391:-) birth. These afflictions reached their apex in 1922; many declared him "incurable." The composer did spend many months in comparative seclusion; some sources suggest he was briefly institutionalized, although recent scholarship suggests that this was not the case, and that he did not change residence in 1922. In fact, the very next year, 1923, Perosi had fully resumed his administrative and compositional activity; in the last decade of his life, he also maintained a busy conducting schedule.
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205:, in Italy. Many sources give December 20 as Perosi's birthdate but recent scholarship suggests December 21 to be correct. Perosi was one of twelve children, one of six to survive infancy. Perosi hailed from an extremely musical and religious family. For nearly 200 years before him, all of Lorenzo's ancestors were church musicians. His father was Giuseppe Perosi (1849–1908),
502:. Unlike the other members of the Giovane Scuola, Perosi was significantly influenced by pre-Classical repertoire. Romain Rolland reports that Perosi said, "Great artists formerly were more eclectic than ourselves, and less fettered by their nationalities. ...We must do as they did. We must try to recreate an art in which the arts of all countries and all times are blended."
307:. Sarto was a profound music-lover who was disturbed by the roughly hundred years (c.1800–1900) that Gregorian Chant was absent from the Church. A more operatic, entertaining style of music prevailed. Thus, Perosi found in Sarto not only a friend and kindred spirit, but also a staunch sponsor.
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article entitled "The Genius of Don Perosi" began, "The great and ever-increasing success which has greeted the four new oratorios of Don
Lorenzo Perosi has placed this young priest-composer on a pedestal of fame which can only be compared with that which has been accorded of late years to the
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Perosi remained
Maestro Perpetuo until his death over 50 years later, in spite of interruptions in his directorship. After 1907, Perosi began to suffer more intensely from psychological and neurological problems, caused by his problematic (probably
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on sacred music. It gave
Gregorian Chant a privileged status as the ideal form of liturgical music, banned women vocalists, severely restricted the use of any instrument but the organ, and prohibited the adaptation of secular music for church use.
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In his day, Perosi was best known for his oratorios, large-scale works for chorus, soloists, and orchestra based on Latin texts. While the works can seem slow-paced today, at the time they were quite novel not only for their fusion of
403:'s estimate, Perosi composed 3,000–4,000 works. A great many still await publication; some have not yet been located. All of the sources mentioned in the bibliography agree that Perosi was the most influential composer of the
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Perosi's
Venetian appointment (1894) unleashed a torrent of music that lasted at least until 1907. He continued to compose prolifically until his death, but this 13-year period produced some of his most substantial work.
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260:. As Perosi himself explained, he "desired and prayed at length to the Lord to be able to do something for the music of God in Italy." Perosi served in Imola from November 1892, to August 1894.
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who did not write opera. In the late 1890s, while he was still only in his twenties, Perosi was an internationally celebrated composer of sacred music, especially large-scale
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256:("chair," or permanent teaching position) in the Kirchenmusikschule. The homesick Perosi politely declined, in favour of a post as teacher and director of sacred music at
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wrote, "It's not easy to give you an exact idea of how popular
Lorenzo Perosi is in his native country." Perosi's fame was not restricted to Europe. A 19 March 1899
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made the same comparison: "The sudden clamors of applause, at the end of the century, were just like those a decade earlier for
Mascagni." Perosi worked for five
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as a genre had been in decline in the preceding centuries, and Perosi's contributions to the canon brought him brief but significant international acclaim.
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According to biographer
Graziella Merlatti, Perosi was the most prolific composer of sacred music of the 20th century. According to musicologist
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In 1895, Perosi became a priest, having been ordained by his good friend
Cardinal Patriarch Sarto himself. Sarto and Perosi were friends with
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Letter from Perosi to Mons. Domenico
Baruzzi, secretary to Bishop Tesorieri of Imola (13 September 1893). Riproduced in Onofri, pp. 39–40.
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In 1890, 18 years old and still a student, Perosi obtained his first professional post: organist and "teacher of the piano novices" at the
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Cathedral and one of Italy's most prominent church musicians. Giuseppe was the first teacher of
Lorenzo as well as his other two sons,
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of the Milan Conservatory. Even when he was not enrolled at the Conservatory, Perosi kept up a correspondence course with Saladino.
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Don Perosi was inspired by the later Pope Pius X also to infuse priestly sanctity into the music, and Perosi daily offered
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236:. He received his diploma from the Milan Conservatory in 1892, following which he spent an influential year of study with
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Waterhouse, John C.G. "Lorenzo Perosi." Grove music online, ed. L. Macy (accessed 20 December 2006). www.grovemusic.com.
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See Bassi. A chapter is devoted to quotations by the above-listed French composers pertinent to this premiere.
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In addition to the oratorios and masses for which he is best known, Perosi also wrote secular music—
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299:. This Venetian appointment resulted from the deep friendship between Perosi and Cardinal Giuseppe
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to get Perosi the post of Maestro Perpetuo della Cappella Sistina, or Perpetual Director of the
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Perosi was succeeded as director of the Sistine Choir and Papal musician by his assistant,
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he studied in Solesmes were the two pillars upon which the entire oeuvre of Perosi rested.
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874:. trans. Mary Blaiklock. Freeport, New York: Books For Libraries Press. pp. 204–205.
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Despite the relative obscurity of his name today, Perosi was a prominent member of the
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the correct date is given as December 21 (page 17 explains why that is correct).
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is quoted as saying that "There's more music in Perosi's head than in mine and
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A lengthy discussion of Perosi's psychological health can be found in Ciampa,
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From Imola, Perosi obtained a more important post, that of Maestro of the
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from 1930 to 1949). In Milan Lorenzo studied with respected professor
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Lorenzo Perosi: coscienza e tradizione in un'anima musicale
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252:. Perosi's development was such that Haberl offered him a
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Don Lorenzo Perosi: L'uomo, il compositore e il religioso
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Don Lorenzo Perosi: L'uomo, il compositore e il religioso
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L'epistolario "vaticano" di Lorenzo Perosi (1867-1956)
139:(21 December 1872 – 12 October 1956) was an Italian
1017:. Vol. Heft 5. Musica Sacra. pp. 343–349.
49:. Unsourced material may be challenged and removed.
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660:Missa a Tre Voci Maschili (Missa Cerviana)
1159:International Music Score Library Project
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1169:Choral Public Domain Library
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868:Rolland, Romain (1969) .
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587:La Risurrezione di Cristo
500:La Risurrezione di Cristo
193:Early years and education
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1055:Onofri, Teodoro (1977).
1004:Glinski, Matteo (1953).
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1092:Rinaldi, Mario (1967).
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967:Bruni, Massimo (1972).
948:Bassi, Adriano (1994).
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440:Musiciens d’Aujourd’hui
263:In 1894 Perosi went to
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1013:Hesse, Helmut (1981).
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776:(Milan, 2006), p. 14
772:Graziella Merlatti,
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209:(Choir Director) of
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32:This article
30:
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1429:Pietro Magri
1420:
1171:(ChoralWiki)
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125:Don Perosi (
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99:January 2016
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41:Please help
36:verification
33:
1530:1956 deaths
1525:1872 births
1461:Matteo Tosi
923:Biographies
508:Renaissance
428:Leoncavallo
337:Perosi and
305:Pope Pius X
182:Pope Pius X
157:Nobel Prize
1519:Categories
1437:Giulio Bas
1119:. Rimini.
1040:. Àncora.
952:. Schena.
849:, Preface.
708:References
246:Palestrina
242:Regensburg
69:newspapers
1477:Luigi Vio
1135:cite book
1102:cite book
1023:cite book
819:Rinaldi,
794:Rinaldi,
691:monsignor
563:Oratorios
511:polyphony
460:Tagliabue
448:Toscanini
339:Toscanini
188:Biography
168:idolized
153:oratorios
134:Monsignor
798:, p. 20.
546:See also
540:Mascagni
519:oratorio
492:Guilmant
488:Massenet
456:Sammarco
432:Giordano
424:Mascagni
382:. 1905).
254:cattedra
219:Marziano
203:Piedmont
141:composer
129:. 1900).
1167:in the
1161:(IMSLP)
1157:at the
1096:. Rome.
918:Sources
484:Debussy
420:Puccini
416:Verismo
345:(1901).
211:Tortona
199:Tortona
159:winner
83:scholar
1504:(2000)
1496:(1981)
1488:(1954)
1480:(1939)
1472:(1937)
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452:Caruso
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389:breech
297:Venice
250:Lassus
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464:Gigli
444:Boito
436:Cilea
301:Sarto
258:Imola
215:Carlo
178:Popes
90:JSTOR
76:books
1141:link
1121:ISBN
1108:link
1070:ISBN
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494:and
343:Mosè
323:Mass
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62:news
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