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While in Munich, Fischer married on 6 October 1779 the singer
Barbara Strasser (born 1758 in Mannheim), who sang with him in Vienna and was pensioned in 1798. The children of this marriage all became distinguished singers: Joseph Fischer (born 1780 in Vienna, died 1862 in Mannheim), Josepha
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of
Leipzig, writing in 1781, called him "the foremost bass in Germany, and after Günther , the one who acts best". According to Corneilson, this was a generally held view: "In his day Fischer was regarded as Germany’s leading serious bass singer." Fischer could sing from a low
192:, and decided to leave Vienna, Mozart gave him a letter of introduction to help him as he pursued his career (successfully) in Paris. In 1787, when Fischer returned to Vienna for a visit, Mozart created for him the aria "Alcandro, lo confesso...Non sò, d'onde viene",
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on 18 or 19 August 1745. Fischer began his musical studies not as a singer but with the violin and cello. When he was heard singing in a church choir and in student operetta productions, his voice was noticed and he took up singing seriously. He was then made a
259:, "Solche hergelauf'ne Laffen", explaining to his father by letter (26 September 1781) that "one must make good use of such a man"; adding that (as Clive says) "the new aria would provide an opportunity for Fischer's 'beautiful low notes' to glow".
104:) in Vienna (1779). He stayed in Vienna for three years, singing about twenty different roles. In 1783 he sang with extraordinary success in Paris, in 1784 in the principal cities of Italy; starting 1785 he sang at the court of
116:, at the Italian Opera in Berlin, where he worked until retiring on pension in 1815. He took some breaks from his Berlin job to sing as a guest artist in other cities: Vienna (1787, 1798), London (1794, 1798, 1812).
182:
553:
133:, a part "tailor made" for him by Mozart and which he sang in the premiere production (first performance 16 July 1782,) during the Vienna phase of his career. A year earlier,
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gives a different account of
Fischer's departure, simply attributing it to the abolition of the German court opera company for which he worked; it was replaced by an Italian
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on 21 March. Mozart may also have written another work for
Fischer, the recitative and aria "Così dunque tradisci...Aspri rimorsi atroci" (K. 432/421a).
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gave him a scholarship to enable him to continue his studies with Raaff. In 1775 he became responsible for singing instruction in the
Mannheim
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Shortly after, on April 1, Fischer wrote a 16-line poem of friendship in Mozart's album, whose last four lines (in
English) are:
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Apparently
Fischer was also a composer but most of his work has not survived. In 1802 he composed the "popular"
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Fischer was evidently a friend of Mozart's. When he got into a disagreement with the
Imperial theatre manager,
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173:) is perhaps unusual for a popular song, but would not have been a barrier for the composer; see below.
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In 1796 (28 February), Fischer participated in a memorial concert for Mozart organized by his widow
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Mozart was evidently delighted by
Fischer's abilities. He added a major aria to the first act of
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said of his voice that it displayed "the depth of a cello and the natural height of a tenor."
89:, and he moved most of his Mannheim musicians with him, Fischer included, to the new court in
248:, and he controlled this extraordinary range with unusual lightness, purity, and precision.
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452:, p. 286. The aria was a bass version of the soprano aria K. 294, written earlier for
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Fischer-Vernier (born 1782, died 1854 in
Mannheim), and Wilhelmine (born 1785).
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He continued to rise to prominence in Mannheim. In 1772 he was appointed
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was inspired by his remarkable vocal range in composing his comic opera
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in the German Knowledge, which in turn is based on the public domain
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Fischer is perhaps best remembered today for the role of Osmin in
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court of Mainz. Starting in 1770, he studied voice with the tenor
82:. By 1778 he was the highest-paid of the Mannheim court singers.
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595:. Stanford, California: Stanford University Press – via
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27:
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63:, where he had first sung professionally on stage in 1767.
165:"Im tiefen Keller sitz' ich hier". Its two-octave range (F
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In 1779, Fischer moved to the Nationaltheater (today's
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22:(c. 18 August 1745 – 10 July 1825), commonly called
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153:and Brenno in the eponymous opera by Reichardt.
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551:Corneilson, Paul (2014). "Fischer, Ludwig".
370:"The Opera of Mozart and his Contemporaries"
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376:. Columbia University Press. p. 325.
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106:Karl Anselm, 4th Prince of Thurn and Taxis
72:at the Mannheim court, and Prince-elector
615:International Music Score Library Project
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567:10.1093/gmo/9781561592630.article.09731
519:, 4th ed. 1888–1890. Other references:
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119:Fischer died 10 July 1825 in Berlin.
532:. New Haven: Yale University Press.
509:This article includes material from
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368:; Hermine Weigel Williams (2003).
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697:Wolfgang Amadeus Mozart's singers
622:"Im tiefen Keller sitz' ich hier"
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411:(text and notes). Archived from
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16:German operatic bass (1745–1825)
591:Mozart: A Documentary Biography
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611:Free scores by Ludwig Fischer
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469:The full version is given in
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130:Die EntfĂĽhrung aus dem Serail
85:In 1778, Karl Theodor became
516:Meyers Konversations-Lexikon
209:This my recompense shall be:
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207:Wilt thou my devotion know?
42:Ludwig Fischer was born in
20:Johann Ignaz Ludwig Fischer
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213:Hast thou a friend in me.
211:Be my friend, for long ago
114:Johann Friedrich Reichardt
511:the corresponding article
409:Der deutsche Liederschatz
374:A Short History of Opera
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221:; he sang excerpts from
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559:Oxford University Press
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687:German operatic basses
183:Count Orsini-Rosenberg
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528:Mozart and His Circle
524:Clive, Peter (1993).
692:Musicians from Mainz
585:Deutsch, Otto Erich
224:La clemenza di Tito
140:Der Rauchfangkehrer
554:Grove Music Online
318:, pp. 53, 81.
198:Kärntnertortheater
177:Fischer and Mozart
87:Elector of Bavaria
79:Seminarium Musicum
69:virtuoso da camera
30:singer, a notable
636:Kein schöner Land
576:978-1-56159-263-0
434:Corneilson (2014)
366:Grout, Donald Jay
235:A critic for the
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557:(8th ed.).
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415:on 24 July 2004
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26:, was a German
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605:External links
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257:Die EntfĂĽhrung
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51:singer in the
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631:GĂĽnter Wewel
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495:Deutsch 1965
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483:Deutsch 1965
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471:Deutsch 1965
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450:Deutsch 1965
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417:. Retrieved
413:the original
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387:. Retrieved
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353:Deutsch 1965
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157:Compositions
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74:Karl Theodor
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707:1825 deaths
702:1745 births
438:opera buffa
419:23 December
389:23 December
244:to a high A
186: [
102:Burgtheater
57:Anton Raaff
681:Categories
505:References
458:Clive 1993
341:Clive 1993
316:Clive 1993
231:Assessment
151:Semiramide
110:Regensburg
659:Biography
250:Reichardt
219:Constanze
53:Electoral
587:(1965).
440:theater.
61:Mannheim
645:Portals
639:, 2007)
627:YouTube
617:(IMSLP)
613:at the
573:
536:
380:
91:Munich
671:Opera
263:Notes
190:]
123:Roles
44:Mainz
28:opera
571:ISBN
534:ISBN
421:2007
391:2007
378:ISBN
169:to F
38:Life
32:bass
625:on
563:doi
108:in
59:in
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323:^
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194:K.
188:de
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456:(
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246:4
242:2
240:D
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