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throughout her long career. Her extensive travels throughout Europe, Africa, and the
Caribbean influenced and changed how she painted. She felt that her greatest contribution to the art world was "proof of the talent of black artists". She wished to be known as an American painter with no labels. Her work echoes her pride in her African roots and American ancestry.
447:, also a painter, whom she worked with for many years. Tabary submitted Jones' paintings for consideration for jury prizes since works by African-American artists were not always accepted. Jones traveled extensively with Tabary, including to the south of France. They frequently painted each other. They taught art together in the 1940s.
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enter her painting to circumvent the rule. Jones ended up winning the Robert Woods Bliss Award for this work of art, yet she could not pick up the award herself. Tabary had to mail the award to Jones. In spite of these issues, Jones worked harder notwithstanding the racial biases found throughout the
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method of painting that she used throughout her career. Two paintings were accepted at the annual Salon de
Printemps exhibition at the Société des Artists Français for her Parisian debut. Jones loved her time in Paris as she felt fully accepted in society as opposed to the United States at this time.
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The
Meridian International Center created a retrospective exhibition with the help of Jones herself. 1990 exhibition toured across the country for several years. The exhibition was the first exhibition of Jones that garnered her nationwide attention. Despite her extensive portfolio, teaching career,
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Jones's numerous oils and watercolors inspired by Haiti are probably her most widely known works. In them her affinity for bright colors, her personal understanding of Cubism's basic principles, and her search for a distinct style reached an apogee. In many of her pieces one can see the influence of
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after walking along U St
Northwest in Washington, D.C. She saw a man walking and was prompted to ask him to pose in her studio. She wanted to depict a lynching scene. The man had seen a person being lynched before and mimicked the pose that the man held before being lynched. The painting illustrates
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which is an oil on canvas landscape that stars a hillside in the South of France. The french influence along with post impressionist influences are highlighted as Jones employees uses rich oranges, yellows, tans complemented with clean blues and delicate greens while remaining tonally warm palette.
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until her retirement in 1977. She worked to prepare her students for a competitive career in the arts by inviting working designers and artists into her classroom for workshops. While developing her own work as an artist, she became an outstanding mentor and strong advocate for
African-American art
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Jones continued to produce exciting new works at an astonishing speed. She traveled to France and experimented with her previous
Impressionist-Post-impressionist style that started her career in Paris. Her landscapes were painted with a wider color palette from her Haitian and African influences.
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Her research inspired Jones to synthesize a body of designs and motifs that she combined in large, complex compositions. Jones's return to
African themes in her work of the past several decades coincided with the black expressionistic movement in the United States during the 1960s. Skillfully
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Jones's career began in the 1930s and she continued to produce art work until her death in 1998 at the age of 92. Her style shifted and evolved multiple times in response to influences in her life, especially her extensive travels. She worked with different mediums, techniques, and influences
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The geometric houses echo and asymmetric composition echos the post-impressionist influences on Jones at the time. This is influence can be recognized through her landscape and documentary portraits of people and landscapes in France and in
America between the years of 1948-1953.
178:. She held her first solo exhibition at the age of seventeen in Martha's Vineyard. Jones began experimenting with African mask influences during her time at the Ripley Studio. From her research of African masks, Jones created costume designs for
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In 1973, Jones received the "Women artists of the
Caribbean and Afro-American Artists" grant from Howard University. In the same year, she was awarded an honorary Doctor of Philosophy from Colorado State Christian College.
568:. As a result of her paintings, Jones was given the DiplĂ´me et DĂ©coration de l'Ordre National "Honneur et MĂ©rite au Grade de Chevalier." In 1955, she unveiled portraits of the Haitian president and his wife commissioned by
685:. While many Washington, D.C., artists did not paint to be political or create their own commentary on racial issues, Jones was greatly influenced by Africa and the Caribbean, which her art reflected. For example, Jones'
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the influence of
African masks are seen in the profiles of the faces. The chiseled structures and shading renderings mimic three-dimensional masks that Jones studied. Jones would utilize this style throughout her career.
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Jones' teaching career began shortly after finishing college. The director of the Boston Museum School refused to hire her, telling her to find a job in the South where "her people" lived. In 1928 she was hired by
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Jones received the same grant in 1970 as well. Between 1968 and 1970, she traveled to 11 African countries, which influenced her painting style. She documented and interviewed contemporary African artists in
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The French were appreciative of paintings and talent. After she was granted an extension of her fellowship to travel to Italy, she returned to Howard University and taught watercolor painting classes.
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integrating aspects of African masks, figures, and textiles into her vibrant paintings, Jones became a link between the Harlem Renaissance movement into a contemporary expression of similar themes.
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The Lois Mailou Jones Pierre-Noel Trust founded a scholarship in her name at the Museum of Fine Arts, Boston, and a scholarship fund for the Department of Fine Arts at Howard University.
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was published, reproducing more than one hundred of her art pieces completed in France. At the Barnett-Aden Gallery, Jones exhibited with a group of prominent black artists, such as
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and cultural work in other countries, she had been left out of the history books because she did not stick to typical subjects that were suitable for African Americans to paint.
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artist, while both were students at Columbia University. They corresponded for almost 20 years before marrying in the south of France in 1953. Jones and her husband lived in
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of Boston in 1928. Afterwards, she began working at the F. A. Foster Company in Boston and the Schumacher Company in New York City. During the summer of 1928, she attended
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in a Post-Cubist and Post-Primitive style. Five African masks swirl around the dark canvas. She was able to view and study many different African objects and masks at the
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On May 22, 1970, Jones took part in a national day of protest in Washington, D.C., that was created by Robert Morris in New York. They protested against racism and the
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328:. She produced more than 30 watercolors during her year in France. In total, she completed approximately 40 paintings during her time at the Académie, utilizing the
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in Charlotte, North Carolina. The traveling exhibit included 70 paintings showcasing her various styles and experiences: America, France, Haiti, and Africa.
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a contemplation of imminent death that many male African Americans were facing during the 1940s. Other paintings that came out of Locke's encouragement were
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Her mother worked as a cosmetologist. Jones's parents encouraged her to draw and paint using watercolors during her childhood. Her parents bought a house on
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Ware, Susan; Braukman, Stacy Lorraine (2004). "Notable American Women: Completing the Twentieth Century". Harvard University Press, 1st edition.
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opened at the School of the Museum of Fine Arts, Boston. The exhibition showed 30 designs and paintings from the beginning of her career.
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2014–2015, DC Commission on the Arts and Humanities in Partnership with the Loïs Mailou Jones Trust, The I Street Gallery, Washington, DC
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Lois Mailou Jones' work is in museums all over the world and valued by collectors. Her paintings grace the permanent collections of the
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From 1919 to 1923, Jones attended the High School of Practical Arts in Boston. During these years, she took night classes from the
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was published in 1970 and in 1971 she delivered 1000 slides and other materials to the University as fulfillment of the project.
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country at this time. In 1994, the Corcoran Gallery of Art gave a public apology to Jones at the opening of the exhibition
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In the early 1930s, Jones began to seek recognition for her designs and art work. She began to exhibit her works with the
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in Boston to study design, where she won the Susan Minot Lane Scholarship in Design yearly. She took night courses at the
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Finley, Cheryl (2011). "The Mask as Muse: The Influence of African Art on the Life and Career of LoĂŻs Mailou Jones".
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Clifford, Terry (November 14, 1993). "A life on canvas—Lois Mailou Jones: Sharing the beauty of an artist's soul".
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310:; for example, McBrown's poem, "Fire-Flies," appears with an illustration by Jones in the April 1929 issue of the
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In 1998, Jones died with no immediate survivors at the age of 92 at her home in Washington, DC. She is buried on
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Jones continued taking classes throughout her lifetime. In 1934, she took classes on different cultural masks at
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Kennelly, Eleanor (September 16, 1994). "Three cultures on an easel – Jones' art reflects travels, heritage".
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about her life and the African-American pioneers she had worked with and been friends with, including Dr.
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Free within Ourselves: African-American Artists in the Collection of the National Museum of American Art
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1492:(Vol. 8, No. 2, Autumn 1987 – Winter 1988), 32; phone conversation between Lois Jones and Betty Laduke.
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3058:"Search results for: lois mailou jones, page 1 | Collections Search Center, Smithsonian Institution"
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3474:. Washington, DC and San Francisco: Smithsonian Institution in association with Pomegranate Books.
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Jones developed as an artist through visits and summers spent in Harlem during the onset of the
270:(1929). In this period, she shifted away from designs and began experimenting with portraiture.
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Contemporary Negro Art: On Exhibition from February 3–19, 1939, the Baltimore Museum of Art
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Syncopated Rhythms: 20th Century African American Art from George and Joyce Wein Collection
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in London. Received the Franz Bader Award for Oil Painting from National Museum of Art for
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From November 14, 2009, to February 29, 2010, a retrospective exhibit of her work entitled
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Laduke, Betty (1987-01-01). "Lois Mailou Jones: The Grande Dame of African-American Art".
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Arreau, Hautes-Pyrénées, 1949, National Museum of Women in the Arts, Washington, DC
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1406:"An Archive for Virtual Harlem: Harlem Renaissance Artist Lois Mailou Jones, 1905-1998"
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Chevalier of the National Order of Honor and Merit from the government of Haiti. (1954)
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On her 84th birthday, Jones had a major heart attack and subsequently a triple bypass.
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In 1954, Jones was a guest professor at Centre D'Art and Foyer des Artes Plastiques in
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540:. Their frequent trips to Haiti inspired and impacted Jones' art style significantly.
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After her death, her friend and adviser, Dr. Chris Chapman completed a book entitled
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Cohen, Jean Lawlor; Sidney Lawrence; Elizabeth Tebow; Benjamin Forgey (2013-01-01).
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Literary Sisters: Dorothy West and Her Circle, A Biography of the Harlem Renaissance
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through an annual scholarship. Additionally, she apprenticed in costume design with
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Lois Mailou Jones: Retrospective Exhibition, "Forty Years of Painting," 1932–1972
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held an exhibition that showcased some of Jones' children's books illustrations.
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Honorary Doctorate in Fine Arts from Massachusetts College of Art, Boston (1986)
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after some initial reservations, and subsequently founded the art department at
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Benjamin, Tritobia Hayes. "Jones, Lois Mailou. November 3, 1095-June 9, 1998."
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Explorations in the City of Light: African-American Artists in Paris 1945–1965
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Solo exhibition, 1947, Lincoln University of the Commonwealth of Pennsylvania
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Designing a New Tradition: LoĂŻs Mailou Jones and the Aesthetics of Blackness
1348:, 1990–1996, The Meridian International Center, Toured throughout the nation
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Howard University Fine Arts Faculty Award for Excellence in Teaching (1975)
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Solo exhibition, 1948, Whyte Gallery and Howard University, Washington, DC
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Loïs Mailou Jones: The Early Works: Paintings and Patterns 1927–1937
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Solo exhibition, 1937, Howard University, Washington, D.C., sponsored by
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artists for Howard University's "The Black Visual Arts" research grant.
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Honorary Doctorate of Humane Letters from Howard University (1987)
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exhibition with a public apology for their past racial discrimination.
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with a charcoal drawing of a student at the Palmer Memorial Institute,
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2855:"Les Clochards, Montmartre, Paris by LoĂŻs Mailou Jones / American Art"
2009:
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that appeared at several museums throughout the country including the
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Lois Mailou Jones: The Early Works: Paintings and Patterns 1927–1937
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in the Oak Bluffs Cemetery. Howard University hosted the exhibition
2768:"Seated Man in Yellow Overalls by LoĂŻs Mailou Jones / American Art"
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Honorary Doctor of Fine Arts from the Corcoran School of Art (1996)
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Honorary Doctor of Philosophy from Colorado State University (1973)
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495:. These artists and others were known as the "Little Paris Group."
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This article is about the artist. For the Antarctic scientist, see
2213:"Lois Mailou Jones: A Life in Vibrant Color at The Women's Museum"
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Solo exhibition, 1955, Pan American Union Building, Washington, DC
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In 1997, Jones' paintings were featured in an exhibition entitled
246:. As a prep school teacher, she coached a basketball team, taught
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501:, a philosophy professor at Howard University and founder of the
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2942:"Arreau, Hautes-Pyrénées | National Museum of Women in the Arts"
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On July 29, 1984, Lois Jones Day is declared in Washington, DC.
285:, a Harlem Renaissance artist, influenced her seminal art piece
2051:. American National Biography Online. Oxford University Press.
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Finley, Cheryl, "LoĂŻs Mailou Jones: Impressions Of The South."
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in Washington, D.C., Jones remained as professor of design and
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3338:"The Mint Museum | Lois Mailou Jones: A Life in Vibrant Color"
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Solo exhibition, 1979, The Phillips Collection, Washington, DC
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is thought to represent then-contemporary problems in Africa.
342:(1938), an African-inspired oil painting that is owned by the
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In 1937, Jones received a fellowship to study in Paris at the
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Identity Unknown: Rediscovering Seven American Women Artists.
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Benjamin, Tritobia Hayes (1998). "A Passionate Life in Art".
2571:"Georgia Mills Jessup - National Museum of Women in the Arts"
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Identity Unknown: Rediscovering Seven American Women Artists.
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Over the course of the next 10 years, Jones exhibited at the
3501:. University Park, PA: Pennsylvania State University Press.
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Identity Unknown: Rediscovering Seven American Women Artists
2425:"Lois Mailou Jones: The Early Works: Paintings and Patterns"
1486:"Lois Mailou Jones: The Grande Dame of African-American art"
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Full Spectrum: The Prolific Master within LoĂŻs Mailou Jones,
1234:, 1972, National Museum of Women in the Arts, Washington, DC
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In 1968, she documented work and interviews of contemporary
205:, where she decided to focus on painting instead of design.
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while working towards her degree. After graduating from the
2971:"Jeune Fille Française by Loïs Mailou Jones / American Art"
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Solo exhibition, 1946, Barnett Aden Gallery, Washington, DC
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1964, Hirshhorn Museum and Sculpture Garden, Washington, DC
1185:, ca. 1948, Smithsonian American Art Museum, Washington, DC
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During this period she occasionally collaborated with poet
2913:"Jardin du Luxembourg by LoĂŻs Mailou Jones / American Art"
2289:"LoĂŻs Mailou Jones | National Museum of Women in the Arts"
1911:
Minderovic, Christine Miner (1997). "Jones, Lois Mailou".
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Solo exhibition, 1961, Galerie International, New York, NY
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not dated, Smithsonian American Art Museum, Washington, DC
3000:"Eglise Saint Joseph by LoĂŻs Mailou Jones / American Art"
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Washington art matters: art life in the capital 1940–1990
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Oil painting award from the Corcoran Gallery of Art
3087:"Ode to Kinshasa | National Museum of Women in the Arts"
1323:, 1972, Howard University Gallery of Art, Washington, DC
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Women's Caucus of Art, Cooper Union, New York, NY (1986)
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Artist Friendships: LoĂŻs Mailou Jones and CĂ©line Tabary
3029:"Shapes and Colors by LoĂŻs Mailou Jones / American Art"
2797:"Lois Mailou Jones | Cauliflower and Pumpkin | The Met"
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Solo exhibition, 1966, Galerie Soulanges, Paris, France
1262:, 1982, Smithsonian American Art Museum, Washington, DC
1228:, 1971, Smithsonian American Art Museum, Washington, DC
1216:, 1958, Smithsonian American Art Museum, Washington, DC
1204:, 1951, Smithsonian American Art Museum, Washington, DC
1173:, 1947, Smithsonian American Art Museum, Washington, DC
1167:, 1940, Smithsonian American Art Museum, Washington, DC
1155:, 1939, Smithsonian American art Museum, Washington, DC
1133:, 1938, Smithsonian American Art Museum, Washington, DC
1125:, 1931, Smithsonian American Art Museum, Washington, DC
1117:, 1929, Smithsonian American Art Museum, Washington, DC
443:, France While in France a part of her inspiration was
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197:, she received her graduate degree in design from the
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Solo exhibition, 1967, Cornell University, Ithaca, NY
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1954, Smithsonian American Art Museum, Washington, DC
3251:"Untitled (Portrait of LĂ©opold SĂ©dar Senghor), 1996"
1179:, 1947, The Phillips Collection, Washington, DC
1161:, 1938, The Metropolitan Museum of Art, New York, NY
1139:, 1938, The Phillips Collection, Washington, DC
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Lois Mailou Jones papers, memorabilia, and archives
3478:Rowell, Charles Henry (2016). "LoĂŻs Mailou Jones."
2826:"Self Portrait by LoĂŻs Mailou Jones / American Art"
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The Metropolitan Museum of Art, i.e. The Met Museum
2681:"Brother Brown by LoĂŻs Mailou Jones / American Art"
2243:"Patterns of Change: the Work of LoĂŻs Mailou Jones"
212:. In 1945, she received a BA in art education from
2884:"Lois Mailou Jones – Coin de la Rue Medard, Paris"
1970:
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1847:"Les FĂ©tiches by LoĂŻs Mailou Jones / American Art"
1358:, 1991–1993, Bomani Art Gallery, San Francisco, CA
917:I too sing America: the Harlem Renaissance at 100.
354:and galleries through her fellowship in Paris. In
103:. Her work can be found in the collections of the
3618:School of the Museum of Fine Arts at Tufts alumni
2652:"Negro Youth by LoĂŻs Mailou Jones / American Art"
2623:"Men Working by LoĂŻs Mailou Jones / American Art"
2547:I too sing America: the Harlem Renaissance at 100
2319:"ART VIEW;Black Artists At Home In Postwar Paris"
2125:"Moon Masque by LoĂŻs Mailou Jones / American Art"
1080:Outstanding Achievement Award in the Visual Arts,
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1050:for outstanding achievements in the arts (1980).
3566:on the African American Visual Artists Database
1962:
1511:"Against All Odds | Martha's Vineyard Magazine"
1364:, 1994, Corcoran Gallery of Art, Washington, DC
1268:, 1985, Museum of Fine Arts, Boston, Boston, MA
1256:, 1981, National Gallery of Art, Washington, DC
1240:, 1972, Museum of Fine Arts, Boston, Boston, MA
1018:and America's National Museum of Art award for
3572:from National Museum of Women in the Arts blog
3197:"Suriname by LoĂŻs Mailou Jones / American Art"
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1376:, 2009–2010, Mint Museum of Art, Charlotte, NC
1076:Lois Jones Day, Washington, DC (July 29, 1987)
606:and guided several more tours over the years.
1927:"Arreau, Hautes-Pyrénées - Loïs Mailou Jones"
1915:. Detroit: St. James Press. pp. 285–288.
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3438:International Review of African American Art
2601:"CANDACE AWARD RECIPIENTS 1982–1990, Page 3"
2360:"Lois Mailou Jones, 92, Painter and Teacher"
779:. The exhibition also featured the works of
3228:. Museum of Fine Arts, Boston. 2017-01-26.
3118:. Museum of Fine Arts, Boston. 2017-01-26.
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1091:Honorary Doctor of Humane Letters from The
907:Jones is featured in the 2017 publication,
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3482:, vol. 39 no. 5, 2016, p. 1017-1101.
2453:Lois Mailou Jones: A Life in Vibrant Color
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1636:Helene, Kirschke Amy; Renee, Ater (2014).
1612:LoĂŻs Mailou Jones: a life in vibrant color
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1374:Lois Mailou Jones: A Life in Vibrant Color
1053:Honorary Doctorate of Humane Letters from
898:Lois Mailou Jones: A Life in Vibrant Color
36:
2476:O'Sullivan, Michael (December 24, 2010).
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2057:10.1093/anb/9780198606697.article.1000636
596:School of the Museum of Fine Arts, Boston
562:Oeuvres des Loïs Mailou Jones Pierre-Noël
382:, 50 years after Jones hid her identity.
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3456:. Boston: Boston University Art Gallery.
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3396:"Recent Exhibitions | LoĂŻs Mailou Jones"
3367:"Recent Exhibitions | LoĂŻs Mailou Jones"
3309:"Recent Exhibitions | LoĂŻs Mailou Jones"
2563:
2478:"Lois Mailou Jones: Color tells a story"
2272:
2105:
1883:. London: Thames & Hudson. pp.
1800:. Rutgers University Press. p. 90.
1793:
1777:Nka: Journal of Contemporary African Art
1756:
1619:, October 2009, Chronology, pp. 134–140.
854:National Center of Afro-American Artists
747:The National Museum of Women in the Arts
707:
542:
415:
16:American artist and educator (1905–1998)
3463:Female Gazes:Seventy-Five Women Artists
2544:
2538:
2395:
2348:
1820:
1662:
1638:Women Artists of the Harlem Renaissance
1386:The Life and Work of Lois Mailou Jones,
1286:
1102:
1020:Fishing Smacks, Menemsha, Massachusetts
734:collected one of her island seascapes,
242:, a historically black prep school, in
3673:20th-century African-American painters
3585:
3460:
2506:
2422:
2357:
2175:
2173:
2171:
2169:
2047:Wall, Joseph Frazier (February 2000).
1874:
1774:
1761:. San Francisco: Pomegranate Artbooks.
1752:
1750:
1748:
1746:
1694:
1508:
1475:49.1 (2011): 80–93. Humanities Source.
485:Loïs Mailou Jones: Peintures 1937–1951
185:From 1923 to 1927, Jones attended the
3539:"An Interview with Lois Mailou Jones"
3469:
3451:
3431:. San Francisco: PomegranateArtbooks.
3429:The Life and Art of Lois Mailou Jones
3279:
3261:from the original on 11 February 2017
3168:
2710:"Lois Mailou Jones – Place du Tertre"
2605:National Coalition of 100 Black Women
2593:
2581:from the original on 4 September 2017
2223:from the original on December 5, 2011
2207:
2205:
2167:
2165:
2163:
2161:
2159:
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2119:
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2068:
2066:
1949:
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1770:
1768:
1744:
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1740:
1738:
1736:
1734:
1732:
1730:
1728:
1726:
1675:AWARE Women artists / Femmes artistes
1478:
1362:The Life and Art of Lois Mailou Jones
1065:National Coalition of 100 Black Women
992:Impasse de l'Oratorie, Grasse, France
838:Hirshhorn Museum and Sculpture Garden
3668:20th-century African-American people
3638:20th-century American women painters
3286:. Howard University Gallery of Art.
2046:
1668:
1631:
1629:
1627:
1625:
1504:
1502:
1500:
1498:
1451:. Phaidon Press. 2019. p. 204.
1329:, 1973–1974, MFA, Boston, Boston, MA
1143:Dans un Café à Paris (Leigh Whipper)
947:Indian Shops Gay Head, Massachusetts
936:
512:Dans un Café à Paris (Leigh Whipper)
367:Indian Shops Gay Head, Massachusetts
365:In 1941, Jones entered her painting
113:National Museum of Women in the Arts
3663:20th-century African-American women
3243:
1821:McBrown, Gertrude P. (April 1929).
1640:. University Press of Mississippi.
1335:1976, Brooklyn Museum, New York, NY
389:was instrumental in transitioning "
131:. She is often associated with the
13:
3420:
2549:. Rizzoli Electa. pp. 86–91.
2399:Lois Mailou Jones: A Life in Color
2202:
2146:
2114:
2063:
1977:. Yale University Press. pp.
1901:
1836:
1765:
1723:
1509:Araujo, Karla (11 November 2014).
957:Old House Near Frederick, Virginia
861:Lois Mailou Jones: A life in color
219:
14:
3684:
3648:20th-century American printmakers
3527:
3427:Benjamin, Tritobia Hayes (1994).
3280:Jones, Lois Mailou (1972-01-01).
3169:Jones, Lois Mailou (1981-01-01),
2488:from the original on May 17, 2017
2317:Kimmelman, Michael (1996-02-18).
1759:Life and art of Lois Mailou Jones
1622:
1495:
712:Lois Jones in her studio, c. 1977
479:, galleries in New York, and the
473:Pennsylvania's Lincoln University
195:School of the Museum of Fine Arts
187:School of the Museum of Fine Arts
3545:, Vol. 12 No. 2, p. 357–378
1956:Manuscript Division Finding Aids
1913:St. James Guide to Black Artists
1833:Illustrated by Lois Mailou Jones
1333:Six Distinguished Women Artists,
1171:Les Clochards, Montmartre, Paris
1007:Award for design of publication
640:Democratic Republic of the Congo
3406:from the original on 2017-03-27
3388:
3377:from the original on 2017-03-27
3359:
3348:from the original on 2017-03-27
3330:
3319:from the original on 2017-03-27
3301:
3290:from the original on 2017-03-27
3273:
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3218:
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3189:
3179:from the original on 2017-03-21
3162:
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3133:
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3108:
3097:from the original on 2017-03-21
3079:
3068:from the original on 2017-03-21
3050:
3039:from the original on 2017-03-21
3021:
3010:from the original on 2017-03-21
2992:
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2963:
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2934:
2923:from the original on 2017-03-21
2905:
2894:from the original on 2017-02-04
2876:
2865:from the original on 2017-03-21
2847:
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2818:
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2789:
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2760:
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2731:
2720:from the original on 2017-02-04
2702:
2691:from the original on 2017-02-11
2673:
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2644:
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2615:
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2337:from the original on 2017-03-27
2310:
2299:from the original on 2017-03-27
2281:
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2235:
2135:from the original on 2017-03-27
2099:
2040:
2002:
1969:Fairbrother, Trevor J. (2006).
1943:
1919:
1868:
1857:from the original on 2017-02-11
1814:
1787:
1688:
1521:from the original on 2017-02-02
999:Coin de la Place Maubert, Paris
985:Petite Ville en hautes-Pyrenées
967:National Council of Negro Women
834:Smithsonian American Art Museum
604:Académie de la Grande Chaumière
594:In the 1960s, she exhibited at
344:Smithsonian American Art Museum
105:Smithsonian American Art Museum
3633:20th-century American painters
3465:. Toronto: Second Story Press.
2358:Cotter, Holland (1998-06-13).
1973:Painting Summer in New England
1757:Benjamin, Tritobia H. (1994).
1465:
1422:
1398:
977:Ville d'Houdain, Pas-de-Calais
955:award for watercolor painting
758:The World of Lois Mailou Jones
524:Previously in 1934, Jones met
380:The World of Lois Mailou Jones
216:, graduating magna cum laude.
109:The Metropolitan Museum of Art
1:
2513:. Bloomsbury Publishing USA.
2396:Chapman, Chris (2007-01-01).
1879:Black Art: A Cultural History
1410:An Archive for Virtual Harlem
1392:
1153:Seated Man in Yellow Overalls
1014:Atlanta University award for
990:Atlanta University award for
911:She was included in the 2018
564:, which was sponsored by the
3658:African-American printmakers
3486:, doi:10.1353/cal.2016.0142.
3255:Minneapolis Institute of Art
2507:Seaman, Donna (2017-02-14).
1794:Mitchell, Verner D. (2011).
1280:Minneapolis Institute of Art
915:exhibition and catalogue of
703:
609:
551:
319:
264:William E. Harmon Foundation
228:
7:
3623:Painters from Massachusetts
3534:Archive of Official website
3145:Museum of Fine Arts, Boston
2462:, Mint Museum of Art page,
1875:Powell, Richard J. (2002).
1248:Museum of Fine Arts, Boston
1192:Mme. Feugeront Ă Cabris, AM
526:Louis Vergniaud Pierre-Noel
421:The Lovers (Somali Friends)
121:Museum of Fine Arts, Boston
10:
3689:
3643:American women printmakers
3497:VanDiver, Rebecca (2020).
3461:Martin, Elizabeth (1997).
3116:"Ubi Girl from Tai Region"
2888:www.phillipscollection.org
2714:www.phillipscollection.org
2263:, accessed March 29, 2013.
2181:"Awards & Recognition"
2077:. Washington Arts Museum.
1950:Staff, MSRC (2015-10-01).
846:Boston Museum of Fine Arts
830:Metropolitan Museum of Art
547:Lois Jones, artist at work
465:National Academy of Design
362:and Guru Dan are visible.
172:Boston Museum of Fine Arts
18:
3608:Howard University faculty
3575:Unsung History Podcast,
3548:Baltimore Museum of Art.
3493:New York: Bloomsbury USA.
2254:Anyone Can Fly Foundation
1931:Google Arts & Culture
1016:Voodoo Worshippers, Haiti
921:Pupils of Jones included
842:National Portrait Gallery
823:
769:New Orleans Museum of Art
240:Palmer Memorial Institute
72:
47:
42:LoĂŻs Mailou Jones c. 1936
35:
28:
3653:American women academics
3613:American modern painters
3452:Hills, Patricia (2005).
1238:Ubi Girl from Tai Region
1196:Muscarelle Museum of Art
945:Award for Landscape for
850:National Palace in Haiti
676:Contemporary African Art
589:Ubi Girl from Tai Region
191:Boston Normal Art School
139:Early life and education
125:Muscarelle Museum of Art
3470:Perry, Regenia (1992).
3400:www.loismailoujones.com
3371:www.loismailoujones.com
3313:www.loismailoujones.com
2464:accessed March 29, 2013
2402:. Xlibris Corporation.
2185:www.loismailoujones.com
1321:Forty Years of Painting
1159:Cauliflower and Pumpkin
981:Corcoran Gallery of Art
777:Studio Museum of Harlem
754:Corcoran Gallery of Art
570:United States President
507:Mob Victim (Meditation)
481:Corcoran Gallery of Art
449:Arreau, Hautes-Pyrenees
433:Arreau, Hautes-Pyrenees
425:National Gallery of Art
244:Sedalia, North Carolina
236:Charlotte Hawkins Brown
129:The Phillips Collection
3560:from Howard University
3489:Seamon, Donna (2017).
2743:www.brooklynmuseum.org
2739:"Dans un Cafe a Paris"
2020:(5): 1017–1101. 2016.
1828:Saturday Evening Quill
1272:Untitled (Portrait of
1093:Atlanta College of Art
1071:3rd Annual Art Awards,
1025:Elected person of The
913:Columbus Museum of Art
736:Breezy Day at Gay Head
713:
548:
428:
409:with text supplied by
336:In 1938, she produced
313:Saturday Evening Quill
288:The Ascent of Ethiopia
21:Lois Jones (scientist)
3541:, Charles H. Rowell,
2545:Haygood, Wil (2018).
2423:Villarreal, Ignacio.
2026:10.1353/cal.2016.0142
1274:LĂ©opold SĂ©dar Senghor
1202:Jeune Fille Française
1177:Coin de la Rue Medard
1073:Washington, DC (1983)
1042:Honored by President
1027:Royal Society of Arts
927:Martha Jackson Jarvis
738:, while they were in
711:
546:
520:The Pink Table Cloth.
483:. In 1952, the book
419:
407:Parisian Beggar Woman
405:. She also completed
403:LĂ©opold SĂ©dar Senghor
145:Boston, Massachusetts
3344:. 27 February 2010.
2241:Bernard, Catherine.
2108:The Washington Times
1952:"JONES, LOIS MAILOU"
1287:Selected exhibitions
1232:Ode to Kinshasa
1208:Eglise Saint Joseph,
1183:Jardin du Luxembourg
1103:Selected collections
1063:, Arts and Letters,
923:Georgia Mills Jessup
781:Barbara Chase-Riboud
773:Milwaukee Art Museum
573:Dwight D. Eisenhower
469:Barnett-Aden Gallery
358:, masks from Songye
3603:Artists from Boston
2482:The Washington Post
2217:The Dallas Art News
2010:"LoĂŻs Mailou Jones"
1697:Woman's Art Journal
1671:"Lois Mailou Jones"
1490:Woman's Art Journal
1449:Great women artists
979:and award from the
566:First Lady of Haiti
457:Phillips Collection
437:Celine Marie Tabary
308:Gertrude P. McBrown
256:watercolor painting
210:Columbia University
157:Meta Warrick Fuller
149:Suffolk Law School.
95:(1905–1998) was an
3628:Harlem Renaissance
3579:, December 6, 2012
3342:www.mintmuseum.org
3201:americanart.si.edu
3062:collections.si.edu
3033:americanart.si.edu
3004:americanart.si.edu
2975:americanart.si.edu
2917:americanart.si.edu
2859:americanart.si.edu
2830:americanart.si.edu
2772:americanart.si.edu
2685:americanart.si.edu
2656:americanart.si.edu
2627:americanart.si.edu
2611:on March 14, 2003.
2458:2012-03-27 at the
2364:The New York Times
2323:The New York Times
2259:2011-03-25 at the
2248:2012-04-25 at the
2129:americanart.si.edu
1851:americanart.si.edu
1617:Mint Museum of Art
1515:www.mvmagazine.com
1473:Southern Quarterly
1434:2018-03-14 at the
1342:The World of
1327:Reflective Moments
1220:Challenge—America,
1198:, Williamsburg, VA
1055:Suffolk University
1031:Peasants on Parade
975:for Landscape for
953:Atlanta University
943:Robert Woods Bliss
902:Mint Museum of Art
714:
638:(now known as the
600:Cornell University
549:
503:Harlem Renaissance
461:Seattle Art Museum
429:
300:Ascent of Ethiopia
279:New Negro Movement
275:Harlem Renaissance
143:Jones was born in
133:Harlem Renaissance
3577:Lois Mailou Jones
3564:Lois Mailou Jones
3521:978-0-674-01488-6
3508:978-0-271-08604-0
2556:978-0-8478-6312-9
2520:978-1-62040-760-8
2409:978-1-4257-1729-2
2219:. July 12, 2011.
2084:978-0-615-82826-8
1988:978-0-300-11692-2
1807:978-0-8135-5213-2
1669:Recasens, Sonia.
1647:978-1-62846-033-9
1609:Carla M. Hanzal,
1458:978-0-7148-7877-5
1429:LoĂŻs Mailou Jones
1294:Alpha Kappa Alpha
1282:, Minneapolis, MN
1214:Shapes and Colors
937:Awards and honors
865:Carter G. Woodson
819:Remembering Lois.
815:Martha's Vineyard
789:Harold B. Cousins
477:Howard University
252:Howard University
214:Howard University
203:Howard University
199:Design Art School
161:Harry T. Burleigh
153:Martha's Vineyard
93:Lois Mailou Jones
90:
89:
30:Lois Mailou Jones
3680:
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1352:The Art of
1057:in Boston (1981)
900:was held at the
856:, among others.
800:Beauford Delaney
797:
650:(today known as
534:Washington, D.C.
371:Corcoran Gallery
352:Musée de l'Homme
346:. Jones painted
84:Washington, D.C.
79:
58:November 3, 1905
57:
55:
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732:Hillary Clinton
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581:Haitian culture
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1119:
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1059:
1056:
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1044:Ronald Reagan
1041:
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752:In 1994, The
750:
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743:
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737:
733:
729:
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721:
718:
710:
701:
698:
694:
690:
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674:. Her report
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304:
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297:
294:In her works
292:
290:
289:
284:
283:Aaron Douglas
280:
276:
271:
269:
265:
260:
259:and artists.
257:
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66:Massachusetts
63:
50:
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39:
34:
27:
22:
3549:
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3498:
3490:
3484:Project MUSE
3483:
3479:
3471:
3462:
3453:
3441:
3437:
3428:
3408:. Retrieved
3399:
3390:
3379:. Retrieved
3370:
3361:
3350:. Retrieved
3341:
3332:
3321:. Retrieved
3312:
3303:
3292:. Retrieved
3282:
3275:
3263:. Retrieved
3254:
3245:
3234:. Retrieved
3220:
3209:. Retrieved
3200:
3191:
3181:, retrieved
3171:
3164:
3153:. Retrieved
3144:
3135:
3124:. Retrieved
3110:
3099:. Retrieved
3090:
3081:
3070:. Retrieved
3061:
3052:
3041:. Retrieved
3032:
3023:
3012:. Retrieved
3003:
2994:
2983:. Retrieved
2974:
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2954:. Retrieved
2945:
2936:
2925:. Retrieved
2916:
2907:
2896:. Retrieved
2887:
2878:
2867:. Retrieved
2858:
2849:
2838:. Retrieved
2829:
2820:
2809:. Retrieved
2800:
2791:
2780:. Retrieved
2771:
2762:
2751:. Retrieved
2742:
2733:
2722:. Retrieved
2713:
2704:
2693:. Retrieved
2684:
2675:
2664:. Retrieved
2655:
2646:
2635:. Retrieved
2626:
2617:
2609:the original
2604:
2595:
2583:. Retrieved
2574:
2565:
2546:
2540:
2529:. Retrieved
2509:
2502:
2492:September 4,
2490:. Retrieved
2481:
2471:
2463:
2448:
2437:. Retrieved
2429:artdaily.com
2428:
2418:
2398:
2391:
2380:. Retrieved
2363:
2339:. Retrieved
2322:
2312:
2301:. Retrieved
2292:
2283:
2274:
2268:
2237:
2225:. Retrieved
2216:
2193:. Retrieved
2189:the original
2184:
2137:. Retrieved
2128:
2107:
2101:
2074:
2048:
2042:
2017:
2013:
2004:
1992:. Retrieved
1972:
1964:
1955:
1945:
1934:. Retrieved
1930:
1921:
1912:
1878:
1870:
1859:. Retrieved
1850:
1826:
1823:"Fire-Flies"
1816:
1796:
1789:
1780:
1776:
1758:
1700:
1696:
1690:
1678:. Retrieved
1674:
1664:
1637:
1611:
1523:. Retrieved
1514:
1489:
1480:
1472:
1467:
1448:
1443:
1424:
1413:. Retrieved
1409:
1400:
1385:
1379:
1373:
1367:
1361:
1356:Mailou Jones
1355:
1351:
1346:Mailou Jones
1345:
1341:
1332:
1326:
1320:
1271:
1265:
1259:
1253:
1250:, Boston, MA
1243:
1237:
1231:
1225:
1219:
1213:
1207:
1201:
1191:
1182:
1176:
1170:
1164:
1158:
1152:
1142:
1136:
1130:Les FĂ©tiches
1128:
1120:
1114:
1109:Men Working,
1108:
1079:
1070:
1030:
1019:
1015:
1008:
1001: (1953)
998:
991:
984:
976:
962:
956:
946:
920:
916:
908:
906:
897:
895:
890:
888:
885:
873:Dorothy West
860:
858:
827:
818:
812:
808:World War II
785:Edward Clark
764:
762:
757:
751:
744:
735:
728:Bill Clinton
726:
722:
719:
715:
699:
695:
691:
686:
680:
675:
668:Sierra Leone
620:
613:
593:
588:
584:
577:
561:
555:
523:
519:
515:
511:
506:
497:
484:
454:
430:
420:
406:
395:Aimé Césaire
387:Les FĂ©tiches
386:
384:
379:
366:
364:
356:Les FĂ©tiches
355:
348:Les FĂ©tiches
347:
339:Les FĂ©tiches
337:
335:
330:en plein air
323:
311:
305:
299:
295:
293:
286:
272:
267:
261:
248:folk dancing
232:
223:
207:
184:
176:Grace Ripley
169:
165:Dorothy West
142:
92:
91:
78:(1998-06-09)
76:June 9, 1998
3598:1998 deaths
3593:1905 births
3554:. : , 1939.
3444:(2): 39–42.
3265:10 February
2585:5 September
1680:24 December
1226:Moon Masque
1115:Negro Youth
1048:White House
1009:Voici Hätii
869:Alain Locke
792: [
687:Moon Masque
683:Vietnam War
660:Ivory Coast
516:The Janitor
499:Alain Locke
493:Alma Thomas
296:Negro Youth
268:Negro Youth
159:, composer
3587:Categories
3410:2017-03-27
3381:2017-03-27
3352:2017-03-27
3323:2017-03-27
3294:2017-03-27
3236:2017-03-20
3211:2017-03-21
3183:2017-03-20
3155:2017-03-20
3141:"La Baker"
3126:2017-03-26
3101:2017-03-20
3072:2017-03-20
3043:2017-03-21
3014:2017-03-21
2985:2017-03-21
2956:2017-03-20
2927:2017-03-21
2898:2017-03-20
2869:2017-03-21
2840:2017-03-21
2811:2017-03-20
2782:2017-03-21
2753:2017-03-20
2724:2017-03-20
2695:2017-03-21
2666:2017-03-21
2637:2017-03-21
2531:2017-03-27
2439:2017-03-27
2382:2017-01-26
2341:2017-03-26
2303:2017-03-27
2227:October 4,
2195:2017-03-19
2139:2017-03-26
1936:2021-04-13
1861:2017-03-26
1525:2017-03-20
1415:2022-09-15
1393:References
1354:LoĂŻs
1344:LoĂŻs
775:, and the
399:LĂ©on Damas
54:1905-11-03
2372:0362-4331
2331:0362-4331
2093:854910561
2034:1080-6512
1994:March 29,
1703:(2): 32.
1656:922665448
1296:sorority.
889:In 2006,
745:In 1991,
704:1989–1998
610:1968–1988
552:1954–1967
391:NĂ©gritude
369:into the
320:1937–1953
229:1928–1936
180:Denishawn
3543:Callaloo
3480:Callaloo
3404:Archived
3375:Archived
3346:Archived
3317:Archived
3288:Archived
3259:Archived
3230:Archived
3226:"Glyphs"
3205:Archived
3177:archived
3149:Archived
3120:Archived
3095:Archived
3066:Archived
3037:Archived
3008:Archived
2979:Archived
2950:Archived
2946:nmwa.org
2921:Archived
2892:Archived
2863:Archived
2834:Archived
2805:Archived
2776:Archived
2747:Archived
2718:Archived
2689:Archived
2660:Archived
2631:Archived
2579:Archived
2575:nmwa.org
2525:Archived
2486:Archived
2456:Archived
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