263:. The pair fight a "cuckoo duel" in a darkened room, where one party is obliged to call "cuckoo" while the other aims and fires a pistol at the sound of his opponent's voice. The Baron is wounded in the duel and he goes to Cagliostro, who has recently arrived in St. Petersburg, to tend to the wound. While there, the Baron warns Cagliostro of his impending arrest. After healing the Baron, Cagliostro asks him what he desires most of all, since money and power do not interest him. The Baron answers that he wishes to be as young as he is at that moment, for as long as he desires. Cagliostro grants his wish.
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marvel at how time moves so swiftly: while Münchhausen does not change at all, Kuchenreutter ages rapidly. They meet two inhabitants of the Moon, one of whom moves about as a disembodied head. She explains to the Baron how no
Earthlings can last more than a day on the Moon before they dry up in smoke and blow away. However, before the Baron can leave the Moon, Kuchenreutter has a heart attack and dies in his arms, disappearing in a puff of smoke.
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wife for 40 years. Unnerved by his admission, the guests quickly leave. The Baron's wife begs him to flee, as he usually does when his escapades get out of control, upset that he has confessed the truth. The Baron refuses to go, and instead, he revokes
Cagliostro's gift. He immediately ages to match the advanced years of his wife.
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and was an attempt at reinvigorating the German population. The film provided visual relief from the war and, as one of the few fantastical films produced by the
Ministry of Propaganda, represented a rare opportunity for escapism. After viewing parts of the film, Hitler instructed Goebbels to ensure
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is propositioned by a young woman who is engaged to another man. He graciously rejects her advance, and as she leaves, she asks him to turn on the light. The camera follows his hand to a modern light switch, and the young woman drives off in an automobile. The next day, the Baron, out of his costume
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on 20 July 2004. The same version was released on PAL (Region 2) DVD by the
British Eureka Video in July 2005. The 132 minute premiere version and the 117 minute restored version were released on Blu ray disc in Germany and the 117 minute restored version was released on Blu ray disc in the United
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Hippler denied these claims asserting that in “total war”, as outlined in
Goebbels’ 1943 Sportspalast speech, “national life becomes weapons” and strengthening the morale of a country was key to the success of the German campaign. Both during and after World War II, the film saw massive commercial
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As the Baron finishes his tale, his guests correct him on some of its historical inaccuracies, citing the fact that the real Baron died before some of the events took place. This prompts the Baron to confess that he is in fact the same man as the legend, and that he has been married happily to his
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The pair escape to Venice, where her brother is offended by her dalliance with the Baron. He challenges the Baron to a duel with rapiers. The Baron humiliates the brother, leaving him suicidal. The Baron and
Kuchenreutter escape in a hot air balloon, which takes them to the Moon. On the Moon, they
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porcelain on loan from museums, and was protected by SS guards dressed in costume while the scene was shot. The sequence of scenes in Venice was shot on location, with Irmen-Tschet gaining private access to the Grand Canal for an entire day, as noted by
Eberhard von Weise who worked on the film's
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On the
Turkish front, Potemkin lights a cannon while the Baron sits astride it. The Baron rides the cannonball over to the Turkish palace, where he is enslaved along with an Italian princess. After two months as a slave, the Baron is reunited with Kuchenreutter and his runner, Der Läufer, who can
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When the film was first released it had a run time of 133 minutes, however a second re-censored version was released three months later with a run time of 118 minutes, indicating the decision to remove the most controversial aspects of the film by the
Ministry of Propaganda. Today a 114-minute
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The budget for the film allowed von Báky and his production staff nearly limitless opportunities to display the superlative nature of Kästner's vision of Baron von Münchhausen. The dinner scene that is set in the
Russian palace featured real gold and silver tableware as well as
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version exists in the Murnau Foundation. Contemporary journalists and critics pointed to many aspects of the film, most notably the role of gender and sexuality and the fantastical themes as evidence that the film was intended as a counterpoint to Nazi rule.
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production. Additionally von Weise wrote on the movement of entire sets across the border in railcars with “precious carnival costumes” amid numerous other set pieces that were brought along and used by local Venetians as extras in the film.
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Hippler later claimed the decision led to his removal from office, however Goebbels claimed in his own diary that “mishaps, alcoholism, and family problems” were in fact the cause for his dismissal. Kästner himself wrote under the pseudonym
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and install him in a room below hers, with a secret elevator between the two so that they can carry on their affair. He agrees to stay until one of them wants more freedom. While in her court, the Baron clashes with
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wine from Vienna within an hour. After winning the bet, the king tries to pass off a counterfeit princess on the Baron. Incensed, he slips on a ring that makes him invisible and absconds with the princess.
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style of propaganda designed to entertain the masses and distract the population from the war, borrowing the Hollywood genre of large budget productions with extensive colorful visuals. The release of the
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in 1939 by Goebbels, shared his view that all artistic disciplines, including film, should be "co-ordinated" to echo the propaganda themes that the regime chose to highlight, following the policy of
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and critical success and not only recouped the sizable government investment, but also earned modern praise as being “the greatest German color film of all time” by film historian Eric Rentschler.
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visits, and asks the Baron to join him in a quest to take over the throne of Poland. The Baron declines, explaining that he has no interest in power, just in adventure.
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and Goebbels had a well-documented disagreement over how propaganda for the Third Reich should be produced, with Goebbels favouring the Volksfilm style. He referred to
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401:(ℛℳ) that increased to over 6.5 million ℛℳ, after Goebbels’ intentions to “surpass the special effects and color artistry” of Alexander Korda's Technicolor film
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and in modern dress, regales the young woman and her fiancé with stories of the famous Baron Münchhausen, to whom his guests think he is distantly related.
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cover hundreds of miles in a matter of minutes. He makes a wager for his and the princess's freedom with the king, wherein his runner must retrieve some
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has commented that this work "sidesteps immediate political issues whilst conjuring up marvellous visual images of an ageless pastoral Germany."
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850:. Translated by Volker Schlöndorff. Foreword by Michael Robinson. Stuttgart/London: Axel Menges. pp. 50–66.
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film studio which released it. The Jubiläumsfilm, or anniversary film, was commissioned by Goebbels, and
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was producing its own version of colored film that had “caught up with the Americans in ” according to
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for the screenplay, a decision met with controversy as several of Kästner's previous works such as
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in the United States was a heavy influence for Goebbels. By 1940 the German research laboratory
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negative-positive material. Hippler and Ufa's production group manager Eberhard Schmidt hired
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The film was released at a pivotal point in Nazi rule following the massive losses of the
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was placed in charge of editing and staging the film, including the special effects.
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Rentschler, Eric (1996). "The Ministry of Illusion: Nazi Cinema and Its Afterlife".
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were banned after 1933 when the Nazi party began heavy censorship of the arts.
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Baron Munchausen's Narrative of his Marvellous Travels and Campaigns in Russia
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was chosen to oversee the film's production. Hippler, who was instated as
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822:. Durham, North Carolina: Duke University Press. pp. 302–318.
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Entertaining the Third Reich: Illusions of Wholeness in Nazi Cinema
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The Film Minister: Goebbels and the Cinema in the "Third Reich"
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looked to this film as well as Hollywood's productions of
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was the third feature film made in Germany using the new
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as a “popular film in the truest sense of the term.”
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that, “Kästner should have no further assignments.”
727:A 110-minute version of this film was released on
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1394:The Extraordinary Adventures of Baron Munchausen
894:. Secaucus, New Jersey: Citadel Press. pp.
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254:. She offers to appoint him to be her general
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804:. 6 August 1943 – via DVD Compare.
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414:Snow White and the Seven Dwarves
328:represented the pinnacle of the
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423:for visual inspiration.
387:Karl Leberecht Immermann
1302:Gottfried August Bürger
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888:Ott, Frederick (1986).
846:Moeller, Felix (2000).
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154:132 minutes (premiere)
134:3 March 1943
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1191:Confess, Doctor Corda
715:Theodor Wonja Michael
709:Servant (uncredited)
622:Prince Grigorij Orlow
611:Baroness Münchhausen
569:Baron von Hartenfeld
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1079:Her First Experience
731:(NTSC, Region 1) by
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100:Werner Krien
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1343:Münchhausen
1159:Hotel Adlon
1103:Münchhausen
1012:Münchhausen
1001:Münchhausen
990:Münchhausen
763:Karel Zeman
761:(1962), by
750:(1988), by
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607:Käthe Haack
507:Ilse Werner
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425:Emil Hasler
399:Reichsmarks
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335:Technicolor
326:Münchhausen
304:anniversary
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238:Bodenwerder
202:Münchhausen
84:Hans Albers
72:Produced by
36:Directed by
22:Münchhausen
1447:1943 films
1441:Categories
829:0822318245
780:References
772:(1911) by
733:Kino Video
683:Leo Slezak
393:Production
290:Propaganda
245:Cagliostro
205:is a 1943
187:Box office
138:1943-03-03
46:Written by
444:Reception
359:Agfacolor
330:Volksfilm
1199:Stefanie
1111:Via Mala
1006:AllMovie
740:See also
736:States.
460:6th Army
293:Minister
242:sorcerer
167:Language
106:Music by
80:Starring
56:Based on
1386:Related
1290:Authors
1095:Annelie
896:215–220
677:Johann
631:Runner
462:at the
437:Meissen
306:of the
284:History
207:fantasy
162:Germany
159:Country
136: (
1397:(game)
1378:(1988)
1370:(1984)
1362:(1979)
1354:(1962)
1346:(1943)
1338:(1940)
1330:(1933)
1322:(1911)
1242:(1961)
1234:(1960)
1226:(1959)
1218:(1959)
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367:Fabian
210:comedy
175:Budget
170:German
1311:Films
1167:Dunja
785:Notes
489:Role
337:film
288:Nazi
269:Tokay
995:IMDb
900:ISBN
852:ISBN
824:ISBN
479:Cast
417:and
345:Agfa
224:Plot
1004:at
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729:DVD
308:UFA
64:by
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192:€
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