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Humbert, combined with her growing desire for independence and realization of their relationship, fuels a constant tension that leads to a fight between them. Humbert's affection for Lo is also rivaled by another man, playwright Clare Quilty, who has been pursuing Lo since the beginning of the pair's travels. Lo eventually escapes with Quilty, and
Humbert's search for them is unsuccessful, especially as he does not know Quilty's name.
2457:
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420:. He rents a room in the home of widow Charlotte Haze, but only because he is sexually attracted to her 14-year-old daughter Dolores, also called "Lo", whom he sees while touring the house. Obsessed with girls of approximately her age (whom he calls "nymphets"), Humbert is immediately smitten with Lo and marries Charlotte only to be near her daughter.
1424:"; in this essay, which he first presented as a paper at the 10th Europe Theatre Prize symposium, Pinter: Passion, Poetry, Politics, held in Turin, Italy, in March 2006, Hudgins "examin all three unpublished filmscripts in conjunction with one another" and "provides several interesting insights about Pinter's adaptation process" (132).
393:, Lyne's film is more overt with many of the novel's darker elements; Kubrick chose to use suggestion and innuendo for comic purposes. Although praised by some critics for its faithfulness to Nabokov's narrative and the performances of Irons and Swain, the film received a mixed critical reception in the United States.
1454:, he allowed Quilty to take over the movie, with Sellers improvising vast swatches of dialogue. If you look at the Kubrick movie today, the Sellers stuff still seems amazingly energetic and funny and alive; the rest of the story plods by comparison. The other strange choice in the Kubrick film, of course, is
1420:," all of which Hudgins considers "masterful filmscripts" of "demonstrable superiority to the shooting scripts that were eventually used to make the films"; fortunately ("We can thank our various lucky stars"), he says, "these Pinter filmscripts are now available not only in private collections but also in
709:
is not a sex film; it's about characters, relationships, and the consequences of imprudent actions. And those who seek to brand the picture as immoral have missed the point. Both
Humbert and Lolita are eventually destroyed—what could be more moral? The only real controversy I can see surrounding this
621:
Right from the beginning, it was clear to all of us that this movie was not a "remake" of
Kubrick's film. Rather, we were out to make a new adaptation of a very great novel. Some of the filmmakers involved actually looked upon the Kubrick version as a kind of "what not to do." I had somewhat fonder
437:
Three years later, Humbert receives a letter from Lo asking for money. Humbert visits Lo, who is now married and pregnant. Her husband, Richard, knows nothing about her past. Humbert asks her to run away with him but she refuses, seemingly indicating that she has moved on from that part of her life
428:
and killed, with
Humbert eventually telling Lo about her mother's death. Charlotte's death frees Humbert to pursue a romantic and sexual relationship with Lo, whom he nicknames "Lolita". Humbert and Lo then travel the country, staying in various motels before eventually settling in the college town
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situation. He concludes that though he never met
Nabokov, 'indeed I knew "Lolita" very well and loved it.' " (125). Hudgins also observes that Schiff was brought in after the efforts by Dearden (October 21, 1991), Pinter (September 26, 1994), and Mamet (March 10, 1995) and that Schiff "has no
433:
Catholic school. Humbert must conceal the nature of his relationship with Lolita from everyone – strangers they encounter when traveling as well as the administration at
Beardsley. He presents his relationship with Lo to the world as a father and daughter. Over time, Lo's increasing boredom with
673:
Showtime owned the film's U.S. distribution rights for five years until the contract's expiration in 2003. The film has not been released on home video or television in the United States since. All non-U.S. home video releases were distributed by the film's original distributor,
449:
After he visits Lo, Humbert tracks down Quilty, who is in a drug-induced stupor and murders him after chasing him around the mansion at gunpoint. After being chased by the police, Humbert is arrested and sent to prison for the murder. He dies in prison in
November 1950 due to a
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finally made its appearance in 1998. Pinter goes on in the March 13 letter to state that 'I have never been given any reason at all as to why the film company brought in another writer,' again quite similar to the equally ungracious treatment that he received in the
743:
that replaces the book's cruelty and comedy with manufactured lyricism and mopey romanticism". Extending Taylor's observation, Keith Phipps concludes: "Lyne doesn't seem to get the novel, failing to incorporate any of
Nabokov's black comedy—which is to say,
446:. Quilty kicked her out of his mansion after she did not want to participate in films with other men. Lo admits that she did not want to be with any man other than Quilty, stating "He was the only man I was ever really crazy about".
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in the US on
September 25, 1998, in order to qualify for awards. The film grossed $ 19,492 in its opening weekend and $ 1,147,784 in total in the United States and Canada. against an estimated $ 62 million budget.
423:
Charlotte finds
Humbert's secret diary and discovers his preference for her daughter instead of her. Furious, Charlotte tells him that she is leaving him and that he can keep her home. She then runs out of the house and is
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film. It doesn't surprise me.' Pinter's contract contained a clause to the effect that the film company could bring in another writer, but that in such a case he could withdraw his name (this was also the case with
660:
on August 2, 1998, after very scarce promotion, and premiered at 9 PM, with a brief introduction by Lyne. The following night, a Q&A with Adrian Lyne premiered along with a 16-minute making-of documentary, "The
1335:, Pinter was paid for his work but he asked to have his name removed from the credits, as permitted by his contract.: "In November 1994 Pinter wrote 'I've just heard that they are bringing another writer into the
704:
praised the performances of the two leads, Irons and Swain, but he considered Griffith's performance weak, "stiff and unconvincing". He considered the film better when she no longer appeared in it and concluded,
652:
on 19 September 1997. It opened to the public in Italy on 26 September 1997 and grossed $ 676,987 from 98 screens in key Italian cities in its opening weekend, placing fourth at the Italian box office.
599:, and other magazines. Schiff was hired to write it as his first movie script after the film's producers had rejected commissioned screenplays from the more experienced screenwriters and directors
396:
The film premiered in Europe in 1997 before being released in the United States in 1998 because it had difficulty finding an American distributor. It was eventually picked up by the cable network
690:, the film holds an approval rating of 69% based on 26 reviews, with an average rating of 7/10. The site's critical consensus reads: "If it can't quite live up to Nabokov's words, Adrian Lyne's
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and released on the Music Box Records label. As the composer himself described the project: "With my music, I only had to follow on a high level the director's intentions to make
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Lyne states in the DVD commentary that he prefers location shooting even though it is more difficult in some respects, and that the home of Charlotte Haze was filmed in
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1462:. Dominique can easily pass for a twelve-year-old, which we all think is a very good thing." From the Schiff interview by Suellen Stringer-Hye, 1996
1458:, who, even though she was only fifteen when she played Lolita--the same age as our Dominique Swain--could easily have passed for a twenty-year-old
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Hudgins observes: "During our 1994 interview, Pinter told Gale and me that he had learned his lesson after the revisions imposed on his script for
1421:
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saying, "Rich beyond what anyone could have expected, the film repays repeated viewings...it turns Humbert's madness into art." Writer/director
416:
In 1947, Humbert Humbert, a middle-aged European professor of English literature, travels to the United States to take a teaching position in
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partnership, he refused to allow his name to be listed in the credits"; Hudgins adds: "We did not see Pinter's name up in lights when Lyne's
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girls he calls "nymphets". He rents a room in the house of a young widow to get closer to her 14-year-old daughter Lo, whom he calls "
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739:, observes that "or all of their vaunted (and, it turns out, false) fidelity to Nabokov, Lyne and Schiff have made a pretty, gauzy
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The screenplay for the 1997 version, more faithful to the text of the novel than the earlier motion picture, is credited to
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a story of sincere and reciprocal love, even within the limits of the purity and malicious naiveté of its young subject."
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memories of it than that, but I had not seen it for maybe fifteen years, and I didn't allow myself to go back to it again.
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and their romance. He relents and gives her a substantial amount of money. Lo also reveals to Humbert how Quilty actually
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assigned the film a weighted average score of 46 out of 100, based on 17 critics, indicating "mixed or average reviews".
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1404:, Hudgins discusses further details about why "Pinter elected not to publish three of his completed filmscripts,
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manages to find new emotional notes in this complicated story, thanks in large part to its solid performances."
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Schiff : "Kubrick...made a film that might better have been titled Quilty. Very much in the thrall of
386:". Obsessed with the girl, he eventually gains control over her after he takes her cross-country with him.
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was met with much controversy in Australia, where it was not given a theatrical release until April 1999.
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of Beardsley, where Humbert takes a teaching job and Lo begins attending Beardsley Prep School, an
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lists it in his picks for the 10 finest films ever made, but he rates the original film higher.
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young girls and took them to Pavor Manor, his home in Parkington, to exploit them for
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1841:. Ed. Francis Gillen with Steven H. Gale. Tampa: U of Tampa P, 2008. 132–39.
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Commenting on differences between the novel and the film, Charles Taylor, in
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Story". Due to the difficulty in securing a distributor, the film received a
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The Pinter Review: Nobel Prize / Europe Theatre Prize Volume: 2005–2008
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Hudgins, Christopher C. "Three Unpublished Harold Pinter Filmscripts:
572:, was credited solely to Nabokov, although it was heavily revised by
1977:
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Sharp Cut: Harold Pinter's Screenplays and the Artistic Process
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Schiff added that Kubrick's film might better have been titled
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film is why there was ever a controversy in the first place."
2225:
1306:"Howard cabinet debated film's merits as viewers stayed away"
30:
1367:, which he has decided not to publish. When his script for
1276:
The Reality Effect: Film culture and the graphic imperative
199:
820:"Ladies and Gentlemen of the Jury" (previously unreleased)
1472:
Scott, Mary (October 3, 1997). "Europe welcomes Lolita".
1492:
Lolita ( 1997) U.S. Showtime Premiere [8-2-1998]
2421:
1871:"Television Review: Revisiting a Dangerous Obsession"
1593:"Television Review: Revisiting a Dangerous Obsession"
1568:"Lolita (1997): A Film Review by James Berardinelli"
1073:"She had nowhere else to go" (previously unreleased)
1007:"She had nowhere else to go" (previously unreleased)
963:"She had nowhere else to go" (previously unreleased)
908:"She had nowhere else to go" (previously unreleased)
656:In the United States, it was first shown on TV via
363:as Dolores "Lolita" Haze, with supporting roles by
1947:"How the Directors and Critics Voted: US: Top Ten"
2074:
985:"Requiescant (alternate)" (previously unreleased)
722:"Critics Pick" on July 31, 1998, with its critic
374:The film is about a middle-aged professor who is
2481:
566:The first screen adaptation of the book, 1962's
974:"Togetherness / Lolita" (previously unreleased)
842:"Togetherness / Lolita" (previously unreleased)
1505:
400:before finally being released theatrically by
2211:
2060:
1240:
1238:
1029:"Love in the Morning" (previously unreleased)
952:"Love in the Morning" (previously unreleased)
1738:
1736:
1565:
1247:"'Lolita': Revisiting a Dangerous Obsession"
1777:. Lexington, KY: The UP of Kentucky, 2003.
1659:"Recent Movies: Home Movies: Nymphet Mania"
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2013:
1996:
1980:
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1811:Hudgins, Christopher C. "Harold Pinter's
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1422:The Pinter Archive at the British Library
1210:
1208:
2580:Films based on works by Vladimir Nabokov
1566:Berardinelli, James (January 29, 1999).
1488:
1018:"What About Me" (previously unreleased)
897:"Lolita" (contains unreleased material)
798:"Lolita" (contains unreleased material)
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1815:: 'My Sin, My Soul'." 123–46 in Gale,
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1391:previous scripts to his credit" (124).
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1920:"Recent Movies: Home Movies: Nymphet"
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1622:"How the Directors and Critics Voted"
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1216:"Movie Lolita – Box Office Data"
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2715:English-language erotic drama films
1746:. Music Box Records. Archived from
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2710:English-language independent films
1106:"Ladies and Gentlemen of the Jury"
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2695:Films produced by Mario F. Kassar
1965:
1304:Wright, Shane (January 1, 2020).
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1918:Taylor, Charles (May 29, 1998).
1891:Phipps, Keith (March 29, 2002).
1685:Phipps, Keith (March 29, 2002).
1657:Taylor, Charles (May 29, 1998).
1435:An Interview with Stephen Schiff
1095:"Lolita" (previously unreleased)
1051:"Lolita" (previously unreleased)
930:"Lolita" (previously unreleased)
2590:Films scored by Ennio Morricone
1711:
1559:
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1400:In his 2008 essay published in
1279:. New York: Routledge. p.
2685:Films about juvenile sexuality
2575:Films based on American novels
2555:Films about child sexual abuse
2366:Lolita (trop jeune pour aimer)
1869:James, Caryn (July 31, 1998).
1394:
1297:
1245:James, Caryn (July 31, 1998).
1144:
782:
391:Stanley Kubrick's 1962 version
1:
2585:Films directed by Adrian Lyne
2550:English-language French films
1373:was radically revised by the
1137:
751:
580:and was directed by Kubrick.
561:
467:as Professor Humbert Humbert
2655:Films shot in South Carolina
2645:Films shot in North Carolina
2625:Films shot in El Paso, Texas
2505:1990s English-language films
1955:. 2009-03-25. Archived from
875:"She had nowhere else to go"
681:
255:September 25, 1998
233:September 26, 1997
218:September 19, 1997
7:
2535:American erotic drama films
1730:, Music Box Records website
1489:Showtime (August 2, 1998),
1437:" by Suellen Stringer-Hye,
650:San Sebastian Film Festival
10:
2731:
2615:Films set in New Hampshire
2540:American independent films
2530:American drama road movies
2338:Don't Stand So Close to Me
1817:The Films of Harold Pinter
1790:The Films of Harold Pinter
640:
635:Wilmington, North Carolina
514:Joan Glover as Miss LaBone
402:The Samuel Goldwyn Company
244:January 14, 1998
194:The Samuel Goldwyn Company
2665:French erotic drama films
2650:Films shot in San Antonio
2640:Films shot in New Orleans
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1311:The Sydney Morning Herald
1084:"Humbert on the Hillside"
864:"Lolita on Humbert's Lap"
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768:All music is composed by
544:as young Humbert's father
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2670:French independent films
2660:French drama road movies
2635:Films shot in New Mexico
2620:Films shot in California
2520:1990s erotic drama films
2405:Reading Lolita in Tehran
1792:. Albany: SUNY P, 2001.
481:as Dolores "Lolita" Haze
16:1997 film by Adrian Lyne
2545:American neo-noir films
1788:Gale, Steven H. (ed.).
1540:"Lolita (1998) Reviews"
617:. According to Schiff:
457:
411:
359:as Humbert Humbert and
2700:Films about pedophilia
2610:Films set in the 1950s
2600:Films set in the 1930s
2595:Films set in the 1920s
2500:1997 independent films
1945:Toback, James (2002).
1828:The Remains of the Day
1726:November 15, 2013, at
1632:British Film Institute
1620:Toback, James (2002).
1413:The Remains of the Day
1343:The Remains of the Day
1331:According to Gale, in
667:limited theatrical run
624:
367:as Charlotte Haze and
353:novel of the same name
2675:French neo-noir films
2570:Films about murderers
2565:Films about educators
1439:Penn State University
809:"Love in the Morning"
686:On review aggregator
619:
2630:Films shot in France
2510:1990s American films
2303:Lolita's perspective
2111:Feature-length films
1959:on December 6, 2008.
1750:on December 22, 2017
1475:Screen International
1273:Black, Joel (2002).
536:Emma Griffiths-Malin
263: (United States)
2560:Films about puberty
1932:on October 16, 2007
1905:on October 16, 2007
1824:The Handmaid's Tale
1699:on October 16, 2007
1638:on December 6, 2008
1407:The Handmaid's Tale
1364:The Handmaid's Tale
996:"Lolita In My Arms"
778:
748:s heart and soul".
452:coronary thrombosis
2680:Films about incest
2515:1990s French films
2075:Films directed by
2037:Movie stills from
1876:The New York Times
1744:"LOLITA (REISSUE)"
1598:The New York Times
1388:Remains of the Day
1370:Remains of the Day
1252:The New York Times
774:
716:The New York Times
702:James Berardinelli
505:as Reverend Rigger
376:sexually attracted
317:$ 1.1 million (US)
2605:Films set in 1947
2525:1990s road movies
2419:
2418:
2347:" (The Veronicas)
2193:
2192:
2159:Indecent Proposal
1952:Sight & Sound
1855:978-1-879852-20-4
1847:978-1-879852-19-8
1806:978-0-7914-4932-5
1783:978-0-8131-2244-1
1627:Sight & Sound
1402:The Pinter Review
1134:
1133:
1117:"Lolita (finale)"
1040:"Humbert's Diary"
648:premiered at the
493:as Charlotte Haze
444:child pornography
371:as Clare Quilty.
345:screen adaptation
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2227:Vladimir Nabokov
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606:Fatal Attraction
554:Annabelle Apsion
497:Suzanne Shepherd
491:Melanie Griffith
473:as young Humbert
365:Melanie Griffith
349:Vladimir Nabokov
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111:Melanie Griffith
90:Joel B. Michaels
72:Vladimir Nabokov
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1478:. p. 27.
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404:. Similarly,
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252: (France)
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51:Screenplay by
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22:
19:
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2322:(1999 novel)
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2314:(1995 novel)
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2004:
1988:
1972:
1957:the original
1950:
1934:. Retrieved
1930:the original
1923:
1907:. Retrieved
1903:the original
1896:
1880:. Retrieved
1874:
1838:
1831:
1827:
1823:
1816:
1812:
1789:
1774:
1754:December 18,
1752:. Retrieved
1748:the original
1718:
1713:
1701:. Retrieved
1697:the original
1690:
1680:
1668:. Retrieved
1662:
1652:
1640:. Retrieved
1636:the original
1625:
1615:
1603:. Retrieved
1596:
1587:
1575:. Retrieved
1571:
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1549:. Retrieved
1543:
1534:
1522:. Retrieved
1516:
1507:
1496:, retrieved
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1429:
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1405:
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1332:
1327:
1315:. Retrieved
1309:
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1256:. Retrieved
1250:
1225:. Retrieved
1219:
1195:. Retrieved
1189:
1165:. Retrieved
1159:
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761:
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740:
734:
732:
728:James Toback
714:
712:
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645:
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632:
627:
625:
620:
604:
594:
588:
582:
578:James Harris
567:
565:
550:as Mr. Leigh
530:Angela Paton
526:as Mr. Beale
509:Erin J. Dean
503:Keith Reddin
465:Jeremy Irons
448:
436:
426:hit by a car
422:
415:
405:
395:
389:Compared to
388:
373:
357:Jeremy Irons
340:. It is the
332:directed by
324:
323:
322:
309:$ 62 million
272:Running time
241: (Italy)
152:Julie Monroe
106:Jeremy Irons
85:Mario Kassar
64:
18:
2690:Pathé films
2354:" (Belinda)
2287:(1981 play)
2084:Short films
2077:Adrian Lyne
1768:Works cited
1524:February 1,
1375:James Ivory
1221:The Numbers
1167:February 2,
724:Caryn James
615:David Mamet
596:Vanity Fair
334:Adrian Lyne
276:137 minutes
78:Produced by
45:Adrian Lyne
41:Directed by
2490:1997 films
2484:Categories
2311:Lo's Diary
2183:Deep Water
2175:Unfaithful
2127:Flashdance
1721:soundtrack
1545:Metacritic
1460:porno star
1317:January 2,
1227:August 15,
1197:August 15,
1138:References
752:Soundtrack
696:Metacritic
562:Production
380:adolescent
355:and stars
330:drama film
328:is a 1997
314:Box office
259:1998-09-25
248:1998-01-14
237:1997-09-26
222:1997-09-19
172:Production
2092:The Table
1936:March 25,
1909:March 25,
1882:March 25,
1863:0895-9706
1703:March 25,
1642:March 25,
1605:March 25,
1572:ReelViews
1551:April 22,
1333:Sharp Cut
1258:March 28,
682:Reception
431:all-girls
281:Countries
140:Edited by
2135:9½ Weeks
2100:Mr Smith
1978:AllMovie
1893:"Lolita"
1865:. Print.
1808:. Print.
1785:. Print.
1724:Archived
1687:"Lolita"
1577:July 16,
1456:Sue Lyon
941:"Quilty"
658:Showtime
518:Ed Grady
398:Showtime
351:'s 1955
298:Language
202:(France)
161:Music by
99:Starring
61:Based on
2424:Portals
2390:Related
1670:May 27,
1498:May 17,
746:Lolita'
641:Release
511:as Mona
440:tracked
301:English
257: (
246: (
235: (
220: (
174:company
2705:Lolita
2450:France
2411:Lolita
2359:Lolita
2352:Lolita
2345:Lolita
2292:Lolita
2284:Lolita
2260:(1997)
2257:Lolita
2252:(1962)
2249:Lolita
2235:(1955)
2232:Lolita
2186:(2022)
2178:(2002)
2170:(1997)
2167:Lolita
2162:(1993)
2154:(1990)
2146:(1987)
2138:(1986)
2130:(1983)
2122:(1980)
2103:(1976)
2095:(1973)
2039:Lolita
2022:Lolita
2012:
2005:Lolita
1989:Lolita
1973:Lolita
1861:
1853:
1845:
1832:Lolita
1813:Lolita
1804:
1796:
1781:
1719:Lolita
1418:Lolita
1416:, and
1383:Lolita
1337:Lolita
1287:
1154:Lolita
790:Length
776:Lolita
762:Lolita
741:Lolita
707:Lolita
692:Lolita
663:Lolita
646:Lolita
628:Quilty
613:, and
569:Lolita
406:Lolita
384:Lolita
342:second
325:Lolita
306:Budget
290:France
226: (
66:Lolita
24:Lolita
2474:1990s
2330:Music
2268:Stage
2119:Foxes
1925:Salon
1664:Salon
1156:(18)"
1130:77:03
787:Title
736:Salon
720:'
676:Pathé
180:Pathé
2462:Film
2241:Film
2010:IMDb
1938:2009
1911:2009
1884:2009
1859:ISSN
1851:ISBN
1843:ISBN
1802:ISBN
1794:ISBN
1779:ISBN
1756:2017
1705:2009
1672:2012
1644:2009
1607:2009
1579:2010
1553:2021
1526:2023
1500:2024
1319:2020
1285:ISBN
1260:2010
1229:2011
1199:2011
1169:2016
1120:4:07
1109:2:20
1098:1:30
1087:1:42
1076:3:42
1065:2:28
1054:1:15
1043:2:57
1032:1:36
1021:1:52
1010:2:39
999:1:37
988:1:53
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900:1:21
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812:3:37
801:4:15
576:and
458:Cast
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230:)
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