Luc Tuymans - Knowledge

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elements. Such works are both visual preparations for later paintings and exteriorisations of thought processes. As Tuymans said in an interview with Josef Helfenstein in 1997: 'drawing is particularly important because I become mentally involved in the work and the picture. What is important for me is the idea of thinking while I draw, particularly in the tiny drawings. It helps to have everything under control'. Elsewhere in the interview, Tuymans explained that he mostly draws from memory and that he finds it better not to start drawing immediately when he sees something, but that he draws 'on the basis of a fragmentary memory.' This is elaborated on later in the 1997 interview with Helfenstein, when he describes how he usually prefers to draw after seeing something, 'on the basis of a fragmentary memory'. Each drawing is more than a visual record: it forms part of a wider reflective process. The first comprehensive exhibition of Tuymans' drawings and other works on paper from the years 1975–96 was on view in an exhibition that travelled to

723: 410: 390: 370: 915: 1248: 357:) exemplifies his use of titles to provoke associations in the mind of the viewer. Meaning, in his work, is never fixed; his paintings incite thought. A related characteristic of Tuymans' work is the way he often works in series, a method which enables one image to generate another through which images can be formulated and reformulated ad infinitum. Images are repeatedly analysed and distilled, and a large number of drawings, photocopies and 33: 2479: 691:. Here, he defines key terms and develops a dialectic between the 'virus' as representative of the 'cult', and 'vanity' as a projection of 'culture', also opposing the 'anecdotal' (as in the portrait or still life) to the 'symbolic' (as in representations of time or death). Tuymans refers to nine of his paintings dating from 1978 to 1990 to support his ideas. 1175: 1363:, and silver gelatine prints, using unusual supports such as wallpaper, security glass and PVC. In a similar way to his paintings, his printed images often appear blurred or reduced. They are frequently based on photographs or film stills, which the artist photographs and re-photographs until much of the original detail is lost. The four-colour etching 3299: 1828:, two painters who had a profound influence on his artistic development and whose connection with the city gave it a spiritual significance for him. Besides his parents and a handful of friends, few people saw the exhibition, but it was nonetheless crucial, because it was the first time Tuymans saw his work outside the studio. 1427:

an event that spanned numerous museums and cultural institutions in Belgium. All participating museums were asked to set their alarms to go off at 3 pm. Staff, artists, students, and other supporters evacuated the buildings involved for fifteen minutes. The event was a plea for tolerance; a statement

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Formal and conceptual oppositions recur in his work, which is echoed in his remark that while 'sickness should appear in the way the painting is made' there is also pleasure in its making – a 'caressing' of the canvas. This reflects Tuymans' semantic shaping of the philosophical content of his work.

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Tuymans has made about 50 site-specific murals since the mid-1990s, five permanent and the rest temporary. Unlike the permanent mural paintings, Tuymans other mural paintings are temporary events and installations created for exhibitions. The type of mural techniques used is either acrylic paint or

1066:. During the second season in 2012, this painting hung in Bałka's childhood bedroom. Tuymans also installed hundreds of black balloons in the ruins of Zofiówka, a former hospital for people with mental health conditions. In 1940, the building was part of the Otwock ghetto, and in 1942, during the 2366:

in Venice. The market reacted accordingly and his works generated even higher turnover on the secondary market, a record year for the artist. In 2015, Tuymans ranked 168 on the 'TOP 500' Contemporary Artists 2014/2015. That year, he ranked 75 in the 'Top 500' best-selling artists worldwide. This

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and other small-scale works form the bedrock of his work for they constitute, for him, a way of thinking through an idea. Important features of Tuymans' artistic approach can be found in these preparatory pieces such as his voluntary choice of low-quality materials and his incorporation of found

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and hid refugees, whereas some members of his father's family allegedly had sympathised with Nazi ideology. This fact echoed through family conversations, raising moral questions and feelings of guilt, and the subject became a source of fascination and fear, later playing a key role in Tuymans'

1367:(2017) for example, is based on iPhone photographs Tuymans took while painting. These images reveal an early, unfinished stage of the work. The paint strokes Tuymans placed in the margin of the painting and at the edges of the canvas are also incorporated in the etched image. 1093:, 1814, Tuymans' strong highlighting of central figures encased by a blackened, scruffy vignette suggests a diaspora, revolution, or an uneasy static mob. There is a sense of pent-up aggression that lies beneath the surface of the ethnically ambiguous and androgynous forms.' 630:

wrote, the painting 'simplified the means of painting.... flattened the perspective, muted the colour and the direction of the composition.... To save the painting he almost makes it disappear.' Other paintings that date from this period are the 1988 four-part painting

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Since 1995 Tuymans' international renown grew, and he participated in over 140 group exhibitions and had 47 solo shows in Europe, North America, and Asia. Between these dates, he created 198 works he classified as paintings, several murals and textile wall hangings.

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and won the Coutts Contemporary Art Foundation award in Zurich. In 2013, Tuymans was awarded the Flemish Culture Award for Visual Arts and in 2020 the Ultima award for 'General Cultural Merit'. In 1998, he received the biannual Culture Prize Blanlin-Evrart from the

1180: 1179: 1176: 1854:, extended his reputation internationally. Tuymans concluded this first period of his career with a retrospective exhibition held in Krefeld in 1993 at the Museum Haus Lange, Krefelder Kunstmuseen in the two residential houses turned contemporary art museums 1278:

as a permanent installation in the museum square on the Hanzestedenplaats in Antwerp. It is a 40 m stone mosaic that evokes Tuymans' painting of the same name created in 2002, which in turn refers to a memorial plaque dedicated to the 16th-century painter

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fresco applied directly on the existing wall surfaces. On rare occasions, he also made textile murals, which are based on drawings that are scanned and mechanically produced. As he said in a video interview he gave about the triptych mural painting

2352:(2001) attracted unexpected attention. It was the best ever auction result for a contemporary Belgian artist (i.e. born after 1945). Since then, his paintings have fetched ever-increasing sums. As a result, in 2016, Tuymans was ranked 60 in the 2415:. In 2019 he received the Medal of Honor from the International Congress of Contemporary Painting (ICOCEP) in Porto in Portugal. Tuymans holds several academic honours, including an honorary doctorate for overall cultural merit bestowed by the 1721:

Arbeit der Bilder: Die Präzens der Bilde sim Dialog zwischen Psychoanalyse, Philosophie und Kunstwissenschaft. In 2009, he took part in the Interdisciplinary Conference at NCCR in Basel; the Coloquim Abschied und Gegenstand during the Platform

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in 2019. This work was produced by Fantini Mosaici in Milan and is based on Tuymans' eponymous oil on canvas dated 1989 representing a German forced-labour camp. The full image could only be seen from the balustrades, overlooking the atrium of

1415:, he explained that the idea behind the exhibition was 'to explore the boundaries of painting' and that his curatorial approach was to 'prioritize the visual in order to create a dialogue between different works.' In 2002, he curated 1178: 5285: 1038:

Between 2006 and 2008, solo exhibitions devoted to Tuymans were held in diverse locations: at Műcsarnok Kunsthalle in Budapest in 2007–08; at Zachęta National Gallery of Art in Warsaw and at Haus der Kunst in Munich in 2008.

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in Dresden, an exhibition that traced the history of European painting from 1800 to the present, juxtaposing important works of European Romanticism with later modern and contemporary art. In 2016, he curated the exhibition

549:. The artists asked families from a neighbourhood in Antwerp for historical family photographs, a collection they built on with their own documentation of the area. The following year, they published the project in the 4879: 895:

executed on a massive scale, deliberately ignoring all reference to world events. This inevitably led to some negative criticism. Tuymans however, described his decision as a deliberate strategy of 'sublimation': 'In

587:. Some of the film fragments he made later served as inspiration for paintings. When Tuymans resumed painting in 1985, he changed his technique, and since then he never spent more than a day working on a painting. 5570: 1672:, and the artist and art historian Hans-Dieter Huber. In 2003, Tuymans held a public talk at the Kunstverein Hannover, and in 2004 he lectured at the Museo Tamayo, Mexico City (with Gerrit Vermeiren), at the 298:

best known for his paintings which explore people's relationship with history and confront their ability to ignore it. World War II is a recurring theme in his work. He is a key figure of the generation of

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brought him into the top 100 most successful artists on the global secondary market. As a result, he is regarded today as one of the most successful European artists, ranked alongside the Italian artists

1200:(2010), they are always related to the 'raw space' and 'it is the element of approach which is important with murals', he also mentioned that 'If I work on a wall I feel much more free than on a canvas.' 1211:(1993) on the ceiling of the ballroom of the former Ringtheater. This same year, the building was taken over by Troubleyn/Laboratorium, the performance company run by the Belgian playwright and artist 668:; the approach is dispassionate and not psychological. His portraits strip individuality away, leaving the body resembling a shell, the face a mask. Another example of his figurative portrait work is 664:

From the late 1970s, Tuymans also began to paint portraits of himself and imaginary portraits, anonymous individuals, and historical and public figures. Superficially, most of these images seem to be

471:. In a much later conversation, he explained how 'looking at that abstract painting was my first art experience.... I felt the magic of art in it.... I did understand the monumentality of that work.' 1590:. During this time he participated in international symposia and conferences, and gave interviews and lectures on his work and painting in general at various international universities and museums. 3052: 2933: 900:

the idea of banality becomes larger than life, it is taken to an impossible extreme. It's actually just an icon, an almost purely cerebral painting, more like a light projection. The attacks

5471: 2929: 2910: 538:, he created nearly 200 paintings on canvas or hardboard during this period. His first known painting dates from 1972 and the first public exhibited painting was created in 1977, entitled 5281: 2857: 1831:

The next public exhibition of Tuymans' work was held at Ruimte Morguen in Antwerp in 1988 and the first museum exhibitions devoted exclusively to his work were held in 1990 at the PMMK

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Over 100 solo exhibitions of Tuymans' paintings were staged between 1985 and 2016, including over 70 international solo exhibitions. The first exhibition of Tuymans' paintings, for the

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Luc Tuymans - Dusk, Penumbra [Published on the occasion of an exhibition organized by Museu Serralves, Museu de Arte Contemporânea, Porto, exhibition held July 14 – October 15, 2006

4752: 495:. In an interview in 2020, Tuymans described seeing these paintings as a shock, and discussed the fascination El Greco still holds for him today. He continued his studies at the 5574: 3295: 4080: 3379: 2884: 2527: 6547: 5153: 3497:"Rückkehr zur Tradition – Luc Tuymans' Beitrag zur D11. Luc Tuymans gilt als einer der herausragendsten Maler der Gegenwart in Europa. Auf der d11 enttäuscht seine Kunst" 5394: 5201: 2805: 798:

in Paris, which looked at modern artists' responses to major historical and political events over the preceding sixty years. In a later 2014 interview discussing the

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Tuymans also participated in over 350 group exhibitions between 1985 and 2016, including more than 300 international exhibitions. In 1992, he was invited to show at

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In January 2015 Tuymans was found guilty of plagiarism by a Belgian civil court after he used a photograph taken by Katrijn Van Giel as the source of his painting

3496: 459:, when he won a drawing competition. He later said this event gave him a sense of the path he had to take. When he was eight or nine, his uncle took him to the 2541: 409: 310:

Much of Tuymans' work deals with moral complexity, specifically the coexistence of 'good' and 'evil'. His subjects range from major historical events such as

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from the late 1980s on, producing a graphic oeuvre of about 90 works, which focus – like his paintings – on the mediation and translation of images in the

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in 2015, an honorary doctorate bestowed by the University of Arts in Poznań in 2014, and an honorary doctorate for overall cultural merit bestowed by the

1054:. This project involved interpreting the town's history through artworks which were spread across over twenty locations. Tuymans contributed the painting 4208:. In Luc Tuymans: I don’t get it, onder redactie van Montserrat Albores Gleason, Dieter Roelstraete en Gerrit Vermeiren. 197. Gent: Ludion, 2007. p. 197. 2686: 3626: 1291:, a mosaic was created from 96,569 stones of 11 different colours. The installation began in the winter of 2009 and was finished in the summer of 2010. 1117:– a critique of Belgian conservatism. He and Van Giel reached an amicable, confidential out-of-court settlement in October 2015. The British newspaper 887:

in 2002, which focused on works of art containing political or social commentary, many expected Tuymans to present new work created in response to the

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on 14 June 1958, and he continues to live in Antwerp today. His father, Antoon Tuymans, was Belgian Flemish and his mother, Elisabeth Dam, was Dutch.

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In Luc Tuymans, onder redactie van Ulrich Loock, Juan Vicente Aliaga, Nancy Spector en Hans Rudolf Reust. 6–31. Londen/New York: Phaidon, 2003. p. 13

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were also an assault on aesthetics. That gave me the idea of reacting with a sort of anti-picture, with an idyll, albeit an inherently twisted one.'

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Scramble: 25 Years of Collaboration [Published on the occasion of an exhibition organized by Zeno X Gallery, Antwerp, September 7 – October 22, 2016

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Lynne Cooke and Tommy Simoens, ed., Luc Tuymans: Intolerance, 30; ill. 31. Exh. cat. QM Gallery Al Riwaq, Qatar Museums, Doha. Antwerp: Ludion, 2015

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in New York, the artist's U.S. gallery. That same year, he had a solo exhibition at the Art Gallery of York University in Toronto which moved on to

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Gerrit Vermeiren, ed., Luc Tuymans: I Don’t Get It, 125–27. Exh. cat. MuHKA Museum van Hedendaagse Kunst Antwerpen, Antwerp. Ghent: Ludion, 2007

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in Basel, Tuymans participated in a panel discussion on the significance of painting in relation to new media, moderated by the art historian

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two permanent murals created for the main staircases of the building on Theaterstrasse in 2013. These two murals are based on the paintings

4528: 2099: 1153: 4748: 4026: 714:). The exhibition reflected humankind's scepticism and spiritual indifference as manifested by our attitude to recent historical events. 3651: 810:(Flemish block), which achieved its best electoral result to date in Antwerp in 1994, stating: 'I was ashamed that I was from Antwerp!’ 5363: 503:(1980–82), where he gave up painting for filmmaking. Having completed his fine art studies, Tuymans enrolled for an academic degree in 389: 6169:

Het verboden rijk: wereldbeelden van Chinese en Vlaamse meesters. Exh. Cat. Centre for Fine Arts, Brussels, and Palace Museum, Beijing

3409:"Ik huiver van een identiteitsdiscours als het over cultuur gaat' Gesprek met Luc Tuymans over Belgische kunst en Vlaams-nationalisme" 369: 4330: 4053: 3137:

Schjeldahl, Peter (2019). "Facsimile of six pages relating to Feu d'artifice and Het leven op aarde from Luc Tuymans' 1981 journal".

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a guest house and conference centre from 1941 to 1945 and the place the deportation and murder of European Jews was planned in 1942.

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Luc Tuymans: I Don't Get It [exhibition held June 1 through September 9, 2007, MuHKA Museum van Hedendaagse Kunst Antwerpen, Antwerp

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at the London Parasol Unit Foundation for Contemporary Art, and in 2013, he collaborated with Dr Ulrich Bischoff on the exhibition

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in Antwerp. The painting was first transformed into a grid pattern of 488 by 488 pixels. Using that image and a specially designed

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During the crucial first phase of Tuymans' artistic development, his painting method evolved rapidly, and his first solo and group

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Tuymans, Luc (2006). "Facsimile of six pages relating to Feu d'artifice and Het leven op aarde from Luc Tuymans' 1981 journal".

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Often allegorical, his titles add a further layer of imagery to his work – a layer that exists beyond the visible. The painting

345:. The blurred effect is, however, created purposefully with painted strokes, it is not the result of a 'wiping away' technique. 6562: 6557: 6532: 5129: 5026: 3966: 3189: 561:

magazine. Six months later they organized a second photo project. This time, they focused on the workers' district surrounding

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Most of Tuymans' prints are made in collaboration with Antwerp-based master printer Roger Vandaele and Edition Copenhagen.

1067: 1011:, explored the 'Disney-fication' of consumer society. From 2009 to 2011, this major exhibition travelled to four cities in 181: 98: 5197: 4807: 4424: 4153: 3746:

Sigrid Bousset, Katrien Bruyneel, and Mark Geurden, ed., Troubleyn/Laboratorium: Jan Fabre. Brussels: Mercatorfonds, 2016.

207: 6542: 5500: 2269: 2236: 2230: 1925: 1836: 1741: 1606: 1555: 1388: 1239:. This work is a fresco mural that consists of three panels located at the end of a curved gallery in the museum's hall. 1028: 401: 381: 3470: 5005: 3868: 2645: 2263: 2133: 1917: 1582:, and the Serbian-born artist Ivan Grubanov. In 2008, Tuymans took on the Max Beckmann Foundation Professorship at the 1203:

The first permanent mural was created in 1995 in Antwerp at Café Alberto. It features a larger version of the painting

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Gallery in Antwerp and the Musée des Beaux Arts in Nantes, was a response to political events in Flanders and targeted

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Tuymans, Luc (2008). "When Spring Comes: A Guided Tour with Luc Tuymans". In Dander, Patrizia; Wingate, Donna (eds.).

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list of the 100 most powerful people in the art world'. In 2019, Tuymans gained a lot of exposure with his exhibition

1902: 1629:, Memorial and Educational Site). At Tuymans' request, the symposium's closing session took place at the House of the 821:, consisted of ten new paintings of the same title, all inspired by the mood that prevailed in the U.S. following the 455:

His interest in art manifested itself at a young age, and his ability was first recognised during a summer holiday in

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in 2019, half of his auction turnover is generated in the United States, and 36% in the United Kingdom. In May 2005,

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In 2004 Tate Modern in London and in 2006 Museu Serralves in Porto devoted major solo exhibitions to Tuymans work.

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Tuymans, Luc (2012). "Curating the Library, Transcript of Lecture". In Burioni, Matteo; Boehm, Gottfried (eds.).

4124: 3215: 1879: 1284: 562: 5175: 5074: 3833: 2911:"Luc Tuymans: 'De achterlijkheid in onze maatschappij groeit met de seconde, ondanks de technische vooruitgang'" 2436:. In 2013, he was given the award of excellence for his artistic contributions to the fight against AIDS by the 542:. He was a student at the time, and submitted it to the national painting competition in Belgium, which he won. 6522: 6507: 2294:

In 2019, a comprehensive catalogue raisonné edited by the art historian Eva Meyer-Hermann was published by the

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Collecting Collections: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles

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are produced in preparation for his oil paintings. Each final painting is, however, completed in a single day.

5552: 3296:"Paul Depondt, Ongrijpbaar als kringen in een waterplas de smoezelige schilderijtjes van Luc Tuymans~bc857d26" 2682: 2348:

Tuymans' auction record dates back to Christie's May 2013 prestigious Contemporary Art sale in New York where

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In 1992, Tuymans made an international breakthrough in his career. Several major exhibitions of his work (at

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to the seemingly inconsequential or banal: wallpaper, Christmas decorations or everyday objects for example.

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Feuilleton: Angel Vergara. Venice Biennale, Esposizione Internazionale d'Arte, Belgian Pavilion, Venice – 57

1423:) at Ruimte Morguen in Antwerp. The following curated event took place on 5 October 2006, Tuymans organized 1391:

and the NICC – New International Centre in Antwerp. This show included works by about 50 artists, including

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and participated in a conversation led by curator and writer Hamza Walker. In 2000, he participated with

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Tuymans, Luc (2001). "Der Frühling kommt: Ideen, Fragen und Bemerkungen zum Konzept einer Ausstellung".

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is hardly distinguishable as an image when you are on the ground floor, but the higher you climb in the

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for a permanent mural created in the second balcony foyer of the Concertgebouw Brugge. Tuymans gave the

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for a record price. In 2005, he was listed 184 in the 'Top 500' selling artists, a ranking compiled by

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of original photos, and describing how 'his work bears witness to a career-long survey of all images.

6512: 3582: 1871: 825:. The series depicts normal, almost stereotypical American imagery: a painting of two baseball caps ( 615: 607: 545:

From 1979 to 1980, Tuymans worked in collaboration with Marc Schepers on two local projects entitled

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1992. Oil on canvas, 57 × 38.2 cm, 22 1⁄2 × 15 1⁄8 inches, Private collection, on long-term loan to

5954: 4930: 4749:"Marcel Broodthaers and Luc Tuymans in the Serralves Collection, From 13 Oct. 2018 to 11 Nov. 2018" 2492: 2242: 2193: 2103: 2093: 2068: 2020: 1769: 1765: 1220: 972: 103: 5216: 3728:, Volume 1, New York: David Zwirner Books; New Haven: Yale University Press, 2018, pp. 5, 425, 426 3445: 3240: 2820: 2065:

Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection

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Futoro presente passato/ Future Present Past. Exh. cat. Venice: Fondazione La Biennale di Venezia

5339: 3540:, Volume 3, New York: David Zwirner Books; New Haven: Yale University Press, 2018, pp. 6, 380–425 3359:, Volume 2, New York: David Zwirner Books; New Haven: Yale University Press, 2018, pp. 6, 424–451 2980:, Volume 1, New York: David Zwirner Books; New Haven: Yale University Press, 2018, pp. 5, 420–445 2464: 2404: 1960: 1506:'s website, Tuymans' starting point for this exhibition was the difference between the cities of 1082: 626: 186: 4726: 4524: 3759:, Volume 2, New York: David Zwirner Books; New Haven: Yale University Press, 2018, pp. 5, 384–85 1952: 6502: 5930:

Tuymans, Luc; Boehm, Gottfried; Clark, T.J.; De Wolf, Hans M. (2018). Robecchi, Michele (ed.).

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covers 198 paintings on canvas or, on occasion, polyester or vinyl, between 1995 and 2006, and

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in a deserted swimming pool at the prestigious Thermae Palace. Tuymans chose Ostend because of

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Between 2004 and 2008, solo exhibitions devoted to Tuymans were held in diverse locations: at

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Since 2007, Tuymans participated in over 200 group exhibitions and had over 30 solo shows in

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he expressed his particular dislike of the separatist, far-right Flemish political party the

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Tuymans, Luc (2010). "Boys and Science". In Schmidt, Hans-Werner; Schwenk, Bernhart (eds.).

5359: 2302:. Tuymans' paintings dating from 1972 on – 564 in total – are spread between three volumes. 1792: 680: 535: 303:

who gained renown at a time when many believed the medium had lost its relevance due to the

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Neo Rauch: Paintings. Exh. cat. Museum der bildenden Künste; Pinakothek der Moderne, Munich

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Tuymans, Luc; Vermeiren, Gerrit; Roelstraete, Dieter; Albores Gleason, Montserrat (2007).

4976: 3266: 3241:"Bernard Dewulf, Luc Tuymans: the horror. 'Mooi is voor mij een scheldwoord', 8 juni 2002" 1719:) and gave the inaugural lecture at the Neues Museum Weserburg in Bremen at the symposium 8: 5726: 5691: 5656: 5526: 2181: 1867: 1757: 1669: 1601:, Ferdinand van Dieten, Benoît Hermans, Frank Reijnders, Jeroen Stumpel in the symposium 1144: 1106: 1047: 1043: 865: 707: 480: 358: 318: 88: 5442: 5048: 2054: 1625:), the art historian Anne-Marie Bonnet, and Norbert Kampe (the director of House of the 6124: 5344: 3893: 2660: 1700: 1649: 1630: 1626: 1288: 322: 221: 211: 201: 6469: 4450: 3155: 6387: 6377: 6352: 6342: 6325: 6315: 6298: 6288: 6278: 6263: 6253: 6236: 6226: 6209: 6199: 6182: 6172: 6155: 6145: 6128: 6107: 6097: 6080: 6070: 6053: 6043: 6026: 6016: 5999: 5989: 5968: 5958: 5935: 5909: 5892: 5875: 5849: 5832: 5815: 5798: 5788: 5771: 5761: 5744: 5734: 5709: 5699: 5674: 5664: 5639: 5629: 5610: 4679: 4653: 4306: 3874: 3864: 3707: 3697: 3089: 3079: 2783: 2773: 2744: 2734: 2587: 2577: 2428: 2372: 1679: 1622: 1614: 1587: 1089:. These works depict violence in 1942. 'With visual similarities to Francisco Goya's 640: 569: 233: 6475: 5122: 3958: 3600: 3408: 3181: 3048: 1935:

Also in 2009, an exhibition of works inspired by one of Tuymans' favourite authors,

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The artist's first comprehensive U.S. retrospective opened in September 2009 at the

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Aliaga, Juan Vincente; Loock, Ulrich; Spector, Nancy; Reust, Hans Rudolf (2007).

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ICOCEP-International Congress on Contemporary European Painting (Medal of Honour)

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Aliaga, Juan Vicente; Loock, Ulrich; Reust, Hans Rudolf; Spector, Nancy (2007).

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supported the artist in this dispute, commenting on the way Tuymans never makes

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Tuymans, Luc; Helfenstein, Josef; Reust, Hans Rudolf; Rinder, Lawrence (1997).

4803: 3692:

Tuymans, Luc; Helfenstein, Josef; Reust, Hans Rudolf; Rinder, Lawrence (1997).

2605: 2368: 2363: 2060: 1972: 1936: 1906: 1712: 1661: 1657: 1598: 1578:, where he mentored and influenced emerging painters such as the Polish artist 1444: 1316: 1311: 1280: 1063: 988: 830: 460: 436: 326: 6003: 5972: 5913: 5748: 5713: 5678: 5496: 2787: 2591: 2149:

Friedrich Christian Flick Collection, Hamburger Bahnhof – Museum für Gegenwart

606:. One of his works from this period is a small painting of the gas chamber in 6491: 6391: 6356: 6329: 6302: 6267: 6240: 6213: 6186: 6159: 6132: 6111: 6084: 6057: 6030: 5896: 5879: 5853: 5836: 5819: 5802: 5775: 5643: 5606: 5001: 4302: 3878: 3711: 3093: 2748: 2380: 2376: 2341: 2175: 2160: 1733: 1634: 1575: 1518:

relatively unscathed, the other was decimated, then carefully reconstructed.

1503: 1440: 1404: 1012: 1003:. Each venue had a different set of paintings on show. His 2008 solo show at 941: 869: 599: 330: 311: 6011:

Tuymans, Luc (2013). "My Name Is Nobody". In Bandera, Maria Cristina (ed.).

5814:. Ghent, Belgium: S.M.A.K Stedelijk Museum voor Actuele Kunst. p. 135. 4854: 4023:"The Forbidden Empire. Visions of the Worlds by Chinese and Flemish Masters" 2624:"Luc Tuymans: Forever, The Management of Magic. 14 February – 22 March 2008" 2423:

in 2006. In 2008, Tuymans received the Max Beckmann Foundation award at the

2306:

covers the 186 paintings done on canvas or hardboard between 1972 and 1994.

1070:, its inhabitants either died of starvation, were shot, or were sent to the 856:

In 2000, Tuymans attracted attention with his series of political paintings

4601: 4352: 2460: 2281: 2145:

Fonds Régional d’Art Contemporain (FRAC) Auvergne, Clermont-Ferrand, France

1992: 1745: 1696: 1515: 1336: 1124: 1119: 953: 884: 846: 775: 591: 584: 444: 440: 400:

Oil on canvas, 48.5 × 38.5 cm, 19 1⁄8 × 15 1⁄4 inches, Collection S.M.A.K.

342: 134: 6092:

Tuymans, Luc (2011). "Inleiding/Introduction". In Biasino, Fabrice (ed.).

5843: 5027:"Werk 'Body' van Luc Tuymans uit S.M.A.K.-collectie nu te zien in Venetië" 1143:

has been integral to Tuymans' artistic practice from the start. Sketches,

620:), 1986. This painting was based on a watercolour he had done on site. As 5200:. Antwerpen: Gazet Van Antwerpen. Antwerpen: Mediahuis. 24 October 2016. 3992: 3652:"Luc Tuymans Found Guilty of Plagiarism for Painting Photo of Politician" 3474: 1890: 1851: 1821: 1673: 1468: 1464: 1433:

The Forbidden Empire: Visions of the World by Chinese and Flemish Artists

1408: 1356: 1328: 926: 807: 621: 504: 295: 4154:"Sanguine/Bloedrood. Luc Tuymans on Baroque, 1 juni – 16 september 2018" 1689:

Europa eine Seele geben: Berliner Konferen für europaïsche Kulturpolitik

1642:

Between Senses, Strukturen und Strategien del Malerei im 20. Jahrhundert

925:

Oil on canvas, 194.2 × 353.7 cm, 761⁄2 × 1391⁄4 inches, Collection

602:, and 'the collapse of any coherent tradition in painting' described by 5949:

Tuymans, Luc (2019). "Introduction". In Bandera, Maria Cristina (ed.).

5387:"Ward Just selected for the American Academy of the Arts & Letters" 1995:. Work by Tuymans has also been included in group exhibitions such as: 1665: 1530: 1348: 1332: 892: 770: 568:

Between 1980 and 1985, Tuymans stopped painting, dedicating himself to

531: 334: 4050:"Reconsidered. Luc Tuymans: Selected Works from the Städel Collection" 3211: 3005:

Luc Tuymans: Catalogue Raisonné of the Paintings, 1972–1994 (Volume 1)

2172:

HVCCA – Hudson Valley Center for Contemporary Art, Peekskill, New York

1000: 731:, 2000, oil on canvas, 62 × 46 cm, 24 3⁄8 × 18 1⁄8 inches, Collection 6142:

Luc Tuymans: Wenn der Frühling kommt. Ed. cat. Haus der Kunst, Munich

6015:. Brussels: BOZAR Books; Milan: Silvana Editoriale. pp. 194–97. 5723:

Luc Tuymans: catalogue raisonné of the paintings. Volume 3, 2007-2018

5688:

Luc Tuymans: catalogue raisonné of the paintings. Volume 2, 1995-2006

5653:

Luc Tuymans: catalogue raisonné of the paintings. Volume 1: 1972-1994

5101:"Post-War and Contemporary Art (Evening Sale), New York, 11 May 2005" 2433: 2354: 2154: 2109: 1988: 1898: 1894: 1653: 1212: 644: 496: 464: 321:

are made up of quick brush strokes of wet paint. Tuymans paints from

93: 6463: 6310:

Tuymans, Luc (1997). "The Broken Mirror". In Celant, Germano (ed.).

4926: 1449:

Reconsidered. Luc Tuymans: Selected Works from the Städel Collection

5548: 2324: 1859: 1777:

LaM Lille Métropole Museum of Modern, Contemporary and Outsider Art

980: 665: 488: 484: 468: 119: 6194:

Tuymans, Luc (2006). "On the Image". In Reust, Hans Rudolf (ed.).

3675:"Why Belgium's plagiarism verdict on Luc Tuymans is beyond parody" 3324:. Chicago: The Renaissance Society, renaissancesociety.org. 1995. 3007:. New York: David Zwirner Books; New Haven: Yale University Press. 1728:

in Brussels, and the Lambert Family Lecture, in conversation with

94:École nationale supérieure des Arts visuels de La Cambre, Brussels 6167:

Tuymans, Luc (2006). "Het verboden rijk (The Forbidden Empire)".

2453: 2449: 1439:. The exhibition was co-curated with Yu Hui and travelled to the 1360: 1140: 590:

From 1978 on, Tuymans' paintings centred on European memories of

456: 432: 428: 380:

Oil on canvas, 69.9 × 80.1 cm, 271⁄2 × 319⁄16 inches, Collection

338: 75: 64: 60: 32: 3552:"David Zwirner: "Luc Tuymans: Forever, The Management of Magic"" 2881:"Luc Tuymans, Master of Moral Complexities, Tries Something New" 2770:

Tuymans volgens Tuymans, Twintig jaar in gesprek met Luc Tuymans

2520:"Luc Tuymans, Master of Moral Complexities, Tries Something New" 1979:. This show incorporated 80 paintings dating from 1986 to 2019. 6337:

Tuymans, Luc (1992). "Disenchantment". In Loock, Ulrich (ed.).

2412: 2187: 1976: 1956: 1840: 1817: 1511: 1507: 1383:

Tuymans is also a curator. The first exhibition he curated was

1267: 1114: 1110: 1085:

in Doha in 2016, Tuymans presented a new body of work entitled

1051: 992: 964: 937: 749: 595: 6376:(25th anniversary ed.). Köln: Taschen. pp. 316–319. 6221:

Tuymans, Luc (2006). "La Correspondance (reprint from 1986)".

5891:. Dawḥah, Qatar: Qatar Museums, Antwerp: Ludion. p. 464. 4676:"Luc Tuymans Mortsel België 1958, woont en werkt in Antwerpen" 2804:. Houston: Houston Press. Voice Media Group. 16 October 2013. 2429:

Vincent van Gogh Biennial Award for Contemporary Art in Europe

1570:

Tuymans has also engaged in pedagogical work, and was a guest

270: 5782: 3691: 3373:"Face à l'Histoire 1933–1996, engagement, témoignage, vision" 3182:"J. S. Marcus, Luc Tuymans Captures the Moment (3 July 2009)" 1944: 1882:

in Philadelphia. In 2001, Tuymans represented Belgium at the

1725: 1571: 949: 6456: 2772:. Vol. 1. Amsterdam: Lebowski Publishers. p. 173. 2733:. New York: D.A.P./Distributed Art Publishers. p. 150. 1991:

in Kassel for the first time and in 2002 he participated in

1901:

in Porto; at Műcsarnok Kunsthalle in Budapest in 2007–8; at

1527:

Constable, Delacroix, Friedrich, Goya. A Shock to the Senses

3757:

Luc Tuymans: Catalogue Raisonné of the Paintings, 1972–1994

3726:

Luc Tuymans: Catalogue Raisonné of the Paintings, 1972–1994

3538:

Luc Tuymans: Catalogue Raisonné of the Paintings, 2007–2018

3357:

Luc Tuymans: Catalogue Raisonné of the Paintings, 1995–2006

3141:. Vol. 1. New York: Abrams Press. www.abramsbooks.com. 3107:

Horrigan, Bill (2009). "Cinema, Belgium, Tuymans: A Note".

2978:

Luc Tuymans: Catalogue Raisonné of the Paintings, 1972–1994

1997:

Infinite Painting: Contemporary Painting and Global Realism

1839:

in Ghent. In the same year, he had his first exhibition at

1756:

and in 2015 he conducted a talk with Colin Chinnery at the

1687:, and at the Dresdner Bank in Berlin during the conference 945: 687:

in an unrealized proposal for a group exhibition, entitled

6065:

Tuymans, Luc (2011). "Excellence". In Hans, e Wolf (ed.).

3921:"Isabel, Diorama, Scramble, Twenty Seventeen. Luc Tuymans" 2074: 1862:

in Frankfurt am Main, an exhibition that travelled to the

1235:(2017) is the most recent permanent mural created for the 790:

were shown the following year (1996–97) in the exhibition

756:. Pieces shown were all dated from that year and included 479:

Tuymans' formal art studies began at the age of 18 at the

4243:

Luc Tuymans als kunstenaar – Curator a Never-Ending Story

2683:"Exhibitions – The Rumour, 5 September — 13 October 2001" 1550:

in London. The most recent exhibition Tuymans curated is

5929: 2574:

The contemporaries travels in the 21st-century art world

2467:

in Chicago and four years later, in 1999, they married.

1621:

was held involving the artist, Eugen Blume (director of

872:

in the 1950s. These works were exhibited in 2000 at the

659:

gypsy children who had been experimented on by the Nazis

598:'s famous question whether art was impossible following 5600: 4296: 2606:"Luc Tuymans: Corporate. 6 November – 21 December 2010" 2314:

includes 180 works on canvas dating from 2007 to 2018.

1928:. This retrospective also travelled beyond the U.S. to 1736:

in Columbus. In 2010, he participated in the symposium

497:

National School of Visual Arts of La Cambre in Brussels

6372:

Grosenick, Uta; Riemschneider, Burkhard, eds. (2005).

6371: 6069:. Ludion; Brussels: BOZAR Books: Antwerp. p. 49. 5573:. San Francisco: De Morgen. Antwerpen: DPG Media nv/. 2017:

What is Painting? Contemporary Art From the Collection

2009:

Fast Forward: Collections for the Dallas Museum of Art

1633:

in Berlin, a former industrialist's villa used by the

1207:. In 2007 Tuymans executed a permanent mural based on 876:

and the following year in the Belgian Pavilion at the

845:). The series also includes a portrait of the wealthy 182:

American Academy of Arts and Letters (Honorary Member)

6196:

Luc Tuymans: Dusk/Penumbra. Exh. Cat. Museu Serralves

5029:. Ghent: S.M.A.K. Stedelijk Museum voor Actuele Kunst 4527:. 21st Century Museum of Contemporary Art, Kanazawa. 4451:"Exhibitions: Luc Tuymans, Oct 2, 2010 – Jan 9, 2011" 4219:

Juan Vicente Aliaga in conversation with Luc Tuymans.

3959:"A Vision of Curating. an Interview with Luc Tuymans" 3214:. Antwerp: M HKA Museum of Contemporary Art Antwerp. 1768:

in London, and the same year, he participated in the

1482:

In 2011, Angel Vergara invited Tuymans to curate the

1283:

from Antwerp which can be found on the facade of the

694:

Tuymans' first exhibition in North America, entitled

5720: 5685: 5650: 5623: 3158:. Amsterdam: De Groene Amsterdammer. 23 March 2011. 2474: 2399:, in 2013, he was made a Foreign Honorary Member of 1683:, at the deSingel in Antwerp as part of the program 639:) in which Tuymans combines a portrait of the 6548:

Members of the American Academy of Arts and Letters

5872:

Luc Tuymans: exhibitions at David Zwirner 1994–2012

4907:. Antwerp: M HKA Museum of Contemporary Art Antwerp 4355:. MAMCO Musee d'Art Moderne et Contemporain, Geneva 3696:. Wabern-Bern, Germany: Benteli. p. 9 and 35. 3139:

Hot, Cold, Heavy, Light, 100 Art Writings 1988–2018

1428:against political extremism, racism, and violence. 1335:. He has explored various printing methods such as 6252:. London: Camden Arts Centre. pp. 27, 30–31. 3619:"This Year's Biggest Art News Stories (editorial)" 2802:"Luc Tuymans: Nice. Is Just That and Nothing More" 2576:. Vol. 1. New York: Bloomsbury. p. 173. 1609:in Amsterdam. At the close of Tuymans' exhibition 1455:in 2009. Following the Chinese/Flemish exhibition 1191:, 2010, MCA Museum of Contemporary Art in Chicago. 1042:In 2012, Tuymans was invited by the Polish artist 6042:. München: Verlag Wilhelm Fink. pp. 474–83. 5624:Grynsztejn, Madeleine; Molesworth, Helen (2009). 5497:"Algemene culturele verdienste 2019, Luc Tuymans" 5123:"Art Market Trends, Tendances du marché de l'art" 4880:"Musée d'arts : Accueil, Résultats Navigart" 4156:. M HKA Museum van Hedendaagse Kunst, Antwerpen. 3049:"Actuele volkskunst: Interview met Marc Schepers" 6489: 5812:Luc Tuymans: Mwana Kitoko, Beautiful White Man: 5809: 3444:. 20 September – 19 October 1996. Archived from 2391:In 2007, Tuymans was appointed Commander of the 1959:. A major solo exhibition was put on in 2015 at 1031:. It then moved to its final stop in Belgium at 5810:Tuymans, Luc; Storr, Robert; Hoet, Jan (2001). 5785:Luc Tuymans: Premonition, Zeichnungen/Drawings 5198:"Luc Tuymans zestigste in kunsttop 'Power 100'" 5150:"Art Market: The Week in Numbers (Luc Tuymans)" 3694:Luc Tuymans: Premonition, Zeichnungen/Drawings 3122:Cashdan, Marina. "Interview with Luc Tuymans". 2567: 2565: 2542:"Luc Tuymans: Forever, The Management of Magic" 1787:in Zurich and alongside Gilane Tawadros at the 1779:, and participated in a public discussion with 931:Presented by the artist and David Zwirner, 2016 702:(it was also shown later at the Art Gallery of 5903: 5869: 5787:. Wabern-Bern, Germany: Benteli. p. 208. 5419:. London: Royal College of Art. Archived from 4729:. Berlin: Friedrich Christian Flick Collection 4453:. MCA Museum of Contemporary Art Chicago. 2010 4025:. BOZA, Centre for Fine Arts, Brussels. 2007. 3863:. Vol. 1. Antwerp: Ludion. pp. 7–9. 3532: 3530: 3528: 3526: 3524: 3522: 3520: 3518: 3351: 3349: 3347: 3345: 3343: 3298:. Amsterdam: De Volkskrant. 8 September 1995. 2998: 2996: 2994: 2992: 2990: 2988: 2986: 2438:AmfAR, The Foundation for AIDS Research Awards 1676:in The Hague where he gave a lecture entitled 1593:In 1995, he gave a lecture on his work at the 1299:, the more clearly the skull becomes visible. 1276:MAS Museum aan de Stroom (Museum by the River) 1215:. In February 2012, Tuymans used the motif of 258:Cultuurprijs K.U. Leuven, Prijs Blanlin-Evrart 248:AmfAR, The Foundation for AIDS Research Awards 5860: 4427:. SFMOMA San Francisco Museum of Modern Art. 4125:"Inside the show: James Ensor by Luc Tuymans" 3002: 2970: 2551:. 14 February – 22 March 2008. Archived from 2317: 1843:, a gallery he continues to work with today. 1791:in London. In 2018, he gave a public talk on 1762:Slade Contemporary Art Lecture Series 2015–16 483:(1976–79). During this period he traveled to 6171:. Brussels: Bozar Books and Fonds Mercator. 5755: 5551:. TWO x TWO for AIDS and Art, Dallas. 2013. 5524: 5348:(Supplement). 30 December 2015. p. N14. 5308:"The Contemporary Art Market Report in 2019" 5250:"The Contemporary Art Market Report in 2019" 5214: 4422: 4402:"Luc Tuymans MUCSARNOK KUNSTHALLE, BUDAPEST" 4376:"Luc Tuymans Műcsarnok Kunsthalle, Budapest" 4373: 4074: 3990: 3749: 3718: 2818: 2562: 2463:while working on his first American show at 2100:Berkeley Art Museum and Pacific Film Archive 2037:Doing it My Way: Perspectives in Belgian Art 1711:in New York and in 2008, he lectured at the 1565: 1538:, at Leopold Place 5 in Antwerp, as part of 1494:. In 2011, he also organized the exhibition 1463:, a cross-cultural exhibition that combined 1046:to take part in a project in the town where 6538:Royal Academy of Fine Arts (Antwerp) alumni 5282:"Top 500 contemporary artists: #51 to #100" 4702:"La personne Luc Tuymans – Centre Pompidou" 4106:"11 Kunstenaars tegen de muur in Antwerpen" 3549: 3515: 3406: 3340: 3046: 2983: 2760: 2758: 1744:, and in 2011, he held a conversation with 1523:The Gap: Selected Abstract Art from Belgium 1365:Isabel, Diorama, Scramble, Twenty Seventeen 1186:Luc Tuymans talks about his triptych mural 710:at the University of Chicago, and London's 557:), as a journal modelled on the historical 187:Member of the Akademie der Künste in Berlin 4122: 3550:Barbareschi, Beatrice (21 February 2008). 3471:"Luc Tuymans, 23 June – 26 September 2004" 3136: 2908: 2702: 2700: 2698: 2696: 1552:Sanguine/Bloedrood. Luc Tuymans on Baroque 1447:. The following exhibition he curated was 31: 6341:. Bern: Kunsthalle Bern. pp. 11–36. 6223:Luc Tuymans: Dusk/Penumbra, n.p. Exh. cat 5874:. Antwerp, Belgium: Ludion. p. 223. 5721:Meyer-Hermann, Eva; Tuymans, Luc (2019). 5686:Meyer-Hermann, Eva; Tuymans, Luc (2019). 5651:Meyer-Hermann, Eva; Tuymans, Luc (2018). 5215:Wullschlager, Jackie (12 February 2011). 3078:. Vol. 1. Porto: Museu Serralves =. 3051:. Brussels: De Witte Raaf. pp. 1–4. 3047:Brams, Koen; Pültau, Dirk (August 2012). 2958:. New York: MoMA The Museum of Modern Art 2819:Wullschlager, Jackie (12 February 2011). 2658: 1967:, and in 2019, Tuymans' major exhibition 1916:in Columbus Ohio, then travelling to the 1878:in London, and the Goldie Paley Gallery, 1783:in Montreal. In 2017, he lectured at the 1742:Museum of Contemporary Art, Chicago (MCA) 1077:At the retrospective exhibition entitled 1033:BOZAR – Palais des Beaux-Arts in Brussels 1029:MCA Museum of Contemporary Art in Chicago 1021:SFMOMA San Francisco Museum of Modern Art 1001:Zachęta National Gallery of Art in Warsaw 382:M HKA Museum of Contemporary Art, Antwerp 238:Coutts Contemporary Art Foundation Awards 5886: 5362:. American Academy of Arts and Letters. 5338: 4475:. BOZAR Centre for Fine Arts, Brussels. 3598: 3494: 3378:. Paris: Centre Georges Pompidou. 1996. 3106: 2932:. New York: The New York Times Company. 2930:"Putting the Wrongs of History in Paint" 2883:. New York: The New York Times Company. 2755: 2646:"Why paintings succeed where words fail" 2401:The American Academy of Arts and Letters 2248:Over Holland Collection, the Netherlands 1246: 1173: 913: 721: 572:. Among other film-projects, he created 408: 388: 368: 6336: 6309: 6274: 6247: 6220: 6193: 6166: 6139: 6118: 6091: 6064: 6037: 6010: 5979: 5948: 5826: 5594:More references (selected monographies) 5568: 5527:"Boek '10 Jaar Cultuurprijs KU Leuven'" 3956: 3944:On Paper, vol. 1, no. 2, Nov.-Dec. 1996 3858: 3810:. MAS Museum aan de Stroom, Antwerpen. 3073: 2767: 2728: 2693: 2082:21st Century Museum of Contemporary Art 2075:Selected museums and public collections 2049:Museum of Contemporary Art, Los Angeles 1947:, Brussels, subsequently travelling to 1802: 1431:In 2007 Tuymans curated the exhibition 967:focused on the social influence of the 786:. Several of the paintings included in 6490: 5908:. Antwerp: Zeno X Books. p. 257. 5555:from the original on 27 February 2014. 5204:from the original on 24 February 2020. 5176:"Luc Tuymans… without appearing to be" 5075:"Luc Tuymans… without appearing to be" 4652:. Dallas Museum of Art. Archived from 3891: 3672: 3481:from the original on 22 February 2020. 3273:from the original on 29 September 2017 2927: 2878: 2847: 2808:from the original on 24 February 2020. 2731:Painting People: Figure Painting Today 2671:from the original on 22 February 2020. 2643: 2459:In 1995, he met the Venezuelan artist 2379:, and eight German artists, including 1850:for example) and his participation in 1473:BOZAR – Centre for Fine Arts, Brussels 1437:BOZAR – Centre for Fine Arts, Brussels 1389:Museum van Hedendaagse Kunst Antwerpen 525: 6553:Academics of the Royal College of Art 6067:Jeff Wall: The Crooked Path. Exh. cat 5980:Tuymans, Luc (2018). "Introduction". 5904:Tuymans, Luc; Demaegd, Frank (2016). 5870:Tuymans, Luc; Wingate, Donna (2012). 5577:from the original on 22 February 2020 5503:from the original on 24 February 2020 5474:from the original on 23 February 2020 5156:from the original on 28 February 2020 5081:from the original on 28 February 2020 4505:from the original on 22 February 2020 4278:from the original on 29 February 2020 3918: 3646: 3644: 3629:from the original on 22 February 2020 3302:from the original on 17 February 2020 3192:from the original on 22 February 2020 3055:from the original on 24 February 2020 3025:from the original on 17 February 2015 2936:from the original on 24 February 2020 2860:from the original on 19 February 2018 2850:"In The Studio: Luc Tuymans, painter" 2571: 2427:. In 2000, he was a finalist for the 2322:According to an article published by 2289: 2167:Hirshhorn Museum and Sculpture Garden 2053:Mapping the Studio: Artists from the 2041:Museum Küppersmühle für Moderne Kunst 1833:Provinciaal Museum voor Moderne Kunst 1461:The State of Things: Brussels/Beijing 1306:, made at the time of his exhibition 501:Royal Academy of Fine Arts in Antwerp 384:– Collection of the Flemish Community 241:Flemish Culture Award for Visual Arts 5756:Tuymans, Luc; Loock, Ulrich (1992). 5470:. Antwerpen: University of Antwerp. 5384: 5230:from the original on 27 October 2016 4608:from the original on 6 November 2016 4557:from the original on 10 January 2020 4479:from the original on 3 February 2020 4431:from the original on 3 February 2020 4382:from the original on 3 February 2020 4333:from the original on 3 February 2020 4245:(Master Thesis). Universiteit Gent. 4123:Macpherson, Amy (24 November 2016). 4056:from the original on 5 November 2017 3834:"Dismantling of Luc Tuymans' Mosaic" 3814:from the original on 6 December 2017 3780: 3328:from the original on 23 October 2018 2856:. London: Newspaper Publishing plc. 2685:. London: White Cube. 1 March 2020. 2517: 1982: 1930:BOZAR Centre for Fine Arts, Brussels 985:Luc Tuymans: Wenn der Frühling kommt 909: 774:), a portrait of the Flemish writer 580:) and made plans for an unrealized, 6250:Kerry James Marshall: Along the Way 5861:Tuymans, Luc; Tolnai, Ottó (2007). 5569:Ilegems, Danny (22 February 2019). 4353:"Luc Tuymans, Portraits, 1975–2003" 4047: 4029:from the original on 27 August 2017 3861:Luc Tuymans Graphic Works 1989—2012 3601:"Tuymans veroordeeld voor plagiaat" 3599:Bergmans, Eline (20 January 2015). 3121: 2928:Spears, Dorothy (3 February 2010). 2848:Wright, Karen (22 September 2012). 2644:Harris, Gareth (9 September 2009). 2270:Stedelijk Museum voor Actuele Kunst 2231:Museum of Contemporary Art, Antwerp 1926:Museum of Contemporary Art, Chicago 1837:Stedelijk Museum voor Actuele Kunst 1807: 1607:Rijksakademie van beeldende kunsten 1576:Rijksakademie van beeldende kunsten 1556:Museum of Contemporary Art, Antwerp 1373: 1302:The second mosaic Tuymans made was 1113:, claiming that the painting was a 841:); a portrait and a birthday cake ( 551:Tijdschrift voor levende Volkskunst 514: 402:Stedelijk Museum voor Actuele Kunst 13: 6365: 6144:. Antwerp: Ludion. pp. 9–13. 6040:Der Grund: das Feld des Sichtbaren 5934:(Rev. ed.). Antwerp: Ludion. 5391:New York Times Literary Supplement 5366:from the original on 25 March 2020 5135:from the original on 3 March 2020. 5006:San Francisco Museum of Modern Art 4810:from the original on 25 March 2020 4781:from the original on 25 March 2020 4755:from the original on 25 March 2020 4602:"By Luc Tuymans in the Collection" 4531:from the original on 27 March 2020 4423:Staff writer (21 September 2009). 4180:"Sanguine. Luc Tuymans on Baroque" 4160:from the original on 25 March 2020 4131:from the original on 25 March 2020 4083:from the original on 25 March 2020 4003:from the original on 25 March 2020 3969:from the original on 25 March 2020 3941: 3900:from the original on 21 March 2019 3840:from the original on 25 March 2020 3787:New York Times Literary Supplement 3673:Adrian, Searle (21 January 2015). 3641: 3499:. Frankfurter Allgemeine Zeitung. 3407:Brams, Koen; Pültau, Dirk (2014). 3385:from the original on 1 August 2018 3162:from the original on 12 March 2020 3156:"K. Kleijn, Albert Speer op ski's" 2689:from the original on 1 March 2020. 2530:from the original on 10 June 2019. 2264:San Francisco Museum of Modern Art 2237:Museum of Contemporary Art Chicago 2134:De Pont Museum of Contemporary Art 1918:San Francisco Museum of Modern Art 1876:ICA Institute of Contemporary Arts 1453:Städel Museum in Frankfurt am Main 1062:'s epic 1985 film installation on 712:ICA Institute of Contemporary Arts 683:, the artist first elucidated his 420:De Pont Museum of Contemporary Art 341:. They often appear intentionally 99:Royal Academy of Fine Arts Antwerp 14: 6574: 6399: 6248:Tuymans, Luc (2005). "Daylight". 5923:Writings by the artist (selected) 5863:Luc Tuymans: Retrospective 5760:. Bern: Kunsthalle. p. 269. 5320:from the original on 3 March 2020 5288:from the original on 3 March 2020 5262:from the original on 3 March 2020 4551:"Luc Tuymans, Belgian, born 1958" 4374:Staff writer (14 December 2007). 4252:from the original on 1 March 2020 3808:"Museum square with 'Dead Skull'" 3503:from the original on 4 March 2016 3495:Seyfarth, Ludwig (20 June 2002). 3247:from the original on 2 March 2020 3243:. Ghent: De Morgen. 8 June 2002. 3218:from the original on 1 March 2020 2887:from the original on 10 June 2019 1858:. In 1994, his work was shown at 1785:Migros Museum of Contemporary Art 1752:. In 2012, he was invited to the 1691:. In 2006, he participated in an 1417:Kamers. een keuze van Luc Tuymans 1135: 891:. Instead, he presented a simple 6013:Giorgio Morandi: A Retrospective 5932:Luc Tuymans: The Image Revisited 5559: 5541: 5515: 5486: 5457: 5435: 5409: 5397:from the original on 1 July 2018 5378: 5352: 5332: 5300: 5274: 5242: 5208: 5190: 5168: 5139: 5115: 5093: 5067: 5041: 5019: 4994: 4969: 4944: 4859:Los Angeles County Museum of Art 4855:"Luc Tuymans: LACMA Collections" 4777:. The Israel Museum, Jerusalem. 4678:. De Pont Museum. Archived from 4233: 2477: 2443: 2207:Los Angeles County Museum of Art 1748:at La Loge in Brussels entitled 1322: 868:of Belgium's state visit to the 521:List of paintings by Luc Tuymans 435:on 14 June 1958. His father was 6096:. Antwerp: Ludion. p. 25. 5982:Sanguine Luc Tuymans on Baroque 5951:Among others: Blackness at MoMA 5445:. London: Royal College of Art 5128:. Art Price. 2006. p. 26. 4919: 4897: 4872: 4847: 4822: 4804:"Tuymans, Luc (°Mortsel, 1958)" 4793: 4767: 4741: 4719: 4694: 4668: 4642: 4620: 4594: 4569: 4543: 4517: 4491: 4465: 4443: 4416: 4394: 4367: 4345: 4319: 4290: 4264: 4224: 4211: 4198: 4172: 4143: 4116: 4095: 4068: 4041: 4015: 3991:Staff writer (5 October 2006). 3981: 3950: 3942:Hirsch, Faye. "Working Proof". 3935: 3912: 3885: 3852: 3826: 3800: 3771: 3762: 3740: 3731: 3685: 3666: 3611: 3589: 3583:"Qatar Museums Gallery ALRIWAQ" 3575: 3566: 3543: 3485: 3463: 3427: 3397: 3362: 3314: 3285: 3259: 3230: 3204: 3174: 3145: 3130: 3115: 3100: 3067: 3037: 3011: 2948: 2921: 2899: 2872: 2841: 2812: 2794: 2722: 1903:Zachęta National Gallery of Art 1880:Moore College of Art and Design 983:(2007–2008) which travelled as 971:in education. In 2007, a major 643:with two spinach tablets and a 641:Nazi frontman Reinhard Heydrich 499:(1979–80), before going to the 481:Sint-Lukasinstituut in Brussels 447:his mother's family joined the 329:images drawn from the media or 317:The artist's sparsely-coloured 6314:. Milan: Electa. p. 626. 6281:– Museum für Gegenwart, Berlin 5313:. Artprice. 2019. p. 20. 5255:. Artprice. 2019. p. 38. 4806:. Mu.ZEE Kunstmuseum aan zee. 3625:. New York. 15 December 2015. 2879:Siegal, Nina (21 March 2019). 2675: 2652: 2648:. New York: The Art Newspaper. 2637: 2616: 2598: 2534: 2518:Nina, Siegal (21 March 2019). 2511: 2386: 2219:Musée des Beaux-Arts de Nantes 1835:in Ostend and at the S.M.A.K. 1717:Luc Tuymans: Arbeit und Praxis 1617:in 2001, a symposium entitled 1554:, which opened in 2018 at the 1475:, which then travelled to the 1421:Rooms. A choice by Luc Tuymans 1130: 1125:photorealistic representations 679:As Meyer-Hermann wrote in the 1: 6563:Belgian anti-racism activists 6558:21st-century Belgian painters 6533:Artists from Antwerp Province 4272:"Luc Tuyamns. Lamproom, 1992" 3892:Parkin, Michela (June 1997). 3781:Erik, Raspoet (18 May 2010). 2503: 2434:Catholic University of Leuven 2005:National Museum of Art, Osaka 1945:Wiels Contemporary Art Centre 1760:. In 2016 he lectured at the 1644:organized for the exhibition 1170:List of Murals by Luc Tuymans 1158:Capc Musée d'art contemporain 813:In 1996, Tuymans' exhibition 534:took place. According to the 364: 6518:Belgian contemporary artists 6445:Resources in other libraries 6426:Resources in other libraries 5887:Tuyamns, Luc; Cooke, Lynne. 5385:Omer, Tony (20 March 2013). 5053:Solomon R. Guggenheim Museum 4952:"Philadelphia Museum of Art" 4581:The Art Institute of Chicago 4473:"Luc Tuymans, Retrospective" 4077:"A Vision of Central Europe" 3965:(22 June, issue 13): 73–74. 3783:"De schedel van Luc Tuymans" 2659:Lindquist, Greg (May 2010). 2276:Solomon R. Guggenheim Museum 2188:Kunstmuseum aan zee (Mu.ZEE) 2176:The Israel Museum, Jerusalem 2043:, Duisburg, Germany (2008); 1586:, a role previously held by 1521:Two years later, he curated 1477:National Art Museum of China 1451:, an exhibition held at the 1289:digital conversion technique 1274:, 2010, commissioned by the 1237:Museum of Fine Arts in Ghent 1072:Treblinka concentration camp 717: 563:St. Andrew's Church, Antwerp 474: 301:European figurative painters 234:The Vincent Award (Finalist) 89:Sint-Lukasinstituut Brussels 7: 6285:Staatliche Museen zu Berlin 4832:. Wolfsburg: Luc Tuymans – 3993:"Waarom loeien de sirenes?" 3554:. Contemporary Art New York 3435:"Luc Tuymans: The Heritage" 3003:Meyer-Hermann, Eva (2018). 2729:Mullins, Charlotte (2008). 2470: 2063:, Venice, Italy (2009) and 2025:The Painting of Modern Life 1738:History, Violence, Disquiet 1603:The Persistence of Painting 1536:11 Artists Against the Wall 1378: 1111:appealed against the ruling 657:) that depicts the eyes of 509:Free University of Brussels 467:where he saw a painting by 416:Der diagnostische Blick IV, 104:Free University of Brussels 10: 6579: 6543:Order of Leopold (Belgium) 6466:, The Museum of Modern Art 6225:. Porto: Museu Serralves. 6198:. Porto: Museu Serralves. 5831:. Porto: Museu Serralves. 5178:. Artprice. 13 August 2019 4956:Philadelphia Museum of Art 4706:Philadelphia Museum of Art 4048:Eva, Mongi-Vollme (2008). 3076:Luc Tuymans: Dusk/Penumbra 2318:Position in the art market 2252:Philadelphia Museum of Art 2136:, Tilburg, The Netherlands 2031:, London, England and the 1914:Wexner Center for the Arts 1856:Haus Lange and Haus Esters 1544:James Ensor by Luc Tuymans 1496:A Vision of Central Europe 1490:at the 54th International 1327:Tuymans experimented with 1242: 1167: 1017:Wexner Center for the Arts 698:, was held in 1994 at the 555:Journal of Living Folk Art 518: 333:, as well as from his own 6440:Resources in your library 6421:Resources in your library 5889:Luc Tuymans: Intolerance 5605:(Rev. ed.). London: 5217:"The Painterly Pessimist" 3859:Sellink, Manfred (2012). 3572:afterall.org, 8 May 2014. 3188:. New York. 3 July 2009. 2821:"The Painterly Pessimist" 2332:(2000), part of Tuymans' 2088:Albright–Knox Art Gallery 1872:The University of Chicago 1773:What About Painting Today 1566:Teaching and artist talks 1484:Angel Vergara: Feuilleton 1459:Tuymans curated in 2010, 1445:Forbidden City in Beijing 1163: 1160:, Bordeaux (in 1997–98). 1068:Nazi occupation of Poland 570:experimentation with film 294:(born 14 June 1958) is a 265: 208:University of Arts Poznań 149: 142:(after 1999) 128: 112: 81: 71: 43: 30: 23: 5955:The Museum of Modern Art 4931:The Museum of Modern Art 4553:. Albright Knox Museum. 4501:. Palazzo Grassi. 2019. 4378:. Műcsarnok Kunsthalle. 3021:. bonhams.com. Bonhams. 2493:List of Belgian painters 2243:The Museum of Modern Art 2225:Museum für Moderne Kunst 2194:Museum of Fine Arts Bern 2104:University of California 2094:Art Institute of Chicago 2069:The Museum of Modern Art 2021:The Museum of Modern Art 2015:, Dallas, Texas (2007); 1766:Slade School of Fine Art 1259:MAS Museum aan de Stroom 1221:Staatsschauspiel Dresden 1058:(2012), which refers to 1025:DMA Dallas Museum of Art 889:9/11 attacks on New York 733:The Museum of Modern Art 647:, and the 1989 painting 427:Luc Tuymans was born in 176:Academies for Excellence 6484:, David Zwirner Gallery 4499:"Luc Tuymans, La Pelle" 3957:Pettitt, Sarah (2015). 3894:"Luc Tuymans born 1958" 3415:(169 mei-juni). Brussel 3212:"Luc Tuymans, Die Zeit" 3186:The Wall Street Journal 2768:Ilegems, Danny (2019). 2465:The Renaissance Society 2035:, Turin, Italy (2007); 1868:The Renaissance Society 1750:Construction Européenne 1656:, with the philosopher 1574:at the Dutch institute 1558:then travelling to the 1411:. In an interview with 1009:The Management of Magic 849:member Joseph Milteer ( 796:Centre Georges Pompidou 764:, the Flemish memorial 708:The Renaissance Society 670:Der diagnostische Blick 627:The Wall Street Journal 5549:"Honoree: Luc Tuymans" 5002:"Luc Tuymans · SFMOMA" 4981:Pinakothek der Moderne 4884:Musée d'Arts de Nantes 4630:. Paris: FRAC Auvergne 4217:Aliaga, Juan Vicente. 4182:. 2018. Archived from 3919:Caron, Thomas (2017). 2340:) series, was sold at 2258:Pinakothek der Moderne 2155:Fundacion de Serralves 2116:Carnegie Museum of Art 2071:, New York (2009–10). 1893:in London in 2004; at 1816:(1985), took place in 1770:round table discussion 1385:Trouble Spot: Painting 1263: 1192: 1105:(2011), a portrait of 1097:Copyright infringement 933: 780:A Flemish Intellectual 748:, held in 1995 at the 737: 424: 406: 386: 6523:Painters from Antwerp 6508:Contemporary painters 5827:Tuymans, Luc (2006). 5731:Yale University Press 5696:Yale University Press 5661:Yale University Press 5525:Staff writer (2002). 5360:"Member: Luc Tuymans" 4834:Kunstmuseum Wolfsburg 4305:. pp. 244, 256. 4075:Staff writer (2011). 3442:David Zwirner Gallery 2909:Van Puymbroeck, Rik. 2631:David Zwirner Gallery 2610:David Zwirner Gallery 2572:Roger, White (2016). 2549:David Zwirner Gallery 2498:New European Painting 2421:University of Antwerp 2403:in New York, and the 2375:, the Belgian artist 2300:Yale University Press 2296:David Zwirner Gallery 2200:Kunstmuseum Wolfsburg 2140:Des Moines Art Center 2051:, California (2008); 1949:Baibakov Art Projects 1864:David Zwirner Gallery 1797:David Zwirner Gallery 1660:, the art historians 1595:University of Chicago 1548:Royal Academy of Arts 1457:The Forbidden Empire, 1285:Cathedral of Our Lady 1250: 1185: 1091:The Third of May 1808 1060:Hans-Jürgen Syberberg 1005:David Zwirner Gallery 975:was organized by the 954:textile wall hangings 917: 874:David Zwirner Gallery 823:Oklahoma City bombing 819:David Zwirner Gallery 725: 700:David Zwirner Gallery 689:Virus of the Vanities 666:traditional portraits 431:close to the city of 412: 392: 372: 296:Belgian visual artist 283:David Zwirner Gallery 198:University of Antwerp 4704:. Clérmont Ferrand: 4656:on 14 September 2016 4604:. The Broad Museum. 4329:. Serralves Museum. 3755:Meyer-Hermann, Eva. 3724:Meyer-Hermann, Eva. 3536:Meyer-Hermann, Eva. 3451:on 23 September 2015 3355:Meyer-Hermann, Eva. 3269:. New York: E-flux. 2976:Meyer-Hermann, Eva. 2448:Tuymans was born in 2417:Royal College of Art 2215:, Humlebaek, Denmark 2128:Dallas Museum of Art 2013:Dallas Museum of Art 1953:Moderna Museet Malmö 1922:Dallas Museum of Art 1803:Selected exhibitions 1789:Royal College of Art 1781:Kerry James Marshall 1685:Curating the Library 1646:Painting on the Move 1103:A Belgian Politician 977:Műcsarnok Kunsthalle 959:His 2007 exhibition 685:theoretical approach 650:Die Wiedergutmachung 491:'s paintings at the 319:figurative paintings 218:Royal College of Art 6528:People from Mortsel 6123:. Ostfildern-Ruit: 5865:. Stockmans/De Vos. 5727:David Zwirner Books 5692:David Zwirner Books 5657:David Zwirner Books 4927:"Luc Tuymans: MoMA" 4327:"Luc Tuymans, Dusk" 4204:Van Doninck, Rose. 3585:. 14 December 2015. 2409:Akademie der Künste 2342:Christie's New York 2338:Beautiful White Man 2182:Kunstmuseen Krefeld 2090:, Buffalo, New York 2023:, New York (2007); 1961:QM Gallery Al Riwaq 1909:in Munich in 2008. 1758:Talbot Rice Gallery 1670:Denys Zacharopoulos 1492:Biennale di Venezia 1154:Berkeley Art Museum 1107:Jean-Marie Dedecker 1083:QM Gallery Al Riwaq 754:Flemish nationalism 674:The Diagnostic Look 526:Early work, 1972–94 493:Museum of Fine Arts 439:and his mother was 6277:Signal. Exh. cat. 6127:. pp. 98–99. 6125:Hatje Cantz Verlag 5468:"Honorary Doctors" 5443:"Convocation 2015" 5417:"Honorary Doctors" 5345:The London Gazette 5284:. Artprice. 2019. 5077:. 13 August 2019. 4186:on 30 October 2019 4112:. Antwerpen. 2016. 3124:The White Review 7 2633:. 29 January 2008. 2524:The New York Times 2290:Catalogue raisonné 2001:Essential Painting 1814:Belgian Art Review 1793:Andrzej Wróblewski 1701:Francesco Clemente 1650:Beyeler Foundation 1631:Wannsee Conference 1627:Wannsee Conference 1486:exhibition in the 1264: 1193: 934: 837:); a man working ( 738: 681:catalogue raisonné 536:catalogue raisonné 425: 407: 387: 6407:Library resources 6279:Hamburger Bahnhof 5848:. Ghent: Ludion. 5004:. San Francisco: 4312:978-0-7148-4298-1 4127:. Royal Academy. 4052:. Städel Museum. 3654:. 20 January 2015 3126:. pp. 22–42. 2665:The Brooklyn Rail 2373:Maurizio Cattelan 2190:, Ostend, Belgium 2084:, Kanazawa, Japan 1983:Group exhibitions 1963:, Doha, entitled 1905:in Warsaw and at 1680:Peter Paul Rubens 1640:At the symposium 1623:Hamburger Bahnhof 1615:Hamburger Bahnhof 1588:William Kentridge 1270:Tuymans made was 1262: 1183: 932: 910:From 2007 onwards 792:Face à l‘histoire 762:A Flemish Village 736: 423: 405: 385: 289: 288: 6570: 6513:Belgian painters 6478:, Zeno X Gallery 6460: 6459: 6457:Official website 6395: 6360: 6333: 6306: 6287:. pp. 2–3. 6271: 6244: 6217: 6190: 6163: 6136: 6115: 6088: 6061: 6034: 6007: 5988:. pp. 7–9. 5986:Fondazione Prada 5976: 5945: 5917: 5900: 5883: 5866: 5857: 5840: 5823: 5806: 5779: 5752: 5717: 5682: 5647: 5620: 5587: 5586: 5584: 5582: 5567: 5563: 5557: 5556: 5545: 5539: 5538: 5536: 5534: 5523: 5519: 5513: 5512: 5510: 5508: 5494: 5490: 5484: 5483: 5481: 5479: 5465: 5461: 5455: 5454: 5452: 5450: 5439: 5433: 5432: 5430: 5428: 5423:on 15 March 2015 5413: 5407: 5406: 5404: 5402: 5382: 5376: 5375: 5373: 5371: 5356: 5350: 5349: 5336: 5330: 5329: 5327: 5325: 5319: 5312: 5304: 5298: 5297: 5295: 5293: 5278: 5272: 5271: 5269: 5267: 5261: 5254: 5246: 5240: 5239: 5237: 5235: 5221: 5212: 5206: 5205: 5194: 5188: 5187: 5185: 5183: 5172: 5166: 5165: 5163: 5161: 5147: 5143: 5137: 5136: 5134: 5127: 5119: 5113: 5112: 5110: 5108: 5097: 5091: 5090: 5088: 5086: 5071: 5065: 5064: 5062: 5060: 5045: 5039: 5038: 5036: 5034: 5023: 5017: 5016: 5014: 5012: 4998: 4992: 4991: 4989: 4987: 4973: 4967: 4966: 4964: 4962: 4954:. Philadelphia: 4948: 4942: 4941: 4939: 4937: 4923: 4917: 4916: 4914: 4912: 4901: 4895: 4894: 4892: 4890: 4876: 4870: 4869: 4867: 4865: 4851: 4845: 4844: 4842: 4840: 4826: 4820: 4819: 4817: 4815: 4801: 4797: 4791: 4790: 4788: 4786: 4771: 4765: 4764: 4762: 4760: 4745: 4739: 4738: 4736: 4734: 4723: 4717: 4716: 4714: 4712: 4698: 4692: 4691: 4689: 4687: 4682:on 25 March 2020 4672: 4666: 4665: 4663: 4661: 4646: 4640: 4639: 4637: 4635: 4624: 4618: 4617: 4615: 4613: 4598: 4592: 4591: 4589: 4587: 4573: 4567: 4566: 4564: 4562: 4547: 4541: 4540: 4538: 4536: 4521: 4515: 4514: 4512: 4510: 4495: 4489: 4488: 4486: 4484: 4469: 4463: 4462: 4460: 4458: 4447: 4441: 4440: 4438: 4436: 4420: 4414: 4413: 4411: 4409: 4398: 4392: 4391: 4389: 4387: 4371: 4365: 4364: 4362: 4360: 4349: 4343: 4342: 4340: 4338: 4323: 4317: 4316: 4294: 4288: 4287: 4285: 4283: 4268: 4262: 4261: 4259: 4257: 4251: 4240: 4236:"II 2.1., p. 18" 4232: 4228: 4222: 4215: 4209: 4202: 4196: 4195: 4193: 4191: 4176: 4170: 4169: 4167: 4165: 4151: 4147: 4141: 4140: 4138: 4136: 4120: 4114: 4113: 4103: 4099: 4093: 4092: 4090: 4088: 4072: 4066: 4065: 4063: 4061: 4045: 4039: 4038: 4036: 4034: 4019: 4013: 4012: 4010: 4008: 3989: 3985: 3979: 3978: 3976: 3974: 3954: 3948: 3947: 3939: 3933: 3932: 3930: 3928: 3916: 3910: 3909: 3907: 3905: 3896:. London: Tate. 3889: 3883: 3882: 3856: 3850: 3849: 3847: 3845: 3830: 3824: 3823: 3821: 3819: 3804: 3798: 3797: 3795: 3793: 3779: 3775: 3769: 3766: 3760: 3753: 3747: 3744: 3738: 3735: 3729: 3722: 3716: 3715: 3689: 3683: 3682: 3670: 3664: 3663: 3661: 3659: 3648: 3639: 3638: 3636: 3634: 3615: 3609: 3608: 3597: 3593: 3587: 3586: 3579: 3573: 3570: 3564: 3563: 3561: 3559: 3547: 3541: 3534: 3513: 3512: 3510: 3508: 3493: 3489: 3483: 3482: 3477:, London. 2004. 3467: 3461: 3460: 3458: 3456: 3450: 3439: 3431: 3425: 3424: 3422: 3420: 3405: 3401: 3395: 3394: 3392: 3390: 3384: 3377: 3370: 3366: 3360: 3353: 3338: 3337: 3335: 3333: 3318: 3312: 3311: 3309: 3307: 3293: 3289: 3283: 3282: 3280: 3278: 3263: 3257: 3256: 3254: 3252: 3238: 3234: 3228: 3227: 3225: 3223: 3208: 3202: 3201: 3199: 3197: 3178: 3172: 3171: 3169: 3167: 3153: 3149: 3143: 3142: 3134: 3128: 3127: 3119: 3113: 3112: 3104: 3098: 3097: 3071: 3065: 3064: 3062: 3060: 3045: 3041: 3035: 3034: 3032: 3030: 3015: 3009: 3008: 3000: 2981: 2974: 2968: 2967: 2965: 2963: 2952: 2946: 2945: 2943: 2941: 2925: 2919: 2918: 2907: 2903: 2897: 2896: 2894: 2892: 2876: 2870: 2869: 2867: 2865: 2845: 2839: 2838: 2836: 2834: 2825: 2816: 2810: 2809: 2798: 2792: 2791: 2766: 2762: 2753: 2752: 2726: 2720: 2719: 2717: 2715: 2704: 2691: 2690: 2679: 2673: 2672: 2656: 2650: 2649: 2641: 2635: 2634: 2628: 2620: 2614: 2613: 2602: 2596: 2595: 2569: 2560: 2559: 2558:on 1 March 2014. 2557: 2546: 2538: 2532: 2531: 2515: 2487: 2485:Biography portal 2482: 2481: 2480: 2393:Order of Leopold 2213:Louisiana Museum 2169:, Washington, DC 2055:François Pinault 2033:Castle of Rivoli 2007:, Japan (2006); 1808:Solo exhibitions 1705:Christopher Wool 1560:Fondazione Prada 1488:Belgian Pavilion 1374:Other activities 1251: 1184: 1156:, Berkeley; and 918: 726: 604:Peter Schjeldahl 582:semi-documentary 515:Work (paintings) 449:Dutch Resistance 413: 393: 373: 285: 279: 273: 271:Official website 192:Academic Honours 163:Order of Leopold 143: 57: 53: 51: 35: 21: 20: 6578: 6577: 6573: 6572: 6571: 6569: 6568: 6567: 6488: 6487: 6455: 6454: 6451: 6450: 6449: 6431: 6430: 6415: 6414: 6410: 6403: 6402: 6384: 6368: 6366:Further reading 6363: 6349: 6322: 6295: 6260: 6233: 6206: 6179: 6152: 6104: 6077: 6050: 6023: 5996: 5965: 5957:. p. 352. 5942: 5920: 5795: 5768: 5741: 5733:. p. 425. 5706: 5698:. p. 455. 5671: 5663:. p. 492. 5636: 5617: 5591: 5590: 5580: 5578: 5565: 5564: 5560: 5547: 5546: 5542: 5532: 5530: 5521: 5520: 5516: 5506: 5504: 5495: 5492: 5491: 5487: 5477: 5475: 5466: 5463: 5462: 5458: 5448: 5446: 5441: 5440: 5436: 5426: 5424: 5415: 5414: 5410: 5400: 5398: 5383: 5379: 5369: 5367: 5358: 5357: 5353: 5337: 5333: 5323: 5321: 5317: 5310: 5306: 5305: 5301: 5291: 5289: 5280: 5279: 5275: 5265: 5263: 5259: 5252: 5248: 5247: 5243: 5233: 5231: 5224:Financial Times 5219: 5213: 5209: 5196: 5195: 5191: 5181: 5179: 5174: 5173: 5169: 5159: 5157: 5148: 5145: 5144: 5140: 5132: 5125: 5121: 5120: 5116: 5106: 5104: 5099: 5098: 5094: 5084: 5082: 5073: 5072: 5068: 5058: 5056: 5047: 5046: 5042: 5032: 5030: 5025: 5024: 5020: 5010: 5008: 5000: 4999: 4995: 4985: 4983: 4975: 4974: 4970: 4960: 4958: 4950: 4949: 4945: 4935: 4933: 4925: 4924: 4920: 4910: 4908: 4903: 4902: 4898: 4888: 4886: 4878: 4877: 4873: 4863: 4861: 4857:. Los Angeles: 4853: 4852: 4848: 4838: 4836: 4828: 4827: 4823: 4813: 4811: 4802: 4799: 4798: 4794: 4784: 4782: 4775:"Nuclear Plant" 4773: 4772: 4768: 4758: 4756: 4747: 4746: 4742: 4732: 4730: 4725: 4724: 4720: 4710: 4708: 4700: 4699: 4695: 4685: 4683: 4674: 4673: 4669: 4659: 4657: 4648: 4647: 4643: 4633: 4631: 4626: 4625: 4621: 4611: 4609: 4600: 4599: 4595: 4585: 4583: 4575: 4574: 4570: 4560: 4558: 4549: 4548: 4544: 4534: 4532: 4523: 4522: 4518: 4508: 4506: 4497: 4496: 4492: 4482: 4480: 4471: 4470: 4466: 4456: 4454: 4449: 4448: 4444: 4434: 4432: 4421: 4417: 4407: 4405: 4400: 4399: 4395: 4385: 4383: 4372: 4368: 4358: 4356: 4351: 4350: 4346: 4336: 4334: 4325: 4324: 4320: 4313: 4295: 4291: 4281: 4279: 4274:. Art Partout. 4270: 4269: 4265: 4255: 4253: 4249: 4238: 4234:Raes, Isaline. 4230: 4229: 4225: 4216: 4212: 4203: 4199: 4189: 4187: 4178: 4177: 4173: 4163: 4161: 4152: 4149: 4148: 4144: 4134: 4132: 4121: 4117: 4104: 4101: 4100: 4096: 4086: 4084: 4073: 4069: 4059: 4057: 4046: 4042: 4032: 4030: 4021: 4020: 4016: 4006: 4004: 3987: 3986: 3982: 3972: 3970: 3955: 3951: 3940: 3936: 3926: 3924: 3917: 3913: 3903: 3901: 3890: 3886: 3871: 3857: 3853: 3843: 3841: 3832: 3831: 3827: 3817: 3815: 3806: 3805: 3801: 3791: 3789: 3777: 3776: 3772: 3767: 3763: 3754: 3750: 3745: 3741: 3736: 3732: 3723: 3719: 3704: 3690: 3686: 3671: 3667: 3657: 3655: 3650: 3649: 3642: 3632: 3630: 3617: 3616: 3612: 3595: 3594: 3590: 3581: 3580: 3576: 3571: 3567: 3557: 3555: 3548: 3544: 3535: 3516: 3506: 3504: 3491: 3490: 3486: 3469: 3468: 3464: 3454: 3452: 3448: 3437: 3433: 3432: 3428: 3418: 3416: 3403: 3402: 3398: 3388: 3386: 3382: 3375: 3371: 3368: 3367: 3363: 3354: 3341: 3331: 3329: 3320: 3319: 3315: 3305: 3303: 3294: 3291: 3290: 3286: 3276: 3274: 3265: 3264: 3260: 3250: 3248: 3239: 3236: 3235: 3231: 3221: 3219: 3210: 3209: 3205: 3195: 3193: 3180: 3179: 3175: 3165: 3163: 3154: 3151: 3150: 3146: 3135: 3131: 3120: 3116: 3105: 3101: 3086: 3072: 3068: 3058: 3056: 3043: 3042: 3038: 3028: 3026: 3017: 3016: 3012: 3001: 2984: 2975: 2971: 2961: 2959: 2954: 2953: 2949: 2939: 2937: 2926: 2922: 2905: 2904: 2900: 2890: 2888: 2877: 2873: 2863: 2861: 2854:The Independent 2846: 2842: 2832: 2830: 2828:Financial Times 2823: 2817: 2813: 2800: 2799: 2795: 2780: 2764: 2763: 2756: 2741: 2727: 2723: 2713: 2711: 2706: 2705: 2694: 2681: 2680: 2676: 2657: 2653: 2642: 2638: 2626: 2622: 2621: 2617: 2604: 2603: 2599: 2584: 2570: 2563: 2555: 2544: 2540: 2539: 2535: 2516: 2512: 2506: 2483: 2478: 2476: 2473: 2446: 2405:Academy of Arts 2389: 2320: 2292: 2287: 2266:, San Francisco 2122:Centre Pompidou 2077: 2029:Hayward Gallery 2003:, at the 1985: 1941:Against the Day 1899:Museu Serralves 1895:Museu Serralves 1884:Venice Biennale 1848:Kunsthalle Bern 1826:Leon Spilliaert 1810: 1805: 1580:Paulina Olowska 1568: 1540:Born in Antwerp 1514:: one survived 1502:. As stated on 1500:Brugge Centraal 1401:Raoul De Keyser 1397:Ellsworth Kelly 1393:Gerhard Richter 1387:in 1999 at the 1381: 1376: 1353:screen-printing 1325: 1257: 1245: 1187: 1174: 1172: 1166: 1150:Kunsthalle Bern 1138: 1133: 995:in 2008 and as 930: 924: 912: 878:Venice Biennale 864:), inspired by 784:Home Sweet Home 744:His exhibition 720: 704:York University 528: 523: 517: 477: 437:Belgian Flemish 399: 379: 367: 305:new digital age 281: 280: 275: 274: 269: 261: 145: 141: 137: 124: 108: 67: 58: 55: 49: 47: 39: 38: 37:Tuymans in 2009 26: 17: 16:Belgian painter 12: 11: 5: 6576: 6566: 6565: 6560: 6555: 6550: 6545: 6540: 6535: 6530: 6525: 6520: 6515: 6510: 6505: 6500: 6486: 6485: 6479: 6473: 6467: 6461: 6448: 6447: 6442: 6436: 6434:By Luc Tuymans 6432: 6429: 6428: 6423: 6417: 6416: 6405: 6404: 6401: 6400:External links 6398: 6397: 6396: 6382: 6367: 6364: 6362: 6361: 6347: 6334: 6320: 6307: 6293: 6272: 6258: 6245: 6231: 6218: 6204: 6191: 6177: 6164: 6150: 6137: 6116: 6102: 6089: 6075: 6062: 6048: 6035: 6021: 6008: 5994: 5977: 5963: 5946: 5940: 5926: 5919: 5918: 5901: 5884: 5867: 5858: 5841: 5824: 5807: 5793: 5780: 5766: 5753: 5739: 5718: 5704: 5683: 5669: 5648: 5634: 5621: 5615: 5597: 5589: 5588: 5558: 5540: 5514: 5485: 5456: 5434: 5408: 5377: 5351: 5331: 5299: 5273: 5241: 5220:(Fee required) 5207: 5189: 5167: 5138: 5114: 5092: 5066: 5055:. 25 July 2013 5049:"Fruit Picnic" 5040: 5018: 4993: 4968: 4943: 4918: 4896: 4871: 4846: 4821: 4792: 4766: 4740: 4718: 4693: 4667: 4641: 4619: 4593: 4568: 4542: 4516: 4490: 4464: 4442: 4415: 4393: 4366: 4344: 4318: 4311: 4289: 4263: 4223: 4210: 4197: 4171: 4142: 4115: 4094: 4067: 4040: 4014: 3980: 3949: 3934: 3923:. Art for Sale 3911: 3884: 3870:978-9461300515 3869: 3851: 3825: 3799: 3770: 3761: 3748: 3739: 3730: 3717: 3702: 3684: 3665: 3640: 3610: 3588: 3574: 3565: 3542: 3514: 3484: 3462: 3426: 3396: 3361: 3339: 3313: 3284: 3258: 3229: 3203: 3173: 3144: 3129: 3114: 3099: 3084: 3066: 3036: 3010: 2982: 2969: 2947: 2920: 2898: 2871: 2840: 2824:(Fee required) 2811: 2793: 2778: 2754: 2739: 2721: 2692: 2674: 2651: 2636: 2615: 2597: 2582: 2561: 2533: 2509: 2508: 2507: 2505: 2502: 2501: 2500: 2495: 2489: 2488: 2472: 2469: 2445: 2442: 2397:King Albert II 2395:of Belgium by 2388: 2385: 2369:Rudolf Stingel 2364:Palazzo Grassi 2319: 2316: 2291: 2288: 2286: 2285: 2279: 2273: 2267: 2261: 2255: 2254:, Philadelphia 2249: 2246: 2240: 2234: 2228: 2222: 2216: 2210: 2203: 2197: 2191: 2185: 2179: 2173: 2170: 2164: 2158: 2152: 2146: 2143: 2137: 2131: 2125: 2119: 2113: 2107: 2097: 2091: 2085: 2078: 2076: 2073: 2061:Palazzo Grassi 1984: 1981: 1973:Palazzo Grassi 1971:was staged at 1951:, Moscow, and 1943:, was held at 1937:Thomas Pynchon 1932:, in Belgium. 1907:Haus der Kunst 1809: 1806: 1804: 1801: 1713:Haus der Kunst 1662:Yve-Alain Bois 1658:Hubert Damisch 1619:Gesichtsbilder 1599:Carel Blotkamp 1567: 1564: 1380: 1377: 1375: 1372: 1324: 1321: 1317:Palazzo Grassi 1312:Palazzo Grassi 1281:Quinten Metsys 1244: 1241: 1165: 1162: 1137: 1136:Works on paper 1134: 1132: 1129: 1087:The Arena I–VI 1064:German history 1050:had grown up: 1044:Mirosław Bałka 989:Haus der Kunst 911: 908: 831:Mount Rushmore 817:, held at the 719: 716: 655:The Reparation 594:, confronting 574:Feu d’artifice 527: 524: 516: 513: 476: 473: 461:Gemeentemuseum 366: 363: 287: 286: 277:Zeno X Gallery 267: 263: 262: 260: 259: 256: 250: 245: 242: 239: 236: 231: 225: 215: 205: 195: 189: 184: 179: 173: 170: 160: 153: 151: 147: 146: 139: 133: 132: 130: 126: 125: 123: 122: 116: 114: 113:Known for 110: 109: 107: 106: 101: 96: 91: 85: 83: 79: 78: 73: 69: 68: 59: 45: 41: 40: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 6575: 6564: 6561: 6559: 6556: 6554: 6551: 6549: 6546: 6544: 6541: 6539: 6536: 6534: 6531: 6529: 6526: 6524: 6521: 6519: 6516: 6514: 6511: 6509: 6506: 6504: 6503:Living people 6501: 6499: 6496: 6495: 6493: 6483: 6480: 6477: 6474: 6472:, Tate Modern 6471: 6468: 6465: 6462: 6458: 6453: 6452: 6446: 6443: 6441: 6438: 6437: 6435: 6427: 6424: 6422: 6419: 6418: 6413: 6408: 6393: 6389: 6385: 6383:9783822840931 6379: 6375: 6370: 6369: 6358: 6354: 6350: 6348:9783857800795 6344: 6340: 6335: 6331: 6327: 6323: 6321:9788843561544 6317: 6313: 6308: 6304: 6300: 6296: 6294:9783886094493 6290: 6286: 6282: 6280: 6273: 6269: 6265: 6261: 6259:9781900470544 6255: 6251: 6246: 6242: 6238: 6234: 6232:9789727391646 6228: 6224: 6219: 6215: 6211: 6207: 6205:9789727391646 6201: 6197: 6192: 6188: 6184: 6180: 6178:9789061537137 6174: 6170: 6165: 6161: 6157: 6153: 6151:9789491819032 6147: 6143: 6138: 6134: 6130: 6126: 6122: 6117: 6113: 6109: 6105: 6103:9789055448524 6099: 6095: 6090: 6086: 6082: 6078: 6076:9789055448623 6072: 6068: 6063: 6059: 6055: 6051: 6049:9783770550746 6045: 6041: 6036: 6032: 6028: 6024: 6022:9788836625949 6018: 6014: 6009: 6005: 6001: 5997: 5995:9788887029741 5991: 5987: 5983: 5978: 5974: 5970: 5966: 5964:9781633450349 5960: 5956: 5952: 5947: 5943: 5941:9789491819797 5937: 5933: 5928: 5927: 5925: 5924: 5915: 5911: 5907: 5902: 5898: 5894: 5890: 5885: 5881: 5877: 5873: 5868: 5864: 5859: 5855: 5851: 5847: 5842: 5838: 5834: 5830: 5825: 5821: 5817: 5813: 5808: 5804: 5800: 5796: 5794:9783716510698 5790: 5786: 5781: 5777: 5773: 5769: 5767:9780714842981 5763: 5759: 5758:Luc Tuymans: 5754: 5750: 5746: 5742: 5740:9780300247428 5736: 5732: 5729:; New Haven: 5728: 5724: 5719: 5715: 5711: 5707: 5705:9780300244670 5701: 5697: 5694:; New Haven: 5693: 5689: 5684: 5680: 5676: 5672: 5670:9781941701614 5666: 5662: 5659:; New Haven: 5658: 5654: 5649: 5645: 5641: 5637: 5635:9781933045986 5631: 5627: 5622: 5618: 5616:9780714842981 5612: 5608: 5604: 5599: 5598: 5596: 5595: 5576: 5572: 5562: 5554: 5550: 5544: 5528: 5518: 5502: 5498: 5489: 5473: 5469: 5460: 5444: 5438: 5422: 5418: 5412: 5396: 5392: 5388: 5381: 5365: 5361: 5355: 5347: 5346: 5341: 5335: 5316: 5309: 5303: 5287: 5283: 5277: 5258: 5251: 5245: 5229: 5225: 5218: 5211: 5203: 5199: 5193: 5177: 5171: 5155: 5151: 5142: 5131: 5124: 5118: 5102: 5096: 5080: 5076: 5070: 5054: 5050: 5044: 5028: 5022: 5007: 5003: 4997: 4982: 4978: 4977:"Luc Tuymans" 4972: 4957: 4953: 4947: 4932: 4928: 4922: 4906: 4905:"Luc Tuymans" 4900: 4885: 4881: 4875: 4860: 4856: 4850: 4835: 4831: 4830:"Luc Tuymans" 4825: 4809: 4805: 4796: 4780: 4776: 4770: 4754: 4750: 4744: 4728: 4727:"Luc Tuymans" 4722: 4707: 4703: 4697: 4681: 4677: 4671: 4655: 4651: 4650:"Luc Tuymans" 4645: 4629: 4623: 4607: 4603: 4597: 4582: 4578: 4577:"Luc Tuymans" 4572: 4556: 4552: 4546: 4530: 4526: 4525:"Luc Tuymans" 4520: 4504: 4500: 4494: 4478: 4474: 4468: 4452: 4446: 4430: 4426: 4419: 4403: 4397: 4381: 4377: 4370: 4354: 4348: 4332: 4328: 4322: 4314: 4308: 4304: 4303:Phaidon Press 4300: 4293: 4277: 4273: 4267: 4248: 4244: 4237: 4227: 4220: 4214: 4207: 4201: 4185: 4181: 4175: 4159: 4155: 4146: 4130: 4126: 4119: 4111: 4107: 4098: 4082: 4078: 4071: 4055: 4051: 4044: 4028: 4024: 4018: 4002: 3998: 3994: 3984: 3968: 3964: 3960: 3953: 3946:. p. 34. 3945: 3938: 3922: 3915: 3899: 3895: 3888: 3880: 3876: 3872: 3866: 3862: 3855: 3839: 3835: 3829: 3813: 3809: 3803: 3788: 3784: 3774: 3765: 3758: 3752: 3743: 3734: 3727: 3721: 3713: 3709: 3705: 3703:9783716510698 3699: 3695: 3688: 3680: 3676: 3669: 3653: 3647: 3645: 3628: 3624: 3620: 3614: 3606: 3602: 3592: 3584: 3578: 3569: 3553: 3546: 3539: 3533: 3531: 3529: 3527: 3525: 3523: 3521: 3519: 3502: 3498: 3488: 3480: 3476: 3472: 3466: 3447: 3443: 3436: 3430: 3414: 3413:De Witte Raaf 3410: 3400: 3381: 3374: 3365: 3358: 3352: 3350: 3348: 3346: 3344: 3327: 3323: 3317: 3301: 3297: 3288: 3272: 3268: 3267:"Luc Tuymans" 3262: 3246: 3242: 3233: 3217: 3213: 3207: 3191: 3187: 3183: 3177: 3161: 3157: 3148: 3140: 3133: 3125: 3118: 3110: 3103: 3095: 3091: 3087: 3085:9789727391646 3081: 3077: 3070: 3054: 3050: 3040: 3024: 3020: 3014: 3006: 2999: 2997: 2995: 2993: 2991: 2989: 2987: 2979: 2973: 2957: 2956:"Luc Tuymans" 2951: 2935: 2931: 2924: 2916: 2912: 2902: 2886: 2882: 2875: 2859: 2855: 2851: 2844: 2829: 2822: 2815: 2807: 2803: 2797: 2789: 2785: 2781: 2779:9789048849574 2775: 2771: 2761: 2759: 2750: 2746: 2742: 2740:9781933045832 2736: 2732: 2725: 2710:. Tate Modern 2709: 2708:"Luc Tuymans" 2703: 2701: 2699: 2697: 2688: 2684: 2678: 2670: 2666: 2662: 2661:"Luc Tuymans" 2655: 2647: 2640: 2632: 2625: 2619: 2611: 2607: 2601: 2593: 2589: 2585: 2583:9781620400951 2579: 2575: 2568: 2566: 2554: 2550: 2543: 2537: 2529: 2525: 2521: 2514: 2510: 2499: 2496: 2494: 2491: 2490: 2486: 2475: 2468: 2466: 2462: 2457: 2455: 2451: 2444:Personal life 2441: 2439: 2435: 2430: 2426: 2422: 2418: 2414: 2410: 2406: 2402: 2398: 2394: 2384: 2382: 2381:Albert Oehlen 2378: 2377:Harold Ancart 2374: 2370: 2365: 2361: 2357: 2356: 2351: 2347: 2343: 2339: 2335: 2331: 2327: 2326: 2315: 2313: 2309: 2305: 2301: 2297: 2283: 2280: 2277: 2274: 2271: 2268: 2265: 2262: 2259: 2256: 2253: 2250: 2247: 2244: 2241: 2238: 2235: 2232: 2229: 2226: 2223: 2220: 2217: 2214: 2211: 2209:, Los Angeles 2208: 2204: 2201: 2198: 2195: 2192: 2189: 2186: 2183: 2180: 2177: 2174: 2171: 2168: 2165: 2163:, Los Angeles 2162: 2161:Hammer Museum 2159: 2156: 2153: 2150: 2147: 2144: 2141: 2138: 2135: 2132: 2129: 2126: 2123: 2120: 2117: 2114: 2112:, Los Angeles 2111: 2108: 2105: 2101: 2098: 2095: 2092: 2089: 2086: 2083: 2080: 2079: 2072: 2070: 2066: 2062: 2058: 2056: 2050: 2046: 2042: 2038: 2034: 2030: 2026: 2022: 2018: 2014: 2010: 2006: 2002: 1998: 1994: 1990: 1980: 1978: 1974: 1970: 1966: 1962: 1958: 1954: 1950: 1946: 1942: 1938: 1933: 1931: 1927: 1923: 1919: 1915: 1910: 1908: 1904: 1900: 1897:in Porto; at 1896: 1892: 1887: 1885: 1881: 1877: 1873: 1869: 1865: 1861: 1857: 1853: 1849: 1844: 1842: 1838: 1834: 1829: 1827: 1823: 1819: 1815: 1800: 1798: 1794: 1790: 1786: 1782: 1778: 1774: 1771: 1767: 1763: 1759: 1755: 1751: 1747: 1743: 1739: 1735: 1734:Wexner Center 1731: 1727: 1723: 1718: 1714: 1710: 1706: 1702: 1698: 1694: 1693:Artists Panel 1690: 1686: 1682: 1681: 1675: 1671: 1667: 1663: 1659: 1655: 1651: 1647: 1643: 1638: 1636: 1632: 1628: 1624: 1620: 1616: 1613:at the 1612: 1608: 1604: 1600: 1596: 1591: 1589: 1585: 1581: 1577: 1573: 1563: 1561: 1557: 1553: 1549: 1545: 1541: 1537: 1532: 1528: 1524: 1519: 1517: 1513: 1509: 1505: 1501: 1497: 1493: 1489: 1485: 1480: 1478: 1474: 1470: 1466: 1462: 1458: 1454: 1450: 1446: 1442: 1441:Palace Museum 1438: 1434: 1429: 1426: 1425:Sirene/Alarm, 1422: 1418: 1414: 1410: 1406: 1405:Marlene Dumas 1402: 1398: 1394: 1390: 1386: 1371: 1368: 1366: 1362: 1358: 1354: 1350: 1346: 1342: 1338: 1334: 1330: 1323:Graphic works 1320: 1318: 1313: 1309: 1305: 1300: 1298: 1294: 1290: 1286: 1282: 1277: 1273: 1269: 1260: 1255: 1252:Luc Tuymans, 1249: 1240: 1238: 1234: 1230: 1226: 1222: 1218: 1214: 1210: 1206: 1201: 1199: 1190: 1171: 1161: 1159: 1155: 1151: 1146: 1142: 1128: 1126: 1122: 1121: 1116: 1112: 1108: 1104: 1099: 1098: 1094: 1092: 1088: 1084: 1080: 1075: 1073: 1069: 1065: 1061: 1057: 1053: 1049: 1045: 1040: 1036: 1034: 1030: 1026: 1022: 1018: 1014: 1013:North America 1010: 1006: 1002: 998: 994: 990: 986: 982: 978: 974: 973:retrospective 970: 966: 962: 961:Les Revenants 957: 955: 951: 947: 943: 942:North America 939: 928: 922: 919:Luc Tuymans, 916: 907: 904: 902: 899: 894: 890: 886: 881: 879: 875: 871: 867: 866:King Baudouin 863: 862:Beautiful Boy 859: 854: 852: 848: 844: 840: 839:Heritage VIII 836: 832: 828: 824: 820: 816: 811: 809: 805: 804:De Witte Raaf 801: 797: 793: 789: 785: 781: 777: 773: 772: 767: 763: 759: 755: 751: 747: 742: 734: 730: 727:Luc Tuymans, 724: 715: 713: 709: 705: 701: 697: 692: 690: 686: 682: 677: 675: 671: 667: 662: 660: 656: 652: 651: 646: 642: 638: 634: 629: 628: 623: 619: 618: 613: 609: 605: 601: 600:the holocaust 597: 593: 588: 586: 583: 579: 575: 571: 566: 564: 560: 556: 552: 548: 543: 541: 540:Self-Portrait 537: 533: 522: 512: 510: 506: 502: 498: 494: 490: 487:where he saw 486: 482: 472: 470: 466: 462: 458: 453: 450: 446: 442: 438: 434: 430: 421: 417: 414:Luc Tuymans, 411: 403: 397: 394:Luc Tuymans, 391: 383: 377: 374:Luc Tuymans, 371: 362: 360: 356: 352: 346: 344: 340: 336: 332: 331:public sphere 328: 324: 320: 315: 313: 312:the Holocaust 308: 306: 302: 297: 293: 284: 278: 272: 268: 264: 257: 254: 251: 249: 246: 243: 240: 237: 235: 232: 229: 226: 223: 219: 216: 213: 209: 206: 203: 199: 196: 193: 190: 188: 185: 183: 180: 177: 174: 171: 168: 164: 161: 158: 155: 154: 152: 148: 136: 131: 127: 121: 118: 117: 115: 111: 105: 102: 100: 97: 95: 92: 90: 87: 86: 84: 80: 77: 74: 70: 66: 62: 56:(age 66) 46: 42: 34: 29: 22: 19: 6433: 6411: 6373: 6338: 6311: 6276: 6249: 6222: 6195: 6168: 6141: 6120: 6093: 6066: 6039: 6012: 5981: 5953:. 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New York. 2523: 2513: 2461:Carla Arocha 2458: 2447: 2425:Städelschule 2408: 2390: 2359: 2353: 2349: 2345: 2337: 2334:Mwana Kitoko 2333: 2329: 2323: 2321: 2311: 2307: 2303: 2293: 2282:Tate Gallery 2118:, Pittsburgh 2064: 2052: 2044: 2036: 2024: 2016: 2008: 2000: 1996: 1993:Documenta 11 1986: 1968: 1964: 1940: 1934: 1911: 1888: 1845: 1830: 1813: 1811: 1772: 1761: 1754:Frieze Talks 1753: 1749: 1746:Rem Koolhaas 1740:held at the 1737: 1720: 1716: 1697:Brice Marden 1692: 1688: 1684: 1677: 1645: 1641: 1639: 1618: 1610: 1602: 1592: 1584:Städelschule 1569: 1551: 1543: 1539: 1535: 1526: 1522: 1520: 1516:World War II 1499: 1495: 1483: 1481: 1479:in Beijing. 1460: 1456: 1448: 1432: 1430: 1424: 1420: 1416: 1412: 1384: 1382: 1369: 1364: 1326: 1307: 1304:Schwarzheide 1303: 1301: 1292: 1271: 1265: 1253: 1232: 1228: 1224: 1216: 1208: 1205:Superstition 1204: 1202: 1197: 1194: 1188: 1145:watercolours 1139: 1120:The Guardian 1118: 1102: 1100: 1096: 1095: 1090: 1086: 1078: 1076: 1055: 1041: 1037: 1008: 997:Come and See 996: 984: 960: 958: 935: 920: 905: 897: 885:Documenta 11 882: 861: 858:Mwana Kitoko 857: 855: 850: 847:Ku Klux Klan 842: 838: 835:Heritage VII 834: 826: 814: 812: 803: 802:series with 799: 794:held at the 791: 787: 783: 779: 776:Ernest Claes 769: 765: 761: 757: 745: 743: 739: 728: 706:in Toronto, 696:Superstition 695: 693: 688: 678: 673: 669: 663: 654: 649: 636: 632: 625: 616: 611: 592:World War II 589: 585:feature film 577: 573: 567: 558: 554: 550: 546: 544: 539: 529: 478: 454: 445:World War II 426: 415: 395: 375: 359:watercolours 354: 350: 347: 343:out of focus 323:photographic 316: 309: 291: 290: 252: 244:ULTIMA Award 227: 191: 175: 156: 135:Carla Arocha 54:14 June 1958 18: 6498:1958 births 6482:Luc Tuymans 6476:Luc Tuymans 6470:Luc Tuymans 6464:Luc Tuymans 6412:Luc Tuymans 6339:Luc Tuymans 5626:Luc Tuymans 5603:Luc Tuymans 5529:. 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