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London Recordings

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260: 136: 27: 564:, West London; there may have been another in London's West End. In 2010, Universal Music reclaimed ownership of the London Records trademark. Even Universal Music again owned this trademark, Warner Music Group licensed it to be used on its reissues of London's catalogue controlled by Warner Records 90 company. On 1 July 2011 Universal Music reclaimed the London Records name and relaunched it under the executive team of 422: 453:
multiple reels of tape, bouncing down and bouncing across to different recorders. This increased the level of tape hiss on the final master, something which Phase 4 engineers could not tolerate. So they achieved in their scoring techniques what could be recorded in one pass what everybody else was achieving with multiple overdubs. Similar scoring techniques were used with sound pioneer
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Phase 4 recordings were originally made on then-novel 4-track tape, but the innovation was in the special scoring used to maximize the technology. Normally in recording techniques of the mid-60s, in order to get the kind of layered sound realized in Phase 4 recordings, required multiple overdubs over
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and with Big Sound in Connecticut, U.S. This changed the label in the eyes of many from a backwater into something a little more "edgy" compared to the pedestrian contemporary releases from parent company Decca. The label was staffed by Graham Baker, Keith Gooden, Mike Horsham and Liz Roff at that
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In the 1960s and 1970s London Records got involved in then innovative quadraphonic sound techniques and launched vinyl LPs. Beginning with their "Phase 4" series of immersive, spatialized STEREO sound (which was NOT quadraphonic despite claims to the contrary) which, along with their "FFRR - Full
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After PolyGram took over British Decca, classical-music albums recorded by British Decca continued to be released on the London label in the U.S., with a logo similar to the Decca classical label logo, until American Decca owner MCA merged with British Decca owner PolyGram in 1999 and formed
594:, a subsidiary of Warner Music UK that reissued most London Records artists from the post-1980 era, plus very few titles from the post-1998 era, when Warner Music owned the label. Because completed the deal in August 2017, which includes the rights to over fifty London artists (including 521:, he took the label with him, and so almost all of London's recent back catalogue was acquired by Warner, which also acquired the London name and trademark from Decca (which still owns most of the pre-1980 back catalogue). The name is still used, mainly for UK-based artists, and for ex- 502:
and ended up being fined £50,000 by the BPI in 1991, for suspected chart hyping in the UK Singles chart in regards to this band, with the suspicion that their chart position may have been bought by the record company and not due to fans purchasing their record, "More".
324:. The American branch of London Records released British Decca records in the U.S., as British Decca could not use the "Decca" name there as well as vice-versa. The label was noted for classical albums made in then state-of-the-art 2410: 310: 2238: 1700: 1695: 343:
In a reverse situation, the London name was also used in the UK market by British Decca for releases taken from American labels that were licensed by British Decca, such as
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An unusual feature was the letter code in the numbering system. From the late 1950s until 1973, the label bore the logo "London American Recordings", and on
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group operated by Roger Ames. In the 1990s, Tracy Bennet became President and Colin Bell, Managing Director. When Ames moved to the
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label). Because is distributed by another UMG division Virgin Music Label & Artist Services, formerly Caroline Distribution.
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from 1947 to 1980 before becoming semi-independent. The London name – as London American Recordings, often shortened to
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Frequency Range Recording" series and appellation, gained them a well earned reputation on their sound quality.
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London Records had dozens of subsidiary and distributed labels throughout its existence. Among the labels are:
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Universal Music, after which they were all reissued on the original British Decca label in the US.
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artists. Notable artists released by that incarnation of London, called London Records 90, include
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since 2001. Both had started their careers at London Records in the Ames era in the 1990s.
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In America, the label was best known as the American imprint of the pre–1971 recordings of
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London arose from the split in ownership between the British and American branches of
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in the U.S.). The lead person in arranging the distribution deals at that time was
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in 1980, London followed a more independent course with subsidiary labels such as
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Warner Records 90 was renamed London Music Stream, and later London Recordings.
572:(senior vice president of A&R) who together previously ran Epic Records for 2624: 2390: 2352: 2329: 2208: 2165: 1998: 1980: 1880: 1802: 1690: 1685: 1398: 1154: 1144: 1084: 991: 823: 790: 718: 707: 679: 674: 569: 561: 553: 388: 1424: 715:(this dance music label is sometimes known as Full Frequency Range Recordings) 2646: 2562: 2433: 2299: 2046: 2031: 1897: 1875: 1842: 1222: 1135: 1072: 1067: 961: 941: 838: 800: 795: 780: 759: 734: 687: 603: 599: 587: 530: 480: 465: 368: 352: 321: 298: 287: 264: 204: 155: 150: 1535:"FFRR rebrands, aims to become 'No.1 home for electronic artists in the UK'" 1301:
Record Makers and Breakers: Voices of the Independent Rock 'n' Roll Pioneers
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The London pop music catalogue owned by Universal Music is now managed by
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that marketed records in the United States, Canada, and Latin America for
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London Recordings logo for Classical releases. This logo is similar to
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The president of London Records in the 1970s was D. H. Tollerbond.
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from 1993 to 1995 and signed to EMI Germany in 1997)
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1965 London Records trade ad for the Rolling Stones
51:. Unsourced material may be challenged and removed. 1465:"Raphael to relaunch London Records for Universal" 628: 498:In the 1990s, London signed Madchester indie band 469:time. Decca's Geoff Milne was in overall control. 560:in 2014. Decca Records had a recording studio in 2644: 1579:"CHUMBAWAMBA | full Official Chart History" 1421:"Case details for Community Trade Mark E3038437" 1303:, University of Illinois Press, 2009, pp.401-411 1447:"New Order | full Official Chart History" 1423:. Intellectual Property Office. Archived from 1656: 552:, with United States distribution handled by 464:In the late 1970s, London signed deals with 211:(pre-1980 catalogue, US 1980-1998 catalogue) 1327:"Into the limelight by any means necessary" 1663: 1649: 2683:1947 establishments in the United Kingdom 1838:Mad Love and Friends Keep Secrets Records 1670: 1381:"HIGH | full Official Chart History" 1241: 111:Learn how and when to remove this message 1401:. Federal Trade Commission. 31 July 2001 420: 308: 258: 445:when the band signed with that label). 2645: 1636:The London Records Story from BSN Pubs 1493:. Universal Music Group. 25 April 2013 579:When Nick Raphael became president of 1644: 1292: 375:, and the first two UK releases from 2688:American country music record labels 475:After British Decca was acquired by 418:it was known as "London American". 49:adding citations to reliable sources 20: 16:Record label headquartered in the UK 2585:International third-party licensees 556:after absorbing former distributor 13: 14: 2699: 2658:Record labels established in 1947 2596:(South Korea (JYP Entertainment)) 1629: 879:John Mayall and the Bluesbreakers 2462:Universal Music Publishing Group 590:announced that it would acquire 134: 25: 1731:Interscope Capitol Labels Group 1607: 1589: 1571: 1545: 1527: 1505: 1483: 1457: 629:Subsidiary or associated labels 36:needs additional citations for 1439: 1413: 1391: 1373: 1355: 1337: 1319: 1307: 1039: 461:label around the same period. 216:(most of post-1980 catalogues) 1: 2678:Classical music record labels 2396:Universal Music Group Nigeria 1759:Capitol Christian Music Group 1285: 2401:Universal Music South Africa 2358:Republic Records Philippines 1471:. 3CM Unlimited. 31 May 2011 7: 2620:(South Korea (HYBE Labels)) 2429:Universal Music Enterprises 1273: 746: 10: 2704: 2504:Non-UMG distributed labels 2467:Universal Production Music 741: 304: 2503: 2477: 2454: 2441:Universal Music Indonesia 2419: 2391:Def Jam Recordings Africa 2371: 2338: 2285: 2272:Universal Music Hong Kong 2237: 2229:Universal Music On Demand 2189: 2141: 2128:Mercury Records Australia 2103: 2090:Capitol Records Nashville 2080:Mercury Nashville Records 2065: 2022: 1989: 1931:Young Money Entertainment 1911: 1861: 1729: 1678: 1094:One Little Indian Records 659:Double F Double R Records 241: 233: 225: 200: 190: 175: 142: 133: 128: 2485:Eagle Rock Entertainment 2446:Universal Music Malaysia 2406:Blue Note Records Africa 2113:Island Records Australia 1363:"The numbers game is up" 574:Sony Music Entertainment 2511:Big Machine Label Group 1813:Aftermath Entertainment 1214:(through Victory Music) 441:(whose catalog went to 2490:PolyGram Entertainment 2373:Universal Music Africa 2277:Universal Music Taiwan 2262:Republic Records China 2257:PolyGram Records China 2057:Universal Music México 2052:Universal Music Latino 2024:UM Latin Entertainment 1966:Universal Arabic Music 1903:Verve Forecast Records 1242:2010s (reopened label) 1230:(signed to Systematic) 568:(president) and later 426: 328:, and such artists as 317: 297:The label is owned by 268: 2663:British record labels 2330:Virgin Records France 2305:Island Def Jam France 2267:Universal Music China 2247:Capitol Records China 2095:EMI Records Nashville 1848:Cinematic Music Group 1791:Quality Control Music 1672:Universal Music Group 1280:List of record labels 424: 312: 262: 147:Universal Music Group 2386:Motown Gospel Africa 2300:Decca Records France 2295:Capitol Music France 2085:Lost Highway Records 1427:on 30 September 2011 1007:Voice of the Beehive 888:Mirjam & Stephen 811:Fine Young Cannibals 443:Warner Bros. 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