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The album sleeve was originally a stitched-together facsimile of bootleg records as well as the old style 78 RPM singles, with the record label showing. The album was reissued in the mid 1970s as part of the double album 'Two
Originals of The Faces' with record one being 'First Step'. Notes of dates
369:
rather than on a Faces release. The band's performance on the track was acknowledged with a 'thank-you' from
Stewart in the LP's liner notes. The track was then released as a single credited to Rod Stewart and the Faces, but only in the USA. This practice led to increased murmurings of discontent in
382:
was reissued in a remastered and expanded form, including two previously unreleased outtakes, "Whole Lotta Woman" and "Sham-Mozzal" (the latter actually being an early instrumental prototype of "Had Me a Real Good Time"). Two more live tracks from the
Fillmore East show were also included.
344:" also appeared as the A-side of a standalone single release in the USA just ahead of the album itself. This track and its non-LP instrumental B-side "Oh Lord, I'm Browned Off" were rarities among Faces collectors until they were both compiled on the
324:
A unique early mix of "Had Me a Real Good Time" appeared as a single ahead of the LP in
November 1970, backed with the non-album instrumental "Rear Wheel Skid". While the latter track was eventually compiled to CD with the release of the
312:", the ballads "Richmond" and "Sweet Lady Mary", the party tune "Had Me a Real Good Time", and uptempo saloon bar rocker "Bad 'n' Ruin". Two tracks, "Maybe I'm Amazed" and "I Feel So Good", were recorded live at the
390:. The album's companion singles (aside from the unique mix of "Had Me a Real Good Time" as detailed above) were included in the box set on an exclusive CD of rarities.
703:
245:
370:
some quarters that
Stewart's management was keeping the best Faces studio performances for Stewart's solo projects, to the detriment of the band as a unit.
1114:
902:
174:
386:
The reissue used the U.S. cover artwork. It was also released at the same time in the above form as part of the complete recordings box set
966:
1119:
486:
1109:
1104:
1099:
1094:
1089:
945:
927:
799:
333:
952:
464:
765:
331:
box set of 2004, the different early mix of the A-side remains confined to the single and early vinyl editions of
1048:
1084:
716:
62:
September 1970–January 1971 at Morgan Sound
Studios, London and with The Rolling Stones Mobile Recording Unit,
257:
1079:
959:
623:
327:
365:
792:
356:
656:
for the live tracks use the US dating system - songs were performed and recorded on 10 November 1970.
998:
888:
156:
909:
1019:
753:
641:
785:
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681:
1074:
984:
634:
124:
8:
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708:
433:
341:
309:
30:
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1012:
761:
712:
543:
694:
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352:
131:
861:
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579:- lead, slide, acoustic and pedal steel guitars, backing vocals, co-lead vocal
514:
437:
305:
673:
304:, released in February 1971. Among the highlights are a live cover version of
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866:
760:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 107.
645:
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472:
313:
871:
820:
808:
627:
606:
588:
510:
468:
301:
143:
136:
119:
88:
43:
453:"On the Beach" (Lane, Wood) – 4:15 (lead vocals: Ronnie Lane and Ron Wood)
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93:
70:
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78:
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Note: "Sweet Lady Mary" incorrectly listed as 5:30 on record sleeve.
83:
208:
618:
Track numbering refers to CD and digital releases of the album.
573:- bass, acoustic guitar, percussion, backing vocals, lead vocal
560:
Track numbering refers to CD and digital releases of the album.
651:
Track 7 recorded with Revox spare room unit. Engineer unknown.
38:
64:
live tracks recorded 10 November 1970, at
Fillmore East, NYC
351:
Also recorded during this period was the band's cover of
777:
475:– arr. Wood; erroneously credited as traditional) - 1:55
704:
Christgau's Record Guide: Rock Albums of the
Seventies
450:"Had Me a Real Good Time" (Lane, Stewart, Wood) – 5:50
440:) – 5:35 (co-lead vocals: Rod Stewart, Ronnie Lane)
429:"Richmond" (Lane) – 3:05 (lead vocals: Ronnie Lane)
496:"Tell Everyone" (Lane) (lead singer: Ronnie Lane)
388:1970-1975: You Can Make Me Dance, Sing or Anything
1066:
903:A Nod Is As Good As a Wink... to a Blind Horse
597:- tenor saxophone on "Had Me a Real Good Time"
300:is the second album by the British rock group
175:A Nod Is As Good As a Wink... to a Blind Horse
793:
585:- piano, organ and keyboards, backing vocals
263:
213:
499:"Sham-Mozzal" (Jones, Lane, McLagan, Wood)
800:
786:
29:
693:
502:"Too Much Woman (For a Henpecked Man)" (
1115:Albums recorded at Morgan Sound Studios
1027:You Can Make Me Dance, Sing or Anything
742:. Random House. 1992. pp. 236–237.
1067:
946:Snakes and Ladders / The Best of Faces
928:Coast to Coast: Overture and Beginners
648:, New York. Engineered by Dave Palmer.
603:- trumpet on "Had Me a Real Good Time"
359:" which later appeared on lead singer
334:Snakes and Ladders / The Best of Faces
316:, New York City, on 10 November 1970.
781:
194:
752:
613:
637:, London. Engineered by Mike Bobak.
13:
746:
422:"Sweet Lady Mary" (Lane, Stewart,
14:
1131:
633:Tracks 3, 4, 6 and 9 recorded at
622:Tracks 1 and 2 recorded with the
265:
215:
1120:Albums recorded in a home studio
953:Good Boys... When They're Asleep
728:– via robertchristgau.com.
640:Tracks 5 and 8 recorded live at
393:
284:
279:
274:
269:
264:
234:
229:
224:
219:
214:
1110:Albums produced by Kenney Jones
1049:List of songs recorded by Faces
758:Australian Chart Book 1970–1992
1105:Albums produced by Ian McLagan
1100:Albums produced by Ronnie Wood
1095:Albums produced by Ronnie Lane
1090:Albums produced by Rod Stewart
967:The Definitive Rock Collection
732:
687:
684:. Retrieved 25 September 2011.
672:Erlewine, Stephen Thomas.
666:
18:1971 studio album by Faces
1:
740:The Rolling Stone Album Guide
659:
319:
258:The Rolling Stone Album Guide
960:Five Guys Walk into a Bar...
624:Rolling Stones Mobile Studio
555:
346:Five Guys Walk into a Bar...
328:Five Guys Walk into a Bar...
7:
366:Every Picture Tells a Story
10:
1136:
1036:
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807:
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480:2015 reissue bonus tracks
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202:
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150:
142:
130:
118:
102:
69:
58:
50:
37:
28:
23:
699:"Consumer Guide '70s: F"
246:Christgau's Record Guide
357:(I Know) I'm Losing You
340:A studio recording of "
591:- drums and percussion
1085:Warner Records albums
709:Ticknor & Fields
635:Morgan Sound Studios
190:Professional ratings
1080:Faces (band) albums
456:"I Feel So Good" (
378:On 28 August 2015,
191:
1006:Cindy Incidentally
467:" (instrumental) (
189:
1062:
1061:
1013:Pool Hall Richard
695:Christgau, Robert
614:Other information
553:
552:
544:Kent Music Report
487:Whole Lotta Woman
415:"Tell Everyone" (
293:
292:
187:
186:
183:
182:
65:
1127:
1037:Related articles
992:Maybe I'm Amazed
985:Wicked Messenger
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779:
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771:
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736:
730:
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727:
725:
691:
685:
670:
626:. Engineered by
529:
528:
491:Marvin Rainwater
458:Big Bill Broonzy
434:Maybe I'm Amazed
404:"Bad 'n' Ruin" (
342:Maybe I'm Amazed
310:Maybe I'm Amazed
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396:
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353:the Temptations
322:
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862:Jesse Ed Davis
859:
857:Tetsu Yamauchi
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852:
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838:
831:
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519:
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515:Robert Johnson
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477:
476:
461:
454:
451:
442:
441:
438:Paul McCartney
430:
427:
420:
413:
395:
392:
375:
372:
363:'s solo album
321:
318:
306:Paul McCartney
291:
290:
261:
253:
252:
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241:
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211:
205:
204:
201:
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986:
982:
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911:
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905:
904:
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897:
893:
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890:
886:
885:
883:
881:Studio albums
879:
873:
870:
868:
867:Mick Hucknall
865:
863:
860:
858:
855:
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851:
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784:
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769:
767:0-646-11917-6
763:
759:
755:
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706:
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696:
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683:
679:
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669:
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650:
647:
646:Fillmore East
643:
639:
636:
632:
629:
625:
621:
620:
619:
608:
605:
602:
601:Harry Beckett
599:
596:
593:
590:
587:
584:
581:
578:
575:
572:
569:
567:- lead vocals
566:
563:
562:
561:
548:
545:
541:
540:
532:Chart (1971)
530:
522:
516:
512:
508:
505:
501:
498:
495:
492:
488:
484:
483:
482:
481:
474:
473:William Blake
470:
466:
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459:
455:
452:
449:
448:
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446:
439:
435:
431:
428:
425:
421:
418:
414:
411:
407:
403:
402:
401:
400:
394:Track listing
391:
389:
384:
381:
371:
368:
367:
362:
358:
354:
349:
347:
343:
338:
336:
335:
330:
329:
317:
315:
314:Fillmore East
311:
307:
303:
299:
298:
262:
260:
259:
255:
254:
250:
248:
247:
243:
242:
212:
210:
207:
206:
198:
195:Review scores
193:
177:
176:
172:
168:
167:
163:
159:
158:
154:
153:
149:
145:
141:
138:
135:
133:
129:
126:
123:
121:
117:
105:
101:
95:
92:
90:
87:
85:
82:
80:
77:
76:
74:
72:
68:
61:
57:
54:February 1971
53:
49:
45:
40:
36:
32:
27:
22:
16:
999:Stay with Me
965:
958:
951:
944:
938:Compilations
926:
908:
901:
895:
894:
887:
872:Glen Matlock
847:
840:
833:
826:
821:Kenney Jones
819:
757:
748:
739:
734:
722:. Retrieved
702:
689:
678:> Review"
675:
668:
654:
628:Martin Birch
617:
609:- production
589:Kenney Jones
559:
542:Australian (
520:
511:Love in Vain
479:
478:
469:Hubert Parry
444:
443:
398:
397:
387:
385:
379:
377:
364:
350:
345:
339:
332:
326:
323:
296:
295:
294:
256:
244:
173:
165:
164:
155:
125:Warner Bros.
89:country rock
39:Studio album
15:
1075:1971 albums
1054:Small Faces
1044:Discography
920:Live albums
896:Long Player
849:Ronnie Wood
842:Rod Stewart
835:Ian McLagan
828:Ronnie Lane
754:Kent, David
724:24 February
676:Long Player
642:Bill Graham
583:Ian McLagan
577:Ronnie Wood
571:Ronnie Lane
565:Rod Stewart
424:Ronnie Wood
417:Ronnie Lane
410:Rod Stewart
406:Ian McLagan
380:Long Player
361:Rod Stewart
297:Long Player
166:Long Player
94:boogie rock
24:Long Player
1069:Categories
889:First Step
718:089919026X
660:References
595:Bobby Keys
504:Ike Turner
320:Background
157:First Step
146:chronology
79:Blues rock
1020:Ooh La La
910:Ooh La La
556:Personnel
537:position
465:Jerusalem
348:box set.
337:in 1976.
84:hard rock
756:(1993).
697:(1981).
682:AllMusic
674:"Faces:
460:) – 8:50
445:Side two
426:) – 5:40
419:) – 4:22
412:) – 5:30
399:Side one
209:AllMusic
132:Producer
59:Recorded
51:Released
41: by
179:(1971)
170:(1971)
161:(1970)
764:
715:
525:Charts
374:Legacy
203:Rating
200:Source
103:Length
977:Songs
809:Faces
607:Faces
302:Faces
144:Faces
137:Faces
120:Label
71:Genre
44:Faces
762:ISBN
726:2019
713:ISBN
535:Peak
513:" (
436:" (
308:'s "
680:at
644:'s
549:18
489:" (
355:' "
1071::
711:.
707:.
701:.
471:,
408:,
112:02
108:45
1029:"
1025:"
1022:"
1018:"
1015:"
1011:"
1008:"
1004:"
1001:"
997:"
994:"
990:"
987:"
983:"
801:e
794:t
787:v
770:.
630:.
546:)
517:)
509:"
506:)
493:)
485:"
463:"
432:"
251:B
110::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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