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Made for Each Other (1971 film)

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292:. On New Year's Eve, Panda's mother appears, reminding Panda that she is late for her night club comeback. Ignoring her mother's disapproval of Gig, Panda rushes to prepare for her act and insists that Gig join them. He is appalled, however, by her act, a painfully amateurish song-and-dance number in which she asks the audience to create a new identity for her. Later, when she asks his opinion, he admits he did not understand it, prompting her mother to lash out at him. Panda asks her to leave, and later at a café asks Gig for more constructive criticism. Upon learning that she has worked on the show for five years, Gig explodes that the act is awful and states that she embarrassed herself and him. Panda runs out and Gig follows, but on the street they fight and ultimately go their separate ways. Panda goes home alone and realizes her act is actually awful and that Gig was right. Meanwhile, Gig tries to sleep with another woman only to find himself 268:. By the time she is nineteen, Panda tries to attract her father's attention by displeasing him, and to that end moves in with a married, Chinese boyfriend. When her father learns of this, he dies of a heart attack, and at the funeral, his many lovers hysterically blame Panda for his demise. Her next boyfriend ends up leaving her for another man. She works as a hostess of a television quiz show and a nightclub performer, but she gives up both professions to go live in England with her latest boyfriend, whom she caught sleeping with two other women. Panda then enthusiastically announces her "comeback" at an upcoming cabaret revue and invites everyone in the session to come and see her. 300:
a long story about their encounter group and the necessity of escaping the psychological wounds inflicted by their parents. Soon, Gig's mother is screaming at her to leave and Gig shouts back that she must apologize to Panda. She concludes that she will not attend their wedding because Panda is Jewish and her views are so different from their own. Gig's father chastises her for overreacting and declares that they're just having fun, and clearly Gig would never marry Panda. To prove Panda is not Gig's type, he brings out a photo of Gig's first love, a slim Italian teenager. This visibly upsets Gig who decides to get up and leave with Panda, while his family screams after them.
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encouragement from the doctor who ran the session, Panda calls Gig in an attempt to scold him for his treatment of her, but she ends up inviting him to dinner. There, he enjoys the food but then readies to leave, promising to return later to have sex after the party he's going to. As he walks out the door, Panda screams after him that she will no longer accept being treated poorly. After she collapses on her bed, he returns silently and asks what they should do next.
280:, but is soon caught in a tryst with a maid. Gig briefly joins the military, where he embraces an enemy soldier in joy upon learning that the man is not dead. Returning to America, Gig fails to prosper in his father's barbershop and instead goes back to college, where his African studies major horrifies his parents. He then embarks on relationship after relationship, leaving each woman in heartbreak until the latest, tried to kill herself. 29: 304:
they said, so he begins to berate her as well, eventually breaking up with her and forcing her to get out of the car. Panda walks off, but Gig immediately follows her. Eventually, after a lot of arguing, the two break down crying and Gig admits he really loves Panda and the two decide to get engaged.
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The next day, Panda shows up at Gig's apartment and they make up. Learning that he is going to visit his parents, she insists on joining him, and on the way urges him to introduce her as his girl friend. Gig's large family seems welcoming to Panda until they ask how she met Gig and she responds with
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In the car, Gig starts to pick apart his parents, and their comments about Panda. However, Panda tells him that some of their comments about her (particularly her physical features) were accurate. This causes Gig to fly into a rage, because she's agreeing with his parents after all the nasty things
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When it is Panda's turn, we learn she is there on her 4th emergency session. She declares herself a failure as an actress, singer, dancer and woman, and launches into a long description of her life and many disastrous love affairs. We learn about Panda's past, in which her mother repeatedly assures
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At the meeting, some of the women berate him but Panda is sympathetic. After the session, Gig and Panda get to talking and end up having sex in his car. While having sex, Panda accidentally blurts out that she loves him, after the encounter, Gig responds coldly and dismisses her. After some
276:. Gig recounts his past. He has little privacy from his parents and sisters and is made to feel guilty about his sexual urges. After his mother convinces him that love requires purity, and lust must be violently purged, Gig begins to treat women cruelly and eventually tries to join the 271:
Gig, a newcomer to therapy, claims that he has no problems, and when the other participants goad him to be honest, he gets up to leave. Within minutes, however, he returns and announces that he caused his last girlfriend to attempt
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Gig reluctantly agrees to Panda's suggestion that they move in together, hoping to break his pattern of abusiveness. Gig finds he is able to really open up to Panda and he playfully helps Panda to overcome her inability to achieve
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her that she will be famous while her father repeatedly abandons them for affair after affair. To escape her unhappy home life, young Panda immerses herself in Hollywood movies, often imitating movie stars such as
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and later join an emergency group therapy meeting designed to help the participants break self-destructive patterns. Each person lists his or her neuroses, ranging from
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being their first), and is also Bologna's film debut. In addition, there are early screen appearances from
216: 207:, the film traces the relationship of Pandora and Giggy, a seemingly incompatible couple who meet in a 448: 389:
Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series)
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film directed by Robert B. Bean, in his sole film directing credit.
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The film was the second screenplay written by the couple (
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Both starring and written by the husband and wife team of
455: 514:English-language romantic comedy-drama films 391:. Lanham, Maryland: Scarecrow Press, 1989. 27: 240:On Christmas Eve, Guido “Gig” Panimba ( 456: 248:) each morosely wander the streets of 494:American romantic comedy-drama films 13: 14: 525: 479:1970s romantic comedy-drama films 406: 381: 369:List of American films of 1971 1: 374: 484:1970s English-language films 469:1971 directorial debut films 244:) and Pandora “Panda” Gold ( 7: 504:Films shot in New York City 362: 137:December 12, 1971 16:1971 film by Robert B. Bean 10: 530: 499:Films set in New York City 346:Norman Shelly as Dr. Furro 217:Lovers and Other Strangers 211:session and fall in love. 181:$ 1.5 million (US/ Canada) 337:Helen Verbit as Mrs. Gold 177: 169: 161: 151: 128: 118: 104: 94: 86: 78: 68: 60: 46: 38: 33:Theatrical release poster 26: 21: 509:1971 comedy-drama films 307: 235: 489:20th Century Fox films 474:1970s American films 444:Made for Each Other 431:Made for Each Other 425:, December 27, 1971 421:"Ethnic Cartoons", 416:, December 13, 1971 192:is a 1971 American 189:Made for Each Other 22:Made for Each Other 449:TCM Movie Database 414:The New York Times 397:978-0-8108-4244-1 387:Solomon, Aubrey. 185: 184: 521: 400: 385: 322:as Giggy Panimba 144: 142: 123:20th Century Fox 31: 19: 18: 529: 528: 524: 523: 522: 520: 519: 518: 454: 453: 409: 404: 403: 386: 382: 377: 365: 358:as Group member 334:as Mrs. Panimba 332:Olympia Dukakis 316:as Pandora Gold 310: 238: 230:Olympia Dukakis 194:romantic comedy 154: 147: 140: 138: 131: 114: 109: 107: 73: 53: 34: 17: 12: 11: 5: 527: 517: 516: 511: 506: 501: 496: 491: 486: 481: 476: 471: 466: 452: 451: 440: 427: 418: 408: 407:External links 405: 402: 401: 379: 378: 376: 373: 372: 371: 364: 361: 360: 359: 353: 350:Candice Azzara 347: 344: 338: 335: 329: 328:as Mr. Panimba 323: 320:Joseph Bologna 317: 309: 306: 242:Joseph Bologna 237: 234: 226:Candice Azzara 205:Joseph Bologna 183: 182: 179: 175: 174: 171: 167: 166: 163: 159: 158: 155: 152: 149: 148: 146: 145: 134: 132: 129: 126: 125: 120: 119:Distributed by 116: 115: 112: 110: 105: 102: 101: 96: 92: 91: 88: 84: 83: 80: 79:Cinematography 76: 75: 74:Joseph Bologna 70: 66: 65: 62: 58: 57: 55:Joseph Bologna 48: 44: 43: 42:Robert B. Bean 40: 36: 35: 32: 24: 23: 15: 9: 6: 4: 3: 2: 526: 515: 512: 510: 507: 505: 502: 500: 497: 495: 492: 490: 487: 485: 482: 480: 477: 475: 472: 470: 467: 465: 462: 461: 459: 450: 446: 445: 441: 439: 438: 433: 432: 428: 426: 424: 423:Time Magazine 419: 417: 415: 411: 410: 398: 394: 390: 384: 380: 370: 367: 366: 357: 354: 351: 348: 345: 342: 339: 336: 333: 330: 327: 324: 321: 318: 315: 312: 311: 305: 301: 297: 295: 291: 285: 281: 279: 275: 269: 267: 266:Rita Hayworth 261: 259: 255: 251: 247: 243: 233: 231: 227: 223: 219: 218: 212: 210: 209:group therapy 206: 202: 197: 195: 191: 190: 180: 176: 172: 168: 165:United States 164: 160: 156: 150: 136: 135: 133: 127: 124: 121: 117: 111: 103: 100: 97: 93: 89: 85: 82:William Storz 81: 77: 71: 67: 64:Roy Townshend 63: 59: 56: 52: 49: 45: 41: 37: 30: 25: 20: 443: 435: 430: 422: 413: 388: 383: 341:Louis Zorich 326:Paul Sorvino 314:RenĂ©e Taylor 302: 298: 286: 282: 270: 262: 246:RenĂ©e Taylor 239: 222:Paul Sorvino 215: 213: 201:RenĂ©e Taylor 198: 188: 187: 186: 153:Running time 130:Release date 99:Trade Martin 72:RenĂ©e Taylor 51:RenĂ©e Taylor 343:as Mr. Gold 254:bed-wetting 157:101 minutes 113:Wylde Films 61:Produced by 39:Directed by 464:1971 films 458:Categories 375:References 356:Peggy Pope 296:with her. 178:Box office 141:1971-12-12 106:Production 90:Sonny Mele 47:Written by 352:as Sheila 250:Manhattan 87:Edited by 437:TV Guide 363:See also 294:impotent 278:seminary 258:paranoia 170:Language 95:Music by 69:Starring 447:at the 274:suicide 173:English 162:Country 139: ( 108:company 395:  290:orgasm 393:ISBN 308:Cast 236:Plot 228:and 203:and 434:at 256:to 460:: 260:. 232:. 224:, 143:)

Index


Renée Taylor
Joseph Bologna
Trade Martin
20th Century Fox
romantic comedy
Renée Taylor
Joseph Bologna
group therapy
Lovers and Other Strangers
Paul Sorvino
Candice Azzara
Olympia Dukakis
Joseph Bologna
Renée Taylor
Manhattan
bed-wetting
paranoia
Rita Hayworth
suicide
seminary
orgasm
impotent
Renée Taylor
Joseph Bologna
Paul Sorvino
Olympia Dukakis
Louis Zorich
Candice Azzara
Peggy Pope

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