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Lorenzo De Ferrari

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105:. Its complexity attests to a high degree of skill when he began working with his father on the decoration of the church of Santi Camillo e Croce, where he painted in his father's style an altarpiece 136: 160: 206:, helped get him awarded an honorary membership (August 1, 1734). This trip, although short, greatly influenced Lorenzo as an artist and contribution his formation of a more intricate, 148: 102: 156: 58:
at the age of twelve, where he worked as his assistant for two years. Upon their return to Genoa, it is also probable he assisted in the restoration of
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of his father." He was also influenced by the more refined and academic work of several contemporary Genoese artists who had worked in Rome, such as
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History of Painting in Italy; From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
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Lorenzo later executed a fresco, according to its style executed between 1730–34, based on the stories of
87:. He often used elements established by the Piola family in his ceiling decoration, such as pairs of 73:, his style was "...influenced by the graceful, elongated figures, spiraling movements and elaborate 222: 283: 178:. Some time afterwards, in 1734, he visited Rome, where he is said to have met the major painters 321: 213:
In 1736, he erected a series of elaborate structures, of which no trace remains today, in the
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marriage. His final work before his death was the Galleria d'Oro in the Palazzo Spinola.
39: 274: 309: 218: 97: 144: 179: 175: 140: 51: 299: 214: 191: 84: 388:, fully digitized text from The Metropolitan Museum of Art libraries (see index) 253: 183: 59: 43: 395: 295: 291: 245: 241: 248:. Around the same time, he completed a series of vault frescoes in the 133:
Virgin and child with Saints Joseph, Ignatius Loyola and Francis Xavier
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Never married, Lorenzo sometimes wore clerical garb and was nicknamed
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and Margherita Piola, the daughter of another famous Genoese painter,
22:(14 November 1680 – 28 July 1744) was an Italian painter of the 230: 123: 55: 187: 118: 23: 207: 171: 110: 88: 109:. He also collaborated with Gregorio in the decoration of the 357:"Biography of FERRARI, Lorenzo de' in the Web Gallery of Art" 147:, he designed an ornamental structure erected in the Genoese 27: 152: 277:
Delle vite de' pittori, scultori, ed architetti genovesi
333:. London: Macmillan Publishers Limited. pp. 10–11. 273:
Soprani, Raffaello (1769). Carlo Giuseppe Ratti (ed.).
139:. In the same period, to celebrate the canonization of 304:. Vol. III. London: Henry G. Bohn. p. 281. 237:, all of which demonstrate his newly formed style. 131:From 1720 to 1722, Lorenzo painted an altar piece, 117:(completed between 1715–1726). He also painted the 393: 244:frescoes in the church of Gesù, in the style of 159:. Also in the 1720s he completed a vault in the 151:. Two years later, he completed frescoes in the 64:Basilica della Santissima Annunziata del Vastato 279:; Tomo secundo scritto da Carlo Giuseppe Ratti 225:on a series of frescoes in the gallery of the 26:period, active mainly in his native city of 385:Genoa : drawings and prints, 1530-1800 240:Circa 1738, Lorenzo decorated four highly 46:. He studied by making copies of work by 221:. In the same year he collaborated with 101:, was completed in 1717 and engraved by 272: 394: 328: 282:. Genoa: Stamperia Casamara. pp.  290: 128:, simplifying his father's designs. 167:, based on designs by P. G. Piola. 38:Lorenzo was the son of the painter 13: 161:Palazzo Pallavicini-Podesta-Bruzzo 14: 448: 437:18th-century Italian male artists 377: 331:The Dictionary of Art (Volume 11) 217:to celebrate the canonization of 137:Santi Ignazio e Francesco Saverio 107:Saints Nicholas, Matthew and Lucy 54:, and accompanied his father to 204:Florentine Academy of Fine Arts 196:Francesco Maria Niccolo Gaburri 126:Carrying the Cross to Jerusalem 349: 340: 1: 422:18th-century Italian painters 412:17th-century Italian painters 266: 235:Venus and Bacchus with Cupid 33: 7: 69:According to Jane Turner's 10: 453: 163:, which he worked on with 96:Allegory in Honor of Doge 252:, painted to celebrate a 115:Triumph of the Holy Cross 94:His earliest dated work, 432:Italian Baroque painters 223:Giovanni Battista Natali 219:Catherine Fieschi Adorno 103:Maxmilian Joseph Limpach 198:. The latter, who was 91:and corner ornaments. 417:Italian male painters 329:Turner, Jane (1996). 71:The Dictionary of Art 298:(translator) (ed.). 229:, where the central 186:. Returning through 135:, for the Church of 81:Paolo Girolamo Piola 427:Painters from Genoa 261:l'Abate de' Ferrari 40:Gregorio De Ferrari 320:has generic name ( 149:church of the Gesú 98:Lorenzo Centurione 20:Lorenzo De Ferrari 250:Palazzo Gio Carlo 145:Stanislaus Kostka 444: 371: 370: 368: 367: 353: 347: 346:Turner 1996, 10. 344: 334: 325: 319: 315: 313: 305: 287: 180:Sebastiano Conca 52:Anthony van Dyck 452: 451: 447: 446: 445: 443: 442: 441: 392: 391: 380: 375: 374: 365: 363: 355: 354: 350: 345: 341: 317: 316: 307: 306: 269: 227:Palazzo Spinola 215:Genoa Cathedral 192:Ignazio Hugford 165:Francesco Biggi 85:Domenico Parodi 62:'s dome in the 36: 17: 16:Italian painter 12: 11: 5: 450: 440: 439: 434: 429: 424: 419: 414: 409: 404: 390: 389: 379: 378:External links 376: 373: 372: 348: 338: 337: 336: 335: 326: 288: 268: 265: 184:Marco Benefial 60:Andrea Ansaldo 44:Domenico Piola 35: 32: 15: 9: 6: 4: 3: 2: 449: 438: 435: 433: 430: 428: 425: 423: 420: 418: 415: 413: 410: 408: 405: 403: 400: 399: 397: 387: 386: 382: 381: 362: 358: 352: 343: 339: 332: 327: 323: 318:|editor= 311: 303: 302: 297: 296:Thomas Roscoe 293: 289: 285: 281: 280: 278: 271: 270: 264: 262: 257: 255: 251: 247: 243: 242:illusionistic 238: 236: 232: 228: 224: 220: 216: 211: 209: 205: 201: 197: 193: 189: 185: 181: 177: 176:Palazzo Sauli 173: 168: 166: 162: 158: 154: 150: 146: 142: 141:Luigi Gonzaga 138: 134: 129: 127: 125: 120: 116: 112: 108: 104: 100: 99: 92: 90: 86: 82: 78: 77: 72: 67: 65: 61: 57: 53: 49: 45: 41: 31: 29: 25: 21: 384: 364:. Retrieved 360: 351: 342: 330: 300: 292:Lanzi, Luigi 276: 275: 260: 258: 239: 234: 212: 200:Luogotenente 199: 169: 132: 130: 122: 114: 106: 95: 93: 74: 70: 68: 37: 19: 18: 407:1744 deaths 402:1680 births 246:Domenichino 157:Santa Marta 396:Categories 366:2019-05-14 361:www.wga.hu 267:References 76:quadratura 48:Guido Reni 310:cite book 231:medallion 190:, he met 124:Heraclius 56:Marseille 34:Biography 294:(1847). 188:Florence 121:fresco, 210:style. 202:of the 174:in the 119:lunette 24:Baroque 233:shows 208:Rococo 172:Aeneas 113:, the 111:cupola 89:ignudi 286:–271. 254:Doria 28:Genoa 322:help 194:and 182:and 153:nave 143:and 83:and 50:and 284:263 155:of 398:: 359:. 314:: 312:}} 308:{{ 263:. 66:. 30:. 369:. 324:)

Index

Baroque
Genoa
Gregorio De Ferrari
Domenico Piola
Guido Reni
Anthony van Dyck
Marseille
Andrea Ansaldo
Basilica della Santissima Annunziata del Vastato
quadratura
Paolo Girolamo Piola
Domenico Parodi
ignudi
Lorenzo Centurione
Maxmilian Joseph Limpach
cupola
lunette
Heraclius
Santi Ignazio e Francesco Saverio
Luigi Gonzaga
Stanislaus Kostka
church of the Gesú
nave
Santa Marta
Palazzo Pallavicini-Podesta-Bruzzo
Francesco Biggi
Aeneas
Palazzo Sauli
Sebastiano Conca
Marco Benefial

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