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was rendered by
Valentin de Boulogne between 1625 and 1626 in Rome. The work was then sold, and first appears in the collection of Cardinal Mazarin, a French political minister who owned nine other works by de Boulogne. The painting's title and central figure may be self-referential as de Boulogne's
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109:. Done in oil on canvas, the painting depicts a young soldier playing a lute. The painting was originally in the collection of
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The painting itself depicts a young man playing a lute. The figure is clad in rich clothing and a steel
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nickname in Rome was "Amador", which has been loosely translated from
Spanish as "lover boy".
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128.3 cm × 99.1 cm (50.5 in × 39.0 in)
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172:, New York, Metropolitan Museum of Art, 2016, p. 162 ISBN 978-1-58839-602-0
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148:, a style of art popularized by de Boulogne's contemporary
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226:Paintings in the Metropolitan Museum of Art
19:For a contemporary work by Caravaggio, see
170:Valentin de Boulogne: Beyond Caravaggio
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168:Annick Lemoine, Keith Christiansen,
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21:The Lute Player (Caravaggio)
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107:Valentin de Boulogne
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193:. Retrieved
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125:Description
102:Lute Player
29:Lute Player
210:Categories
195:2020-08-24
156:References
150:Caravaggio
69:Dimensions
146:tenebrism
91:Accession
119:New York
94:2008.459
85:New York
77:Location
56:1625–26
138:gorget
61:Medium
43:Artist
117:, in
142:Lute
130:Lute
53:Year
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