697:, whose films she has adored for years, at a hotel reception. He is instantly attracted to her, and invites her to audition for his next film. He informs her that he has admired her for years, and believed she deserves better than two-reelers. Taylor informs Mabel that he has repeatedly asked Mack to loan her to his studios for one picture, but Mack has refused. Mabel is horrified. Taylor also invites her to dinner. Mack tries in vain to discourage her. After a heated argument, Mabel dresses in her best clothes and puts on make-up, then goes off not only for her appointment with Taylor, but for good, as she never wants to see Mack again ("Wherever He Ain't"). Mack is confident that he can manage without Mabel: he made a star out of one ordinary girl, and he can make a star out of another. With this in mind, he immediately comes up with the concept of the Bathing Beauties ("Hundreds of Girls").
252:, " 'Mack and Mabel' has been doing rather better than its probable guarantee β up to $ 150,000 in its final seven-day period." The musical received reviews that ranged "from fair to phenomenal in San Diego, Los Angeles, and St. Louis". The Los Angeles reviews were "encouraging but guarded", and warned "of the excessive comic sequences, uneven book, and, most especially, the dark ending." Buoyed by the critical response and initial public enthusiasm for the show, Herman and company ignored a number of warning signs. Neither Sennett nor Normand was a particularly lovable character, and their story was darker than that usually found in a musical. Preston (as Sennett) was too old for Peters (Mabel), and their characters lacked chemistry. Champion devised a number of eye-catching visual effects and spectacular dance sequences set to
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choreographer ought to be able to do something with bodies. ... Mr. Champion doesn't set about his task that way ... has not only avoided dance as a means of intimating a difficult kind of comedy, he has been stingy and even sluggish with the footwork that does crop up to decorate the songs. ... Production values everywhere are minimal." He noted that "Robert
Preston's personal dynamism isn't diminished, it's just restively lying in wait for the solid meat he could handle if only there were a good provider around" and that "Miss Peters ... is close to touching in her quiet reminder that what Mr. Preston started in 1911 may be over and done with in 1923."
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Comes In The Room"). Mack is so glad to have her back that he agrees to film "Molly", at his studio. But he attempts to turn it into a comedy, by way of his latest creation, The
Keystone Cops, ("My Heart Leaps Up"), and Mabel returns to Taylor. Mack sees Mabel again as she is preparing to embark on a ship with Taylor. Taylor shows up and Mack leaves. Taylor, sensing that Mabel might still have feelings for Mack, persuades Mabel, who is complaining of tiredness, to take heroin, saying it is a pick-me-up, which works with the magic words, "Bye, Mack!". Mabel is heartbroken by everything Mack has done to her, ("Time Heals Everything").
686:, eagerly fantasize about moving up in the world, ("Big Time"). Meanwhile, Mabel has become attracted to Mack. Mack catches her unawares while she is reciting an improvised poem, and she invites him into her train compartment for a meal. Though he has become fond of Mabel, Mack has no time for serious romance ("I Won't Send Roses"). He reluctantly takes part in a mock wedding ceremony, and he and Mabel sleep together, but Mack wakes up horrified and leaves in a hurry. Mabel is still in love with Mack, and resolves to do things his way ("I Won't Send Roses" (Reprise)).
481:, this production eliminated the use of projected film as called for in the script. Instead, monochromatic costumes and special lighting were used to produce the effect of silent film while using live actors on stage. The result was a seamless blend between silent film scenes, and full color. Shaw's presentation was the first full production in Canada and was in repertory at the Festival Theatre until October 28, 2007.
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end of his life), and he felt producer David
Merrick had done little to promote it, saying "He never invested in advertising. He never came to the theatre." Herman had turned down three film offers before its Broadway opening, later commenting early in its New York run that he believed he was then in a "stronger position." Despite its failure, the show has developed a cult following.
256:'s orchestrations, but their brightness proved to be too great a contrast with the somber mood of the piece. His concept of setting the action in the corner of a huge studio soundstage created problems with the set and limited the staging to the extent that it was seen as static and boring. Audiences "were not ready for a down-beat saga about a cocaine-sniffing movie queen."
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Taylor, is murdered, and she is the prime suspect. Mack refuses to believe Mabel is a drug addict, and finally willing to try to patch things up between him and Mabel, but it is too late - she has died. The musical ends with a dream sequence, with Mack imagining a reconciliation between him and Mabel, ("I Promise You A Happy Ending" / "I Won't Send Roses (Reprise)").
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losing him, reluctantly declines. Mack is only interested in comedy ("I Wanna Make The World Laugh"). Mabel eventually stands up to Mack and lobs a prop pie at him during rehearsals. Soon the whole cast is throwing pies, and the resulting melee inspires another set of two-reelers. Mabel regrets her childish behaviour, and the status quo is resumed.
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was "The saddest failure of Jerry Herman's career". It was a "victim of its time, an era when rock musicals were preferred over traditional musical comedy scores. Deep at its core was a simple love story and an exceptionally appropriate score. The urge to turn what could have been a bittersweet drama
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The show suddenly fasts forward six years. Talkies are all the rage, and Lottie Ames, another actress in Mack's company, has become a star ("Tap Your
Troubles Away"), but Mabel has become a full-time drug addict and her reputation is ruined. To add further to the tragedy, her lover, William Desmond
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nominations: for Best
Musical, the book, direction, choreography, lead actor, lead actress and designs but did not win any. Herman, whose melodic score had received the best notices, was not nominated. He was deeply disappointed, since the project had been one of his favorites (and remained until the
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In a flashback, it is 1911. When Mabel, a delicatessen worker, delivers a sandwich to Lottie, the actress that Mack is filming, Lottie is unable to pay, and Mabel reacts violently. Mabel's dramatic behaviour catches Mack's eye, and he thinks she has potential as an actress. He offers her a part in
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Five years after Mabel's departure, the popularity of the
Bathing Beauties is waning, and Mack comes under pressure to ask Mabel back. Fortunately, Mabel has realised she still has feelings for Mack and returns to the studios. She is welcomed with open arms by the entire film company ("When Mabel
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Eventually, Mabel wants to try other genres of film. Frank, an actor in Mack's company who aspires to bigger things, sees Mabel's potential as a serious actor, and has written a romantic drama called Molly, with her in mind for the title role. Mabel, who is still in love with Mack and afraid of
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wrote, "I have rarely seen so much talent so dispirited as the creative souls peering through the gloom at the
Majestic ... librettist Michael Stewart ... has chosen to lean on the myth of Mack and Mabel, let the mysteries stand, invented no emotional line." He wrote of Gower Champion, "A
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Mabel is very successful and becomes a major star. Later, along with Mack's two accountants, Kleiman and Fox, who are helping to finance his projects, the film company moves to a new, larger studio, in
California. Lottie and the rest of Mack's film crew, who include the comedian
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nominations, including Best
Musical, but did not win any. There was no nomination for Jerry Herman's score. Although the original production closed after only eight weeks, the songs were praised, and subsequent productions, especially in Britain, have had success.
33:
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in London, and ran for 270 performances. The book had been dramatically revised, including a happy ending, with Mabel back in Mack's arms at the final curtain. The show was directed by Paul
Kerryson and choreographed by
267:, where the musical ran for one week starting August 19, 1974, but this venue was a "terrible mistake". Because The Muny was so large, the performers overplayed and pulled the show out of shape. By the Washington, D.C.
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in the West End production) in the small-scale production (with only eleven performers), which ran for a limited season between March and June 2005. The show then toured the UK from January 2006 prior to a
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572:, south east London, from 9 to 12 October 2013, with Neil Whitaker as Mack and Jo-jo Butler starring as Mabel, directed by Jeanette Wallis; this production included the original ending.
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was engaged to direct and choreograph. Although Champion had initially declined the offer, he eventually accepted, especially when it was decided to hold the pre-Broadway tryouts in
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director Mack Sennett returns to his old film studio in Brooklyn in 1938. Things have changed considerably since he was last thereβhe sees a group of actors shooting a scene for a
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staged concert production ran from February 19 to 23, 2020. It was directed and choreographed by Josh Rhodes and dedicated to the memory of Jerry Herman, who had recently died.
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in May 2015, as a part of "Porchlight Revisits", in which they stage three forgotten musicals per year. It was directed by Michael Weber and music directed by Beckie Menzie.
352:, searched the music library at the local radio station for suitable material for their routines, and discovered a recording of the original cast album. When they won the
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804:β A deli delivery girl who becomes a movie star. She is in love with Mack, and deep down he cares for her, but he wishes to keep the relationship professional.
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his next film. She initially refuses, but when she looks back on the offer, she is dazzled by the career prospects ("Look What Happened To Mabel").
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during the 1984 Olympics, with the British public demand so great that the album was re-released in the UK, where it reached number 6 on the charts.
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from 1911, when he discovered Normand and cast her in dozens of his early "two-reelers", through his creation of Sennett's Bathing Beauties and the
587:, UK presented a new production from 13 July to 5 September 2015, with a UK tour following from 1 October to 6 December 2015. The musical starred
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Kleiner, Dick. "Jerry Herman is Still Writing Whistlin' Tunes" (NEA syndicated article). Oswego (NY) Palladium-Times, 10 August 1974, 7.
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engagement, "nothing was working", and Champion changed the staging of scenes that had previously worked. Richard Coe in his review for
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2017:
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632:, UK presented an amateur production from 12 to 30 July 2018, directed by Sophie Lester, with musical director David Grierson.
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528:, under the direction of Thom Southerland, with choreography by Lee Proud. The title roles were played by Norman Bowman and
670:. Mack reminisces about "when he ran the show", the glorious era of silent movies, thinking of his Bathing Beauties and
564:, choreography by Karl Warden and musical direction by John McDaniel. Eldorado Productions performed Mack & Mabel at
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Frank Wyman β An actor in Mack's company, who aspires to bigger things. He eventually becomes a writer and director.
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as Mabel; it had a successful run but failed to transfer to the West End. Soon afterward, British ice-skating team
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for the musical), who became one of his biggest stars. In a series of flashbacks, Sennett relates the glory days of
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on October 6, 1974, and closed on November 30, 1974, after 66 performances and six previews. Scenic design was by
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Subsequent revisions of the show have changed some character names to their real life counterparts from the era.
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2012:
552:, California performed a concert version at the Carpenter Performing Arts Center on May 20, starring
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was hired as Mack. For the role of Mabel, several actresses were engaged and then let go, including
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stated that it had landed at the Kennedy Center "with all the zip of a wet, very dead flounder."
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1887:"Encores! 'Mack & Mabe'l, Starring Douglas Sills and Alexandra Socha, Begins February 19"
810:β A director of serious films, and rival for both Normand's acting talents and her affections
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1863:"Photo Flash: First Look at Porchlight Revisits... MACK AND MABEL, Continuing Tonight"
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from April 10, 2006, until July 1, 2006. It featured the trademark style of director
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1712:"'Mack and Mabel in Concert' recording review by William Ruhlmann, All Music Guide"
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The Company Music Theatre produced a short run of the show in August 2011 at the
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1534:"Internet Broadway Database listing, 'Mack and Mabel', Majestic Theatre, 1974"
488:, UK, produced the musical from November 2008 through December 2008, starring
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Before the Parade Passes By: Gower Champion and the Glorious American Musical
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Eventually, Mabel meets a director of serious films, the smooth-talking
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Broadway, the Golden Years: Jerome Robbins and the Great Choreographers
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768:"My Heart Leaps Up" (later replaced with "Hit 'em on the Head") β Mack
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Despite only fair reviews and the short run, the show received eight
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124:. The plot involves the tumultuous romantic relationship between
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1608:
David Merrick, The Abominable Showman:the Unauthorized Biography
1602:
David Merrick, The Abominable Showman:the Unauthorized Biography
1536:
Internet Broadway Database Listing, retrieved December 16, 2010
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as Frank Capra and Peter Kenworthy as William Desmond Taylor.
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Citron, Chapter 10 (pp 183-205). Retrieved December 16, 2010
32:
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Kerr, Walter. "'Mack and Mabel' Makes Gloomy Stage Music",
403:
On November 7, 1995, a full-scale production opened at the
246:, with brisk box office sales in both cities. According to
1672:" 'Mack & Mabel' listing, Nottingham Playhouse, 1981"
1662:
Durham Musical Theatre Company, accessed January 29, 2011
305:. In addition to Preston and Peters, the cast featured
136:(transformed from an artist's model to a waitress from
1498:
Goers, Peter. "Jerry Herman In Tune With Broadway",
1797:"Review: 'Mack and Mabel', Broadway Studio, London"
1472:(2003), Continuum International Publishing Group,
1220:Best Performance by a Leading Actress in a Musical
1455:Kerr, Walter. "Broadway, the Exhibition Center",
744:"I Wanna Make the World Laugh" β Mack and Company
735:"Look What Happened to Mabel" β Mabel and Company
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1442:
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1205:Best Performance by a Leading Actor in a Musical
371:In February 1988, a one-time concert, featuring
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750:"Hundreds of Girls" β Mack and Bathing Beauties
364:overture. Later, the routine was broadcast by
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774:"Tap Your Troubles Away" β Lottie and Company
332:was first produced in England in 1981 at the
259:Efforts were made to resolve the problems at
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163:production produced by David Merrick starred
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1970:(1996). Donald I. Fine Books (an imprint of
1674:broadwayworld.com, accessed January 29, 2011
1579:The Oxford Companion to the American Musical
1565:The Oxford Companion to the American Musical
822:Lottie Ames β A silent movie star and dancer
798:β An obsessively hard-working movie director
1985:Information from the Musical Heaven website
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1786:. Whatsonstage.com, retrieved May 23, 2010
420:as Mabel, Kathryn Evans, and Alan Mosley.
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1702:dresscircle.co.uk, retrieved July 2, 2010
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395:, London. A cast recording was released.
324:
2221:Musicals by Michael Stewart (playwright)
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765:"When Mabel Comes in the Room" β Company
595:and Rebecca LaChance, with direction by
1916:Jerry Herman: The Lyrics: A Celebration
1756:"Curtain Up review, Criterion Theatre"
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1542:
1511:Thompson, Howard. "News of the Stage",
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1138:into a huge musical comedy was fatal."
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2226:Musicals inspired by real-life events
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1693:" 'Mack and Mabel In Concert' listing
1618:. p. 538. Retrieved December 16, 2010
1115:The Broadway reviews were only fair.
777:"I Promise You a Happy Ending" β Mack
1966:Herman, Jerry, with Marilyn Stasio.
1769:"Review of Shaw Festival production"
1539:
1415:
1110:
738:"Big Time" β Lottie Ames and Company
718:
2018:Mack and Mabel at the Shaw Festival
1811:Thom Southerland (personal website)
1714:answers.com, retrieved July 2, 2010
1581:(2008). Retrieved December 16, 2010
1502:, January 30, 1988 (no page number)
524:It was revived in July 2012 at the
13:
1968:Showtune: A Memoir by Jerry Herman
1940:Jerry Herman: Poet of the Showtune
1784:"'Mack & Mabel' listing, 2008"
1567:(2008), Oxford University Press US
358:World Figure Skating Championships
238:opened in pre-Broadway tryouts in
14:
2237:
2000:
1909:Herman, Jerry and Bloom, Kenneth.
1610:(1993), Hal Leonard Corporation.
453:transfer, where it played at the
1799:thestage.co.uk, 21 November 2008
1728:review of 1995 London production
1310:Outstanding Actress in a Musical
424:2005-2006 Watermill and West End
1942:(2004). Yale University Press.
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1885:Gans, Andrew and McPhee, Ryan.
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1084:Fatty (Roscoe "Fatty" Arbuckle)
771:"Time Heals Everything" β Mabel
504:with the 2005-2006 production.
360:in 1982, they performed to the
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1492:
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1295:Outstanding Actor in a Musical
391:was staged for charity at the
1:
1932:
1899:Mack & Mabel 2015 UK Tour
1758:curtainup.com, April 11, 2006
1743:Newbury Theatre reviews, 2005
789:
650:and Alexandra Socha starred.
469:The show was produced at the
189:Los Angeles Civic Light Opera
2177:An Evening with Jerry Herman
2008:Mack and Mabel
1956:(2005). St. Martin's Press.
1889:Playbill, February 19, 2020.
1354:
1150:
1147:Original Broadway production
713:
603:and design by Robert Jones.
475:Niagara-on-the-Lake, Ontario
428:The show was revived at the
7:
1280:Best Direction of a Musical
747:"Wherever He Ain't" β Mabel
741:"I Won't Send Roses" β Mack
732:"Movies Were Movies" β Mack
653:
581:Chichester Festival Theatre
313:as William Desmond Taylor.
280:
191:, suggested the project to
37:Original Broadway Recording
10:
2242:
2013:Internet Broadway Database
1918:, Psychology Press, 2003,
1660:"'Mack and Mabel' History"
1459:, September 1, 1974, p. 87
1351:Original London production
285:The musical opened at the
242:on June 17, 1974 and then
180:Background and productions
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1552:, October 13, 1974, p.155
1394:Best Actress in a Musical
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1062:Frank Wyman (Frank Capra)
514:Greenwich Theatre, London
465:2007 and 2008 productions
393:Theatre Royal, Drury Lane
336:. The production starred
301:, and lighting design by
227:finally joined the cast.
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2216:Musicals by Jerry Herman
1515:, August 18, 1974, p. 40
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1038:Fox (Charles O. Baumann)
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674:("Movies Were Movies").
607:Porchlight Music Theatre
548:Musical Theatre West in
412:, and the cast included
120:and music and lyrics by
2037:Shaftesbury Arts Centre
841:Roscoe "Fatty" Arbuckle
816:Fox β Kleiman's partner
813:Kleiman β An accountant
203:agreed to produce, and
1995:Detailed plot synopsis
1952:Gilvey, John Anthony.
1745:. Newburytheatre.co.uk
1577:, p. 460(books.google)
1379:Laurence Olivier Award
1190:Best Book of a Musical
1142:Awards and nominations
1014:Kleiman (Adam Kessell)
988:William Desmond Taylor
845:Kleiman - Adam Kessell
808:William Desmond Taylor
695:William Desmond Taylor
613:, Illinois, presented
484:The Broadway Theatre,
325:Subsequent productions
187:, the director of the
152:to Mabel's death from
1754:Loveridge, Charlotte.
477:in 2007. Directed by
356:for ice dance in the
171:. It received eight
1563:"'Mack and Mabel'",
1468:Long, Robert Emmet.
1119:, in his review for
1056:Allen Lewis Rickman
825:Ella- Mack's pianist
729:Overture β Orchestra
641:New York City Center
566:The Bob Hope Theatre
560:, with direction by
538:Stuart Matthew Price
348:, who were based in
334:Nottingham Playhouse
297:, costume design by
231:Pre-Broadway tryouts
195:, who then involved
1990:Profile of the show
1767:Ouzounian, Richard.
1733:, November 13, 1995
1250:Best Costume Design
861:
526:Southwark Playhouse
309:as Lottie Ames and
274:The Washington Post
223:, before the young
2149:La Cage aux Folles
1833:"'Mack and Mabel'"
1821:"'Mack and Mabel'"
1698:2005-08-30 at the
1561:Hischak, Thomas S.
1550:The New York Times
1513:The New York Times
1457:The New York Times
1340:Outstanding Lyrics
1235:Best Scenic Design
1122:The New York Times
1089:Christopher Murney
1069:Jonathan D. Ellis
1000:Richard Brightiff
997:Ray Scott-Johnson
860:
850:Charles O. Baumann
599:, choreography by
530:Laura Pitt-Pulford
440:starred alongside
405:Piccadilly Theatre
249:The New York Times
159:The original 1974
2211:Broadway musicals
2193:
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2022:2014 City Center
1938:Citron, Stephen.
1867:BroadwayWorld.com
1844:Brennan, Claire.
1434:, October 7, 1974
1432:New York Magazine
1407:
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1399:Caroline O'Connor
1348:
1347:
1325:Outstanding Music
1315:Bernadette Peters
1265:Best Choreography
1255:Patricia Zipprodt
1225:Bernadette Peters
1111:Critical response
1108:
1107:
1098:Matthew Woodyatt
947:Rebecca LaChance
938:Caroline O'Connor
933:Bernadette Peters
873:Original West End
786:
785:
498:Sean Pol McGreevy
455:Criterion Theatre
430:Watermill Theatre
418:Caroline O'Connor
299:Patricia Zipprodt
225:Bernadette Peters
169:Bernadette Peters
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2184:Miss Spectacular
2163:Mrs. Santa Claus
2107:Madame Aphrodite
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1384:Best New Musical
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1290:Drama Desk Award
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362:Mack and Mabel
330:Mack and Mabel
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254:Philip J. Lang
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444:(replaced by
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2074:Jerry Herman
2072:Musicals by
2031:
2007:
1967:
1953:
1939:
1915:
1911:
1905:
1894:
1881:
1870:. Retrieved
1866:
1856:
1849:The Guardian
1848:
1840:
1835:playbill.com
1828:
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1431:
1330:Jerry Herman
1240:Robin Wagner
1180:Best Musical
1134:
1128:
1120:
1114:
1083:
1066:Jerry Dodge
1061:
1045:Alan Mosley
1037:
1013:
1003:Mark Inscoe
987:
981:Lilli Cooper
957:
927:
916:Michael Ball
896:Mack Sennett
895:
888:Off-Broadway
828:
796:Mack Sennett
780:
753:
708:
704:
692:
688:
680:
676:
664:Silent movie
662:
639:
630:North Dorset
624:
614:
605:
601:Stephen Mear
593:Mack Sennett
589:Michael Ball
579:
558:Mack Sennett
554:Davis Gaines
547:
523:
511:
496:(Mabel) and
494:Gemma Boaden
483:
468:
427:
416:as Mack and
402:
385:Paige O'Hara
373:George Hearn
370:
361:
340:as Mack and
329:
328:
315:
295:Robin Wagner
284:
272:
258:
247:
235:
234:
193:Jerry Herman
185:Edwin Lester
183:
158:
154:tuberculosis
130:Mack Sennett
122:Jerry Herman
108:
107:
106:
57:Jerry Herman
47:Jerry Herman
22:
2093:From A to Z
1723:Wolf, Matt.
1117:Walter Kerr
1072:Tomm Coles
1018:Tom Batten
958:Lottie Ames
835:Frank Capra
626:Shaftesbury
585:West Sussex
536:as Lottie,
479:Molly Smith
473:Theatre in
436:, England.
244:Los Angeles
217:Marcia Rodd
75:Productions
2200:Categories
2128:Dear World
1933:References
1872:2018-05-15
1403:Nominated
1388:Nominated
1344:Nominated
1334:Nominated
1319:Nominated
1304:Nominated
1284:Nominated
1274:Nominated
1259:Nominated
1244:Nominated
1229:Nominated
1214:Nominated
1199:Nominated
1184:Nominated
1175:Tony Award
911:David Soul
790:Characters
550:Long Beach
502:John Doyle
459:John Doyle
438:David Soul
389:Tommy Tune
354:gold medal
350:Nottingham
318:Tony Award
209:California
173:Tony Award
2024:interview
1364:Category
1160:Category
963:Lisa Kirk
943:Janie Dee
714:Song list
446:Janie Dee
307:Lisa Kirk
265:St. Louis
156:in 1930.
128:director
126:Hollywood
2170:Showtune
1846:"Review"
1696:Archived
1480:, p. 211
1367:Nominee
1163:Nominee
868:Broadway
839:Fatty -
654:Synopsis
644:Encores!
492:(Mack),
451:West End
291:Broadway
281:Broadway
261:The Muny
161:Broadway
142:Brooklyn
138:Flatbush
100:Encores!
90:West End
85:West End
80:Broadway
2011:at the
1926:, p.153
1772:Variety
1731:Variety
1726:Variety
1370:Result
1166:Result
890:(2020)
885:(2015)
883:UK Tour
880:(2006)
875:(1995)
870:(1975)
611:Chicago
532:, with
434:Newbury
114:musical
93:revival
2086:Parade
2030:about
1978:
1960:
1946:
1922:
1614:
1573:
1476:
1361:Award
1157:Award
848:Fox -
781:
760:Act II
701:Act II
668:talkie
570:Eltham
387:, and
53:Lyrics
2026:with
1410:Notes
1375:1996
1358:Year
1171:1975
1154:Year
865:Role
856:Casts
724:Act I
659:Act I
556:, as
432:, in
112:is a
98:2020
88:2006
83:1995
78:1974
43:Music
2121:Mame
1976:ISBN
1958:ISBN
1944:ISBN
1920:ISBN
1612:ISBN
1571:ISBN
1474:ISBN
636:2020
621:2018
576:2015
544:2013
520:2012
508:2011
219:and
167:and
132:and
64:Book
1974:).
591:as
583:in
568:in
289:on
263:in
211:.
199:.
2202::
1865:.
1623:^
1569:,
1541:^
1439:^
1430:.
1417:^
1133:,
609:,
383:,
379:,
375:,
140:,
2065:e
2058:t
2051:v
1875:.
1809:/
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