US Patent 518347: Garment for Dancers
2339:
1929:from the original on December 7, 2022
1864:
1573:from the original on January 15, 2023
1309:
1045:
1043:
983:
492:and fellow United States-born dancer
2004:from the original on October 2, 2018
1991:
1917:Rizzuto, Rachel (January 31, 2017).
1593:"Les grands noms de la danse !"
1539:Easterman, Alexander Levvey (1942).
1334:
1050:Dillon, Brian (September 30, 2014).
998:10.1093/acref/9780195173697.001.0001
871:
869:
867:
852:from the original on October 6, 2019
382:, poster by PAL (Jean de Paléologue)
341:(Uncertainties of Coppelius, 1927).
2427:
1892:Loïe Fuller – la danse des couleurs
1421:Le Panorama: Exposition universelle
965:from the original on August 3, 2020
13:
2090:from the original on April 1, 2022
1672:from the original on June 18, 2018
1629:from the original on June 17, 2018
1451:
1402:"Miss Loie Fuller as a Translator"
1303:
1040:
453:, and the application of chemical
442:. Fuller was also a member of the
14:
2612:
2551:Burials at Père Lachaise Cemetery
2485:Loie Fuller collection, 1914–1928
2461:
2078:Dargis, Manohla (July 23, 2020).
1961:from the original on May 15, 2016
1742:. September 13, 1929. p. 18.
1603:from the original on May 18, 2022
1506:"Loie Fuller: The Fairy of Light"
1375:Rogers, Destiny (July 17, 2022).
864:
758:Fuller's autobiographical memoir
2354:10.5406/danceresearchj.43.1.0003
1736:"Dancer Goes to Holloway Prison"
1687:
1644:
1335:Hall, Alison (August 16, 2017).
1022:"Loie Fuller Biographical Essay"
768:Fifteen Years of a Dancer's Life
753:
519:
139:
2556:Deaths from pneumonia in France
2176:
2151:
2126:
2042:
2016:
1985:
1973:
1941:
1910:
1883:
1858:
1845:
1820:
1803:
1757:. In Rosenberg, Douglas (ed.).
1746:
1728:
1711:
1695:
1652:
1615:
1585:
1555:
1532:
1497:
1445:
1428:
1412:
1394:
1368:
1355:
1328:
1290:
1270:
1253:
1237:
1223:
1205:
1170:
1145:
1131:
1117:
1071:
955:"Loie Fuller | American dancer"
622:Poster featuring Fuller at the
537:Crown Princess Marie of Romania
446:(French Astronomical Society).
2586:People from Hinsdale, Illinois
2571:American vaudeville performers
1541:King Carol, Hitler and Lupescu
1014:
977:
947:
929:
838:
444:Société astronomique de France
337:(Visions of dreams, 1924) and
1:
2475:Loie Fuller papers, 1892–1913
1992:Bate, Ellie (June 19, 2018).
1829:Loie Fuller, goddess of light
1753:Albright, Ann Cooper (2016).
1341:Copyright: Creativity at Work
882:Loie Fuller, goddess of light
831:
746:. The dancer also introduces
648:Loie Fuller, Goddess of Light
339:Les Incertitudes de Coppélius
2247:Garelick, Rhonda K. (2009).
2159:""Fifteen years of my life""
2134:""Fifteen years of my life""
1660:"Imprisoned Dancer Released"
1286:. June 19, 1892. p. 20.
7:
2561:American lighting designers
1314:. Oxford University Press.
1300:, Aug. 27, 1892, p. 165-66.
992:. Oxford University Press.
781:
291:A regular performer at the
248:and received rave reviews.
16:American dancer (1862–1928)
10:
2617:
2591:LGBTQ people from Illinois
2217:
1504:de Morinni, Clare (1942).
586:(site No. 5382) in Paris.
558:, Fuller helped found the
333:(The Lily of Life, 1921),
18:
2370:"Le Lys de la vie (Film)"
1191:10.1080/01472529608569242
701:2016 Cannes Film Festival
650:in 1997. The philosopher
589:
392:Henri de Toulouse-Lautrec
313:Auguste and Louis Lumière
233:
211:, playing a young boy in
121:
113:
105:
94:
75:
49:
37:
30:
2601:American lesbian artists
2541:American artists' models
2295:Brannigan, Erin (2004).
2188:NYPL Digital Collections
2163:NYPL Digital Collections
2138:NYPL Digital Collections
1865:Lista, Giovanni (2006).
1721:Variety (September 1929)
1266:(in French). La Société.
878:"From "Louie" to "Loie""
813:Fifteen years of my life
798:
479:7th Marquess of Hertford
209:Chicago Academy of Music
2566:American modern dancers
2531:American female dancers
2526:Actresses from Illinois
2299:(Thesis). UNSW Sydney.
1763:Oxford University Press
1665:The Manchester Guardian
1454:Ballet and Modern Dance
1406:St. Louis Post-Dispatch
1231:"The Italian Straw Hat"
1217:San Francisco Bay Times
959:Encyclopædia Britannica
727:Reputation Stadium Tour
461:lighting and garments.
2342:Dance Research Journal
2305:10.26190/unsworks/4115
1567:Maryhill Museum of Art
1083:June 17, 2014, at the
630:
615:
603:
584:Père-Lachaise cemetery
560:Maryhill Museum of Art
516:
383:
347:Queen Marie of Romania
323:
286:Minnie "Renwood" Bemis
281:
274:
270:Madison Square Theatre
204:, on Sunday mornings.
99:Père Lachaise Cemetery
2224:Coleman, Bud (2005).
1707:. September 13, 1929.
1569:. December 31, 2012.
1343:. Library of Congress
826:. London: H. Jenkins.
805:Fuller, Loie (1908).
654:devoted a chapter of
621:
609:
597:
511:
475:Copyright Act of 1976
470:Madison Square Garden
396:François-Raoul Larche
377:
321:
279:
250:
190:Fullersburg, Illinois
2596:LGBTQ choreographers
2389:. pp. 101–121.
1980:"Dancing with Light"
1765:. pp. 715–730.
1408:. November 15, 1908.
808:Quinze ans de ma vie
760:Quinze ans de ma vie
570:Later life and death
481:, who performed the
466:Minnie Renwood Bemis
420:Thomas Theodor Heine
184:Early life and debut
2372:. January 13, 2024.
2056:. December 31, 2018
1761:. Oxford, England:
1219:. December 5, 2015.
941:The Chicago Tribune
732:Into the 2019 film
709:Ann Cooper Albright
695:as Isadora Duncan.
681:directed the movie
679:Stéphanie Di Giusto
598:Fuller depicted by
548:Carol II of Romania
295:with works such as
178:theatrical lighting
162:Marie Louise Fuller
54:Marie Louise Fuller
2546:American inventors
2428:Fee, Anna (2015).
2421:"Le Lys de la vie"
2084:The New York Times
1851:Jacques Rancière,
1740:The Glasgow Herald
1452:Au, Susan (2002).
1298:Albany Law Journal
1284:The New York Times
1249:(in French). 1895.
896:The New York Times
631:
616:
610:Fuller painted by
604:
517:
400:Henri-Pierre Roché
384:
363:, in 1920, singer
324:
282:
68:Hinsdale, Illinois
21:Loie Fuller (film)
19:For the film, see
2258:978-1-4008-3277-4
2239:978-0-472-06858-6
1895:, April 5, 2018,
1876:978-2-7056-6625-5
1838:978-1-55553-309-0
1772:978-0-19-998160-1
1597:bertrandbeyern.fr
1321:978-0-19-936036-9
1163:978-0-472-90416-7
1127:. March 13, 2011.
1114:, pp. 57–58.
891:978-1-55553-309-0
532:unbothered life.
509:
436:Stéphane Mallarmé
335:Visions des rêves
256:) auditioned for
132:
131:
2608:
2536:American dancers
2457:
2454:"Alix de Morant"
2449:
2441:
2424:
2416:
2381:
2373:
2365:
2336:
2328:
2327:on June 5, 2023.
2323:. Archived from
2316:
2291:
2268:The Drama Review
2262:
2243:
2211:
2205:
2199:
2198:
2196:
2194:
2180:
2174:
2173:
2171:
2169:
2155:
2149:
2148:
2146:
2144:
2130:
2124:
2118:
2112:
2106:
2100:
2099:
2097:
2095:
2075:
2069:
2068:
2063:
2061:
2046:
2040:
2039:
2037:
2035:
2020:
2014:
2013:
2011:
2009:
1989:
1983:
1977:
1971:
1970:
1968:
1966:
1957:. May 14, 2016.
1945:
1939:
1938:
1936:
1934:
1914:
1908:
1907:
1906:
1904:
1887:
1881:
1880:
1862:
1856:
1849:
1843:
1842:
1824:
1818:
1807:
1801:
1795:
1789:
1788:
1786:
1784:
1750:
1744:
1743:
1732:
1726:
1725:
1718:Variety (1929).
1715:
1709:
1708:
1699:
1693:
1692:
1691:
1685:
1679:
1677:
1656:
1650:
1649:
1648:
1642:
1636:
1634:
1619:
1613:
1612:
1610:
1608:
1589:
1583:
1582:
1580:
1578:
1559:
1553:
1552:
1536:
1530:
1524:
1518:
1517:
1501:
1495:
1489:
1483:
1477:
1468:
1467:
1449:
1443:
1442:
1432:
1426:
1425:
1416:
1410:
1409:
1398:
1392:
1391:
1389:
1387:
1372:
1366:
1359:
1353:
1352:
1350:
1348:
1332:
1326:
1325:
1307:
1301:
1294:
1288:
1287:
1281:
1274:
1268:
1267:
1257:
1251:
1250:
1241:
1235:
1234:
1227:
1221:
1220:
1209:
1203:
1202:
1174:
1168:
1167:
1149:
1143:
1142:
1135:
1129:
1128:
1121:
1115:
1109:
1103:
1097:
1088:
1075:
1069:
1068:
1066:
1064:
1047:
1038:
1037:, p. 58-59.
1032:
1026:
1025:
1018:
1012:
1011:
991:
981:
975:
974:
972:
970:
951:
945:
944:
943:. June 13, 1878.
933:
927:
921:
912:
906:
900:
899:
873:
862:
861:
859:
857:
842:
827:
820:— (1913).
816:
776:Serpentine Dance
652:Jacques Rancière
612:Toulouse-Lautrec
564:Washington state
510:
483:Serpentine Dance
432:Demétre Chiparus
408:Jean-Léon Gérôme
369:Le lys de la vie
359:'s biography of
343:Le Lys de la vie
331:Le Lys de la vie
309:Serpentine Dance
246:Uncle Celestine,
241:Serpentine Dance
159:
158:
155:
154:
151:
148:
145:
106:Other names
82:
64:January 15, 1862
63:
61:
42:
28:
27:
2616:
2615:
2611:
2610:
2609:
2607:
2606:
2605:
2516:
2515:
2464:
2452:
2444:
2419:
2405:
2376:
2368:
2335:. July 4, 2019.
2331:
2319:
2280:10.2307/1144969
2259:
2240:
2220:
2215:
2214:
2206:
2202:
2192:
2190:
2182:
2181:
2177:
2167:
2165:
2157:
2156:
2152:
2142:
2140:
2132:
2131:
2127:
2119:
2115:
2107:
2103:
2093:
2091:
2076:
2072:
2059:
2057:
2048:
2047:
2043:
2033:
2031:
2021:
2017:
2007:
2005:
1990:
1986:
1978:
1974:
1964:
1962:
1947:
1946:
1942:
1932:
1930:
1915:
1911:
1902:
1900:
1889:
1888:
1884:
1877:
1863:
1859:
1850:
1846:
1839:
1825:
1821:
1808:
1804:
1796:
1792:
1782:
1780:
1773:
1751:
1747:
1734:
1733:
1729:
1716:
1712:
1701:
1700:
1696:
1686:
1675:
1673:
1658:
1657:
1653:
1643:
1632:
1630:
1621:
1620:
1616:
1606:
1604:
1591:
1590:
1586:
1576:
1574:
1561:
1560:
1556:
1537:
1533:
1525:
1521:
1502:
1498:
1490:
1486:
1478:
1471:
1464:
1450:
1446:
1433:
1429:
1418:
1417:
1413:
1400:
1399:
1395:
1385:
1383:
1373:
1369:
1361:Peter Jordaan,
1360:
1356:
1346:
1344:
1333:
1329:
1322:
1308:
1304:
1295:
1291:
1276:
1275:
1271:
1258:
1254:
1243:
1242:
1238:
1229:
1228:
1224:
1211:
1210:
1206:
1179:Dance Chronicle
1175:
1171:
1164:
1150:
1146:
1137:
1136:
1132:
1123:
1122:
1118:
1110:
1106:
1098:
1091:
1085:Wayback Machine
1076:
1072:
1062:
1060:
1048:
1041:
1033:
1029:
1020:
1019:
1015:
1008:
982:
978:
968:
966:
953:
952:
948:
935:
934:
930:
922:
915:
907:
903:
892:
874:
865:
855:
853:
844:
843:
839:
834:
801:
788:List of dancers
784:
756:
723:Reputation Tour
643:Electric Salome
592:
572:
522:
503:
424:Paul-Léon Jazet
412:Franz von Stuck
258:Rudolph Aronson
236:
186:
142:
138:
101:, Paris, France
90:
84:
80:
79:January 1, 1928
71:
65:
59:
57:
56:
55:
45:
33:
24:
17:
12:
11:
5:
2614:
2604:
2603:
2598:
2593:
2588:
2583:
2578:
2573:
2568:
2563:
2558:
2553:
2548:
2543:
2538:
2533:
2528:
2514:
2513:
2512:
2511:
2506:
2501:
2493:Google Patents
2489:
2488:
2487:
2482:
2477:
2463:
2462:External links
2460:
2459:
2458:
2450:
2448:. May 6, 2021.
2442:
2425:
2417:
2403:
2382:
2374:
2366:
2337:
2329:
2317:
2292:
2263:
2257:
2244:
2238:
2226:"Fuller, Loie"
2219:
2216:
2213:
2212:
2200:
2175:
2150:
2125:
2113:
2101:
2070:
2041:
2015:
1984:
1982:. Loie Fuller.
1972:
1940:
1909:
1882:
1875:
1857:
1844:
1837:
1819:
1802:
1790:
1771:
1745:
1727:
1710:
1694:
1682:Newspapers.com
1651:
1639:Newspapers.com
1614:
1584:
1554:
1531:
1519:
1496:
1484:
1482:, p. 173.
1469:
1462:
1444:
1427:
1411:
1393:
1367:
1354:
1327:
1320:
1302:
1289:
1269:
1252:
1236:
1222:
1204:
1185:(2): 213–216.
1169:
1162:
1144:
1130:
1116:
1104:
1089:
1070:
1039:
1027:
1013:
1006:
976:
946:
928:
913:
901:
890:
863:
836:
835:
833:
830:
829:
828:
817:
800:
797:
796:
795:
793:Women in dance
790:
783:
780:
764:Anatole France
755:
752:
693:Lily-Rose Depp
668:Claude Chabrol
660:Giovanni Lista
624:Folies Bergère
591:
588:
571:
568:
521:
518:
494:Isadora Duncan
380:Folies Bergère
378:Fuller at the
293:Folies Bergère
266:Uncle Celestin
262:Casino Theatre
260:of New York's
235:
232:
198:boarding house
185:
182:
130:
129:
123:
119:
118:
115:
111:
110:
107:
103:
102:
96:
92:
91:
85:
83:(aged 65)
77:
73:
72:
66:
53:
51:
47:
46:
44:Fuller in 1900
43:
35:
34:
31:
15:
9:
6:
4:
3:
2:
2613:
2602:
2599:
2597:
2594:
2592:
2589:
2587:
2584:
2582:
2579:
2577:
2574:
2572:
2569:
2567:
2564:
2562:
2559:
2557:
2554:
2552:
2549:
2547:
2544:
2542:
2539:
2537:
2534:
2532:
2529:
2527:
2524:
2523:
2521:
2510:
2507:
2505:
2502:
2500:
2497:
2496:
2494:
2490:
2486:
2483:
2481:
2478:
2476:
2473:
2472:
2470:
2466:
2465:
2455:
2451:
2447:
2443:
2439:
2435:
2431:
2426:
2422:
2418:
2414:
2410:
2406:
2404:9780252042461
2400:
2396:
2392:
2388:
2383:
2379:
2375:
2371:
2367:
2363:
2359:
2355:
2351:
2347:
2343:
2338:
2334:
2333:"Fuller Loïe"
2330:
2326:
2322:
2318:
2314:
2310:
2306:
2302:
2298:
2293:
2289:
2285:
2281:
2277:
2273:
2269:
2264:
2260:
2254:
2250:
2245:
2241:
2235:
2231:
2227:
2222:
2221:
2210:, p. 56.
2209:
2204:
2189:
2185:
2179:
2164:
2160:
2154:
2139:
2135:
2129:
2122:
2117:
2110:
2105:
2089:
2085:
2081:
2074:
2067:
2055:
2051:
2045:
2030:
2026:
2019:
2003:
1999:
1995:
1988:
1981:
1976:
1960:
1956:
1955:
1950:
1944:
1928:
1924:
1920:
1913:
1898:
1894:
1893:
1886:
1878:
1872:
1868:
1861:
1854:
1848:
1840:
1834:
1830:
1823:
1816:
1815:9780399129018
1812:
1806:
1799:
1798:Garelick 2009
1794:
1778:
1774:
1768:
1764:
1760:
1756:
1749:
1741:
1737:
1731:
1723:
1722:
1714:
1706:
1705:
1698:
1690:
1683:
1671:
1667:
1666:
1661:
1655:
1647:
1640:
1628:
1624:
1618:
1602:
1599:(in French).
1598:
1594:
1588:
1572:
1568:
1564:
1558:
1550:
1546:
1542:
1535:
1529:, p. 65.
1528:
1527:Garelick 2009
1523:
1515:
1511:
1507:
1500:
1493:
1492:Garelick 2009
1488:
1481:
1476:
1474:
1465:
1463:9780500203521
1459:
1455:
1448:
1440:
1439:
1431:
1423:
1422:
1415:
1407:
1403:
1397:
1382:
1378:
1371:
1364:
1358:
1342:
1338:
1331:
1323:
1317:
1313:
1306:
1299:
1293:
1285:
1280:
1273:
1265:
1264:
1256:
1248:
1247:
1240:
1232:
1226:
1218:
1214:
1208:
1200:
1196:
1192:
1188:
1184:
1180:
1173:
1165:
1159:
1155:
1148:
1140:
1134:
1126:
1120:
1113:
1112:Garelick 2009
1108:
1102:, p. 56.
1101:
1100:Garelick 2009
1096:
1094:
1086:
1082:
1079:
1074:
1059:
1058:
1053:
1046:
1044:
1036:
1031:
1023:
1017:
1009:
1007:9780195173697
1003:
999:
995:
990:
989:
980:
964:
960:
956:
950:
942:
938:
932:
926:, p. 55.
925:
920:
918:
911:, p. 23.
910:
909:Garelick 2009
905:
897:
893:
887:
883:
879:
872:
870:
868:
851:
847:
841:
837:
825:
824:
818:
814:
810:
809:
803:
802:
794:
791:
789:
786:
785:
779:
777:
771:
769:
765:
761:
754:Written works
751:
750:to a medium.
749:
745:
741:
738:Loie Fuller (
737:
736:
730:
728:
724:
720:
716:
714:
710:
704:
702:
698:
697:Jody Sperling
694:
690:
686:
685:
680:
675:
673:
669:
665:
661:
657:
653:
649:
644:
639:
636:
629:
625:
620:
613:
608:
601:
600:Koloman Moser
596:
587:
585:
581:
577:
567:
565:
561:
557:
553:
552:Magda Lupescu
549:
544:
542:
538:
533:
529:
527:
520:Personal life
515:
501:
497:
495:
491:
486:
484:
480:
476:
471:
467:
462:
460:
456:
452:
447:
445:
441:
437:
433:
429:
428:Koloman Moser
425:
421:
417:
416:Maurice Denis
413:
409:
405:
404:Auguste Rodin
401:
397:
393:
389:
381:
376:
372:
370:
366:
362:
358:
355:According to
353:
350:
348:
344:
340:
336:
332:
328:
320:
316:
314:
310:
306:
302:
298:
294:
289:
287:
278:
273:
271:
267:
263:
259:
255:
249:
247:
243:
242:
231:
229:
228:improvisation
225:
220:
218:
214:
213:Was He Right?
210:
205:
203:
199:
195:
191:
181:
179:
175:
171:
167:
163:
157:
136:
127:
124:
120:
116:
112:
108:
104:
100:
97:
95:Resting place
93:
88:
78:
74:
69:
52:
48:
41:
36:
29:
26:
22:
2429:
2387:Queer Timing
2386:
2348:(1): 03–26.
2345:
2341:
2325:the original
2313:1959.4/54357
2296:
2274:(1): 53–67.
2271:
2267:
2248:
2229:
2203:
2193:December 20,
2191:. Retrieved
2187:
2178:
2168:December 20,
2166:. Retrieved
2162:
2153:
2143:December 20,
2141:. Retrieved
2137:
2128:
2116:
2104:
2092:. Retrieved
2083:
2073:
2065:
2058:. Retrieved
2053:
2044:
2032:. Retrieved
2028:
2018:
2006:. Retrieved
1997:
1987:
1975:
1963:. Retrieved
1952:
1943:
1933:February 10,
1931:. Retrieved
1923:DanceTeacher
1922:
1912:
1901:, retrieved
1891:
1885:
1866:
1860:
1852:
1847:
1828:
1822:
1805:
1793:
1781:. Retrieved
1758:
1748:
1739:
1730:
1720:
1713:
1703:
1697:
1680:– via
1674:. Retrieved
1663:
1654:
1637:– via
1631:. Retrieved
1617:
1605:. Retrieved
1596:
1587:
1575:. Retrieved
1566:
1557:
1540:
1534:
1522:
1513:
1509:
1499:
1494:, p. 4.
1487:
1480:Coleman 2005
1453:
1447:
1437:
1430:
1420:
1414:
1405:
1396:
1384:. Retrieved
1380:
1370:
1362:
1357:
1345:. Retrieved
1340:
1330:
1311:
1305:
1297:
1292:
1283:
1272:
1262:
1255:
1245:
1239:
1225:
1216:
1207:
1182:
1178:
1172:
1153:
1147:
1133:
1119:
1107:
1073:
1061:. Retrieved
1055:
1030:
1016:
987:
979:
967:. Retrieved
958:
949:
940:
931:
904:
894:– via
881:
854:. Retrieved
846:"Say How: F"
840:
822:
812:
807:
775:
772:
767:
759:
757:
733:
731:
719:Taylor Swift
717:
712:
705:
691:as Loïe and
682:
676:
672:The Swindler
663:
655:
647:
642:
640:
632:
628:Jules Chéret
623:
573:
545:
534:
530:
523:
498:
487:
482:
463:
448:
388:Jules Chéret
385:
379:
368:
357:Celia McGerr
354:
351:
342:
338:
334:
330:
325:
308:
296:
290:
283:
252:"Soon, she (
251:
245:
239:
237:
221:
217:Buffalo Bill
212:
206:
187:
180:techniques.
174:modern dance
169:
166:Louie Fuller
165:
161:
134:
133:
109:Louie Fuller
81:(1928-01-01)
25:
2581:1928 deaths
2576:1862 births
2208:Sommer 1975
2121:Fuller 1913
2109:Fuller 1908
1577:January 15,
1516:(3): 40–52.
1510:Dance Index
1035:Sommer 1975
924:Sommer 1975
856:February 3,
740:Drew Jacoby
735:Radioactive
580:columbarium
556:Samuel Hill
535:Fuller met
459:luminescent
440:Marie Curie
301:Art Nouveau
254:Loïe Fuller
202:Freethought
170:Loïe Fuller
135:Loie Fuller
128:(1898–1928)
32:Loie Fuller
2520:Categories
2438:1773/33684
2432:(Thesis).
2008:October 7,
1903:August 29,
1386:August 31,
1347:August 31,
1063:August 31,
969:October 4,
832:References
748:the Curies
684:The Dancer
635:Gab Sorère
526:Gab Sorère
490:Sada Yacco
361:René Clair
327:Gab Sorère
297:Fire Dance
224:free dance
194:plank road
126:Gab Sorère
114:Occupation
60:1862-01-15
2413:212890327
2362:155144098
2060:March 18,
2054:E! Online
2034:March 18,
1087:. YouTube
677:In 2016,
656:Aisthesis
576:pneumonia
562:in rural
541:Bucharest
514:1902 film
451:color gel
305:symbolism
2094:April 1,
2088:Archived
2002:Archived
1998:BuzzFeed
1959:Archived
1954:Télérama
1927:Archived
1897:archived
1783:June 17,
1777:Archived
1676:June 17,
1670:Archived
1633:June 17,
1627:Archived
1607:April 2,
1601:Archived
1571:Archived
1081:Archived
963:Archived
850:Archived
782:See also
721:'s 2018
89:, France
2288:1144969
2218:Sources
1965:May 15,
1549:4769487
1438:My Life
1199:1567904
713:La Loȉe
582:of the
160:; born
122:Partner
2411:
2401:
2360:
2286:
2255:
2236:
1873:
1835:
1813:
1769:
1547:
1460:
1318:
1197:
1160:
1057:Frieze
1004:
888:
744:radium
614:(1892)
602:(1901)
590:Legacy
438:, and
234:Career
117:Dancer
70:, U.S.
2409:S2CID
2358:S2CID
2284:JSTOR
2029:Vogue
1381:QNews
1195:JSTOR
811:[
799:Works
670:film
455:salts
365:Damia
87:Paris
2399:ISBN
2253:ISBN
2234:ISBN
2195:2023
2170:2023
2145:2023
2096:2022
2062:2023
2036:2023
2010:2018
1967:2016
1935:2023
1905:2020
1871:ISBN
1833:ISBN
1811:ISBN
1785:2018
1767:ISBN
1678:2018
1635:2018
1609:2022
1579:2023
1545:OCLC
1458:ISBN
1388:2023
1349:2023
1316:ISBN
1158:ISBN
1065:2023
1002:ISBN
971:2017
886:ISBN
858:2023
689:Soko
176:and
168:and
76:Died
50:Born
2434:hdl
2391:doi
2350:doi
2309:hdl
2301:doi
2276:doi
1187:doi
994:doi
626:by
457:to
2522::
2495::
2471::
2407:.
2397:.
2356:.
2346:43
2344:.
2307:.
2282:.
2272:19
2270:.
2186:.
2161:.
2136:.
2086:.
2082:.
2064:.
2052:.
2027:.
2000:.
1996:.
1951:.
1925:.
1921:.
1775:.
1738:.
1662:.
1595:.
1565:.
1512:.
1508:.
1472:^
1404:.
1379:.
1339:.
1282:.
1215:.
1193:.
1183:19
1181:.
1092:^
1054:.
1042:^
1000:.
961:.
957:.
939:.
916:^
880:.
866:^
703:.
674:.
434:,
430:,
426:,
422:,
418:,
414:,
410:,
406:,
402:,
398:,
394:,
390:,
150:oʊ
2456:.
2440:.
2436::
2423:.
2415:.
2393::
2380:.
2364:.
2352::
2315:.
2311::
2303::
2290:.
2278::
2261:.
2242:.
2197:.
2172:.
2147:.
2123:.
2111:.
2098:.
2038:.
2012:.
1969:.
1937:.
1879:.
1841:.
1817:.
1800:.
1787:.
1684:.
1641:.
1611:.
1581:.
1551:.
1514:1
1466:.
1390:.
1351:.
1324:.
1233:.
1201:.
1189::
1166:.
1141:.
1067:.
1024:.
1010:.
996::
973:.
898:.
860:.
156:/
153:i
147:l
144:ˈ
141:/
137:(
62:)
58:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
