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In 1839, Grahn had overstayed the terms of her formal leave, and was dropped from the Royal Danish Ballet's rolls. She had been appearing with the Paris 'Opera' Ballet; from 1839 to 1845, extending her audience base, Grahn danced in several cities, including
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to show off her footwork, prompting
Bournonville to make a formal complaint to the theatre directors. In 1836, she created the title role in Bournonville's
413:"The International Dance Encyclopedia," articles on 'Lucille Grahn' and 'Auguste Bournonville,' (Vol II, pp. 503–08) Oxford University Press, 1998.
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After 1846, Grahn toured much of Europe, not only dancing, but also producing several ballets, including a revival of
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in 1835. Soon the relationship between
Bournonville and Grahn began to sour as she yearned to dance with the famed
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Images of the dance : historical treasures of the Dance
Collection 1581-1861
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in Munich. She died in Munich in 1907, and left her generous estate to the city.
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142:(30 June 1819 – 4 April 1907) was the first internationally renowned
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Lithograph of Danish ballerina
Lucille Grahn (second from right) by
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Lithograph by J. Branard of Lucile Grahn in the title role of the
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Grahn retired from dancing in 1856 and was married to
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255:. She became ballet mistress from 1858 to 1861 in
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182:. Grahn reportedly changed some of the steps in
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106:. Here Grahn is costumed for the celebrated
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397:(in Danish). Dansk Bibliografisk Leksikon
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156:Grahn studied from a young age at the
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123:. Dominating the image is
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338:Moore, Lillian. (1965).
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395:"Lucile Grahn-Young"
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261:Court Opera
188:La Sylphide
81:Nationality
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