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1650:
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4108:. The strophe and the antistrophe of the ode possess similar metrical structures and, depending on the tradition, similar rhyme structures. In contrast, the epode is written with a different scheme and structure. Odes have a formal poetic diction and generally deal with a serious subject. The strophe and antistrophe look at the subject from different, often conflicting, perspectives, with the epode moving to a higher level to either view or resolve the underlying issues. Odes are often intended to be recited or sung by two choruses (or individuals), with the first reciting the strophe, the second the antistrophe, and both together the epode. Over time, differing forms for odes have developed with considerable variations in form and structure, but generally showing the original influence of the Pindaric or Horatian ode. One non-Western form which resembles the ode is the
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and Old
English forms of poetry. The alliterative patterns of early Germanic poetry interweave meter and alliteration as a key part of their structure, so that the metrical pattern determines when the listener expects instances of alliteration to occur. This can be compared to an ornamental use of alliteration in most Modern European poetry, where alliterative patterns are not formal or carried through full stanzas. Alliteration is particularly useful in languages with less rich rhyming structures.
2725:"). Languages vary in the richness of their rhyming structures; Italian, for example, has a rich rhyming structure permitting maintenance of a limited set of rhymes throughout a lengthy poem. The richness results from word endings that follow regular forms. English, with its irregular word endings adopted from other languages, is less rich in rhyme. The degree of richness of a language's rhyming structures plays a substantial role in determining what poetic forms are commonly used in that language.
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2857:. Free verse is, however, not "formless" but composed of a series of more subtle, more flexible prosodic elements. Thus poetry remains, in all its styles, distinguished from prose by form; some regard for basic formal structures of poetry will be found in all varieties of free verse, however much such structures may appear to have been ignored. Similarly, in the best poetry written in classic styles there will be departures from strict form for emphasis or effect.
1970:
5319:
1908:(1929–2016) used the phrase "the anxiety of demand" to describe the contemporary response to older poetic traditions as "being fearful that the fact no longer has a form", building on a trope introduced by Emerson. Emerson had maintained that in the debate concerning poetic structure where either "form" or "fact" could predominate, that one need simply "Ask the fact for the form." This has been challenged at various levels by other literary scholars such as
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2906:. These lines may be based on the number of metrical feet or may emphasize a rhyming pattern at the ends of lines. Lines may serve other functions, particularly where the poem is not written in a formal metrical pattern. Lines can separate, compare or contrast thoughts expressed in different units, or can highlight a change in tone. See the article on
4214:. Hafez uses the ghazal to expose hypocrisy and the pitfalls of worldliness, but also expertly exploits the form to express the divine depths and secular subtleties of love; creating translations that meaningfully capture such complexities of content and form is immensely challenging, but lauded attempts to do so in English include
1649:
3576:. The basic form of jintishi (sushi) has eight lines in four couplets, with parallelism between the lines in the second and third couplets. The couplets with parallel lines contain contrasting content but an identical grammatical relationship between words. Jintishi often have a rich poetic diction, full of
1885:), and to highlight the complex cultural web within which a poem is read. Today, throughout the world, poetry often incorporates poetic form and diction from other cultures and from the past, further confounding attempts at definition and classification that once made sense within a tradition such as the
3001:
stanza had eight lines, each having three "lifts" produced with alliteration or assonance. In addition to two or three alliterations, the odd-numbered lines had partial rhyme of consonants with dissimilar vowels, not necessarily at the beginning of the word; the even lines contained internal rhyme in
2736:
poetry but goes back to the
Homeric epic. Because verbs carry much of the pitch in the English language, assonance can loosely evoke the tonal elements of Chinese poetry and so is useful in translating Chinese poetry. Consonance occurs where a consonant sound is repeated throughout a sentence without
2728:
Alliteration is the repetition of letters or letter-sounds at the beginning of two or more words immediately succeeding each other, or at short intervals; or the recurrence of the same letter in accented parts of words. Alliteration and assonance played a key role in structuring early
Germanic, Norse
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has argued that while dactyls are important in classical verse, English dactylic verse uses dactyls very irregularly and can be better described based on patterns of iambs and anapests, feet which he considers natural to the language. Actual rhythm is significantly more complex than the basic scanned
3635:
A limerick is a poem that consists of five lines and is often humorous. Rhythm is very important in limericks for the first, second and fifth lines must have seven to ten syllables. However, the third and fourth lines only need five to seven. Lines 1, 2 and 5 rhyme with each other, and lines 3 and 4
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The villanelle is a nineteen-line poem made up of five triplets with a closing quatrain; the poem is characterized by having two refrains, initially used in the first and third lines of the first stanza, and then alternately used at the close of each subsequent stanza until the final quatrain, which
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and subgenres. A poetic genre is generally a tradition or classification of poetry based on the subject matter, style, or other broader literary characteristics. Some commentators view genres as natural forms of literature. Others view the study of genres as the study of how different works relate
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to emphasize it and create a hard stop. Some patterns (such as iambic pentameter) tend to be fairly regular, while other patterns, such as dactylic hexameter, tend to be highly irregular. Regularity can vary between language. In addition, different patterns often develop distinctively in different
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noted that overlaid on top of the regular pattern of stressed and unstressed syllables in a line of verse was a separate pattern of accents resulting from the natural pitch of the spoken words, and suggested that the term "scud" be used to distinguish an unaccented stress from an accented stress.
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can often take the form of a "but" statement contradicting or complicating the content of the earlier lines. In the
Petrarchan sonnet, the turn tends to fall around the division between the first two quatrains and the sestet, while English sonnets usually place it at or near the beginning of the
1861:
The rejection of traditional forms and structures for poetry that began in the first half of the 20th century coincided with a questioning of the purpose and meaning of traditional definitions of poetry and of distinctions between poetry and prose, particularly given examples of poetic prose and
2966:, in which regular rhymes with established rhythms are not used, but the poetic tone is instead established by a collection of rhythms, alliterations, and rhymes established in paragraph form. Many medieval poems were written in verse paragraphs, even where regular rhymes and rhythms were used.
2420:
Each of these types of feet has a certain "feel," whether alone or in combination with other feet. The iamb, for example, is the most natural form of rhythm in the
English language, and generally produces a subtle but stable verse. Scanning meter can often show the basic or fundamental pattern
3451:
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3540:) or else an eight-line poem is normal; either way with the even numbered lines rhyming. The line length is scanned by an according number of characters (according to the convention that one character equals one syllable), and are predominantly either five or seven characters long, with a
2713:
are ways of creating repetitive patterns of sound. They may be used as an independent structural element in a poem, to reinforce rhythmic patterns, or as an ornamental element. They can also carry a meaning separate from the repetitive sound patterns created. For example,
3247:
Specific poetic forms have been developed by many cultures. In more developed, closed or "received" poetic forms, the rhyming scheme, meter and other elements of a poem are based on sets of rules, ranging from the relatively loose rules that govern the construction of an
2808:. Some rhyming schemes have become associated with a specific language, culture or period, while other rhyming schemes have achieved use across languages, cultures or time periods. Some forms of poetry carry a consistent and well-defined rhyming scheme, such as the
3089:
Poetic diction treats the manner in which language is used, and refers not only to the sound but also to the underlying meaning and its interaction with sound and form. Many languages and poetic forms have very specific poetic dictions, to the point where distinct
1912:(1930–2019), who has stated: "The generation of poets who stand together now, mature and ready to write the major American verse of the twenty-first century, may yet be seen as what Stevens called 'a great shadow's last embellishment,' the shadow being Emerson's."
4238:) preserve "that audacious and multilayered richness one finds in the originals". Indeed, Hafez's ghazals have been the subject of much analysis, commentary and interpretation, influencing post-fourteenth century Persian writing more than any other author. The
5427:
organized the first slam. Slam performers comment emotively, aloud before an audience, on personal, social, or other matters. Slam focuses on the aesthetics of word play, intonation, and voice inflection. Slam poetry is often competitive, at dedicated
2978:, where a refrain (or, in the case of the villanelle, refrains) is established in the first stanza which then repeats in subsequent stanzas. Related to the use of interlocking stanzas is their use to separate thematic parts of a poem. For example, the
3043:, poets gained greater control over the mass-produced visual presentations of their work. Visual elements have become an important part of the poet's toolbox, and many poets have sought to use visual presentation for a wide range of purposes. Some
3002:
set syllables (not necessarily at the end of the word). Each half-line had exactly six syllables, and each line ended in a trochee. The arrangement of dróttkvætts followed far less rigid rules than the construction of the individual dróttkvætts.
2489:
used in many nursery rhymes. However, a number of variations to the established meter are common, both to provide emphasis or attention to a given foot or line and to avoid boring repetition. For example, the stress in a foot may be inverted, a
4198:, and a number of major Sufi religious works are written in ghazal form. The relatively steady meter and the use of the refrain produce an incantatory effect, which complements Sufi mystical themes well. Among the masters of the form are
4186:
at the end of the second line. This refrain may be of one or several syllables and is preceded by a rhyme. Each line has an identical meter and is of the same length. The ghazal often reflects on a theme of unattainable love or divinity.
4817:. An elegy may also reflect something that seems to the author to be strange or mysterious. The elegy, as a reflection on a death, on a sorrow more generally, or on something mysterious, may be classified as a form of lyric poetry.
2819:
Most rhyme schemes are described using letters that correspond to sets of rhymes, so if the first, second and fourth lines of a quatrain rhyme with each other and the third line do not rhyme, the quatrain is said to have an AA BA
1862:
prosaic poetry. Numerous modernist poets have written in non-traditional forms or in what traditionally would have been considered prose, although their writing was generally infused with poetic diction and often with rhythm and
5363:, or thought of as poetry composed casually, humor often makes a serious point in a subtle or subversive way. Many of the most renowned "serious" poets have also excelled at light verse. Notable writers of light poetry include
6493:
Kant argues that the nature of poetry as a self-consciously abstract and beautiful form raises it to the highest level among the verbal arts, with tone or music following it, and only after that the more logical and narrative
2969:
In many forms of poetry, stanzas are interlocking, so that the rhyming scheme or other structural elements of one stanza determine those of succeeding stanzas. Examples of such interlocking stanzas include, for example, the
6781:
The generation of poets who stand together now, mature and ready to write the major
American verse of the twenty-first century, may yet be seen as what Stevens called 'a great shadow's last embellishment,' the shadow being
1685:
2054:
within a line. In Modern
English verse the pattern of stresses primarily differentiate feet, so rhythm based on meter in Modern English is most often founded on the pattern of stressed and unstressed syllables (alone or
1597:, developed canons of poetic works that had ritual as well as aesthetic importance. More recently, thinkers have struggled to find a definition that could encompass formal differences as great as those between Chaucer's
1796:
This does not imply that poetry is illogical or lacks narration, but rather that poetry is an attempt to render the beautiful or sublime without the burden of engaging the logical or narrative thought-process. English
3702:
late 7th century), at a time when Japan was emerging from a period where much of its poetry followed
Chinese form. Tanka was originally the shorter form of Japanese formal poetry (which was generally referred to as
5180:
Speculative poetry, also known as fantastic poetry (of which weird or macabre poetry is a major sub-classification), is a poetic genre which deals thematically with subjects which are "beyond reality", whether via
3214:. Vivid images are often endowed with symbolism or metaphor. Many poetic dictions use repetitive phrases for effect, either a short phrase (such as Homer's "rosy-fingered dawn" or "the wine-dark sea") or a longer
3530:). In all cases, rhyming is obligatory. The Yuefu is a folk ballad or a poem written in the folk ballad style, and the number of lines and the length of the lines could be irregular. For the other variations of
3232:
3260:. Described below are some common forms of poetry widely used across a number of languages. Additional forms of poetry may be found in the discussions of the poetry of particular cultures or periods and in the
2937:, and so on. These lines may or may not relate to each other by rhyme or rhythm. For example, a couplet may be two lines with identical meters which rhyme or two lines held together by a common meter alone.
2852:
Poetic form is more flexible in modernist and post-modernist poetry and continues to be less structured than in previous literary eras. Many modern poets eschew recognizable structures or forms and write in
2117:. Thus, Biblical poetry relies much less on metrical feet to create rhythm, but instead creates rhythm based on much larger sound units of lines, phrases and sentences. Some classical poetry forms, such as
1874:
reaction within the modernist schools to the breakdown of structure, this reaction focused as much on the development of new formal structures and syntheses as on the revival of older forms and structures.
1743:
describe three genres of poetry—the epic, the comic, and the tragic—and develop rules to distinguish the highest-quality poetry in each genre, based on the perceived underlying purposes of the genre. Later
3609:
is concluded by the two refrains. The remaining lines of the poem have an AB alternating rhyme. The villanelle has been used regularly in the
English language since the late 19th century by such poets as
5613:
which takes the poetic element of verse as representative of the entire art form. The word "verse" is often so used when contrasting the format of poetry with the format typical of most other writings:
3435:
have challenged the traditional definitions of the sonnet form, rendering entire sequences of "sonnets" that often lack rhyme, a clear logical progression, or even a consistent count of fourteen lines.
3171:, repeatedly rendered in both verse and prose since first being recorded about 500 BCE, are perhaps the richest single source of allegorical poetry through the ages. Other notables examples include the
3707:"), and was used more heavily to explore personal rather than public themes. By the tenth century, tanka had become the dominant form of Japanese poetry, to the point where the originally general term
4520:
literature. This genre is often defined as lengthy poems concerning events of a heroic or important nature to the culture of the time. It recounts, in a continuous narrative, the life and works of a
5710:
poetry 2 : writing that formulates a concentrated imaginative awareness of experience in language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm
5940:
poetry, tales, recitations of various kinds existed long before writing was introduced and these oral forms continued in modified 'oral' forms, even after the establishment of a written literature.
5344:. Although a few free verse poets have excelled at light verse outside the formal verse tradition, light verse in English usually obeys at least some formal conventions. Common forms include the
6041:
A small tablet in a special display this month in the
Istanbul Museum of the Ancient Orient is thought to be the oldest love poem ever found, the words of a lover from more than 4,000 years ago.
6300:
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in verse dates to the 6th century B.C., and may have been an influence on the development of Sanskrit drama, just as Indian drama in turn appears to have influenced the development of the
11413:
3369:
Sonnets are particularly associated with high poetic diction, vivid imagery, and romantic love, largely due to the influence of Petrarch as well as of early English practitioners such as
5261:"). While some examples of earlier prose strike modern readers as poetic, prose poetry is commonly regarded as having originated in 19th-century France, where its practitioners included
3544:
before the final three syllables. The lines are generally end-stopped, considered as a series of couplets, and exhibit verbal parallelism as a key poetic device. The "old style" verse (
3690:), structured in a 5–7–5–7–7 pattern. There is generally a shift in tone and subject matter between the upper 5–7–5 phrase and the lower 7–7 phrase. Tanka were written as early as the
1665:
1246:
establish a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between individual
1858:
essentially do not distinguish between the creation of a poem with words, and creative acts in other media. Other modernists challenge the very attempt to define poetry as misguided.
3395:
allow for a logical flexibility applicable to many subjects. Poets from the earliest centuries of the sonnet to the present have used the form to address topics related to politics (
6935:
Bala Sundara Raman, L.; Ishwar, S.; Kumar Ravindranath, Sanjeeth (2003). "Context Free Grammar for Natural Language Constructs: An implementation for Venpa Class of Tamil Poetry".
5689:
poetry Literary work in which the expression of feelings and ideas is given intensity by the use of distinctive style and rhythm; poems collectively or as a genre of literature.
3139:, some poets have opted for a poetic diction that de-emphasizes rhetorical devices, attempting instead the direct presentation of things and experiences and the exploration of
2105:, a rhetorical structure in which successive lines reflected each other in grammatical structure, sound structure, notional content, or all three. Parallelism lent itself to
2393:, a four syllable metric foot with a stressed syllable followed by two unstressed syllables and closing with a stressed syllable. The choriamb is derived from some ancient
5446:
Performance poetry, similar to slam in that it occurs before an audience, is a genre of poetry that may fuse a variety of disciplines in a performance of a text, such as
2993:
In some cases, particularly lengthier formal poetry such as some forms of epic poetry, stanzas themselves are constructed according to strict rules and then combined. In
1813:
as a key element of successful poetry because form is abstract and distinct from the underlying notional logic. This approach remained influential into the 20th century.
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on, is the sonnet, which by the 13th century had become standardized as fourteen lines following a set rhyme scheme and logical structure. By the 14th century and the
10908:
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5199:
is sometimes seen as the "father of speculative poetry". Poe's most remarkable achievement in the genre was his anticipation, by three-quarters of a century, of the
3351:, or "turn," a point in the poem at which an idea is turned on its head, a question is answered (or introduced), or the subject matter is further complicated. This
11406:
3047:
poets have made the placement of individual lines or groups of lines on the page an integral part of the poem's composition. At times, this complements the poem's
2507:
in Russian will generally reflect a regularity in the use of accents to reinforce the meter, which does not occur, or occurs to a much lesser extent, in English.
1354:). Thus if, for example, a poem asserts, "I killed my enemy in Reno", it is the speaker, not the poet, who is the killer (unless this "confession" is a form of
6212:
Gentz, Joachim (2008). "Ritual Meaning of Textual Form: Evidence from Early Commentaries of the Historiographic and Ritual Traditions". In Kern, Martin (ed.).
2772:
In many languages, including Arabic and modern European languages, poets use rhyme in set patterns as a structural element for specific poetic forms, such as
1816:
During the 18th and 19th centuries, there was also substantially more interaction among the various poetic traditions, in part due to the spread of European
1979:
The methods for creating poetic rhythm vary across languages and between poetic traditions. Languages are often described as having timing set primarily by
1308:, "makers" of language – have contributed to the evolution of the linguistic, expressive, and utilitarian qualities of their languages. In an increasingly
7924:
2039:
also affects how rhythm is perceived. Languages can rely on either pitch or tone. Some languages with a pitch accent are Vedic Sanskrit or Ancient Greek.
11399:
2737:
putting the sound only at the front of a word. Consonance provokes a more subtle effect than alliteration and so is less useful as a structural element.
1892:
The early 21st-century poetic tradition appears to continue to strongly orient itself to earlier precursor poetic traditions such as those initiated by
10338:
4190:
As with other forms with a long history in many languages, many variations have been developed, including forms with a quasi-musical poetic diction in
7112:
6292:
5332:, is poetry that attempts to be humorous. Poems considered "light" are usually brief, and can be on a frivolous or serious subject, and often feature
1199:, and emphasized aesthetics which distinguish poetry from the format of more objectively-informative, academic, or typical writing, which is known as
10200:
1628:
3808:) is among the oldest Thai poetic forms. This is reflected in its requirements on the tone markings of certain syllables, which must be marked with
11197:
9931:
9155:
1301:. Much modern poetry reflects a critique of poetic tradition, testing the principle of euphony itself or altogether forgoing rhyme or set rhythm.
9012:
9204:
2732:
Assonance, where the use of similar vowel sounds within a word rather than similar sounds at the beginning or end of a word, was widely used in
1589:
The efforts of ancient thinkers to determine what makes poetry distinctive as a form, and what distinguishes good poetry from bad, resulted in "
10314:
9057:
4908:
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period), two of which corresponded directly to the aforementioned marks. It is usually regarded as an advanced and sophisticated poetic form.
3568:(701–762 CE). Among its other rules, the jintishi rules regulate the tonal variations within a poem, including the use of set patterns of the
3328:, and a greater amount of variety in rhyme than is usually found in its Italian predecessors. By convention, sonnets in English typically use
10773:
2162:
The formal patterns of meter used in Modern English verse to create rhythm no longer dominate contemporary English poetry. In the case of
10958:
3210:
for effect. The juxtaposition of unexpected or impossible images is, for example, a particularly strong element in surrealist poetry and
10231:
2721:
Rhyme consists of identical ("hard-rhyme") or similar ("soft-rhyme") sounds placed at the ends of lines or at locations within lines ("
5731:
poetry 1 the art of rhythmical composition, written or spoken, for exciting pleasure by beautiful, imaginative, or elevated thoughts.
3855:). This was likely derived from when the Thai language had three tones (as opposed to today's five, a split which occurred during the
1939:
of a poem. Rhythm and meter are different, although closely related. Meter is the definitive pattern established for a verse (such as
10376:
2832:. Some types of more complicated rhyming schemes have developed names of their own, separate from the "a-bc" convention, such as the
5870:
Höivik, Susan; Luger, Kurt (3 June 2009). "Folk Media for Biodiversity Conservation: A Pilot Project from the Himalaya-Hindu Kush".
7068:
4096:. Forms of odes appear in many of the cultures that were influenced by the Greeks and Latins. The ode generally has three parts: a
1943:), while rhythm is the actual sound that results from a line of poetry. Prosody also may be used more specifically to refer to the
2784:. However, the use of structural rhyme is not universal even within the European tradition. Much modern poetry avoids traditional
2182:
are three notable poets who reject the idea that regular accentual meter is critical to English poetry. Jeffers experimented with
1335:(either classical or contemporary), or through other (often canonised) poets' work which sets some kind of example or challenge.
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9771:
6998:
6437:
Burnett, Charles (2001). "Learned Knowledge of Arabic Poetry, Rhymed Prose, and Didactic Verse from Petrus Alfonsi to Petrarch".
1517:. Epic poetry appears to have been composed in poetic form as an aid to memorization and oral transmission in ancient societies.
8730:
8788:. Monographs in International Studies, Southeast Asia Series. Athens, Ohio: Ohio University Center for International Studies.
1453:
to ensure fertility and prosperity; some have labelled it the world's oldest love poem. An example of Egyptian epic poetry is
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Qureshi, Regula Burckhardt (Autumn 1990). "Musical Gesture and Extra-Musical Meaning: Words and Music in the Urdu Ghazal".
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generally, became less common in the west after the early 20th century, some notable epics have continued to be written.
2824:. This rhyme scheme is the one used, for example, in the rubaiyat form. Similarly, an A BB A quatrain (what is known as "
2075:
poetry used a metrical pattern involving varied numbers of syllables but a fixed number of strong stresses in each line.
668:
9096:
1793:, which they generally understood as writing with a proclivity to logical explication and a linear narrative structure.
11142:
10164:
9907:
9858:
6767:
6733:
3552:, or regulated verse, which, despite the name "new style" verse actually had its theoretical basis laid as far back as
3157:
stories are central to the poetic diction of many cultures, and were prominent in the West during classical times, the
1261:
and respond to characteristics of the language in which the poet writes. Readers accustomed to identifying poetry with
10798:
8392:
8368:
8344:
5245:
Prose poetry is a hybrid genre that shows attributes of both prose and poetry. It may be indistinguishable from the
4688:
10352:
4726:
4230:) whose Preface addresses in detail the problematic nature of translating ghazals and whose versions (according to
4210:, 12th century Iranian Sufi mystic poet who Rumi considered his master, and their equally famous near-contemporary
3948:
has five syllables, the second has a variable number, also depending on the type, and may be optional. The type of
3218:. Such repetition can add a somber tone to a poem, or can be laced with irony as the context of the words changes.
2159:) tone. Certain forms of poetry placed constraints on which syllables were required to be level and which oblique.
9177:
5235:
1881:
goes beyond modernism's emphasis on the creative role of the poet, to emphasize the role of the reader of a text (
10951:
10903:
10751:
2456:
7932:
1733:
employed classification as a way to define and assess the quality of poetry. Notably, the existing fragments of
10778:
10290:
5029:
4764:
3479:
2417:, often have concepts similar to the iamb and dactyl to describe common combinations of long and short sounds.
2050:
Metrical rhythm generally involves precise arrangements of stresses or syllables into repeated patterns called
1753:
1188:
1039:, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in
569:
5280:
Since the late 1980s especially, prose poetry has gained increasing popularity, with entire journals, such as
3195:(influenced by Aesop's) in the 17th century. Rather than being fully allegorical, however, a poem may contain
3102:
in poetry can range from strict employment of ordinary speech patterns, as favoured in much late-20th-century
2225:
and the number of feet per line. The number of metrical feet in a line are described using Greek terminology:
8748:
4995:
3469:
3020:
poems conveyed meanings in the initial letters of lines or in letters at other specific places in a poem. In
2494:(or pause) may be added (sometimes in place of a foot or stress), or the final foot in a line may be given a
11327:
9663:
8305:
7385:
Osberg, Richard H. (2001). "'I kan nat geeste': Chaucer's Artful Alliteration". In Gaylord, Alan T. (ed.).
6025:
5405:
3580:, and can have a wide range of subject, including history and politics. One of the masters of the form was
3387:
1846:
rely less on the ostensible opposition of prose and poetry, instead focusing on the poet as simply one who
1579:
9333:
10809:
10257:
3569:
3312:, though some variation, perhaps the most common being CDCDCD, especially within the final six lines (or
3158:
2437:
meter described above, and many scholars have sought to develop systems that would scan such complexity.
2136:
9590:
2432:
There is debate over how useful a multiplicity of different "feet" is in describing meter. For example,
1991:, depending on how rhythm is established, although a language can be influenced by multiple approaches.
42:
10944:
10274:
4865:
4243:
2800:. Arabic language poets used rhyme extensively not only with the development of literary Arabic in the
2624:
2477:
Different traditions and genres of poetry tend to use different meters, ranging from the Shakespearean
2286:
1266:
809:
794:
708:
2200:
11843:
11717:
11312:
11242:
10913:
10865:
9641:
7672:
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4291:, but the term "narrative poetry" is often reserved for smaller works, generally with more appeal to
4057:
3304:, who is credited with introducing the sonnet form into English literature. A traditional Italian or
2110:
2044:
1847:
985:
38:
17:
9118:
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Limericks can be found in the work of Lord Alfred Tennyson, Rudyard Kipling, Robert Louis Stevenson
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2543:
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2114:
2036:
1936:
1227:
1207:
911:
376:
9932:"Object Paradise, el colectivo artístico que quiere devolver la vida y la voz al barrio de Žižkov"
6945:
4452:
nature. Poems in this genre tend to be shorter, melodic, and contemplative. Rather than depicting
3016:
Even before the advent of printing, the visual appearance of poetry often added meaning or depth.
1574:. The Shijing, with its collection of poems and folk songs, was heavily valued by the philosopher
11452:
7979:
Sheets, George A. (Spring 1981). "The Dialect Gloss, Hellenistic Poetics and Livius Andronicus".
5570:
4885:
4663:
4489:
3711:("Japanese poetry") came to be used exclusively for tanka. Tanka are still widely written today.
3067:, or simply to create an aesthetically pleasing form. In its most extreme form, this can lead to
2179:
1984:
1789:. Later poets and aestheticians often distinguished poetry from, and defined it in opposition to
1397:
and other oral genres. Others, however, suggest that poetry did not necessarily predate writing.
848:
819:
814:
279:
63:
9552:
Dramatic poetry: Pound's 'Sestina: Altaforte' or Eliot's 'The Love Song of J. Alfred Proufrock'.
9208:
6244:
6238:
4791:
4239:
3725:
Haiku is a popular form of unrhymed Japanese poetry, which evolved in the 17th century from the
11162:
11017:
10987:
10686:
10310:
9414:
8866:
8860:
8412:
8406:
8280:
8274:
7471:
7258:
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6114:
5270:
4334:. It has been speculated that some features that distinguish poetry from prose, such as meter,
3695:
3670:
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2520:
Some common metrical patterns, with notable examples of poets and poems who use them, include:
2410:
2101:
1305:
858:
300:
10924:
9796:
8508:
8500:
7899:
7893:
7215:
7205:
6762:. Bloom's modern critical views (revised ed.). New York: Infobase Publishing. p. 7.
6054:
5815:
3735:. Generally written in a single vertical line, the haiku contains three sections totalling 17
2940:
2221:
In the Western poetic tradition, meters are customarily grouped according to a characteristic
11848:
11624:
11391:
11272:
11202:
11192:
10762:
6124:
6118:
5964:
5925:
5846:
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5585:
5293:
4857:
4481:
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3556:(441–513 CE), although not considered to have reached its full development until the time of
3412:
3278:
3227:
2917:, which are denominated by the number of lines included. Thus a collection of two lines is a
2801:
1980:
1810:
1593:"—the study of the aesthetics of poetry. Some ancient societies, such as China's through the
1359:
1312:
world, poets often adapt forms, styles, and techniques from diverse cultures and languages.
961:
824:
789:
773:
744:
249:
7549:
6012:' What I held in my hand was one of the oldest love songs written down by the hand of man .'
4311:
were composed of compilations of shorter narrative poems that related individual episodes.
3025:
11853:
11564:
11442:
11317:
11147:
11137:
11012:
10918:
10893:
10850:
10220:
9875:
9522:
7211:
6089:
5217:
4889:
4861:
3400:
3207:
2788:. Classical Greek and Latin poetry did not use rhyme. Rhyme entered European poetry in the
2682:
2629:
2486:
2470:
2422:
2281:. Iambic pentameter and dactylic hexameter were later used by a number of poets, including
2126:
1956:
1850:
using language, and poetry as what the poet creates. The underlying concept of the poet as
1632:
1598:
1328:
1234:
often leaves a poem open to multiple interpretations. Similarly, figures of speech such as
1168:
559:
431:
96:
2237:" is a meter comprising five feet per line, in which the predominant kind of foot is the "
8:
11838:
11833:
11739:
11487:
11052:
11007:
10837:
10803:
10768:
10582:
10393:
9821:
9280:
9071:
6681:
5193:. Such poetry appears regularly in modern science fiction and horror fiction magazines.
4987:
4971:
4756:
4562:
4378:
4254:
In addition to specific forms of poems, poetry is often thought of in terms of different
3512:. Within this form of poetry the most important variations are "folk song" styled verse (
3301:
3293:
3282:
3241:
3188:
3131:
2907:
2903:
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to be spoken or sung, and appears in varying, sometimes related forms in many cultures.
4999:
3747:, or cutting word, usually placed at the end of one of the poem's three sections, and a
11729:
11659:
11654:
11574:
11332:
11287:
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11167:
10788:
10756:
10557:
10542:
10251:
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9893:
9658:
9407:
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7996:
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7522:
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7147:
6427:
6337:
6169:
5895:
5808:
5441:
5301:
5266:
5165:
5096:
5081:
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4833:
4715:
4625:
4477:
4469:
4429:
4327:
4169:
3740:
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3140:
2765:
2718:
used heavy alliteration to mock Old English verse and to paint a character as archaic.
2673:
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1996:
1960:
1901:
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453:
448:
416:
406:
371:
244:
11599:
8865:. Britannica Educational Pub. in association with Rosen Educational Services. p.
6410:
Boggess, William F. (1968). "'Hermannus Alemannus' Latin Anthology of Arabic Poetry".
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11694:
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9992:
9903:
9899:
A Critical Introduction to Twentieth-Century American Drama: Volume 3 Beyond Broadway
9854:
9682:
9620:
9526:
9513:
Dolby, William (1983). "Early Chinese Plays and Theatre". In Mackerras, Colin (ed.).
9493:
9468:
9443:
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9385:
9360:
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9288:
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8019:
7959:
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7872:
7853:
7812:
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7699:
7582:
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7529:
7500:
7475:
7417:
7390:
7353:
7262:
7219:
7004:
6965:
6915:
6878:
6841:
6840:. Cambridge textbooks in linguistics. Cambridge University Press. pp. 1–4, 130.
6763:
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6704:
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6592:
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6509:
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3333:
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that deepen the meaning or effect of its words without constructing a full allegory.
3167:
3110:
2876:. These basic units of poetic form are often combined into larger structures, called
2829:
2584:
2572:
2524:
2514:
2504:
2478:
2234:
2016:
1992:
1940:
1863:
1700:
1562:
1535:
1402:
1375:
1111:
1089:
1078:
1073:
1036:
894:
863:
853:
627:
528:
401:
386:
335:
232:
8949:
6082:
5722:
4064:, and changing the spelling of words to satisfy the criteria is usually acceptable.
3106:, through to highly ornate uses of language, as in medieval and Renaissance poetry.
11674:
11664:
11644:
11512:
11497:
11492:
11352:
11307:
11262:
11237:
10720:
10071:
9956:
9515:
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8945:
8445:
8192:
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7841:
7411:
7139:
6567:
6419:
6327:
6161:
5879:
5701:
5424:
5380:
5090:
4933:
4453:
4370:
4366:
4278:
3618:
3289:
3178:
3173:
3103:
2948:
2789:
2438:
2394:
2171:
2167:
2028:
2024:
2020:
2012:
2004:
1973:
1905:
1855:
1609:
1339:
804:
550:
508:
411:
220:
77:
9986:
9702:
3135:
that "the greatest thing by far is to be a master of metaphor." Since the rise of
11828:
11609:
11594:
11589:
11554:
11529:
11502:
11477:
11462:
11447:
11426:
11337:
11322:
11092:
11042:
11002:
10725:
10715:
10674:
10626:
10477:
10450:
10286:
10121:
9100:
7459:
6757:
5497:
5485:
5455:
5376:
5200:
5196:
5186:
4991:
4979:
4975:
4912:
4881:
4873:
4829:
4748:
4740:
4658:
4485:
4410:
4406:
4394:
4235:
3677:
3645:
3424:
3378:
3363:
3337:
3183:
3068:
2998:
2963:
2865:
2793:
2761:
2610:
2385:—two unstressed syllables together (rare, usually used to end dactylic hexameter)
2336:
2266:
2092:
2089:
2032:
2008:
1843:
1798:
1730:
1676:
1617:
1583:
1454:
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on a page, which follow a rhythmic or other deliberate pattern. For this reason,
1001:
878:
835:
579:
436:
426:
160:
104:
9232:
Beyond the screen: transformations of literary structures, interfaces and genres
8993:(Spring 1988). "Mystical Poetry in Islam: The Case of Maulana Jalaladdin Rumi".
8183:
Crisp, P. (1 November 2005). "Allegory and symbol – a fundamental opposition?".
7342:
4425:
3752:
1659:
from Nippur, Iraq. Ur III period, 2037–2029 BCE. Ancient Orient Museum, Istanbul
1604:
11774:
11754:
11734:
11709:
11699:
11684:
11669:
11639:
11604:
11584:
11534:
11524:
11519:
11507:
11482:
11472:
11357:
11222:
11212:
11152:
11087:
11027:
10992:
10982:
10608:
10592:
10282:
10148:
10091:
10043:
9846:
9041:
8505:
An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art
8449:
7440:
Kiparsky, Paul (Summer 1973). "The Role of Linguistics in a Theory of Poetry".
6875:
The well-tun'd word : musical interpretations of English poetry, 1597–1651
6677:
5575:
5560:
5530:
5274:
5190:
5085:
5055:
5037:
5007:
4952:
4929:
4925:
4897:
4837:
4825:
4648:
4620:
4557:
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and dramatic poetry, does not attempt to tell a story but instead is of a more
4386:
4331:
4323:
4292:
4227:
4165:
3573:
3557:
3520:
3499:
3420:
3385:
are among the most famous in English poetry, with twenty being included in the
3370:
3317:
3084:
3072:
3029:
2944:
2825:
2722:
2702:
2576:
2495:
2451:
2222:
2175:
2122:
2082:
2051:
2040:
2000:
1926:
1867:
1557:
1286:
1247:
1231:
1108:
1013:
997:
935:
799:
703:
518:
441:
330:
237:
70:
11549:
9548:
Dramatic Poetics and American Poetic Culture, 1865–1904, Doctoral Dissertation
7845:
6332:
6315:
4739:, subtitled "A Satire on the True Blue Protestant Poet, T.S." (a reference to
4567:
2840:. The types and use of differing rhyming schemes are discussed further in the
11822:
11808:
11764:
11749:
11744:
11689:
11679:
11649:
11629:
11614:
11569:
11539:
11457:
11437:
11381:
11292:
11267:
11062:
11057:
11032:
10831:
10334:
10117:
10067:
9093:
8380:
8356:
8332:
8196:
8016:
Broken English: dialects and the politics of language in Renaissance writings
7051:
5992:
5891:
5883:
5540:
5517:
5372:
5364:
5353:
5322:
5258:
5182:
5126:
5069:
5059:
5041:
4730:
4667:
4215:
4161:
4113:
4016:
3984:
3968:
3936:
3900:
3881:
3845:
3823:
3804:
3704:
3432:
3099:
3021:
3011:
2893:
2756:
2639:, is also in trochaic tetrameter, the natural rhythm of Finnish and Estonian)
2589:
2533:
2460:
2433:
2409:
rather than or in addition to syllabic accents in determining meter, such as
2304:
2238:
2183:
2064:
1886:
1878:
1871:
1851:
1656:
1640:
1542:
1488:
1431:
1363:
1309:
1278:
1192:
1118:
1064:
1017:
873:
713:
673:
421:
396:
381:
320:
11302:
11297:
9988:
Poetic designs: an introduction to meters, verse forms and figures of speech
9851:
Voicing American Poetry: Sound and Performance from the 1920s to the Present
8436:
Wang, Yugen (1 June 2004). "Shige: The Popular Poetics of Regulated Verse".
8160:
Allegorical poetics and the epic: the Renaissance tradition to Paradise Lost
8135:
Working through the contradictions from cultural theory to critical practice
7832:
Freedman, David Noel (July 1972). "Acrostics and Metrics in Hebrew Poetry".
4947:, inanimate objects, or forces of nature that illustrate a moral lesson (a "
3359:
1969:
11789:
11759:
11619:
11579:
11559:
11544:
11117:
11107:
11097:
11072:
11067:
10886:
10881:
10793:
10658:
10646:
10430:
10027:
9679:
Invisible fences: prose poetry as a genre in French and American literature
9104:
8496:
6753:
6749:
6728:(enlarged ed.). London and Basingstoke: Macmillan Press. p. 919.
6293:"'I don't care': text shows modern poetry began much earlier than believed"
6007:
5476:
movements in the 1950s and regard spontaneous, site-specific performances.
5341:
5313:
5246:
5230:
5131:
5121:
4967:
4877:
4735:
4703:
4525:
4439:
4390:
4335:
4078:
3691:
3610:
3445:
3428:
3416:
3404:
2841:
2821:
2785:
2746:
2699:
2594:
2426:
2402:
2398:
2265:", comprises six feet per line, of which the dominant kind of foot is the "
2242:
2132:
2068:
1964:
1909:
1893:
1882:
1614:
1485:
1446:
989:
981:
588:
513:
315:
215:
203:
11247:
9753:
7650:
6934:
2353:—two unstressed syllables followed by one stressed syllable (e.g. com-pre-
1067:
written during the 25th century BCE. The earliest surviving Western Asian
11779:
11769:
11634:
11342:
11232:
11047:
11022:
10997:
10735:
10703:
10664:
10509:
10435:
10372:
10196:
10174:
10095:
7804:
6589:
The classical tradition: Greek and Roman influences on western literature
5590:
5565:
5550:
5525:
5473:
5429:
5400:
5384:
5329:
5297:
5149:
5003:
4849:
4845:
4809:
song. The term "elegy," which originally denoted a type of poetic meter (
4795:
4722:
4692:
4671:
4585:
4501:
4445:
4414:
4382:
4288:
4173:
4101:
3913:
3787:
3637:
3614:
3602:
3396:
3341:
3162:
3148:
3033:
2983:
2873:
2833:
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2687:
2650:
2528:
2414:
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2072:
1821:
1817:
1786:
1749:
1513:
1415:
1394:
1060:
1056:
1009:
968:
or surface-level meanings. Any particular instance of poetry is called a
735:
574:
564:
462:
305:
175:
165:
138:
6439:
Poetry and Philosophy in the Middle Ages: A Festschrift for Peter Dronke
6053:
Chyla, Julia; Rosińska-Balik, Karolina; Debowska-Ludwin, Joanna (2017).
5318:
5018:
4246:, a collection of lyrical poems, is inspired by the Persian poet Hafez.
3036:
poems has played an important part in the overall effect of many poems.
1063:
valleys. Some of the earliest written poetry in Africa occurs among the
11347:
11207:
11082:
11037:
10696:
10621:
10587:
10514:
10499:
10487:
10455:
10416:
10240:
9181:
8092:
6572:
6555:
6173:
6149:
5913:
5610:
5493:
5388:
5368:
5239:
5212:
5141:
4841:
4821:
4752:
4643:
4638:
4473:
4465:
3593:
3408:
3257:
3147:
have pushed rhetorical devices to their limits, making frequent use of
3144:
2975:
2854:
2837:
2797:
2644:
2389:
There are a wide range of names for other types of feet, right up to a
2292:
2226:
2207:
2163:
1824:, during the Romantic period numerous ancient works were rediscovered.
1802:
1781:
Aristotle's work was influential throughout the Middle East during the
1775:
1745:
1643:
writes that an inscribed Greek poem predated Romanos' stressed poetry.
1520:
Other forms of poetry, including such ancient collections of religious
965:
949:
945:
725:
647:
503:
481:
123:
88:
9728:
8585:
8000:
7151:
6701:
Postmodernist culture: an introduction to theories of the contemporary
6591:(Reissued ed.). Oxford University Press. pp. 355, 360, 479.
6431:
4590:
4295:. Narrative poetry may be the oldest type of poetry. Many scholars of
3666:
3598:
3484:
3474:
2902:
Poetry is often separated into lines on a page, in a process known as
2804:, but also with the much older oral poetry, as in their long, rhyming
2078:
11182:
11102:
10680:
10669:
10631:
10524:
8667:
McCllintock, Michael; Ness, Pamela Miller; Kacian, Jim, eds. (2003).
6833:
5468:
5333:
5073:
4768:
4707:
4633:
4517:
4362:
4284:
4088:
Odes were first developed by poets writing in ancient Greek, such as
3237:
3136:
3126:
3060:
3044:
2813:
2690:
2677:
2614:
2230:
2125:, had rigid grammars (to the point that they could be expressed as a
1832:
1734:
1723:
1719:
1672:
1575:
1553:
1423:
1215:
1158:
1068:
1044:
977:
868:
265:
170:
128:
10936:
8890:
8385:
Chinese Lyricism: Shih Poetry from the Second to the Twelfth Century
8361:
Chinese Lyricism: Shih Poetry from the Second to the Twelfth Century
8337:
Chinese Lyricism: Shih Poetry from the Second to the Twelfth Century
6165:
4510:
3236:
Statue of runic singer Petri Shemeikka at Kolmikulmanpuisto Park in
2872:. Also sometimes used are broader visual presentations of words and
2751:
2655:
2510:
2307:– one unstressed syllable followed by a stressed syllable (e.g. des-
2023:
are called syllable-timed languages. Stress-timed languages include
11252:
11217:
10708:
10597:
10519:
10465:
10440:
7992:
7143:
6423:
5580:
5489:
5420:
5360:
5349:
5204:
5140:. American poets of 20th century revive dramatic poetry, including
5101:
4814:
4801:
An elegy is a mournful, melancholy or plaintive poem, especially a
4773:
4760:
4615:
4610:
4605:
4595:
4267:
3909:
3577:
3553:
3526:
3321:
3297:
3200:
3154:
3118:
3040:
3017:
2934:
2635:
2390:
2350:
2339:– one stressed syllable followed by two unstressed syllables (e.g.
2195:
2106:
1944:
1525:
1507:
1390:
1355:
1243:
1235:
1172:
976:. Poets use a variety of techniques called poetic devices, such as
957:
758:
698:
488:
133:
113:
9772:"Honoring Marc Kelly Smith and International Poetry Slam Movement"
7074:. Fondazione Universitaria in provincia di Belluno. Archived from
6052:
3450:
11362:
11187:
11157:
10691:
10641:
10615:
10492:
10445:
7673:"Forms of verse: Free verse [Victoria and Albert Museum]"
7000:
Sexuality and Gender in the Classical World: Readings and Sources
6531:
The constructivist moment: from material text to cultural poetics
5488:
in 2018, are events which focus less on poetry as a prescriptive
5481:
5416:
5170:
5116:
5064:
4810:
4806:
4711:
4600:
4543:
4457:
4339:
4307:
4271:
4183:
4097:
4048:, two syllables in the second, and four syllables in the fourth.
3743:), structured in a 5–7–5 pattern. Traditionally, haiku contain a
3541:
3325:
3215:
3196:
3095:
3091:
3052:
2979:
2922:
2918:
2860:
Among major structural elements used in poetry are the line, the
2781:
2715:
2694:
2499:
2491:
2382:
2360:
2322:
2254:
2056:
1820:
and the attendant rise in global trade. In addition to a boom in
1761:
1692:
1621:
1590:
1582:. His remarks on the subject have become an invaluable source in
1530:
1475:
1470:
1427:
1298:
1254:
1211:
1150:
1103:
1085:
1048:
1029:
1025:
940:
730:
607:
493:
476:
357:
325:
310:
295:
153:
11803:
11376:
10126:(4th rev. ed.). Princeton, NJ: Princeton University Press.
9259:(reprint ed.). Cambridge University Press. pp. 22–45.
5511:
4020:) is the most common form still currently employed. It has four
3320:
follows the rhyme scheme ABAB CDCD EFEF GG, introducing a third
2325:—one stressed syllable followed by an unstressed syllable (e.g.
11277:
10730:
10602:
8963:
Sequeira, Isaac (1 June 1981). "The Mystique of the Mushaira".
8706:
Haiku moment: an anthology of contemporary North American haiku
6316:"Less Care, More Stress: A Rythmyic Poem From the Romas Empire"
5136:
5106:
5022:
4936:
4802:
4744:
4699:
4676:
4552:
4548:
4461:
4449:
4343:
4315:
4203:
4195:
4125:
4109:
4093:
4089:
4082:
3744:
3584:(712–770 CE), who wrote during the Tang Dynasty (8th century).
3565:
3489:
3273:
3253:
3114:
3048:
2971:
2956:
2930:
2926:
2914:
2897:
2881:
2861:
2805:
2777:
2773:
2565:
2560:
2278:
2258:
2250:
2246:
2214:
2204:
2096:
1932:
1757:
1571:
1548:
1497:
1492:
1450:
1239:
1219:
1184:
1124:
1040:
993:
953:
720:
693:
642:
637:
612:
597:
182:
143:
11421:
9591:"The Love Song of J. Alfred Prufrock | Modern American Poetry"
9490:
Sanskrit Drama in its origin, development, theory and practice
7130:
Kiparsky, Paul (September 1975). "Stress, Syntax, and Meter".
4706:
had a strong tradition of satirical poetry, often written for
3636:
rhyme with each other. Practitioners of the limerick included
2990:
of the ode form are often separated into one or more stanzas.
2289:, respectively. The most common metrical feet in English are:
11722:
11127:
10482:
10385:
9037:
7416:. Translated by Pinsky, Robert. Farrar, Straus & Giroux.
5615:
5451:
5447:
5208:
5051:
4963:
4956:
4948:
4944:
4919:
4786:
4537:
4532:
4358:
4319:
4301:
4296:
4255:
4211:
4105:
3732:
3727:
3720:
3661:
3581:
3536:
3514:
3458:
3454:
3249:
3211:
3122:
3064:
2994:
2987:
2869:
2733:
2669:
2555:
2421:
underlying a verse, but does not show the varying degrees of
2296:
2274:
2118:
1790:
1771:
1765:
1480:
1464:
1411:
1320:
1282:
1258:
1223:
1200:
1196:
1176:
1144:
1139:
1128:); or from a need to retell oral epics, as with the Egyptian
1005:
617:
602:
498:
275:
227:
198:
118:
10224:
9312:. Modern Humanities Research Association. pp. 171–175.
7306:
4060:" syllables are allowed in place of syllables which require
3751:, or season-word. The most famous exponent of the haiku was
11077:
10262:
Dialectics and Humanism: The Polish Philosophical Quarterly
8669:
The tanka anthology: tanka in English from around the world
7869:
Reading the Visual – 17th century poetry and visual culture
5111:
4653:
4521:
4354:
4347:
4199:
4191:
3988:). The two differ in the number of syllables in the second
3905:
3748:
1521:
1419:
1347:
1332:
1274:
1180:
1095:
1052:
973:
622:
148:
9013:"Attar, the Sufi Poet and Master of Rumi, by Sholeh Wolpé"
5496:
act and performance, often incorporating broader forms of
3206:
Another element of poetic diction can be the use of vivid
1556:. The earliest entries in the oldest extant collection of
1338:
In first-person poems, the lyrics are spoken by an "I", a
1206:
Poetry uses forms and conventions to suggest differential
10909:
List of people considered a founder in a Humanities field
10472:
10280:
8838:(Reprint ed.). Kessinger Publishing. p. lxxxv.
8612:
5635:. However, in some forms, the unit is more equivalent to
5337:
5211:(which, due to its very speculative nature, he termed a "
5174:
5077:
5045:
4073:
3956:
in a stanza; it may also be divided into two main types:
2273:, the earliest extant examples of which are the works of
2269:". Dactylic hexameter was the traditional meter of Greek
1827:
1389:
Some scholars believe that the art of poetry may predate
632:
10155:
The Well Wrought Urn: Studies in the Structure of Poetry
9467:(10th ed.). Wadsworth Cengage Learning. p. 9.
8475:(2nd ed.). Harcourt Brace Jovanovich. p. 119.
7528:. University of California Press. pp. x–xi, 38–42.
6189:
A poetics handbook: verbal art in the European tradition
3288:
Among the most common forms of poetry, popular from the
2816:, while other poetic forms have variable rhyme schemes.
1675:
was influential in the developed approach to poetry and
62:
This article is about the art form. For other uses, see
10535:
9565:
7958:(2nd ed.). Wesleyan University Press. p. 41.
7809:
Companion to Old Norse-Icelandic Literature and Culture
5842:
The Harvill Book of Twentieth-Century Poetry in English
4182:
has from five to fifteen rhyming couplets that share a
3300:, whose sonnets were translated in the 16th century by
2880:
or poetic modes (see the following section), as in the
9619:. Science Fiction Poetry Association. pp. 11–17.
9285:
Lyric poetry : the pain and the pleasure of words
8218:
Gilbert, Richard (2004). "The Disjunctive Dragonfly".
6964:. Northwestern University Press. pp. 24, 44, 47.
6491:. Translated by Bernard, J. H. Macmillan. p. 131.
5995:(Revised ed.). Penguin Books. 1972. pp. 7–8.
5950:
5948:
4820:
Notable practitioners of elegiac poetry have included
4516:
Epic poetry is a genre of poetry, and a major form of
2868:, and larger combinations of stanzas or lines such as
1088:
continent evolved from folk songs such as the Chinese
8666:
8473:
A brief history of Chinese and Japanese civilizations
7003:, Oxford, England: Blackwell Publishers, p. 38,
6656:. Cambridge University Press. pp. 1–7, 38, 156.
6631:. Fairleigh Dickinson University Press. p. 148.
4721:
The same is true of the English satirical tradition.
3560:(661–702 CE). A good example of a poet known for his
3296:, the form had further crystallized under the pen of
2166:, rhythm is often organized based on looser units of
9517:
Chinese Theater: From Its Origins to the Present Day
6914:. Society of Biblical Literature. pp. 211–213.
6216:. University of Washington Press. pp. 124–148.
6150:"In Quest of Harmony: Plato and Confucius on Poetry"
5507:
4674:
in 1992 to a great extent on the basis of his epic,
4177:
4155:
4149:
4143:
4137:
4131:
3391:. However, the twists and turns associated with the
10235:. Vol. 27 (11th ed.). pp. 1041–1047.
9334:"The Nobel Prize in Literature 1992: Derek Walcott"
9094:
Hafiz and the Place of Iranian Culture in the World
6629:
Why write poetry?: modern poets defending their art
5945:
5781:Eliot, T. S. (1999) . "The Function of Criticism".
4314:Much narrative poetry—such as Scottish and English
4283:Narrative poetry is a genre of poetry that tells a
3534:poetry, generally either a four line (quatrain, or
2955:" ("Night, street, lamp, drugstore"), on a wall in
10340:The Oxford Book of Twentieth Century English Verse
10152:
10031:
9764:
9754:"Haibun Today: A Haibun & Tanka Prose Journal"
9514:
9406:
7521:
7463:
7341:
6081:
5956:
5917:
5807:
5296:of the 20th century who wrote prose poems include
2910:for information about the division between lines.
1187:. Later attempts concentrated on features such as
10202:The Ode Less Travelled: Unlocking the Poet Within
8834:Gayley, Charles Mills; Young, Clement C. (2005).
8760:
8758:
6612:Wimsatt, William K. Jr.; Brooks, Cleanth (1957).
6267:
5639:. To avoid confusion, this article will refer to
4044:has two or four syllables in the first and third
2663:
1157:Ancient Greek attempts to define poetry, such as
11820:
10252:Poetry, Music and Narrative – The Science of Art
10123:The Princeton Encyclopedia of Poetry and Poetics
8786:The indigenization of Pali meters in Thai poetry
6688:. Farrar, Straus & Giroux. pp. 142–148.
5500:while poetry is read or created in that moment.
2147:) tones, a category consisting of the rising (上
1445:BCE, describes an annual rite in which the king
10264:, vol. II, no. 2 (spring 1975), pp. 13–24.
9667:, vol. LXII, no. 2 (5 February 2015), pp. 4, 6.
9230:Schafer, Jorgen; Gendolla, Peter, eds. (2010).
9229:
8137:. Bucknell University Press. pp. 124–125.
7769:Middle English Literature: a guide to criticism
7499:. University of Chicago Press. pp. 21–22.
6466:. Johns Hopkins University Press. p. 239.
6389:(Reprint ed.). Routledge. pp. 57–59.
5683:. Oxford University Press. 2013. Archived from
2113:performance, which could also be reinforced by
9681:. University of Nebraska Press. pp. 4–9.
9463:Harpham, Geoffrey Galt; Abrams, M. H. (2011).
9384:. Vol. 1. Broadview Press. p. 1056.
8755:
8112:. Cambridge University Press. pp. 90–96.
5959:The Interface Between the Written and the Oral
5920:The Interface Between the Written and the Oral
4710:purposes. A notable example is the Roman poet
3760:
2139:, recognized two kinds of tones: the level (平
11407:
10952:
10774:Humanities and Social Sciences Communications
10401:
9923:
9462:
9354:
9287:. Princeton University Press. pp. 1–22.
8938:Journal of the American Musicological Society
8646:. Stanford University Press. pp. 86–92.
8303:
8071:. University of Illinois Press. p. 193.
7413:The Inferno of Dante: A New Verse Translation
6877:. University of Minnesota Press. p. 23.
6726:Princeton Encyclopaedia of Poetry and Poetics
6611:
6533:. Wesleyan University Press. pp. 17–19.
6441:. Brill Academic Publishers. pp. 29–62.
6313:
5756:Strachan, John R.; Terry, Richard G. (2000).
5755:
5415:Slam poetry as a genre originated in 1986 in
5359:While light poetry is sometimes condemned as
4632:While the composition of epic poetry, and of
1613:, as well as differences in content spanning
912:
9814:
8862:Poetry and drama literary terms and concepts
8737:. Archived from the original on 28 May 2007.
8162:. University Press of Kentucky. p. 14.
8107:
8069:Medieval lyric: genres in historical context
7554:The Arabic Role in Medieval Literary History
7339:
6909:
6703:(2nd ed.). Blackwell. pp. 123–28.
6651:
6290:
2642:
2241:". This metric system originated in ancient
1748:identified three major genres: epic poetry,
1578:and is considered to be one of the official
1297:, that use other means to create rhythm and
69:"Love poem" redirects here. For the EP, see
9642:"Poe's little-known science book reprinted"
8833:
8641:
8470:
8110:The Cambridge companion to modernist poetry
8108:Davis, Alex; Jenkins, Lee M., eds. (2007).
7435:
7433:
6822:. Walter de Gruyter. pp. 24, 304, 332.
6654:The Cambridge companion to modernist poetry
6652:Jenkins, Lee M.; Davis, Alex, eds. (2007).
6553:
6464:The Universities of the Italian Renaissance
6017:
5869:
5760:. Edinburgh University Press. p. 119.
4743:). Satirical poets outside England include
4623:(or Nezami)'s Khamse (Five Books), and the
1327:) associates the production of poetry with
1253:Some poetry types are unique to particular
23:
11414:
11400:
10959:
10945:
10408:
10394:
10316:New Oxford Book of English Verse 1250–1950
10179:A Poet's Ear: A Handbook of Meter and Form
9902:. Cambridge University Press. p. 45.
9615:Allen, Mike (2005). Dutcher, Roger (ed.).
9307:
9056:: CS1 maint: location missing publisher (
8735:The personal notebook of Etsuko Yanagibori
8541:. New Directions Publications. p. 18.
7556:. University of Pennsylvania. p. 88.
6080:Ahl, Frederick; Roisman, Hanna M. (1996).
6079:
5805:
4009:
3977:
3961:
3926:
3890:
3871:
3850:
3838:
3828:
3813:
3797:
3252:to the highly formalized structure of the
1289:. There are, however, traditions, such as
919:
905:
24:
10042:
10009:The Poem's Heartbeat: A Manual of Prosody
9382:Broadview Anthology of British Literature
8411:. China Books & Periodicals. p.
8387:. (New York: Columbia University Press).
8363:. (New York: Columbia University Press).
8339:. (New York: Columbia University Press).
8236:
7766:
7718:
7693:
7410:Alighieri, Dante (1994). "Introduction".
7409:
6984:
6944:
6723:
6571:
6341:
6331:
6123:(2nd ed.). The Free Press. pp.
5207:'s origin, in his then much-derided 1848
4194:. Ghazals have a classical affinity with
3768:fuji no kaze ya oogi ni nosete Edo miyage
3347:Sonnets of all types often make use of a
1631:had been thought to be works composed by
1627:Until recently, the earliest examples of
1501:(written between 29 and 19 BCE); and the
9705:The Prose Poem: An International Journal
9545:
9355:Dominik, William J.; Wehrle, T. (1999).
9207:. Aberystwyth University. Archived from
8989:
8962:
8731:"Basho's Haiku on the theme of Mt. Fuji"
8507:. University of Michigan Press. p.
8279:. Manchester University Press. pp.
8132:
7953:
7922:
7898:. University of Chicago Press. pp.
7831:
7579:Qasida poetry in Islamic Asia and Africa
7439:
7430:
7169:. Columbia University Press. p. 36.
7164:
7129:
7045:
7043:
6817:
6461:
6412:Journal of the American Oriental Society
6186:
5404:
5317:
5282:The Prose Poem: An International Journal
5234:
5169:
5017:
4951:"). Verse fables have used a variety of
4907:
4790:
4687:
4505:
4456:and actions, it portrays the poet's own
4424:
4266:
4077:
3755:(1644–1694). An example of his writing:
3665:
3597:
3449:
3358:
3277:
3231:
2939:
2913:Lines of poems are often organized into
2750:
2681:
2509:
2455:
2291:
2199:
2077:
1968:
1831:
1770:
1718:
1250:, in their patterns of rhyme or rhythm.
32:This is an accepted version of this page
10309:
10026:
9929:
9845:
9639:
9492:. Motilal Banarsidass. pp. 57–58.
9437:
9413:. Cambridge University Press. pp.
9357:Roman verse satire: Lucilius to Juvenal
9279:
9046:. Translated by Bell, Gertrude. London.
8935:
8671:. Red Moon Press. pp. xxx–xlviii.
8642:Brower, Robert H.; Miner, Earl (1988).
8320:
8248:
8217:
8044:21st-century modernism: the new poetics
8038:
7613:
7548:
7519:
7470:. Cambridge University Press. pp.
7348:. Cambridge University Press. pp.
7250:
7238:
7203:
7099:
6996:
6959:
6897:
6872:
6860:
6805:
6676:
6626:
6556:"Translation as a Blending of Cultures"
6436:
6409:
5838:
5292:devoted to that genre and its hybrids.
5189:or via weird and horrific themes as in
4932:. It is a succinct story that features
4928:, often (though not invariably) set in
4056:is required for four, as shown below. "
3504:
3427:). Further, postmodern authors such as
2425:, as well as the differing pitches and
2363:—two stressed syllables together (e.g.
2186:as an alternative to accentual rhythm.
2071:rather than stresses define the meter.
1462:Other ancient epics includes the Greek
1358:which needs to be considered in closer
14:
11821:
10333:
10295:(4th ed.). W.W. Norton & Co.
10147:
10116:
10090:
10066:
9930:Gironès, Cristina (16 February 2022).
9892:
9873:
9770:
9521:. University of Hawaii Press. p.
9404:
9116:
8858:
8728:
8708:. Charles E. Tuttle Co. p. xiii.
8586:"Limerick | Academy of American Poets"
8568:
8536:
8404:
7978:
7803:
7458:
7384:
7191:
7179:
7069:"Examples of English metrical systems"
6793:
6698:
6586:
6528:
6268:Jarrett A. Lobell (March–April 2022).
5963:. Cambridge University Press. p.
5924:. Cambridge University Press. p.
5461:
5068:verse dramas in China, forerunners of
4962:Notable verse fabulists have included
4468:. Notable poets in this genre include
4353:Notable narrative poets have included
3005:
1828:20th-century and 21st-century disputes
1426:script on clay tablets and, later, on
11395:
10966:
10940:
10861:National Endowment for the Humanities
10846:Humanities, arts, and social sciences
10389:
10378:Oxford Book of Modern Verse 1892–1935
10371:
10347:
10239:
10219:
10173:
9984:
9676:
9614:
9563:
9512:
9487:
9379:
8910:
8783:
8621:. Taylor & Francis. p. 181.
8552:
8533:Do Not Go Gentle into that Good Night
8495:
8272:
8182:
8157:
8066:
8013:
7866:
7625:
7601:
7576:
7327:
7299:
7293:
7281:
7049:
7040:
6748:
6356:
6303:from the original on 18 January 2024.
6280:from the original on 7 December 2023.
6236:
6211:
6113:
6107:
6088:. Cornell University Press. pp.
5954:
5912:
5785:. Faber & Faber. pp. 13–34.
5780:
5609:The word "verse" functions here as a
5435:
5159:
4813:meter), commonly describes a poem of
4698:Poetry can be a powerful vehicle for
4444:Lyric poetry is a genre that, unlike
4015:
3983:
3967:
3935:
3899:
3880:
3844:
3822:
3803:
3121:, as well as tones of voice, such as
2299:: Roman bust, based on Greek original
2043:include Chinese, Vietnamese and most
1870:means. While there was a substantial
1714:
1655:The oldest known love poem. Sumerian
1012:effects. Most poems are formatted in
10856:Moscow University for the Humanities
10827:Arts and Humanities Research Council
10784:Journal of the Royal Asiatic Society
10005:
9789:
9310:Traditions of heroic and epic poetry
9254:
9202:
8808:
8703:
8691:
8435:
8260:
7891:
7791:
7771:. Blackwell Publishing. p. 10.
7754:
7742:
7730:
7637:
7387:Essays on the art of Chaucer's Verse
7372:
7034:
7022:
6486:
6384:
6023:
6005:
4052:is required for seven syllables and
3032:, the visual presentation of finely
2887:
2600:Stopping by Woods on a Snowy Evening
2445:
1400:The oldest surviving epic poem, the
10195:
9409:Grief and English Renaissance elegy
9359:. Bolchazy-Carducci. pp. 1–3.
8811:English lyrics from Dryden to Burns
8770:Thai Language Audio Resource Center
8304:Quiller-Couch, Arthur, ed. (1900).
8046:. Blackwell Publishers. p. 2.
7494:
6832:
6614:Literary Criticism: A Short History
6147:
5872:International Communication Gazette
5814:. Oxford University Press. p.
5631:in western poetry is translated as
5546:List of poetry groups and movements
5154:The Love Song of J. Alfred Prufrock
5076:verse dramas also include Japanese
4683:
4262:
3999:
3548:) is less formally strict than the
2709:Rhyme, alliteration, assonance and
1931:Prosody is the study of the meter,
1552:, possibly developed directly from
1319:tradition (extending at least from
1051:court poetry of the empires of the
56:
10105:
9640:Rombeck, Terry (22 January 2005).
9084:Yarshater. Retrieved 25 July 2010.
8977:10.1111/j.0022-3840.1981.4745121.x
7956:Poetic diction: a study in meaning
7340:James, E. D.; Jondorf, G. (1994).
7050:Annis, William S. (January 2006).
6912:Hebrew for biblical interpretation
6503:
6243:. John Wiley & Sons. pp.
6120:Chinese Civilisation: A Sourcebook
6006:Mark, Joshua J. (13 August 2014).
5013:
3680:, with five sections totalling 31
3324:(grouping of four lines), a final
3098:are used specifically for poetry.
2962:Other poems may be organized into
2740:
2233:for six feet, for example. Thus, "
1809:". This "romantic" approach views
1785:, as well as in Europe during the
57:
11865:
9646:Lawrence Journal-World & News
9488:Keith, Arthur Berriedale (1992).
8583:
7257:. Bollingen Foundation. pp.
6291:Alison Flood (8 September 2021).
6059:. Oxbow Books. pp. 159–161.
6056:Current Research in Egyptology 17
6024:Arsu, Şebnem (14 February 2006).
5492:genre, but more as a descriptive
5080:. Examples of dramatic poetry in
3686:(phonological units identical to
3344:are the most widely used meters.
3318:English (or Shakespearean) sonnet
2847:
2503:languages, so that, for example,
2498:to soften it or be replaced by a
11802:
11427:different cultures and languages
11375:
10354:The Oxford Book of English Verse
10181:. University of Michigan Press.
10159:. Harcourt Brace & Company.
9949:
9886:
9867:
9839:
9820:
9746:
9721:
9695:
9670:
9652:
9633:
9608:
9583:
9557:
9539:
9506:
9481:
9456:
9431:
9398:
9373:
9348:
9326:
9301:
9273:
9248:
9234:. Verlag. pp. 16, 391–402.
9223:
9196:
9170:
9144:
9110:
9087:
9078:
9064:
9030:
9005:
8983:
8956:
8929:
8904:
8891:"Ghazal - glossary on poets.org"
8883:
8852:
8827:
8802:
8722:
8697:
8685:
8660:
8635:
8606:
8577:
8561:
8545:
8539:In Country Sleep and Other Poems
8525:
8489:
8464:
8429:
8398:
8374:
8350:
8326:
8314:
8297:
8266:
8254:
8242:
8230:
8211:
8176:
8151:
8126:
8101:
8085:
8060:
8032:
8007:
7972:
7923:Sterling, Bruce (13 July 2009).
6873:Jorgens, Elise Bickford (1982).
5621:
5510:
4160:) is a form of poetry common in
3996:and inter-stanza rhyming rules.
2828:") is used in such forms as the
2245:, and was used by poets such as
1684:
1664:
1648:
964:in addition to, or in place of,
888:
95:
10904:Humanities in the United States
10752:American Journal of Archaeology
9978:
9874:Seavon, Fernanda (March 2022).
8950:10.1525/jams.1990.43.3.03a00040
8067:Paden, William D., ed. (2000).
7947:
7925:"Web Semantics: Asemic writing"
7916:
7895:The aesthetics of visual poetry
7885:
7860:
7825:
7811:. Blackwell. pp. 269–280.
7797:
7785:
7760:
7748:
7736:
7724:
7712:
7698:. Wiley-Blackwell. p. 74.
7687:
7665:
7643:
7631:
7619:
7607:
7595:
7570:
7542:
7513:
7488:
7452:
7403:
7389:. Routledge. pp. 195–228.
7378:
7366:
7333:
7321:
7287:
7275:
7244:
7232:
7197:
7185:
7173:
7158:
7123:
7105:
7093:
7061:
7028:
7016:
6990:
6978:
6953:
6928:
6903:
6891:
6866:
6854:
6826:
6811:
6799:
6787:
6742:
6717:
6692:
6670:
6645:
6620:
6605:
6580:
6547:
6522:
6497:
6480:
6455:
6403:
6378:
6350:
6320:The Cambridge Classical Journal
6307:
6284:
6261:
6240:A history of literary criticism
6230:
6205:
6180:
6141:
6073:
6046:
5999:
5981:
5906:
5863:
5307:
5224:
4420:
4350:who recited traditional tales.
4040:has five syllables. The second
3055:of various lengths, or creates
2063:, on the other hand, while the
1947:of poetic lines to show meter.
1805:termed this escape from logic "
1406:, dates from the 3rd millennium
10779:Journal of Controversial Ideas
10415:
10292:The Norton Anthology of Poetry
9797:"A Brief Guide to Slam Poetry"
9550:. Columbus, Ohio: Ohio State.
9205:"Introduction to Genre Theory"
9072:"Beloved: 81 poems from Hafez"
8965:The Journal of Popular Culture
8859:Kuiper, Kathleen, ed. (2011).
8613:Samy Alim, H.; Ibrahim, Awad;
8573:. Farrar, Straus & Giroux.
8097:. Gutenberg. 1974. p. 22.
7767:Dalrymple, Roger, ed. (2004).
7694:Whitworth, Michael H. (2010).
7466:Beowulf and old Germanic metre
6962:Free Verse An Essay on Prosody
6214:Text and Ritual in Early China
6008:"The World's Oldest Love Poem"
5839:Schmidt, Michael, ed. (1999).
5832:
5799:
5774:
5749:
5736:
5715:
5694:
5669:
5603:
5394:
5340:, adventurous rhyme and heavy
5088:'s two famous dramatic works,
5030:Verse drama and dramatic verse
4903:
4765:Manuel Maria Barbosa du Bocage
4666:are examples of modern epics.
4495:
4202:, the celebrated 13th-century
4178:
4156:
4150:
4144:
4138:
4132:
3917:), depending on the type. The
3494:
3483:
3473:
3177:, a 13th-century French poem,
2792:, due to the influence of the
2664:Rhyme, alliteration, assonance
1384:
1277:may think of it as written in
13:
1:
10076:. Farrar, Straus and Giroux.
9442:. Routledge. pp. 10–34.
9043:Poems from the Divan of Hafiz
8503:. In Varnes, Kathrine (ed.).
8018:. Routledge. pp. 29–31.
7981:American Journal of Philology
7871:. GRIN Verlag. pp. 4–6.
7167:The Founding of English Meter
7052:"Introduction to Greek Meter"
6910:Walker-Jones, Arthur (2003).
6616:. Vintage Books. p. 374.
6506:Keats and negative capability
6314:Tim Whitmarsh (August 2021).
5810:Modern Poetry After Modernism
5746:, Open Book Publishers, 2012.
5658:
4528:person or group of persons.
4220:Poems from the Divan of Hafiz
3587:
3457:, "On Visiting the Temple of
3423:), and gender and sexuality (
3059:so as to accentuate meaning,
2633:; the Finnish national epic,
2170:rather than a regular meter.
2137:tone system of Middle Chinese
1435:
1035:Poetry has a long and varied
10799:Revue des Études Arméniennes
10120:; et al., eds. (2012).
10034:Poetic Meter and Poetic Form
9853:. Cornell University Press.
9664:The New York Review of Books
9595:www.modernamericanpoetry.org
9465:A glossary of literary terms
9257:Homer and the Oral Tradition
8813:. Elibron. pp. 155–56.
8584:Poets, Academy of American.
8501:"Gymnastics: The Villanelle"
8471:Schirokauer, Conrad (1989).
8405:Faurot, Jeannette L (1998).
8307:Oxford Book of English Verse
8158:Treip, Mindele Anne (1994).
6960:Hartman, Charles O. (1980).
6752:(2010) . "Introduction". In
6357:Heath, Malcolm, ed. (1997).
5663:
5651:, which may refer to either.
4330:with roots in a preliterate
4224:Beloved: 81 poems from Hafez
3676:Tanka is a form of unrhymed
3388:Oxford Book of English Verse
2768:see God as a point of light.
2088:The chief device of ancient
7:
10357:. Oxford University Press.
10319:. Oxford University Press.
10260:, "The Concept of Poetry",
10100:. New York: Alred A. Knopf.
9957:"obtydeník živé literatury"
9380:Black, Joseph, ed. (2011).
8784:Hudak, Thomas John (1990).
7577:Sperl, Stefan, ed. (1996).
6554:Abu-Mahfouz, Ahmad (2008).
6508:. Continuum. pp. 1–3.
5503:
4771:, especially noted for his
4531:Examples of epic poems are
4017:[kʰlōːŋsìːsù.pʰâːp]
3624:
3109:Poetic diction can include
2953:Noch, ulitsa, fonar, apteka
2155:) tone and the entering (入
1915:
1449:and mated with the goddess
10:
11870:
10381:. Oxford University Press.
10343:. Oxford University Press.
10275:List of poetry anthologies
10272:
9985:Adams, Stephen J. (1997).
9936:Radio Prague International
9731:Contemporary Haibun Online
9308:Hainsworth, J. B. (1989).
8569:Bishop, Elizabeth (1976).
8450:10.1179/073750304788913221
8310:. Oxford University Press.
7834:Harvard Theological Review
7251:Nabokov, Vladimir (1964).
7204:Nabokov, Vladimir (1964).
6997:McClure, Laura K. (2002),
6627:Johnson, Jeannine (2007).
6462:Grendler, Paul F. (2004).
6191:. Curzon. pp. 52–53.
6148:Cai, Zong-qi (July 1999).
6026:"Oldest Line in the World"
5845:. Harvill Press. pp.
5806:Longenbach, James (1997).
5439:
5398:
5311:
5286:Contemporary Haibun Online
5228:
5163:
5027:
4917:
4866:Johann Wolfgang von Goethe
4784:
4499:
4437:
4276:
4259:and refer to other works.
4244:Johann Wolfgang von Goethe
4123:
4071:
3952:is named by the number of
3785:
3718:
3659:
3628:
3591:
3443:
3373:(who gave his name to the
3271:
3225:
3082:
3078:
3009:
2891:
2744:
2667:
2625:Henry Wadsworth Longfellow
2449:
2287:Henry Wadsworth Longfellow
2193:
2143:) tone and the oblique (仄
2129:) which ensured a rhythm.
1954:
1924:
1920:
1854:is not uncommon, and some
1729:Classical thinkers in the
1639:6th century CE). However,
1393:, and developed from folk
1373:
1369:
1094:as well as from religious
68:
61:
11798:
11433:
11371:
11313:San Francisco Renaissance
10978:
10914:Outline of the humanities
10894:Criticism of mass culture
10874:
10866:National Humanities Medal
10819:
10744:
10575:
10423:
10052:. Yale University Press.
9801:Academy of American Poets
9546:Giordano, Mathew (2004).
9107:, 9 November 1936 London.
8995:Religion & Literature
8915:. Infobase. p. 260.
8747:: CS1 maint: unfit URL (
8704:Ross, Bruce, ed. (1993).
8133:San Juan, E. Jr. (2004).
7846:10.1017/s0017816000001620
7495:Liu, James J. Y. (1990).
6333:10.1017/S1750270521000051
6187:Abondolo, Daniel (2001).
5744:Oral Literature in Africa
5034:Theatre of ancient Greece
4249:
4119:
4010:
3978:
3962:
3927:
3891:
3885:) has a number of lines (
3872:
3851:
3839:
3829:
3814:
3798:
3781:
3761:
3524:), "modern style" verse (
3381:, and Shakespeare, whose
3308:follows the rhyme scheme
3267:
3187:in the 14th century, and
2151:) tone, the departing (去
2133:Classical Chinese poetics
1950:
1167:, focused on the uses of
944:, "making") is a form of
10899:Educational essentialism
10536:Interdisciplinary fields
9795:
9661:, "On Edgar Allan Poe",
8276:Petrarch and Petrarchism
8197:10.1177/0963947005051287
8094:The Poetics of Aristotle
7696:Reading modernist poetry
7520:Wesling, Donald (1980).
7057:. Aoidoi. pp. 1–15.
6818:Schülter, Julia (2005).
6724:Preminger, Alex (1975).
6587:Highet, Gilbert (1985).
6529:Watten, Barrett (2003).
6154:Philosophy East and West
5884:10.1177/1748048509102184
5596:
5536:Glossary of poetry terms
4996:Félix María de Samaniego
4924:The fable is an ancient
4780:
4403:Letitia Elizabeth Landon
4299:have concluded that his
3969:[kʰlōːŋsù.pʰâːp]
3921:are subdivided into two
3731:, or opening verse of a
3714:
3655:
3510:Classical Chinese poetry
3221:
2466:The Hunting of the Snark
2189:
2095:, including many of the
39:latest accepted revision
10258:Tatarkiewicz, Władysław
10232:Encyclopædia Britannica
9822:"5 Tips on Spoken Word"
9438:Kennedy, David (2007).
9117:Shamel, Shafiq (2013).
9074:. Bloodaxe Books. 2018.
8911:Campo, Juan E. (2009).
8619:Global linguistic flows
8273:Minta, Stephen (1980).
8185:Language and Literature
7954:Barfield, Owen (1987).
7165:Thompson, John (1961).
6699:Connor, Steven (1997).
6487:Kant, Immanuel (1914).
5758:Poetry: an introduction
5571:Phono-semantic matching
5472:was popularized by the
5454:, and other aspects of
4664:William Carlos Williams
4490:Edna St. Vincent Millay
4234:, Roshan Institute for
4176:. In classic form, the
3774:I've brought on my fan!
2180:William Carlos Williams
1699:(孔子詩論), discussing the
1016:: a series or stack of
76:. For the IU song, see
64:Poetry (disambiguation)
11143:Generation of the '30s
11018:British Poetry Revival
10687:Liberal arts education
9894:Bigsby, Christopher W.
9677:Monte, Steven (2000).
9405:Pigman, G. W. (1985).
9017:World Literature Today
8772:. Thammasat University
8537:Thomas, Dylan (1952).
8408:Drinking with the moon
7892:Bohn, Willard (1993).
7867:Kampf, Robert (2010).
6560:Journal of Translation
5412:
5325:
5242:
5177:
5025:
4915:
4798:
4695:
4513:
4435:
4287:. Broadly it subsumes
4274:
4085:
4067:
3696:Kakinomoto no Hitomaro
3673:
3671:Kakinomoto no Hitomaro
3650:Robert Louis Stevenson
3605:
3518:), "old style" verse (
3508:) Is the main type of
3462:
3439:
3366:
3285:
3244:
3228:Category: Poetic forms
2959:
2769:
2706:
2643:
2517:
2474:
2401:. Languages which use
2300:
2218:
2085:
1976:
1904:. The literary critic
1839:
1778:
1726:
1657:terracotta tablet#2461
1422:), and was written in
1342:who may be termed the
1214:responses. The use of
1210:of words, or to evoke
11193:Informationist poetry
10763:History of Humanities
10221:Gosse, Edmund William
10006:Corn, Alfred (1997).
9876:"Instantní Nostalgie"
9564:Eliot, T. S. (1951).
8913:Encyclopedia of Islam
8809:Gray, Thomas (2000).
8644:Japanese court poetry
8553:Auden, W. H. (1945).
8014:Blank, Paula (1996).
7581:. Brill. p. 49.
7497:Art of Chinese Poetry
7307:"What is Tetrameter?"
7119:. The British Museum.
6237:Habib, Rafey (2005).
6084:The Odyssey Re-Formed
5989:The Epic of Gilgamesh
5627:In literary studies,
5586:Semantic differential
5408:
5321:
5238:
5173:
5104:'s tragedies such as
5021:
4911:
4858:William Cullen Bryant
4794:
4691:
4509:
4482:Gerard Manley Hopkins
4428:
4270:
4092:, and Latin, such as
4081:
3669:
3601:
3453:
3413:Gerard Manley Hopkins
3362:
3281:
3235:
3143:. On the other hand,
2943:
2754:
2685:
2513:
2459:
2295:
2203:
2081:
1972:
1835:
1774:
1722:
1304:Poets – as, from the
1077:, was written in the
986:euphony and cacophony
895:Literature portal
11318:Scottish Renaissance
11013:Black Mountain poets
10919:Renaissance humanism
10851:Master of Humanities
10281:Ferguson, Margaret;
10073:The Sounds of Poetry
9709:. Providence College
9617:The alchemy of stars
9281:Blasing, Mutlu Konuk
9255:Kirk, G. S. (2010).
8729:Yanagibori, Etsuko.
7640:, pp. 81–82, 85
7524:The chances of rhyme
7212:Bollingen Foundation
6489:Critique of Judgment
6274:Archaeology Magazine
5955:Goody, Jack (1987).
5294:Latin American poets
5218:Eureka: A Prose Poem
4890:William Butler Yeats
4862:Percy Bysshe Shelley
4240:West-östlicher Diwan
3771:the wind of Mt. Fuji
3642:Lord Alfred Tennyson
3401:Percy Bysshe Shelley
2630:The Song of Hiawatha
2487:anapestic tetrameter
2471:anapestic tetrameter
2469:(1876) is mainly in
2127:context-free grammar
2045:Subsaharan languages
1957:Timing (linguistics)
1768:of dramatic poetry.
1677:ancient music theory
1633:Romanos the Melodist
1584:ancient music theory
1447:symbolically married
1432:Istanbul tablet#2461
1346:, distinct from the
972:and is written by a
669:Groups and movements
11258:New American Poetry
11008:Black Arts Movement
10988:Akhmatova's Orphans
10838:Geisteswissenschaft
10804:Teaching Philosophy
10583:Abductive reasoning
10012:. Storyline Press.
9776:Mary Hutchings Reed
9659:Robinson, Marilynne
9184:on 5 September 2015
8991:Schimmel, Annemarie
8615:Pennycook, Alastair
7550:Menocal, María Rosa
6682:Death of the Author
6385:Frow, John (2007).
5681:Oxford Dictionaries
5478:Language happenings
5462:Language happenings
5146:Sestina: Altaforte,
5050:Dramatic poetry is
4988:Jean de La Fontaine
4941:legendary creatures
4733:, produced in 1682
3985:[kʰlōːŋdân]
3933:Thai pronunciation:
3897:Thai pronunciation:
3878:Thai pronunciation:
3820:Thai pronunciation:
3480:traditional Chinese
3294:Italian Renaissance
3283:William Shakespeare
3189:Jean de la Fontaine
3039:With the advent of
3006:Visual presentation
2621:Trochaic tetrameter
2581:To His Coy Mistress
2539:William Shakespeare
2283:William Shakespeare
2253:, and by the great
2067:units are similar,
2061:classical languages
1807:negative capability
1620:, love poetry, and
1456:The Story of Sinuhe
1084:Early poems in the
288:Short prose fiction
191:Major written forms
29:Page version status
11333:Southern Agrarians
11228:Metaphysical poets
11168:Harlem Renaissance
10925:Studia Humanitatis
10349:Ricks, Christopher
10097:Fiddler's farewell
9566:"Poetry and Drama"
9203:Chandler, Daniel.
9158:on 29 October 2014
9152:"Goethe and Hafiz"
9099:3 May 2009 at the
8323:, pp. 119–133
8251:, pp. 160–165
7935:on 27 October 2009
6759:Contemporary Poets
6573:10.54395/jot-x8fne
6030:The New York Times
5480:, termed from the
5442:Performance poetry
5436:Performance poetry
5413:
5326:
5302:Alejandra Pizarnik
5267:Charles Baudelaire
5243:
5178:
5166:Speculative poetry
5160:Speculative poetry
5097:Khosrow and Shirin
5082:Persian literature
5026:
4916:
4894:Rainer Maria Rilke
4886:Juan Ramón Jiménez
4834:Chidiock Tichborne
4805:for the dead or a
4799:
4696:
4626:Epic of King Gesar
4514:
4478:Charles Baudelaire
4470:Christine de Pizan
4436:
4430:Christine de Pizan
4328:performance poetry
4275:
4086:
3674:
3606:
3470:simplified Chinese
3463:
3367:
3316:), is common. The
3310:ABBA, ABBA, CDECDE
3286:
3245:
3111:rhetorical devices
2960:
2770:
2707:
2674:Alliterative verse
2607:Trochaic octameter
2551:Dactylic hexameter
2518:
2483:dactylic hexameter
2475:
2301:
2263:dactylic hexameter
2229:for four feet and
2219:
2086:
1977:
1961:tone (linguistics)
1844:literary theorists
1842:Some 20th-century
1840:
1837:Archibald MacLeish
1783:Islamic Golden Age
1779:
1727:
1715:Western traditions
1580:Confucian classics
1570:), were initially
1295:alliterative verse
1136:Indian epic poetry
1024:has also become a
782:Lists and outlines
258:Long prose fiction
59:Form of literature
35:
11816:
11815:
11809:Poetry portal
11389:
11388:
11382:Poetry portal
11178:Hungry generation
11173:Harvard Aesthetes
11148:Generation of '98
11138:Generation of '27
11113:The poets of Elan
10934:
10933:
10654:General knowledge
10637:Cultural literacy
10571:
10570:
10505:Religious studies
10441:Classical studies
10364:978-0-19-214182-8
10326:978-0-19-812136-7
10302:978-0-393-96820-0
10212:978-0-09-950934-9
10188:978-0-472-05066-6
10133:978-0-691-15491-6
10083:978-0-374-26695-0
10059:978-0-300-02740-2
10019:978-1-885266-40-8
9998:978-1-55111-129-2
9688:978-0-8032-3211-2
9626:978-0-8095-1162-4
9532:978-0-8248-1220-1
9499:978-81-208-0977-2
9474:978-0-495-89802-3
9449:978-1-134-20906-4
9424:978-0-521-26871-4
9391:978-1-55481-048-2
9366:978-0-86516-442-0
9336:. Swedish Academy
9319:978-0-947623-19-7
9294:978-0-691-12682-1
9266:978-0-521-13671-6
9241:978-3-8376-1258-5
9130:978-3-0343-0881-6
8922:978-0-8160-5454-1
8876:978-1-61530-539-1
8845:978-1-4179-0086-2
8820:978-1-4021-0064-2
8795:978-0-89680-159-2
8715:978-0-8048-1820-9
8678:978-1-893959-40-8
8653:978-0-8047-1524-9
8628:978-0-8058-6283-6
8551:"Villanelle", in
8518:978-0-472-06725-1
8482:978-0-15-505569-8
8422:978-0-8351-2639-7
8290:978-0-7190-0748-4
8169:978-0-8131-1831-4
8144:978-0-8387-5570-9
8119:978-0-521-61815-1
8078:978-0-252-02536-5
8053:978-0-631-21970-5
8040:Perloff, Marjorie
8025:978-0-415-13779-9
7965:978-0-8195-6026-1
7909:978-0-226-06325-6
7878:978-3-640-60011-3
7818:978-1-4051-3738-6
7778:978-0-631-23290-2
7705:978-1-4051-6731-4
7604:, pp. 71–104
7588:978-90-04-10387-0
7563:978-0-8122-1324-9
7535:978-0-520-03861-5
7506:978-0-226-48687-1
7481:978-0-521-59340-3
7423:978-0-374-17674-7
7396:978-0-8153-2951-0
7359:978-0-521-39721-6
7268:978-0-691-01760-0
7225:978-0-691-01760-0
7117:britishmuseum.org
7037:, pp. 25, 34
7010:978-0-631-22589-8
6971:978-0-8101-1316-9
6921:978-1-58983-086-8
6884:978-0-8166-1029-7
6847:978-0-521-77314-0
6710:978-0-631-20052-9
6663:978-0-521-61815-1
6638:978-0-8386-4105-7
6598:978-0-19-500206-5
6540:978-0-8195-6610-2
6515:978-1-4411-4724-0
6473:978-0-8018-8055-1
6448:978-90-04-11964-2
6396:978-0-415-28063-1
6371:978-0-14-044636-4
6364:. Penguin Books.
6254:978-0-631-23200-1
6223:978-0-295-98787-3
6198:978-0-7007-1223-6
6134:978-0-02-908752-7
6099:978-0-8014-8335-6
6066:978-1-78570-603-5
5974:978-0-521-33794-6
5935:978-0-521-33794-6
5856:978-1-86046-735-6
5825:978-0-19-510178-2
5792:978-0-15-180387-3
5767:978-0-8147-9797-6
5687:on 18 June 2013.
5556:Outline of poetry
5328:Light poetry, or
5271:Stéphane Mallarmé
5263:Aloysius Bertrand
5255:short short story
5107:Rostam and Sohrab
4984:Biernat of Lublin
4934:anthropomorphised
4870:Evgeny Baratynsky
4580:Epic of Gilgamesh
4574:Cantar de Mio Cid
4399:Alexander Pushkin
4375:Fernando de Rojas
4342:, once served as
4232:Fatemeh Keshavarz
3857:Ayutthaya Kingdom
3846:[májtʰōː]
3694:by such poets as
3631:Limerick (poetry)
3375:Spenserian sonnet
3356:closing couplet.
3334:Romance languages
3330:iambic pentameter
3306:Petrarchan sonnet
2925:), three lines a
2888:Lines and stanzas
2830:Petrarchan sonnet
2585:Alexander Pushkin
2573:Iambic tetrameter
2525:Iambic pentameter
2515:Alexander Pushkin
2505:iambic tetrameter
2479:iambic pentameter
2446:Metrical patterns
2235:iambic pentameter
2111:call-and-response
1999:-timed language.
1941:iambic pentameter
1707:Classic of Poetry
1691:An early Chinese
1563:Classic of Poetry
1546:, and the Hebrew
1403:Epic of Gilgamesh
1376:History of poetry
1122:, and the Hebrew
1079:Sumerian language
1074:Epic of Gilgamesh
929:
928:
681:
680:
536:
535:
343:
342:
26:
16:(Redirected from
11861:
11844:Genres of poetry
11807:
11806:
11416:
11409:
11402:
11393:
11392:
11380:
11379:
11293:Parnassian poets
11263:New Apocalyptics
11238:Modernist poetry
11053:Confessionalists
11043:Churchyard poets
10961:
10954:
10947:
10938:
10937:
10721:Self-realization
10533:
10532:
10410:
10403:
10396:
10387:
10386:
10382:
10368:
10344:
10330:
10306:
10287:Stallworthy, Jon
10248:
10236:
10228:
10216:
10192:
10170:
10158:
10137:
10101:
10087:
10063:
10039:
10037:
10023:
10002:
9973:
9972:
9970:
9968:
9953:
9947:
9946:
9944:
9942:
9927:
9921:
9920:
9918:
9916:
9890:
9884:
9883:
9871:
9865:
9864:
9843:
9837:
9836:
9834:
9832:
9818:
9812:
9811:
9809:
9807:
9793:
9787:
9786:
9784:
9782:
9768:
9762:
9761:
9750:
9744:
9743:
9741:
9739:
9725:
9719:
9718:
9716:
9714:
9699:
9693:
9692:
9674:
9668:
9656:
9650:
9649:
9637:
9631:
9630:
9612:
9606:
9605:
9603:
9601:
9587:
9581:
9580:
9578:
9576:
9561:
9555:
9554:
9543:
9537:
9536:
9520:
9510:
9504:
9503:
9485:
9479:
9478:
9460:
9454:
9453:
9435:
9429:
9428:
9412:
9402:
9396:
9395:
9377:
9371:
9370:
9352:
9346:
9345:
9343:
9341:
9330:
9324:
9323:
9305:
9299:
9298:
9277:
9271:
9270:
9252:
9246:
9245:
9227:
9221:
9220:
9218:
9216:
9200:
9194:
9193:
9191:
9189:
9180:. Archived from
9174:
9168:
9167:
9165:
9163:
9154:. Archived from
9148:
9142:
9141:
9139:
9137:
9120:Goethe and Hafiz
9114:
9108:
9091:
9085:
9082:
9076:
9075:
9068:
9062:
9061:
9055:
9047:
9034:
9028:
9027:
9025:
9023:
9009:
9003:
9002:
8987:
8981:
8980:
8960:
8954:
8953:
8933:
8927:
8926:
8908:
8902:
8901:
8899:
8897:
8887:
8881:
8880:
8856:
8850:
8849:
8831:
8825:
8824:
8806:
8800:
8799:
8782:Reproduced form
8781:
8779:
8777:
8762:
8753:
8752:
8746:
8738:
8726:
8720:
8719:
8701:
8695:
8689:
8683:
8682:
8664:
8658:
8657:
8639:
8633:
8632:
8610:
8604:
8603:
8598:
8596:
8581:
8575:
8574:
8565:
8559:
8558:
8549:
8543:
8542:
8529:
8523:
8522:
8493:
8487:
8486:
8468:
8462:
8461:
8433:
8427:
8426:
8402:
8396:
8378:
8372:
8354:
8348:
8330:
8324:
8318:
8312:
8311:
8301:
8295:
8294:
8270:
8264:
8258:
8252:
8246:
8240:
8239:, pp. 37–46
8234:
8228:
8227:
8215:
8209:
8208:
8180:
8174:
8173:
8155:
8149:
8148:
8130:
8124:
8123:
8105:
8099:
8098:
8089:
8083:
8082:
8064:
8058:
8057:
8036:
8030:
8029:
8011:
8005:
8004:
7976:
7970:
7969:
7951:
7945:
7944:
7942:
7940:
7931:. Archived from
7920:
7914:
7913:
7889:
7883:
7882:
7864:
7858:
7857:
7829:
7823:
7822:
7801:
7795:
7794:, pp. 78–79
7789:
7783:
7782:
7764:
7758:
7752:
7746:
7745:, pp. 78–82
7740:
7734:
7728:
7722:
7721:, pp. 50–51
7716:
7710:
7709:
7691:
7685:
7684:
7682:
7680:
7669:
7663:
7662:
7660:
7658:
7647:
7641:
7635:
7629:
7628:, pp. 88–91
7623:
7617:
7611:
7605:
7599:
7593:
7592:
7574:
7568:
7567:
7546:
7540:
7539:
7527:
7517:
7511:
7510:
7492:
7486:
7485:
7469:
7460:Russom, Geoffrey
7456:
7450:
7449:
7437:
7428:
7427:
7407:
7401:
7400:
7382:
7376:
7370:
7364:
7363:
7347:
7337:
7331:
7325:
7319:
7318:
7316:
7314:
7309:. tetrameter.com
7303:
7297:
7291:
7285:
7279:
7273:
7272:
7254:Notes on Prosody
7248:
7242:
7241:, pp. 36–71
7236:
7230:
7229:
7207:Notes on Prosody
7201:
7195:
7189:
7183:
7182:, pp. 11–24
7177:
7171:
7170:
7162:
7156:
7155:
7127:
7121:
7120:
7109:
7103:
7102:, pp. 23–24
7097:
7091:
7090:
7088:
7086:
7080:
7073:
7065:
7059:
7058:
7056:
7047:
7038:
7032:
7026:
7020:
7014:
7013:
6994:
6988:
6982:
6976:
6975:
6957:
6951:
6950:
6948:
6932:
6926:
6925:
6907:
6901:
6900:, pp. 75–76
6895:
6889:
6888:
6870:
6864:
6858:
6852:
6851:
6830:
6824:
6823:
6820:Rhythmic Grammar
6815:
6809:
6808:, pp. 20–21
6803:
6797:
6791:
6785:
6784:
6778:
6776:
6746:
6740:
6739:
6721:
6715:
6714:
6696:
6690:
6689:
6686:Image-Music-Text
6674:
6668:
6667:
6649:
6643:
6642:
6624:
6618:
6617:
6609:
6603:
6602:
6584:
6578:
6577:
6575:
6551:
6545:
6544:
6526:
6520:
6519:
6501:
6495:
6492:
6484:
6478:
6477:
6459:
6453:
6452:
6435:
6407:
6401:
6400:
6382:
6376:
6375:
6354:
6348:
6347:
6345:
6335:
6311:
6305:
6304:
6288:
6282:
6281:
6270:"Poetic License"
6265:
6259:
6258:
6234:
6228:
6227:
6209:
6203:
6202:
6184:
6178:
6177:
6145:
6139:
6138:
6111:
6105:
6103:
6087:
6077:
6071:
6070:
6050:
6044:
6043:
6038:
6036:
6021:
6015:
6014:
6003:
5997:
5996:
5991:. Translated by
5985:
5979:
5978:
5962:
5952:
5943:
5942:
5923:
5910:
5904:
5903:
5867:
5861:
5860:
5836:
5830:
5829:
5813:
5803:
5797:
5796:
5778:
5772:
5771:
5753:
5747:
5740:
5734:
5733:
5719:
5713:
5712:
5698:
5692:
5691:
5673:
5652:
5625:
5619:
5607:
5520:
5515:
5514:
5425:Marc Kelly Smith
5381:Shel Silverstein
5091:Layla and Majnun
5000:Tomás de Iriarte
4684:Satirical poetry
4367:William Langland
4326:heroic poems—is
4279:Narrative poetry
4263:Narrative poetry
4181:
4180:
4159:
4158:
4153:
4152:
4147:
4146:
4141:
4140:
4135:
4134:
4019:
4013:
4012:
4006:khlong si suphap
4000:Khlong si suphap
3987:
3981:
3980:
3971:
3965:
3964:
3940:, from Sanskrit
3939:
3934:
3930:
3929:
3903:
3898:
3894:
3893:
3884:
3879:
3875:
3874:
3854:
3853:
3848:
3842:
3841:
3832:
3831:
3826:
3824:[májèːk]
3821:
3817:
3816:
3807:
3805:[kʰlōːŋ]
3801:
3800:
3765:
3764:
3763:
3619:Elizabeth Bishop
3506:
3496:
3487:
3477:
3302:Sir Thomas Wyatt
3290:Late Middle Ages
3179:William Langland
3174:Roman de la Rose
3159:late Middle Ages
2964:verse paragraphs
2933:), four lines a
2790:High Middle Ages
2782:rhyming couplets
2648:
2481:and the Homeric
2439:Vladimir Nabokov
2172:Robinson Jeffers
2031:and, generally,
1974:Robinson Jeffers
1906:Geoffrey Hartman
1688:
1671:The philosopher
1668:
1652:
1618:religious poetry
1610:Oku no Hosomichi
1600:Canterbury Tales
1444:
1440:
1437:
1409:
1317:Western cultural
921:
914:
907:
893:
892:
891:
547:
546:
354:
353:
255:
254:
99:
85:
84:
78:Love Poem (song)
21:
11869:
11868:
11864:
11863:
11862:
11860:
11859:
11858:
11819:
11818:
11817:
11812:
11801:
11794:
11429:
11420:
11390:
11385:
11374:
11367:
11338:Spasmodic poets
11323:Sicilian School
11273:New York School
11093:Dolce Stil Novo
10974:
10965:
10935:
10930:
10870:
10815:
10740:
10726:Self-reflection
10716:Moral character
10675:Human condition
10627:Critical theory
10567:
10531:
10478:Performing arts
10419:
10414:
10365:
10327:
10303:
10289:, eds. (1996).
10283:Salter, Mary Jo
10277:
10213:
10205:. Arrow Books.
10189:
10167:
10149:Brooks, Cleanth
10134:
10108:
10106:Further reading
10092:Speyer, Leonora
10084:
10060:
10044:Hollander, John
10038:. Random House.
10020:
9999:
9981:
9976:
9966:
9964:
9955:
9954:
9950:
9940:
9938:
9928:
9924:
9914:
9912:
9910:
9891:
9887:
9872:
9868:
9861:
9847:Wheeler, Lesley
9844:
9840:
9830:
9828:
9819:
9815:
9805:
9803:
9794:
9790:
9780:
9778:
9769:
9765:
9758:haibuntoday.com
9752:
9751:
9747:
9737:
9735:
9727:
9726:
9722:
9712:
9710:
9701:
9700:
9696:
9689:
9675:
9671:
9657:
9653:
9638:
9634:
9627:
9613:
9609:
9599:
9597:
9589:
9588:
9584:
9574:
9572:
9562:
9558:
9544:
9540:
9533:
9511:
9507:
9500:
9486:
9482:
9475:
9461:
9457:
9450:
9436:
9432:
9425:
9403:
9399:
9392:
9378:
9374:
9367:
9353:
9349:
9339:
9337:
9332:
9331:
9327:
9320:
9306:
9302:
9295:
9278:
9274:
9267:
9253:
9249:
9242:
9228:
9224:
9214:
9212:
9201:
9197:
9187:
9185:
9176:
9175:
9171:
9161:
9159:
9150:
9149:
9145:
9135:
9133:
9131:
9115:
9111:
9101:Wayback Machine
9092:
9088:
9083:
9079:
9070:
9069:
9065:
9049:
9048:
9036:
9035:
9031:
9021:
9019:
9011:
9010:
9006:
8988:
8984:
8961:
8957:
8934:
8930:
8923:
8909:
8905:
8895:
8893:
8889:
8888:
8884:
8877:
8857:
8853:
8846:
8832:
8828:
8821:
8807:
8803:
8796:
8775:
8773:
8764:
8763:
8756:
8740:
8739:
8727:
8723:
8716:
8702:
8698:
8690:
8686:
8679:
8665:
8661:
8654:
8640:
8636:
8629:
8617:, eds. (2009).
8611:
8607:
8594:
8592:
8582:
8578:
8566:
8562:
8557:. Random House.
8555:Collected Poems
8550:
8546:
8530:
8526:
8519:
8494:
8490:
8483:
8469:
8465:
8434:
8430:
8423:
8403:
8399:
8379:
8375:
8371:, 1–2 and 15–18
8355:
8351:
8331:
8327:
8319:
8315:
8302:
8298:
8291:
8271:
8267:
8259:
8255:
8247:
8243:
8235:
8231:
8216:
8212:
8181:
8177:
8170:
8156:
8152:
8145:
8131:
8127:
8120:
8106:
8102:
8091:
8090:
8086:
8079:
8065:
8061:
8054:
8037:
8033:
8026:
8012:
8008:
7977:
7973:
7966:
7952:
7948:
7938:
7936:
7921:
7917:
7910:
7890:
7886:
7879:
7865:
7861:
7830:
7826:
7819:
7802:
7798:
7790:
7786:
7779:
7765:
7761:
7753:
7749:
7741:
7737:
7733:, pp. 7–13
7729:
7725:
7717:
7713:
7706:
7692:
7688:
7678:
7676:
7671:
7670:
7666:
7656:
7654:
7649:
7648:
7644:
7636:
7632:
7624:
7620:
7612:
7608:
7600:
7596:
7589:
7575:
7571:
7564:
7547:
7543:
7536:
7518:
7514:
7507:
7493:
7489:
7482:
7457:
7453:
7438:
7431:
7424:
7408:
7404:
7397:
7383:
7379:
7371:
7367:
7360:
7338:
7334:
7326:
7322:
7312:
7310:
7305:
7304:
7300:
7292:
7288:
7280:
7276:
7269:
7249:
7245:
7237:
7233:
7226:
7202:
7198:
7190:
7186:
7178:
7174:
7163:
7159:
7128:
7124:
7113:"Portrait Bust"
7111:
7110:
7106:
7098:
7094:
7084:
7082:
7081:on 8 March 2012
7078:
7071:
7067:
7066:
7062:
7054:
7048:
7041:
7033:
7029:
7021:
7017:
7011:
6995:
6991:
6983:
6979:
6972:
6958:
6954:
6933:
6929:
6922:
6908:
6904:
6896:
6892:
6885:
6871:
6867:
6859:
6855:
6848:
6831:
6827:
6816:
6812:
6804:
6800:
6792:
6788:
6774:
6772:
6770:
6747:
6743:
6736:
6722:
6718:
6711:
6697:
6693:
6678:Barthes, Roland
6675:
6671:
6664:
6650:
6646:
6639:
6625:
6621:
6610:
6606:
6599:
6585:
6581:
6552:
6548:
6541:
6527:
6523:
6516:
6504:Ou, Li (2009).
6502:
6498:
6485:
6481:
6474:
6460:
6456:
6449:
6408:
6404:
6397:
6383:
6379:
6372:
6355:
6351:
6312:
6308:
6289:
6285:
6266:
6262:
6255:
6235:
6231:
6224:
6210:
6206:
6199:
6185:
6181:
6166:10.2307/1399898
6146:
6142:
6135:
6115:Ebrey, Patricia
6112:
6108:
6100:
6078:
6074:
6067:
6051:
6047:
6034:
6032:
6022:
6018:
6004:
6000:
5987:
5986:
5982:
5975:
5953:
5946:
5936:
5911:
5907:
5868:
5864:
5857:
5837:
5833:
5826:
5804:
5800:
5793:
5783:Selected Essays
5779:
5775:
5768:
5754:
5750:
5742:Ruth Finnegan,
5741:
5737:
5721:
5720:
5716:
5706:Merriam-Webster
5700:
5699:
5695:
5675:
5674:
5670:
5666:
5661:
5656:
5655:
5626:
5622:
5608:
5604:
5599:
5516:
5509:
5506:
5498:performance art
5486:OBJECT:PARADISE
5464:
5456:performance art
5444:
5438:
5403:
5397:
5377:Willard R. Espy
5316:
5310:
5233:
5227:
5201:Big Bang theory
5197:Edgar Allan Poe
5187:science fiction
5168:
5162:
5048:
5028:Main articles:
5016:
5014:Dramatic poetry
4992:Ignacy Krasicki
4980:Robert Henryson
4976:Marie de France
4922:
4906:
4882:Antonio Machado
4874:Alfred Tennyson
4854:Charlotte Smith
4830:Jan Kochanowski
4789:
4783:
4749:Ignacy Krasicki
4741:Thomas Shadwell
4686:
4504:
4498:
4486:Antonio Machado
4442:
4423:
4411:Alfred Tennyson
4407:Edgar Allan Poe
4395:Adam Mickiewicz
4281:
4265:
4252:
4236:Persian Studies
4128:
4122:
4076:
4070:
4002:
3932:
3896:
3877:
3819:
3790:
3784:
3777:a gift from Edo
3759:
3723:
3717:
3678:Japanese poetry
3664:
3658:
3646:Rudyard Kipling
3633:
3627:
3596:
3590:
3448:
3442:
3425:Carol Ann Duffy
3379:Michael Drayton
3364:Carol Ann Duffy
3338:hendecasyllable
3332:, while in the
3276:
3270:
3230:
3224:
3184:Piers Ploughman
3087:
3081:
3069:concrete poetry
3051:through visual
3014:
3008:
2900:
2892:Main articles:
2890:
2866:verse paragraph
2850:
2794:Arabic language
2749:
2743:
2741:Rhyming schemes
2680:
2668:Main articles:
2666:
2611:Edgar Allan Poe
2496:feminine ending
2454:
2448:
2411:Ottoman Turkish
2217:from c. 470 BCE
2198:
2192:
2135:, based on the
2093:Biblical poetry
2041:Tonal languages
1967:
1955:Main articles:
1953:
1929:
1923:
1918:
1866:established by
1856:modernist poets
1830:
1754:dramatic poetry
1717:
1710:
1689:
1680:
1669:
1660:
1653:
1629:stressed poetry
1459:(c. 1800 BCE).
1442:
1438:
1407:
1387:
1382:
1380:Literary theory
1374:Main articles:
1372:
1291:Biblical poetry
1208:interpretations
1131:Story of Sinuhe
1002:sound symbolism
925:
889:
887:
820:Literary awards
686:Dramatic genres
427:science fiction
105:Oral literature
81:
67:
60:
55:
54:
53:
52:
51:
50:
34:
22:
15:
12:
11:
5:
11867:
11857:
11856:
11851:
11846:
11841:
11836:
11831:
11814:
11813:
11799:
11796:
11795:
11793:
11792:
11787:
11782:
11777:
11772:
11767:
11762:
11757:
11752:
11747:
11742:
11737:
11732:
11727:
11726:
11725:
11720:
11712:
11707:
11702:
11697:
11692:
11687:
11682:
11677:
11672:
11667:
11662:
11657:
11652:
11647:
11642:
11637:
11632:
11627:
11625:Latin American
11622:
11617:
11612:
11607:
11602:
11597:
11592:
11587:
11582:
11577:
11572:
11567:
11562:
11557:
11552:
11547:
11542:
11537:
11532:
11527:
11522:
11517:
11516:
11515:
11505:
11500:
11495:
11490:
11485:
11480:
11475:
11470:
11465:
11460:
11455:
11450:
11445:
11440:
11434:
11431:
11430:
11419:
11418:
11411:
11404:
11396:
11387:
11386:
11372:
11369:
11368:
11366:
11365:
11360:
11358:Uranian poetry
11355:
11350:
11345:
11340:
11335:
11330:
11325:
11320:
11315:
11310:
11305:
11300:
11295:
11290:
11285:
11280:
11275:
11270:
11265:
11260:
11255:
11250:
11245:
11240:
11235:
11230:
11225:
11223:Martian poetry
11220:
11215:
11213:Language poets
11210:
11205:
11200:
11195:
11190:
11185:
11180:
11175:
11170:
11165:
11160:
11155:
11153:Georgian poets
11150:
11145:
11140:
11135:
11130:
11125:
11120:
11115:
11110:
11105:
11100:
11095:
11090:
11088:Della Cruscans
11085:
11080:
11075:
11070:
11065:
11060:
11055:
11050:
11045:
11040:
11035:
11033:Cavalier poets
11030:
11028:Castalian Band
11025:
11020:
11015:
11010:
11005:
11000:
10995:
10993:Angry Penguins
10990:
10985:
10979:
10976:
10975:
10964:
10963:
10956:
10949:
10941:
10932:
10931:
10929:
10928:
10921:
10916:
10911:
10906:
10901:
10896:
10891:
10890:
10889:
10878:
10876:
10872:
10871:
10869:
10868:
10863:
10858:
10853:
10848:
10843:
10842:
10841:
10829:
10823:
10821:
10817:
10816:
10814:
10813:
10806:
10801:
10796:
10791:
10786:
10781:
10776:
10771:
10766:
10759:
10754:
10748:
10746:
10742:
10741:
10739:
10738:
10733:
10728:
10723:
10718:
10713:
10712:
10711:
10701:
10700:
10699:
10694:
10684:
10677:
10672:
10667:
10661:
10656:
10651:
10650:
10649:
10639:
10634:
10629:
10624:
10619:
10612:
10609:Belles-lettres
10605:
10600:
10595:
10593:Antipositivism
10590:
10585:
10579:
10577:
10573:
10572:
10569:
10568:
10566:
10565:
10560:
10555:
10550:
10545:
10539:
10537:
10530:
10529:
10528:
10527:
10522:
10517:
10507:
10502:
10497:
10496:
10495:
10490:
10485:
10475:
10470:
10469:
10468:
10463:
10458:
10448:
10443:
10438:
10433:
10427:
10425:
10421:
10420:
10413:
10412:
10405:
10398:
10390:
10384:
10383:
10375:, ed. (1936).
10369:
10363:
10351:, ed. (1999).
10345:
10337:, ed. (1973).
10335:Larkin, Philip
10331:
10325:
10313:, ed. (1972).
10311:Gardner, Helen
10307:
10301:
10273:Main article:
10271:
10270:
10266:
10265:
10255:
10249:
10245:ABC of Reading
10237:
10217:
10211:
10193:
10187:
10171:
10166:978-0156957052
10165:
10144:
10143:
10139:
10138:
10132:
10118:Greene, Roland
10113:
10112:
10107:
10104:
10103:
10102:
10088:
10082:
10068:Pinsky, Robert
10064:
10058:
10049:Rhyme's Reason
10040:
10024:
10018:
10003:
9997:
9980:
9977:
9975:
9974:
9963:(7). July 2022
9948:
9922:
9909:978-0521278966
9908:
9885:
9866:
9860:978-0801446689
9859:
9838:
9813:
9788:
9763:
9745:
9720:
9694:
9687:
9669:
9651:
9632:
9625:
9607:
9582:
9556:
9538:
9531:
9505:
9498:
9480:
9473:
9455:
9448:
9430:
9423:
9397:
9390:
9372:
9365:
9347:
9325:
9318:
9300:
9293:
9272:
9265:
9247:
9240:
9222:
9195:
9169:
9143:
9129:
9123:. Peter Lang.
9109:
9086:
9077:
9063:
9029:
9004:
8982:
8955:
8944:(3): 457–497.
8928:
8921:
8903:
8882:
8875:
8851:
8844:
8836:English Poetry
8826:
8819:
8801:
8794:
8766:"โคลง Khloong"
8754:
8721:
8714:
8696:
8684:
8677:
8659:
8652:
8634:
8627:
8605:
8576:
8567:"One Art", in
8560:
8544:
8524:
8517:
8488:
8481:
8463:
8444:(22): 81–125.
8428:
8421:
8397:
8381:Watson, Burton
8373:
8357:Watson, Burton
8349:
8333:Watson, Burton
8325:
8313:
8296:
8289:
8265:
8253:
8241:
8237:Hollander 1981
8229:
8210:
8191:(4): 323–338.
8175:
8168:
8150:
8143:
8125:
8118:
8100:
8084:
8077:
8059:
8052:
8031:
8024:
8006:
7993:10.2307/294154
7971:
7964:
7946:
7915:
7908:
7884:
7877:
7859:
7840:(3): 367–392.
7824:
7817:
7807:, ed. (2004).
7796:
7784:
7777:
7759:
7747:
7735:
7723:
7719:Hollander 1981
7711:
7704:
7686:
7664:
7642:
7630:
7618:
7606:
7594:
7587:
7569:
7562:
7541:
7534:
7512:
7505:
7487:
7480:
7451:
7429:
7422:
7402:
7395:
7377:
7365:
7358:
7344:Racine: Phèdre
7332:
7320:
7298:
7286:
7274:
7267:
7243:
7231:
7224:
7196:
7184:
7172:
7157:
7144:10.2307/412889
7138:(3): 576–616.
7122:
7104:
7092:
7060:
7039:
7027:
7015:
7009:
6989:
6985:Hollander 1981
6977:
6970:
6952:
6937:Tamil Internet
6927:
6920:
6902:
6890:
6883:
6865:
6853:
6846:
6825:
6810:
6798:
6786:
6769:978-1604135886
6768:
6741:
6735:978-1349156177
6734:
6716:
6709:
6691:
6669:
6662:
6644:
6637:
6619:
6604:
6597:
6579:
6546:
6539:
6521:
6514:
6496:
6479:
6472:
6454:
6447:
6424:10.2307/598112
6418:(4): 657–670.
6402:
6395:
6377:
6370:
6349:
6306:
6283:
6260:
6253:
6229:
6222:
6204:
6197:
6179:
6160:(3): 317–345.
6140:
6133:
6106:
6098:
6072:
6065:
6045:
6016:
5998:
5993:Sanders, N. K.
5980:
5973:
5944:
5934:
5905:
5878:(4): 321–346.
5862:
5855:
5831:
5824:
5798:
5791:
5773:
5766:
5748:
5735:
5727:Dictionary.com
5714:
5693:
5667:
5665:
5662:
5660:
5657:
5654:
5653:
5620:
5601:
5600:
5598:
5595:
5594:
5593:
5588:
5583:
5578:
5576:Poetry reading
5573:
5568:
5563:
5561:Persona poetry
5558:
5553:
5548:
5543:
5538:
5533:
5531:Digital poetry
5528:
5522:
5521:
5505:
5502:
5463:
5460:
5440:Main article:
5437:
5434:
5399:Main article:
5396:
5393:
5312:Main article:
5309:
5306:
5275:Arthur Rimbaud
5229:Main article:
5226:
5223:
5191:horror fiction
5164:Main article:
5161:
5158:
5134:'s tragedy of
5124:'s tragedy of
5038:Sanskrit drama
5015:
5012:
5008:Ambrose Bierce
4926:literary genre
4918:Main article:
4905:
4902:
4898:Virginia Woolf
4838:Edmund Spenser
4826:Jorge Manrique
4785:Main article:
4782:
4779:
4767:, and Korea's
4685:
4682:
4649:Helen in Egypt
4563:Luís de Camões
4558:Nibelungenlied
4500:Main article:
4497:
4494:
4462:states of mind
4438:Main article:
4422:
4419:
4387:Alexander Pope
4379:Luís de Camões
4332:oral tradition
4293:human interest
4277:Main article:
4264:
4261:
4251:
4248:
4228:Bloodaxe Books
4124:Main article:
4121:
4118:
4072:Main article:
4069:
4066:
4028:translates as
4001:
3998:
3901:[bàːt]
3786:Main article:
3783:
3780:
3779:
3778:
3775:
3772:
3769:
3766:
3762:富士の風や扇にのせて江戸土産
3719:Main article:
3716:
3713:
3660:Main article:
3657:
3654:
3629:Main article:
3626:
3623:
3592:Main article:
3589:
3586:
3574:Middle Chinese
3444:Main article:
3441:
3438:
3421:E. E. Cummings
3371:Edmund Spenser
3272:Main article:
3269:
3266:
3223:
3220:
3168:Aesop's Fables
3085:Poetic diction
3083:Main article:
3080:
3077:
3073:asemic writing
3057:juxtapositions
3030:Chinese poetry
3010:Main article:
3007:
3004:
2889:
2886:
2849:
2848:Form in poetry
2846:
2826:enclosed rhyme
2745:Main article:
2742:
2739:
2723:internal rhyme
2665:
2662:
2661:
2660:
2640:
2618:
2604:
2577:Andrew Marvell
2570:
2548:
2452:Meter (poetry)
2450:Main article:
2447:
2444:
2429:of syllables.
2387:
2386:
2380:
2358:
2348:
2334:
2320:
2261:. Similarly, "
2194:Main article:
2191:
2188:
2176:Marianne Moore
2123:Tamil language
2083:Marianne Moore
1952:
1949:
1927:Meter (poetry)
1925:Main article:
1922:
1919:
1917:
1914:
1829:
1826:
1716:
1713:
1712:
1711:
1690:
1683:
1681:
1670:
1663:
1661:
1654:
1647:
1558:Chinese poetry
1534:, the Avestan
1524:as the Indian
1474:; the Persian
1418:, present-day
1386:
1383:
1371:
1368:
1232:poetic diction
1032:) for poetry.
927:
926:
924:
923:
916:
909:
901:
898:
897:
884:
883:
882:
881:
876:
871:
866:
861:
856:
851:
843:
842:
832:
831:
830:
829:
828:
827:
817:
812:
807:
802:
797:
792:
784:
783:
779:
778:
777:
776:
771:
766:
761:
756:
748:
747:
741:
740:
739:
738:
733:
728:
723:
718:
717:
716:
711:
701:
696:
688:
687:
683:
682:
679:
678:
677:
676:
671:
666:
658:
657:
653:
652:
651:
650:
645:
640:
635:
630:
625:
620:
615:
610:
605:
600:
592:
591:
585:
584:
583:
582:
577:
572:
567:
562:
554:
553:
543:
542:
538:
537:
534:
533:
532:
531:
526:
521:
516:
511:
506:
501:
496:
491:
486:
485:
484:
479:
466:
465:
459:
458:
457:
456:
451:
446:
445:
444:
439:
434:
429:
424:
419:
414:
409:
404:
399:
394:
389:
379:
374:
369:
361:
360:
350:
349:
345:
344:
341:
340:
339:
338:
333:
328:
323:
318:
313:
308:
303:
298:
290:
289:
285:
284:
283:
282:
273:
268:
260:
259:
253:
252:
247:
242:
241:
240:
230:
225:
224:
223:
218:
208:
207:
206:
193:
192:
188:
187:
186:
185:
180:
179:
178:
173:
163:
158:
157:
156:
151:
146:
141:
136:
131:
126:
121:
108:
107:
101:
100:
92:
91:
58:
47:1 October 2024
36:
30:
27:
25:
9:
6:
4:
3:
2:
11866:
11855:
11852:
11850:
11847:
11845:
11842:
11840:
11837:
11835:
11832:
11830:
11827:
11826:
11824:
11811:
11810:
11805:
11797:
11791:
11788:
11786:
11783:
11781:
11778:
11776:
11773:
11771:
11768:
11766:
11763:
11761:
11758:
11756:
11753:
11751:
11748:
11746:
11743:
11741:
11738:
11736:
11733:
11731:
11728:
11724:
11721:
11719:
11716:
11715:
11713:
11711:
11708:
11706:
11703:
11701:
11698:
11696:
11693:
11691:
11688:
11686:
11683:
11681:
11678:
11676:
11673:
11671:
11668:
11666:
11663:
11661:
11658:
11656:
11653:
11651:
11648:
11646:
11643:
11641:
11638:
11636:
11633:
11631:
11628:
11626:
11623:
11621:
11618:
11616:
11613:
11611:
11608:
11606:
11603:
11601:
11598:
11596:
11593:
11591:
11588:
11586:
11583:
11581:
11578:
11576:
11573:
11571:
11568:
11566:
11563:
11561:
11558:
11556:
11553:
11551:
11548:
11546:
11543:
11541:
11538:
11536:
11533:
11531:
11528:
11526:
11523:
11521:
11518:
11514:
11511:
11510:
11509:
11506:
11504:
11501:
11499:
11496:
11494:
11491:
11489:
11486:
11484:
11481:
11479:
11476:
11474:
11471:
11469:
11466:
11464:
11461:
11459:
11456:
11454:
11451:
11449:
11446:
11444:
11441:
11439:
11436:
11435:
11432:
11428:
11424:
11417:
11412:
11410:
11405:
11403:
11398:
11397:
11394:
11384:
11383:
11378:
11370:
11364:
11361:
11359:
11356:
11354:
11351:
11349:
11346:
11344:
11341:
11339:
11336:
11334:
11331:
11329:
11326:
11324:
11321:
11319:
11316:
11314:
11311:
11309:
11308:Rhymers' Club
11306:
11304:
11301:
11299:
11296:
11294:
11291:
11289:
11286:
11284:
11281:
11279:
11276:
11274:
11271:
11269:
11268:New Formalism
11266:
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11203:Jindyworobaks
11201:
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11086:
11084:
11081:
11079:
11076:
11074:
11071:
11069:
11066:
11064:
11063:Cubo-Futurism
11061:
11059:
11056:
11054:
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11049:
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11036:
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10857:
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10852:
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10840:
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10835:
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10832:Human science
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10581:
10580:
10578:
10574:
10564:
10561:
10559:
10556:
10554:
10551:
10549:
10548:Environmental
10546:
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10534:
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10480:
10479:
10476:
10474:
10471:
10467:
10464:
10462:
10459:
10457:
10454:
10453:
10452:
10451:Language arts
10449:
10447:
10444:
10442:
10439:
10437:
10434:
10432:
10429:
10428:
10426:
10422:
10418:
10411:
10406:
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10388:
10380:
10379:
10374:
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10360:
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10279:
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10268:
10267:
10263:
10259:
10256:
10253:
10250:
10246:
10242:
10238:
10234:
10233:
10227:
10226:"Verse"
10222:
10218:
10214:
10208:
10204:
10203:
10198:
10194:
10190:
10184:
10180:
10176:
10172:
10168:
10162:
10157:
10156:
10150:
10146:
10145:
10142:Other critics
10141:
10140:
10135:
10129:
10125:
10124:
10119:
10115:
10114:
10111:Encyclopedias
10110:
10109:
10099:
10098:
10093:
10089:
10085:
10079:
10075:
10074:
10069:
10065:
10061:
10055:
10051:
10050:
10045:
10041:
10036:
10035:
10029:
10028:Fussell, Paul
10025:
10021:
10015:
10011:
10010:
10004:
10000:
9994:
9991:. Broadview.
9990:
9989:
9983:
9982:
9962:
9958:
9952:
9937:
9933:
9926:
9911:
9905:
9901:
9900:
9895:
9889:
9882:(5/2022): 11.
9881:
9877:
9870:
9862:
9856:
9852:
9848:
9842:
9827:
9823:
9817:
9802:
9798:
9792:
9777:
9773:
9767:
9759:
9755:
9749:
9734:
9732:
9724:
9708:
9706:
9698:
9690:
9684:
9680:
9673:
9666:
9665:
9660:
9655:
9647:
9643:
9636:
9628:
9622:
9618:
9611:
9596:
9592:
9586:
9571:
9567:
9560:
9553:
9549:
9542:
9534:
9528:
9524:
9519:
9518:
9509:
9501:
9495:
9491:
9484:
9476:
9470:
9466:
9459:
9451:
9445:
9441:
9434:
9426:
9420:
9416:
9411:
9410:
9401:
9393:
9387:
9383:
9376:
9368:
9362:
9358:
9351:
9335:
9329:
9321:
9315:
9311:
9304:
9296:
9290:
9286:
9282:
9276:
9268:
9262:
9258:
9251:
9243:
9237:
9233:
9226:
9211:on 9 May 2015
9210:
9206:
9199:
9183:
9179:
9173:
9157:
9153:
9147:
9132:
9126:
9122:
9121:
9113:
9106:
9102:
9098:
9095:
9090:
9081:
9073:
9067:
9059:
9053:
9045:
9044:
9039:
9033:
9018:
9014:
9008:
9000:
8996:
8992:
8986:
8978:
8974:
8970:
8966:
8959:
8951:
8947:
8943:
8939:
8932:
8924:
8918:
8914:
8907:
8892:
8886:
8878:
8872:
8868:
8864:
8863:
8855:
8847:
8841:
8837:
8830:
8822:
8816:
8812:
8805:
8797:
8791:
8787:
8771:
8767:
8761:
8759:
8750:
8744:
8736:
8732:
8725:
8717:
8711:
8707:
8700:
8694:, p. 117
8693:
8688:
8680:
8674:
8670:
8663:
8655:
8649:
8645:
8638:
8630:
8624:
8620:
8616:
8609:
8602:
8591:
8587:
8580:
8572:
8571:Geography III
8564:
8556:
8548:
8540:
8534:
8528:
8520:
8514:
8510:
8506:
8502:
8498:
8497:Kumin, Maxine
8492:
8484:
8478:
8474:
8467:
8459:
8455:
8451:
8447:
8443:
8439:
8438:T'ang Studies
8432:
8424:
8418:
8414:
8410:
8409:
8401:
8395:, 111 and 115
8394:
8393:0-231-03464-4
8390:
8386:
8382:
8377:
8370:
8369:0-231-03464-4
8366:
8362:
8358:
8353:
8346:
8345:0-231-03464-4
8342:
8338:
8334:
8329:
8322:
8317:
8309:
8308:
8300:
8292:
8286:
8282:
8278:
8277:
8269:
8262:
8257:
8250:
8245:
8238:
8233:
8225:
8221:
8214:
8206:
8202:
8198:
8194:
8190:
8186:
8179:
8171:
8165:
8161:
8154:
8146:
8140:
8136:
8129:
8121:
8115:
8111:
8104:
8096:
8095:
8088:
8080:
8074:
8070:
8063:
8055:
8049:
8045:
8041:
8035:
8027:
8021:
8017:
8010:
8002:
7998:
7994:
7990:
7986:
7982:
7975:
7967:
7961:
7957:
7950:
7934:
7930:
7926:
7919:
7911:
7905:
7901:
7897:
7896:
7888:
7880:
7874:
7870:
7863:
7855:
7851:
7847:
7843:
7839:
7835:
7828:
7820:
7814:
7810:
7806:
7800:
7793:
7788:
7780:
7774:
7770:
7763:
7756:
7751:
7744:
7739:
7732:
7727:
7720:
7715:
7707:
7701:
7697:
7690:
7675:. 4 July 2011
7674:
7668:
7653:. 25 May 2015
7652:
7646:
7639:
7634:
7627:
7622:
7615:
7610:
7603:
7598:
7590:
7584:
7580:
7573:
7565:
7559:
7555:
7551:
7545:
7537:
7531:
7526:
7525:
7516:
7508:
7502:
7498:
7491:
7483:
7477:
7473:
7468:
7467:
7461:
7455:
7447:
7443:
7436:
7434:
7425:
7419:
7415:
7414:
7406:
7398:
7392:
7388:
7381:
7374:
7369:
7361:
7355:
7351:
7346:
7345:
7336:
7329:
7324:
7308:
7302:
7295:
7290:
7284:, p. 206
7283:
7278:
7270:
7264:
7260:
7256:
7255:
7247:
7240:
7235:
7227:
7221:
7217:
7213:
7209:
7208:
7200:
7193:
7188:
7181:
7176:
7168:
7161:
7153:
7149:
7145:
7141:
7137:
7133:
7126:
7118:
7114:
7108:
7101:
7096:
7077:
7070:
7064:
7053:
7046:
7044:
7036:
7031:
7024:
7019:
7012:
7006:
7002:
7001:
6993:
6986:
6981:
6973:
6967:
6963:
6956:
6947:
6946:10.1.1.3.7738
6942:
6938:
6931:
6923:
6917:
6913:
6906:
6899:
6894:
6886:
6880:
6876:
6869:
6862:
6857:
6849:
6843:
6839:
6835:
6829:
6821:
6814:
6807:
6802:
6795:
6790:
6783:
6771:
6765:
6761:
6760:
6755:
6754:Bloom, Harold
6751:
6750:Bloom, Harold
6745:
6737:
6731:
6727:
6720:
6712:
6706:
6702:
6695:
6687:
6683:
6679:
6673:
6665:
6659:
6655:
6648:
6640:
6634:
6630:
6623:
6615:
6608:
6600:
6594:
6590:
6583:
6574:
6569:
6565:
6561:
6557:
6550:
6542:
6536:
6532:
6525:
6517:
6511:
6507:
6500:
6490:
6483:
6475:
6469:
6465:
6458:
6450:
6444:
6440:
6433:
6429:
6425:
6421:
6417:
6413:
6406:
6398:
6392:
6388:
6381:
6373:
6367:
6363:
6360:
6353:
6344:
6339:
6334:
6329:
6325:
6321:
6317:
6310:
6302:
6298:
6294:
6287:
6279:
6275:
6271:
6264:
6256:
6250:
6246:
6242:
6241:
6233:
6225:
6219:
6215:
6208:
6200:
6194:
6190:
6183:
6175:
6171:
6167:
6163:
6159:
6155:
6151:
6144:
6136:
6130:
6126:
6122:
6121:
6116:
6110:
6101:
6095:
6091:
6086:
6085:
6076:
6068:
6062:
6058:
6057:
6049:
6042:
6031:
6027:
6020:
6013:
6009:
6002:
5994:
5990:
5984:
5976:
5970:
5966:
5961:
5960:
5951:
5949:
5941:
5937:
5931:
5927:
5922:
5921:
5915:
5909:
5901:
5897:
5893:
5889:
5885:
5881:
5877:
5873:
5866:
5858:
5852:
5848:
5844:
5843:
5835:
5827:
5821:
5817:
5812:
5811:
5802:
5794:
5788:
5784:
5777:
5769:
5763:
5759:
5752:
5745:
5739:
5732:
5728:
5724:
5718:
5711:
5707:
5703:
5697:
5690:
5686:
5682:
5678:
5672:
5668:
5650:
5646:
5642:
5638:
5634:
5630:
5624:
5617:
5612:
5606:
5602:
5592:
5589:
5587:
5584:
5582:
5579:
5577:
5574:
5572:
5569:
5567:
5564:
5562:
5559:
5557:
5554:
5552:
5549:
5547:
5544:
5542:
5541:Improvisation
5539:
5537:
5534:
5532:
5529:
5527:
5524:
5523:
5519:
5518:Poetry portal
5513:
5508:
5501:
5499:
5495:
5491:
5487:
5483:
5479:
5475:
5471:
5470:
5459:
5457:
5453:
5449:
5443:
5433:
5431:
5426:
5422:
5418:
5411:
5407:
5402:
5392:
5390:
5386:
5382:
5378:
5374:
5373:X. J. Kennedy
5370:
5366:
5365:Lewis Carroll
5362:
5357:
5355:
5354:double dactyl
5351:
5347:
5343:
5339:
5335:
5331:
5324:
5323:Lewis Carroll
5320:
5315:
5305:
5303:
5299:
5295:
5291:
5287:
5283:
5278:
5276:
5272:
5268:
5264:
5260:
5259:flash fiction
5256:
5252:
5248:
5241:
5237:
5232:
5222:
5220:
5219:
5214:
5210:
5206:
5202:
5198:
5194:
5192:
5188:
5184:
5183:extrapolation
5176:
5172:
5167:
5157:
5155:
5151:
5147:
5143:
5139:
5138:
5133:
5129:
5128:
5127:Vis and Ramin
5123:
5119:
5118:
5113:
5109:
5108:
5103:
5099:
5098:
5093:
5092:
5087:
5083:
5079:
5075:
5071:
5070:Chinese Opera
5067:
5066:
5061:
5060:Greek tragedy
5057:
5053:
5047:
5043:
5042:Chinese Opera
5039:
5035:
5031:
5024:
5020:
5011:
5009:
5005:
5001:
4997:
4993:
4989:
4985:
4981:
4977:
4973:
4969:
4965:
4960:
4958:
4954:
4950:
4946:
4942:
4938:
4935:
4931:
4927:
4921:
4914:
4910:
4901:
4899:
4895:
4891:
4887:
4883:
4879:
4875:
4871:
4867:
4863:
4859:
4855:
4851:
4847:
4843:
4839:
4835:
4831:
4827:
4823:
4818:
4816:
4812:
4808:
4804:
4797:
4793:
4788:
4778:
4776:
4775:
4770:
4766:
4762:
4758:
4754:
4750:
4746:
4742:
4738:
4737:
4732:
4731:Poet Laureate
4729:), the first
4728:
4724:
4719:
4717:
4713:
4709:
4705:
4701:
4694:
4690:
4681:
4679:
4678:
4673:
4669:
4668:Derek Walcott
4665:
4661:
4660:
4655:
4651:
4650:
4645:
4641:
4640:
4635:
4630:
4628:
4627:
4622:
4618:
4617:
4612:
4608:
4607:
4602:
4598:
4597:
4592:
4588:
4587:
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4581:
4576:
4575:
4570:
4569:
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4550:
4546:
4545:
4540:
4539:
4534:
4529:
4527:
4523:
4519:
4512:
4508:
4503:
4493:
4491:
4487:
4483:
4479:
4475:
4471:
4467:
4463:
4459:
4455:
4451:
4447:
4441:
4434:
4431:
4427:
4418:
4416:
4412:
4408:
4404:
4400:
4396:
4392:
4388:
4384:
4380:
4376:
4372:
4368:
4364:
4360:
4356:
4351:
4349:
4345:
4341:
4337:
4333:
4329:
4325:
4321:
4317:
4312:
4310:
4309:
4304:
4303:
4298:
4294:
4290:
4286:
4280:
4273:
4269:
4260:
4257:
4247:
4245:
4241:
4237:
4233:
4229:
4225:
4221:
4217:
4216:Gertrude Bell
4213:
4209:
4205:
4201:
4197:
4193:
4188:
4185:
4175:
4171:
4167:
4163:
4127:
4117:
4115:
4114:Arabic poetry
4111:
4107:
4103:
4099:
4095:
4091:
4084:
4080:
4075:
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4063:
4059:
4055:
4051:
4047:
4043:
4039:
4035:
4032:). The first
4031:
4027:
4023:
4018:
4007:
3997:
3995:
3992:of the final
3991:
3986:
3975:
3970:
3959:
3958:khlong suphap
3955:
3951:
3947:
3944:). The first
3943:
3938:
3937:[wák]
3924:
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3911:
3907:
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3882:[bòt]
3869:
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3434:
3433:John Berryman
3430:
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3407:), theology (
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3129:wrote in the
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3019:
3013:
3012:Visual poetry
3003:
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2989:
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2894:Line (poetry)
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2807:
2803:
2802:sixth century
2799:
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2791:
2787:
2786:rhyme schemes
2783:
2779:
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2767:
2763:
2759:
2758:
2757:Divine Comedy
2753:
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2590:Eugene Onegin
2586:
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2568:
2567:
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2534:Paradise Lost
2530:
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2516:
2512:
2508:
2506:
2501:
2497:
2493:
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2480:
2472:
2468:
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2462:
2461:Lewis Carroll
2458:
2453:
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2434:Robert Pinsky
2430:
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2240:
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2223:metrical foot
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2209:
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2197:
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2184:sprung rhythm
2181:
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2022:
2018:
2014:
2010:
2006:
2002:
1998:
1994:
1990:
1986:
1982:
1975:
1971:
1966:
1962:
1958:
1948:
1946:
1942:
1938:
1934:
1928:
1913:
1911:
1907:
1903:
1899:
1895:
1890:
1888:
1887:Western canon
1884:
1880:
1879:Postmodernism
1876:
1873:
1869:
1865:
1859:
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1747:
1746:aestheticians
1742:
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1708:
1704:
1703:
1698:
1697:Kǒngzǐ Shīlùn
1694:
1687:
1682:
1678:
1674:
1667:
1662:
1658:
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1646:
1645:
1644:
1642:
1641:Tim Whitmarsh
1638:
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1551:
1550:
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1544:
1543:Hurrian songs
1539:
1538:
1533:
1532:
1527:
1523:
1518:
1516:
1515:
1510:
1509:
1504:
1500:
1499:
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1490:
1489:national epic
1487:
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1417:
1413:
1405:
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1398:
1396:
1392:
1381:
1377:
1367:
1365:
1364:close reading
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1357:
1353:
1349:
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1341:
1336:
1334:
1331:– often by a
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1296:
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1137:
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1132:
1127:
1126:
1121:
1120:
1119:Hurrian songs
1115:
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1110:
1106:
1105:
1101:
1097:
1093:
1092:
1087:
1082:
1080:
1076:
1075:
1070:
1066:
1065:Pyramid Texts
1062:
1058:
1054:
1050:
1046:
1042:
1038:
1033:
1031:
1027:
1023:
1019:
1015:
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1007:
1004:, to produce
1003:
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987:
983:
979:
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971:
967:
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956:qualities of
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566:
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541:Poetry genres
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418:
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403:
400:
398:
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393:
392:coming-of-age
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383:
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375:
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365:
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362:
359:
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347:
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329:
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321:Flash fiction
319:
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309:
307:
304:
302:
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110:
109:
106:
103:
102:
98:
94:
93:
90:
87:
86:
83:
79:
75:
73:
65:
48:
44:
40:
33:
28:
19:
11849:Poetic forms
11800:
11740:Serbian epic
11422:
11373:
11283:Objectivists
11243:The Movement
11108:Ego-Futurism
11098:Dymock poets
11073:Cyclic Poets
11068:Culteranismo
10971:
10923:
10887:Philistinism
10882:Antihumanism
10836:
10808:
10794:Nova Religio
10761:
10679:
10659:Hermeneutics
10614:
10607:
10460:
10431:Anthropology
10377:
10373:Yeats, W. B.
10353:
10339:
10315:
10291:
10261:
10244:
10230:
10201:
10197:Fry, Stephen
10178:
10175:Finch, Annie
10154:
10122:
10096:
10072:
10048:
10033:
10008:
9987:
9979:Bibliography
9965:. Retrieved
9960:
9951:
9939:. Retrieved
9935:
9925:
9913:. Retrieved
9898:
9888:
9879:
9869:
9850:
9841:
9829:. Retrieved
9826:Power Poetry
9825:
9816:
9804:. Retrieved
9800:
9791:
9779:. Retrieved
9775:
9766:
9757:
9748:
9736:. Retrieved
9730:
9723:
9711:. Retrieved
9704:
9697:
9678:
9672:
9662:
9654:
9645:
9635:
9616:
9610:
9598:. Retrieved
9594:
9585:
9573:. Retrieved
9569:
9559:
9551:
9547:
9541:
9516:
9508:
9489:
9483:
9464:
9458:
9439:
9433:
9408:
9400:
9381:
9375:
9356:
9350:
9338:. Retrieved
9328:
9309:
9303:
9284:
9275:
9256:
9250:
9231:
9225:
9213:. Retrieved
9209:the original
9198:
9186:. Retrieved
9182:the original
9172:
9160:. Retrieved
9156:the original
9146:
9134:. Retrieved
9119:
9112:
9105:Aga Khan III
9089:
9080:
9066:
9042:
9032:
9020:. Retrieved
9016:
9007:
8998:
8994:
8985:
8968:
8964:
8958:
8941:
8937:
8931:
8912:
8906:
8894:. Retrieved
8885:
8861:
8854:
8835:
8829:
8810:
8804:
8785:
8774:. Retrieved
8769:
8734:
8724:
8705:
8699:
8687:
8668:
8662:
8643:
8637:
8618:
8608:
8600:
8593:. Retrieved
8589:
8579:
8570:
8563:
8554:
8547:
8538:
8527:
8504:
8491:
8472:
8466:
8441:
8437:
8431:
8407:
8400:
8384:
8376:
8360:
8352:
8336:
8328:
8321:Fussell 1965
8316:
8306:
8299:
8275:
8268:
8263:, p. 94
8256:
8249:Fussell 1965
8244:
8232:
8223:
8220:Modern Haiku
8219:
8213:
8188:
8184:
8178:
8159:
8153:
8134:
8128:
8109:
8103:
8093:
8087:
8068:
8062:
8043:
8034:
8015:
8009:
7987:(1): 58–78.
7984:
7980:
7974:
7955:
7949:
7937:. Retrieved
7933:the original
7928:
7918:
7894:
7887:
7868:
7862:
7837:
7833:
7827:
7808:
7805:McTurk, Rory
7799:
7787:
7768:
7762:
7757:, p. 78
7750:
7738:
7726:
7714:
7695:
7689:
7677:. Retrieved
7667:
7655:. Retrieved
7651:"FREE VERSE"
7645:
7633:
7621:
7616:, p. 27
7614:Fussell 1965
7609:
7597:
7578:
7572:
7553:
7544:
7523:
7515:
7496:
7490:
7465:
7454:
7448:(3): 231–44.
7445:
7441:
7412:
7405:
7386:
7380:
7375:, p. 65
7368:
7343:
7335:
7330:, p. 60
7323:
7311:. Retrieved
7301:
7296:, p. 63
7289:
7277:
7253:
7246:
7239:Fussell 1965
7234:
7206:
7199:
7194:, p. 66
7187:
7175:
7166:
7160:
7135:
7131:
7125:
7116:
7107:
7100:Fussell 1965
7095:
7083:. Retrieved
7076:the original
7063:
7030:
7025:, p. 24
7018:
6999:
6992:
6987:, p. 22
6980:
6961:
6955:
6936:
6930:
6911:
6905:
6898:Fussell 1965
6893:
6874:
6868:
6863:, p. 12
6861:Fussell 1965
6856:
6837:
6828:
6819:
6813:
6806:Fussell 1965
6801:
6796:, p. 52
6789:
6780:
6773:. Retrieved
6758:
6744:
6725:
6719:
6700:
6694:
6685:
6672:
6653:
6647:
6628:
6622:
6613:
6607:
6588:
6582:
6563:
6559:
6549:
6530:
6524:
6505:
6499:
6488:
6482:
6463:
6457:
6438:
6415:
6411:
6405:
6386:
6380:
6362:
6359:Aristotle's
6358:
6352:
6323:
6319:
6309:
6297:The Guardian
6296:
6286:
6273:
6263:
6245:607–609, 620
6239:
6232:
6213:
6207:
6188:
6182:
6157:
6153:
6143:
6119:
6109:
6083:
6075:
6055:
6048:
6040:
6033:. Retrieved
6029:
6019:
6011:
6001:
5988:
5983:
5958:
5939:
5919:
5908:
5875:
5871:
5865:
5847:xxvii–xxxiii
5841:
5834:
5809:
5801:
5782:
5776:
5757:
5751:
5743:
5738:
5730:
5726:
5717:
5709:
5705:
5696:
5688:
5685:the original
5680:
5671:
5648:
5644:
5640:
5636:
5632:
5628:
5623:
5605:
5477:
5467:
5465:
5445:
5432:" contests.
5414:
5358:
5342:alliteration
5336:, including
5327:
5314:Light poetry
5308:Light poetry
5290:Haibun Today
5289:
5285:
5281:
5279:
5244:
5231:Prose poetry
5225:Prose poetry
5216:
5195:
5179:
5145:
5135:
5125:
5115:
5105:
5095:
5089:
5063:
5049:
4968:Vishnu Sarma
4961:
4923:
4878:Walt Whitman
4819:
4800:
4772:
4736:Mac Flecknoe
4734:
4720:
4697:
4675:
4657:
4647:
4637:
4631:
4624:
4614:
4604:
4594:
4584:
4578:
4572:
4566:
4556:
4542:
4536:
4530:
4526:mythological
4515:
4443:
4440:Lyric poetry
4432:
4421:Lyric poetry
4391:Robert Burns
4352:
4336:alliteration
4313:
4306:
4300:
4282:
4253:
4223:
4219:
4189:
4129:
4087:
4061:
4053:
4049:
4045:
4041:
4037:
4033:
4029:
4025:
4024:per stanza (
4021:
4011:โคลงสี่สุภาพ
4005:
4003:
3993:
3989:
3973:
3957:
3953:
3949:
3945:
3941:
3922:
3918:
3912:
3886:
3867:
3866:, a stanza (
3863:
3861:
3834:
3809:
3793:
3791:
3753:Matsuo Bashō
3736:
3726:
3724:
3708:
3699:
3692:Asuka period
3681:
3675:
3634:
3611:Dylan Thomas
3607:
3561:
3549:
3545:
3535:
3531:
3525:
3519:
3513:
3503:
3493:
3465:
3464:
3446:Shi (poetry)
3429:Ted Berrigan
3417:Wilfred Owen
3405:Claude McKay
3392:
3386:
3368:
3352:
3348:
3346:
3313:
3309:
3287:
3246:
3205:
3192:
3182:
3172:
3166:
3153:
3130:
3108:
3088:
3038:
3034:calligraphed
3015:
2997:poetry, the
2992:
2968:
2961:
2952:
2912:
2901:
2878:poetic forms
2877:
2859:
2851:
2842:main article
2822:rhyme scheme
2818:
2771:
2755:
2747:Rhyme scheme
2731:
2727:
2720:
2708:
2700:alliterative
2693:
2654:
2636:The Kalevala
2634:
2628:
2598:
2595:Robert Frost
2588:
2564:
2554:
2542:
2532:
2519:
2476:
2464:
2431:
2419:
2403:vowel length
2399:Latin poetry
2388:
2376:
2372:
2368:
2364:
2354:
2344:
2340:
2330:
2326:
2316:
2312:
2308:
2243:Greek poetry
2220:
2213:painting of
2210:
2161:
2156:
2152:
2148:
2144:
2140:
2131:
2100:
2087:
2069:vowel length
2049:
1978:
1965:Pitch accent
1930:
1910:Harold Bloom
1891:
1883:hermeneutics
1877:
1868:non-metrical
1860:
1841:
1815:
1795:
1780:
1750:lyric poetry
1739:
1728:
1706:
1701:
1696:
1636:
1626:
1608:
1605:Matsuo Bashō
1599:
1594:
1588:
1567:
1561:
1547:
1541:
1536:
1529:
1519:
1512:
1506:
1503:Indian epics
1496:
1479:
1469:
1463:
1461:
1455:
1434:, dating to
1401:
1399:
1388:
1351:
1343:
1337:
1314:
1303:
1285:and regular
1252:
1230:elements of
1226:, and other
1205:
1163:
1156:
1149:
1143:
1129:
1123:
1117:
1112:
1102:
1090:
1083:
1072:
1034:
1021:
990:onomatopoeia
982:alliteration
969:
946:literary art
939:
931:
930:
454:Encyclopedic
432:supernatural
348:Prose genres
210:
204:closet drama
82:
71:
46:
37:This is the
31:
11854:Spoken word
11660:Old English
11655:New Zealand
11575:Indian epic
11550:Guernésiais
11453:Anglo-Welsh
11343:Sung poetry
11328:Sons of Ben
11253:Neotericism
11233:Misty Poets
11198:İkinci Yeni
11048:Conceptismo
11023:Cairo poets
10998:Auden Group
10736:Work of art
10704:Metaphysics
10665:Historicism
10510:Visual arts
10436:Archaeology
10424:Disciplines
10269:Anthologies
10241:Pound, Ezra
9915:5 September
9738:10 December
9713:10 December
9570:tseliot.com
9340:10 December
9215:10 December
9001:(1): 67–80.
8226:(2): 21–44.
7939:10 December
7313:10 December
7214:. pp.
7192:Pinsky 1998
7180:Pinsky 1998
7085:10 December
6939:: 128–136.
6794:Pinsky 1998
6326:: 135–163.
5914:Goody, Jack
5647:instead of
5591:Spoken word
5566:Phonestheme
5551:Oral poetry
5526:Anti-poetry
5484:collective
5474:avant-garde
5430:poetry slam
5401:Poetry slam
5395:Slam poetry
5385:Gavin Ewart
5330:light verse
5298:Octavio Paz
5247:micro-story
5054:written in
5004:Ivan Krylov
4904:Verse fable
4850:Thomas Gray
4846:John Milton
4796:Thomas Gray
4723:John Dryden
4693:John Wilmot
4672:Nobel prize
4586:Mahabharata
4568:Os Lusíadas
4502:Epic poetry
4496:Epic poetry
4466:perceptions
4415:Anne Carson
4383:Shakespeare
4289:epic poetry
4102:antistrophe
3788:Thai poetry
3638:Edward Lear
3615:W. H. Auden
3603:W. H. Auden
3558:Chen Zi'ang
3397:John Milton
3342:Alexandrine
3163:Renaissance
3155:Allegorical
3149:catachresis
3145:Surrealists
2984:antistrophe
2908:line breaks
2874:calligraphy
2834:ottava rima
2810:chant royal
2688:Old English
2651:Jean Racine
2529:John Milton
2271:epic poetry
2102:parallelism
2073:Old English
1822:translation
1818:colonialism
1787:Renaissance
1756:, treating
1514:Mahabharata
1478:books (the
1416:Mesopotamia
1385:Early works
1329:inspiration
1142:epics, the
1109:Zoroastrian
1061:Volta River
1010:incantatory
859:Composition
736:Tragicomedy
575:Verse novel
463:Non-fiction
367:Speculative
306:Short story
176:spoken word
166:Performance
139:heroic epic
11839:Aesthetics
11834:Literature
11823:Categories
11785:Vietnamese
11705:Rajasthani
11695:Portuguese
11468:Australian
11348:Surrealism
11303:Précieuses
11298:La Pléiade
11208:Lake Poets
11083:Deep image
11038:Chhayavaad
10697:Quadrivium
10622:Creativity
10588:Aesthetics
10515:Filmmaking
10500:Philosophy
10456:Literature
10417:Humanities
9188:29 October
9162:29 October
9136:29 October
8971:(1): 1–8.
8595:10 October
7626:Adams 1997
7602:Adams 1997
7328:Adams 1997
7294:Adams 1997
7282:Adams 1997
6834:Yip, Moira
6782:Emerson's.
6566:(1): 1–5.
5659:References
5611:synecdoche
5494:linguistic
5389:Wendy Cope
5369:Ogden Nash
5352:, and the
5240:Baudelaire
5213:prose poem
5150:T.S. Eliot
5142:Ezra Pound
5074:East Asian
4959:patterns.
4842:Ben Jonson
4822:Propertius
4753:Azerbaijan
4644:Ezra Pound
4639:The Cantos
4634:long poems
4474:John Donne
4454:characters
3974:khlong dan
3594:Villanelle
3588:Villanelle
3570:four tones
3500:Wade–Giles
3409:John Donne
3258:villanelle
3226:See also:
2999:dróttkvætt
2976:villanelle
2855:free verse
2838:terza rima
2798:Al Andalus
2711:consonance
2645:Alexandrin
2407:intonation
2343:-no-tate,
2255:tragedians
2227:tetrameter
2208:red-figure
2164:free verse
2115:intonation
2107:antiphonal
2059:). In the
2037:intonation
2035:. Varying
1937:intonation
1902:Wordsworth
1803:John Keats
1776:John Keats
1554:folk songs
1528:-language
1310:globalized
1271:Mickiewicz
1193:verse form
1189:repetition
1138:, and the
952:and often
948:that uses
934:(from the
774:Postmodern
709:historical
648:Villanelle
529:Travelogue
524:Persuasive
504:Journalism
482:philosophy
449:Historical
417:paranormal
377:Children's
250:Electronic
124:fairy tale
89:Literature
11718:Classical
11714:Sanskrit
11675:Pakistani
11665:Old Norse
11645:Malayalam
11513:Cantonese
11498:Byzantine
11493:Bulgarian
11353:Symbolism
11248:Négritude
11183:Imaginism
11163:The Group
11133:Gay Saber
11123:Fugitives
11103:Ecopoetry
11003:The Beats
10769:Humanitas
10681:Humanitas
10670:Historism
10632:Criticism
10525:Sculpture
9600:9 October
9575:9 October
9052:cite book
8692:Corn 1997
8590:poets.org
8458:163239068
8261:Corn 1997
8205:170517936
7854:162853305
7792:Corn 1997
7755:Corn 1997
7743:Corn 1997
7731:Corn 1997
7638:Corn 1997
7373:Corn 1997
7035:Corn 1997
7023:Corn 1997
6941:CiteSeerX
6680:(1978). "
6343:242230189
5900:143947520
5892:1748-0485
5664:Citations
5469:happening
5466:The term
5334:word play
4769:Kim Kirim
4708:political
4518:narrative
4363:Juan Ruiz
4346:aids for
4104:, and an
4058:Dead word
3963:โคลงสุภาพ
3564:poems is
3238:Sortavala
3201:allusions
3137:Modernism
3127:Aristotle
3100:Registers
3061:ambiguity
3045:Modernist
2904:lineation
2691:epic poem
2678:Assonance
2615:The Raven
2231:hexameter
1985:syllables
1872:formalist
1766:subgenres
1735:Aristotle
1724:Aristotle
1673:Confucius
1576:Confucius
1424:cuneiform
1340:character
1281:based on
1228:stylistic
1220:symbolism
1216:ambiguity
1159:Aristotle
1069:epic poem
1045:panegyric
978:assonance
960:to evoke
950:aesthetic
869:Narrative
854:Magazines
849:Sociology
840:criticism
810:Movements
769:Modernist
759:Classical
551:Narrative
387:adventure
331:Religious
301:Novelette
266:Anthology
221:narrative
171:audiobook
129:folk play
72:Love Poem
18:Love poem
11730:Scottish
11610:Kashmiri
11600:Jèrriais
11595:Javanese
11590:Japanese
11555:Gujarati
11530:Estonian
11503:Canadian
11478:Biblical
11463:Assamese
11448:American
11443:Albanian
11218:Marinism
11058:Créolité
10820:Academia
10789:Leonardo
10757:Daedalus
10745:Journals
10709:Ontology
10598:The arts
10520:Painting
10466:Rhetoric
10247:. Faber.
10243:(1951).
10223:(1911).
10199:(2007).
10177:(2011).
10151:(1947).
10094:(1926).
10070:(1998).
10046:(1981).
10030:(1965).
9941:21 March
9896:(1985).
9849:(2008).
9283:(2006).
9178:"GOETHE"
9097:Archived
9040:(1897).
8743:cite web
8499:(2002).
8383:(1971).
8359:(1971).
8335:(1971).
8042:(2002).
7552:(2003).
7462:(1998).
7442:Daedalus
7132:Language
6836:(2002).
6301:Archived
6278:Archived
6117:(1993).
5916:(1987).
5729:. 2013.
5723:"Poetry"
5708:. 2013.
5702:"Poetry"
5677:"Poetry"
5581:Rhapsode
5504:See also
5490:literary
5421:Illinois
5361:doggerel
5350:clerihew
5346:limerick
5205:universe
5102:Ferdowsi
5084:include
4972:Phaedrus
4913:Krasicki
4815:mourning
4774:Gisangdo
4761:Portugal
4659:Paterson
4616:Shahnama
4611:Ferdowsi
4606:Ramayana
4596:Kalevala
4458:feelings
4450:personal
4340:kennings
4036:of each
3979:โคลงดั้น
3910:Sanskrit
3625:Limerick
3578:allusion
3554:Shen Yue
3550:jintishi
3527:jintishi
3415:), war (
3322:quatrain
3298:Petrarch
3262:glossary
3161:and the
3119:metaphor
3113:such as
3096:dialects
3092:grammars
3053:caesuras
3041:printing
3018:Acrostic
2974:and the
2935:quatrain
2814:rubaiyat
2766:Beatrice
2553:(Homer,
2391:choriamb
2351:anapaest
2211:kathalos
2196:Scansion
2065:metrical
2017:Galician
1993:Japanese
1945:scanning
1916:Elements
1799:Romantic
1526:Sanskrit
1511:and the
1508:Ramayana
1468:and the
1391:literacy
1356:metaphor
1255:cultures
1244:metonymy
1236:metaphor
1173:rhetoric
1148:and the
1100:Sanskrit
1086:Eurasian
962:meanings
958:language
954:rhythmic
864:Language
795:Glossary
764:Medieval
699:Libretto
628:Limerick
580:National
570:Dramatic
560:Children
489:Anecdote
472:Academic
412:military
233:Nonsense
134:folksong
114:Folklore
43:reviewed
11775:Turkish
11755:Spanish
11735:Serbian
11710:Russian
11700:Punjabi
11685:Persian
11670:Ottoman
11640:Marathi
11605:Kannada
11585:Italian
11535:Finnish
11525:English
11520:Cornish
11508:Chinese
11488:Bosnian
11483:British
11473:Bengali
11363:Zutiste
11188:Imagism
11158:Goliard
10983:Acmeism
10968:Schools
10875:Related
10810:more...
10692:Trivium
10642:Culture
10616:Bildung
10558:Medical
10543:Digital
10493:Theatre
10446:History
8896:18 July
8776:6 March
6756:(ed.).
6361:Poetics
6174:1399898
5818:, 103.
5482:poetics
5423:, when
5417:Chicago
5203:of the
5122:Gorgani
5117:Masnavi
5065:bianwen
4937:animals
4811:elegiac
4807:funeral
4716:satires
4712:Juvenal
4601:Valmiki
4591:Lönnrot
4544:Odyssey
4371:Chaucer
4316:ballads
4308:Odyssey
4272:Chaucer
4204:Persian
4184:refrain
4170:Persian
4166:Bengali
4098:strophe
4054:Mai tho
3904:, from
3835:mai tho
3542:caesura
3383:sonnets
3326:couplet
3242:Karelia
3216:refrain
3208:imagery
3197:symbols
3132:Poetics
3104:prosody
3079:Diction
2995:skaldic
2980:strophe
2951:poem, "
2949:Russian
2927:triplet
2923:distich
2919:couplet
2915:stanzas
2812:or the
2806:qasidas
2778:sonnets
2774:ballads
2734:skaldic
2716:Chaucer
2695:Beowulf
2544:Sonnets
2500:spondee
2492:caesura
2485:to the
2427:lengths
2383:pyrrhic
2361:spondee
2347:-i-lar)
2329:-ture,
2323:trochee
2168:cadence
2121:of the
2029:Russian
2025:English
2021:Spanish
2013:Leonese
2005:Catalan
1981:accents
1921:Prosody
1898:Emerson
1894:Whitman
1852:creator
1848:creates
1762:tragedy
1740:Poetics
1702:Shijing
1693:poetics
1595:Shijing
1591:poetics
1568:Shijing
1531:Rigveda
1484:); the
1476:Avestan
1471:Odyssey
1428:papyrus
1410:BCE in
1370:History
1360:context
1344:speaker
1299:euphony
1212:emotive
1164:Poetics
1151:Odyssey
1140:Homeric
1104:Rigveda
1091:Shijing
1049:elegiac
1043:and to
1037:history
1030:metonym
1026:synonym
1006:musical
1000:), and
966:literal
941:poiesis
805:Writers
790:Outline
754:Ancient
745:History
731:Tragedy
608:Epigram
494:Epistle
477:history
437:western
422:romance
407:fantasy
372:Realist
358:Fiction
326:Parable
311:Drabble
296:Novella
280:romance
245:Ergodic
161:Oration
154:proverb
11829:Poetry
11765:Telugu
11750:Slovak
11745:Sindhi
11690:Polish
11680:Pashto
11650:Nepali
11630:Latino
11615:Korean
11570:Indian
11565:Hebrew
11540:French
11458:Arabic
11438:Afghan
11423:Poetry
11288:Others
11278:Oberiu
10972:poetry
10731:Wisdom
10663:
10603:Beauty
10576:Themes
10563:Public
10553:Health
10461:Poetry
10361:
10323:
10299:
10209:
10185:
10163:
10130:
10080:
10056:
10016:
9995:
9967:2 June
9906:
9857:
9685:
9623:
9529:
9496:
9471:
9446:
9421:
9388:
9363:
9316:
9291:
9263:
9238:
9127:
9022:21 May
8919:
8873:
8842:
8817:
8792:
8712:
8675:
8650:
8625:
8515:
8479:
8456:
8419:
8391:
8367:
8343:
8287:
8203:
8166:
8141:
8116:
8075:
8050:
8022:
8001:294154
7999:
7962:
7906:
7875:
7852:
7815:
7775:
7702:
7679:22 May
7657:22 May
7585:
7560:
7532:
7503:
7478:
7420:
7393:
7356:
7265:
7222:
7152:412889
7150:
7007:
6968:
6943:
6918:
6881:
6844:
6766:
6732:
6707:
6660:
6635:
6595:
6537:
6512:
6494:prose.
6470:
6445:
6432:598112
6430:
6393:
6368:
6340:
6251:
6220:
6195:
6172:
6131:
6096:
6063:
5971:
5932:
5898:
5890:
5853:
5822:
5789:
5764:
5348:, the
5288:, and
5273:, and
5251:a.k.a.
5185:as in
5152:with "
5137:Farhad
5132:Vahshi
5130:, and
5086:Nizami
5044:, and
5023:Goethe
5006:, and
4945:plants
4896:, and
4803:lament
4745:Poland
4704:Romans
4702:. The
4700:satire
4677:Omeros
4670:won a
4656:, and
4621:Nizami
4583:, the
4577:, the
4571:, the
4555:, the
4553:Aeneid
4549:Virgil
4522:heroic
4511:Camões
4488:, and
4464:, and
4433:(left)
4413:, and
4344:memory
4324:Slavic
4320:Baltic
4318:, and
4256:genres
4250:Genres
4206:poet,
4196:Sufism
4179:ghazal
4162:Arabic
4139:ghazel
4136:(also
4133:ghazal
4126:Ghazal
4120:Ghazal
4110:qasida
4094:Horace
4090:Pindar
4083:Horace
4062:mai ek
4050:Mai ek
3972:) and
3950:khlong
3864:khlong
3815:ไม้เอก
3810:mai ek
3794:khlong
3782:Khlong
3745:kireji
3617:, and
3566:Li Bai
3502::
3492::
3490:pinyin
3482::
3472::
3336:, the
3314:sestet
3274:Sonnet
3268:Sonnet
3254:ghazal
3193:Fables
3115:simile
3049:rhythm
3026:Hebrew
3022:Arabic
2972:ghazal
2957:Leiden
2931:tercet
2898:Stanza
2882:sonnet
2870:cantos
2862:stanza
2698:is in
2676:, and
2656:Phèdre
2566:Aeneid
2561:Virgil
2423:stress
2337:dactyl
2279:Hesiod
2267:dactyl
2259:Athens
2251:Sappho
2247:Pindar
2215:Sappho
2178:, and
2099:, was
2097:psalms
2090:Hebrew
2057:elided
2033:German
2009:French
1963:, and
1951:Rhythm
1935:, and
1933:rhythm
1900:, and
1758:comedy
1752:, and
1695:, the
1615:Tanakh
1572:lyrics
1560:, the
1549:Psalms
1540:, the
1537:Gathas
1505:, the
1498:Aeneid
1493:Virgil
1451:Inanna
1443:
1439:
1430:. The
1408:
1362:– via
1352:author
1267:Goethe
1259:genres
1248:verses
1242:, and
1240:simile
1195:, and
1185:comedy
1183:, and
1169:speech
1125:Psalms
1116:, the
1113:Gathas
1107:, the
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