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stated that this book "is an interesting book with some fascinating insights." However, he criticized the author's understanding of norteño music as being "too limited" and her definition of it as being "too broad and non-inclusive of border developments". San Miguel stated that the author "conflates
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100:. The history of norteña is in Chapter 2. The 1940s–1960s arrival of Mexicans into the United States and how that influenced the course of norteña is in Chapter 3. How post-1964 illegal immigration contributed to norteña and
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210:"Música Norteña: Mexican Migrants Creating a Nation Between Nations. By Cathy Ragland. Philadelphia: Temple University Press, 2009. Pp. xvi, 252. Figures. Maps. Halftones. References. Index. $ 29.95 paper"
66:-related figures and had been involved in the study of that field for a period. She conducted research in the United States and Mexico, with such research taking ten years. In Mexico she did research in
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574:"Cathy Ragland, Música Norteña: Mexican Migrants Creating a Nation Between Nations: Philadelphia: Temple University Press, 2009. xii, 251 pp. ISBN 978-1-59213-746-6. Hardcover, $ 79.95"
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279:"Música Norteña: Mexican Migrants Creating a Nation Between Nations. By Cathy Ragland. Philadelphia, PA: Temple University Press, 2009. 251 pp. ISBN 978-1-59213-747-3"
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regions, experiences, and musical styles" and did not sufficiently differentiate between the various genres of music along the U.S. Mexican border.
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as practiced in the United States. The author stated that the music contributed to a newly formed Mexico-based identity of
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54:, it is an "ethnomusicological analysis", and was the first book to examine in detail the musical genre.
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Hellier-Tinoco gave the book a positive review, calling it a "significant addition" to its field.
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and their continuity with norteña are discussed in chapter 1, along with how norteña differs from
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159:"Reviews: "Música Norteña: Mexican Migrants Creating a Nation between Nations," by Cathy Ragland"
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The book is arranged in a "roughly chronological" order, according to Ruth
Hellier-Tinoco of the
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stated that overall "the book is well done and is an excellent contribution" to its field.
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It also includes transcribed versions of music, lyrics, and photographs of musicians.
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74:. In the United States she did her research in New York, Texas, and Washington.
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Marsh described the book as "a rich and fascinating study" of its subject.
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609:"Música Norteña: Mexican migrants creating a nation between nations"
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252:"Música Norteña: Mexican Migrants Creating a Nation between Nations"
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Reviewer
Alejandro Madrid stated the author did a "wonderful job".
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Música Norteña: Mexican
Migrants Creating a Nation Between Nations
32:
Música Norteña: Mexican
Migrants Creating a Nation Between Nations
18:
Música norteña: Mexican migrants creating a nation between nations
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Latin
American Music Review / Revista de Música Latinoamericana
86:. There is an introduction before the five chapters.
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208:Herrera-Sobek, Maria (2010).
157:Hellier-Tinoco, Ruth (2012).
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27:2009 book by Cathy Ragland
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320:Romero, Brenda M (2010).
297:10.1017/S0261143010000589
52:University of East Anglia
660:Introduction of the book
572:Goertzen, Chris (2011).
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135:Brenda M. Romero of the
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471:Hellier-Tinoco, p. 292.
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122:Maria Herrera-Sobek of
37:Temple University Press
709:2009 non-fiction books
462:Herrera-Sobek, p. 149.
373:10.1353/lat.2011.0023
277:Marsh, Hazel (2011).
164:Ethnomusicology Forum
144:University of Houston
530:Alviso, Ric (2010).
106:Los Tigres del Norte
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516:San Miguel, p. 300.
507:San Miguel, p. 301.
498:San Miguel, p. 302.
441:Romero, p. 380-381.
257:The World of Music
228:10.1353/tam.0.0279
202:Taylor and Francis
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544:: 201–249.
102:Ramón Ayala
45:mexicanidad
698:Categories
151:References
72:Tamaulipas
68:Nuevo Leon
58:Background
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115:Reception
567:ProQuest
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98:conjunto
90:Corridos
78:Contents
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64:norteña
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