415:, Harrelson went as far in the opposite direction as one can imagine. This was edge-of-the-seat, seat-of-the-pants film-making. He didn't just jump in at the deep end: he did so into shark-filled waters." Overall, Gilbey wrote, "Bumps and wrinkles in the film would doubtless have been remedied with the luxury of reshoots. Nothing, though, will quite match the sensation of having watched the messy but miraculous birth of a genuine oddity: part celebrity satire, part mea culpa, part site-specific, one-night-only art installation."
382:, with its similar sense of urban emergency." Robey praised Harrelson and Owen Wilson's trading of insults, before concluding, " the film lurches to a halt more with relief that it's crossed the finish line than with anything you'd call an elegant climax. Who knows what it'll look like down the line as a record of its own premiere—the live-streaming may well have been its oxygen. But we did watch the boundaries crumble outright between live performance and real, on-the-hoof film-making, to amply entertaining effect."
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is not a great film. How could it be when character and plot are slaves to the concept, when all we have is the frame of a single camera? But it is a brilliant technical and logistical achievement, especially from a first-time director previously known for comedy and character roles, and a hippyish
310:
Harrelson announced the film in
September 2016. According to Harrelson, the film contains 30 cast members and 14 shooting locations. The film also includes car and foot chase scenes. It is the first film that Harrelson has directed. The film was produced by Harrelson and Ken Kao of Waypoint
307:, which led to his being chased by police in a different taxi, and spending a night in jail. In the film, Harrelson, Wilson and Nelson play themselves in a story based on the real event, where Harrelson struggles to get home, while running into friends and members of a royal family.
366:, Tim Robey found, "It went alright on the night, with no hideous glitches", adding that, "Breaking new ground with this live experiment was only a matter of time, and single-take gambits of its ilk have been dabbled in for years. Had the technology allowed him back in 2000,
352:, Nick Curtis judged Harrelson's film, "A daft idea, the kind of mad, experimental challenge dreamed up by stoned film nerds after a Hitchcock all-nighter, but one he pulled off with considerable wit and brio.
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with one camera. The running time is approximately 100 minutes. After the live showing, Harrelson participated in a question and answer session. In addition to
Harrelson, Wilson and Nelson,
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assisted in the live production. Nigel
Willoughby is the cinematographer. The film was shot on 20 January, and it was broadcast in over 550 theatres in the United States starting 1800
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179:. The film was shot and screened live in select theatres on 19 January 2017. It is the first time a film was live broadcast into theatres.
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devotion to marijuana. Laced with self-mockery, it's very funny, and far better than we had any right to expect."
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453:"Woody Harrelson Will Make History With World's First-Ever 'Live Cinema' Movie — Exclusive"
343:, the film holds an approval rating of 75% based on 8 reviews, and an average rating of 6.3/10.
850:"Front Row: Siobhan Davies, Peter Bazalgette, Lost in London, Royal Albert Hall ticket resales"
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759:"Lost In London, film review: Self-mocking romp is far better than we had any right to expect"
534:"Live-shooting with Woody Harrelson at 2am: 'There's something about the terror of it I love'"
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was also cast. The film officially premiered in London on 27 January 2017.
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this way. Harrelson acknowledges his debt to the mesmeric German thriller
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363:The Daily Telegraph
157:Lost in London LIVE
976:Films about actors
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570:. 18 December 2016
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484:Vanity Fair
368:Mike Figgis
280:Development
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201:Owen Wilson
173:Owen Wilson
135:100 minutes
88:Owen Wilson
70:Produced by
52:Directed by
951:2017 films
945:Categories
901:26 January
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829:24 January
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711:14 January
686:14 January
661:17 January
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435:References
297:Chinawhite
275:as himself
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231:Sean Power
215:as himself
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118:2017-01-19
62:Written by
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331:Reception
257:as Eugene
221:as Stella
825:. London
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767:. London
742:21 March
655:Collider
598:Deadline
379:Victoria
373:Timecode
339:website
251:as Sayed
227:as Paddy
82:Starring
681:Newsday
411:. With
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