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220:, surrounding the church. They depict 74 saints and four allegorical figures : Belief, Hope, Charity and Justice. After his death in 1748, his son Francesco finished the work of his father with the statues at the tower in 1752. Many statues were completely destroyed during the bombardment of Dresden on 13 February 1945. Their restoration and the new statues were finished in 2002.
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in 1712, suggesting he must have been widowed while in Italy, and his wife died at a young age. His new wife, Elisabeth
Saceoni, also died very young in 1717, after bearing four children. In 1723, he married for the third time, to Maria Magdalena Kronawatter, and with her fathered seven children. The
294:(1719–1724). Especially the Ragged Old Woman with a Pig is remarkable. This statue of an ugly, grimacing hag seems to be the product of a sickly imagination. In this he predates the contorted faces of “character heads” made by the sculptor
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and a long-time
Maecenas of Mattielli. He was appointed chief sculptor to the court, receiving special privileges and an adequate remuneration. In 1744 he was appointed inspector in charge of antique and modern statues.
124:, who had quickly recognized his skills. They worked often together on the same projects, Beduzzi as painter and designer and Mattielli as sculptor. In the same way, he also worked together with the architect
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74:, Italy, but the exact date remains unknown. Different sources give different dates : 1678 to 1688. He apprenticed in the workshop of the famous Vicenzan sculptors
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Ceysson bernard et al. – Sculpture, the great tradition of sculpture from the 15th to the 18th century; Editions d’Art Albert Skira SA., Geneva 1987;
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In these first ten years in Vienna, he slowly developed a personal style with a refined elegance, especially after his trip to Italy (1720–1722).
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In 1714, on
Beduzzi's recommendation, Mattielli was appointed sculptor-in-chief at the imperial court of
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Lorenzo
Mattielli was buried in the churchyard of the Hofkirche in Dresden, the city in which he died.
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Between 1741 and 1746 he worked at the
Neptune fountain in the garden of the Palais BrĂĽhl-Marcolini in
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Models for the wooden statues in the church (then carried out by Peter
Widerin of St. Pölten)
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Among his first commissions in Vienna were the statues for the new Palace (designed by
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Church of the Order of the
Visitation of Holy Mary (1726) (attributed to Mattielli)
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Reichkanzleitrakt (in the
Hofburg complex) (1728–1729): the Labors of Hercules
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38:(1678/1688 ? – 27 or 28 April 1748) was an Italian sculptor from the Late
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House of Count
Lazansky (1714) (attributed to Mattielli) (demolished in 1895)
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326:(1725–1730) : eagles on the columns, relievos at the gable end, altar
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former Palais
Engelskirchner, 1711-15: only four Attika statues remain
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Old City Hall (1735) : Putti at the Andromeda fountain (1734)
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Church of the Brothers Hospitallers of St. John of God (1735/36)
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Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs
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Fountains at the “Am Hof” and “Am Graben” squares (1732–1735)
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Several mighty Titans in the Salla terrena (unfinished work)
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the angels on top of the portal of the eastern façade
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period. His name has also variously been written as
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120:Lorenzo Mattielli soon became a close friend of
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78:(1643–1720) and his younger brother,
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153:Prince Adam Franz von Schwarzenberg
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281:(1716–1718)
130:Karlskirche
84:Villa Conti
62:(Austria).
497:Categories
439:References
370:Melk Abbey
218:balustrade
183:August III
161:Stift Melk
149:Charles VI
52:Matthielli
470:Biography
338:Prunksaal
336:(now the
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206:Hofkirche
169:Mariazell
111:Innsbruck
66:Biography
56:Mathielli
191:Joseph I
181:by king
48:Mattiely
44:Matielli
31:, Vienna
210:Dresden
179:Dresden
72:Vicenza
40:Baroque
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393:Warsaw
350:(1729)
320:(1724)
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287:(1720)
256:(1724)
243:Vienna
91:Vienna
76:Orazio
54:, and
406:Notes
227:Works
461:ISBN
450:ISBN
167:and
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