439:
22:
929:
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823:
468:. The two were married on 7 August 1869. She adopted his stage surname, and after their marriage they almost always appeared in the same productions. They remained at the Haymarket until the end of 1874, during which period she played the four parts listed above and seventeen other leading roles. Among the new plays in which she starred were a series of "fairy comedies" by
179:, a dramatist who led the movement toward naturalistic acting and design in theatre. Her elder sisters Fanny (1830–1903) and Georgina (1840–1913) became actresses. Another brother, Edward Shafto Robertson (1844–1871), became an actor. Kendal attended a music academy and later recorded in her memoirs that her father continually educated her in literature.
868:, to comparable popular and critical approval. After a brief return to London they set off on a second and more extensive American tour with a larger repertoire. From October 1891 to May 1892 they made what they billed as their third and last American tour, playing in a total of thirty-five cities. They reappeared on the London stage at the
145:
Kendals were part of a movement to make
British theatre more socially respectable, and she became known as "the matron of the English theatre". She was active in charitable causes but became estranged from her four surviving children later in life. Kendal outlived her husband and died in retirement at her home in
1226:
Ervine wrote that W.H. Kendal was not in his wife's class as an actor: "he was dull and pompous, both as a player and a private person, a solemn, sententious man whose heavy utterances were received by his wife as the most delicious sallies of wit; and he made a cult of respectability which, although
1212:
The theatre had attracted this label as early as 1839: "this very beautiful but most unlucky theatre", and it continued throughout most of the 19th century: "an establishment long reputed the most unfortunate in London (1859); "this seemingly ill-fated place of amusement" (1875); "an unlucky one; its
957:
Mrs Kendal should really be more cautious than she was at the
Garrick on Wednesday night. When you feed a starving castaway you do not give him a full meal at once: you accustom him gradually to food by giving him small doses of soup. Mrs Kendal, forgetting that London playgoers have been starved for
140:
between 1879 and 1888, transforming the fortunes of their theatre, previously known for financial failure. In the late 1880s and early 1890s the
Kendals spent much of their time in the US, touring more than 40 cities, and making a considerable amount of money. After returning to acting in Britain for
1104:
Madge Kendal was undoubtedly our greatest comedian; she was the first to interpret her art in a modern spirit – the first to be untheatrical, unsentimental – attainments described by your critic as "coldness of temperament and superficiality of thought". Surely a flagrantly indiscriminate summary of
890:
What of Mrs Kendal's reading of the part of Paula? It is the work of an accomplished comedienne who has at her command all the resources of her art. Comparisons are odious, and I do not propose to compare Mrs Kendal with Mrs
Patrick Campbell except on one point. She certainly puts a greater depth of
144:
Madge Kendal was generally considered a finer actor than her husband, and was particularly known for her performances in comic parts. Critical opinion was more divided about her performances in serious roles; some critics regarded her naturalistic acting as sensitive, while others found it cold. The
116:
in London in 1869, when she was 21. While in the company she met and married the actor W. H. Kendal. After their marriage, in August 1869, the two made it a rule to appear in the same productions, and became known to the public as "The
Kendals". They appeared together in new plays by such dramatists
962:
Shaw judged that "her finish of execution, her individuality and charm of style, her appetisingly witty conception of her effects, her mastery of her art and of herself her still supreme among
English actresses in high comedy". The biographer Richard Foulkes writes that the supremacy of which Shaw
859:
Everybody attended the
American debut of Mr and Mrs Kendal … that is to say everybody that could get seats or standing room. … The reports of Mrs Kendal's skill as a comedienne were not exaggerated. Her art is as fine as old point lace, and yet it is laid upon a temperament so genuinely sympathetic
791:
said, "when I look at Kendal I know acting is the profession of a gentleman". The
Kendals imposed a high moral code on the members of their company both on stage and behind the scenes. Another commentator wrote, "Mrs Kendal, one of the best artists of her sex on the London stage, is in private life
1116:
wrote "Madge Kendal was an accomplished but not a great actress", but a "great comedienne". He praised her "verve … extraordinary vitality and her gaiety". Ervine considered that her husband's determination to be respectable hampered her artistic development. In a 1986 study of great stage actors,
997:
believed the blame lay with the parents, and reports Kendal as reproaching herself shortly before her death. W. H. Kendal died in 1917: his widow attributed his death to a broken heart caused by the scandal of their daughter
Margaret's divorce. In retirement, Kendal became active with many theatre
973:
in 1902. This was the first time Kendal appeared in a production without W. H. Kendal since their marriage, and
Foulkes speculates that her "unwonted exuberance and apparent spontaneity" may have been attributable to that fact. The Kendals continued to appear in popular plays without interruption
1183:
Kendal recalled in her memoirs that Phelps had not been at rehearsals and was taken aback to find himself playing opposite so young an actress. An alternative account of the matter was given by Archer, according to whom Phelps was to play opposite Margharetta but thought her too old to play Lady
681:, the owner of the freehold of the theatre, the Kendals and John Hare jointly took over the management of the house in 1879. For the first time, the theatre's reputation was steadily defied. The new lessees aimed both to amuse and to improve public taste, and in the view of the theatre historian
559:
wrote, "One side of the character of Rosalind is shown by Mrs Kendal with admirable clearness and point. So suited to her style are the bantering speeches Shakespeare has put into the mouth of Rosalind, they might almost have been written for her", although the same critic missed "the underlying
285:
Miss Madge Robertson … is youthful in figure, but thoroughly practised in her art, and has a bright, intelligent face, which seems capable of expressing every variety of emotion. The mad scene in the fourth act was rendered with much taste, pathos and discrimination, and the debutante obtained a
174:
Marinus. Her father was from a theatrical family. He performed at eight theatres his family owned in towns in and around Lincolnshire and later became manager of the same. Her mother was from a Dutch family: her father taught languages in London, and she spoke English with no trace of a foreign
744:(1885), was mixed. Hare's Touchstone was considered by some to be the worst ever seen, and W. H. Kendal's Orlando was mildly praised, whereas Kendal's Rosalind, which had always been one of her best-loved roles, was again well regarded. Among the company in these years the actresses included
1059:, the leading critic of the time, "considered Madge Kendal the finest actress in England, a mistress of comedy and domestic drama even surpassing Ellen Terry". (Gielgud, who was born in 1904, was less sure of her excellence as a Shakespearean actress.) Agate rated her above
840:
After a farewell season of revivals of their greatest successes the St James's partnership with Hare came to an end in 1889. The Kendals went on a short provincial tour, and later in the year they set out on their first American appearance, making their debut at the
895:
The Kendals then took the play to the US, where self-appointed guardians of morality condemned it, and audiences flocked to see it. During the Kendals' fifth and last tour of the US, from September 1894 to May 1895, they visited more than forty cities, presenting
252:, respectively. Seventy years later Kendal recalled the production: "Even today I remember Ellen Terry's performance of Titania as a dream of charm. As girls we were 'Nellie' and 'Madge' to one another and 'Nellie' and 'Madge' we remained until her death".
1160:
attributes the decline of such provincial circuits to the effect of the railways, which "destroyed the comparative isolation of the small from the larger towns … local interests became absorbed in the now accessible wonders to be seen in the great world
685:, they achieved their aim. Under their management the St James's staged twenty-one plays: seven were new British pieces, eight adaptations of French plays, and the rest were revivals. Their first production on 4 October 1879 was a revival of
1121:
wrote "Madge Kendal was the greatest comedienne of her generation"; he quoted a contemporary of Kendal: "I defy any other actress, living or dead, to get a laugh out of some of the poor lines with which Mrs Kendal simply rocked the house."
306:. But despite good business at the box office, Montgomery was not a top-rank star, and the season did not mark a breakthrough in the leading lady's career. Returning to provincial theatres, Kendal and her father followed Montgomery to the
958:
years in the matter of acting, inconsiderately gave them more in the first ten minutes than they have had in the last five years, with the result that the poor wretches became hysterical, and vented their applause in sobs and shrieks.
714:'s plays staged there by Hare and the Kendals. It was regarded as daringly unconventional and a risky venture, but it caught on with the public. Other plays by Pinero given by the Hare-Kendal management at the St James's were
1089:
A very unhistrionic coldness of temperament and a superficiality of thought were the barriers between her acting and any form of greatness; and her rare adventures into the more exacting plays of the modern drama
796:, referred to as the Elephant Man. Although she probably never met him in person, she helped to raise funds and public sympathy for him. In February 1887 the Kendals gave a command performance of Gilbert's play
974:
until 1908, when they both retired, though she briefly emerged from retirement to reprise her Mistress Ford at the coronation gala of 1911 at His Majesty's. In 1924 she made her first radio broadcast, opposite
1199:
and other newspapers well into the 1870s. One headline, from November 1874, refers to "Mr and Mrs Kendal" while the text of the article calls her "Miss Madge Robertson". By late 1875 and early 1876
255:
Over this decade, the Robertsons played steadily in provincial theatres. After Bristol and Bath there was a false start in Kendal's career when she was engaged to play leading roles in the
677:, in an unfashionable part of the West End, had acquired a reputation as an unlucky theatre, and more money had been lost than made by successive managements. At the invitation of
787:
The Kendals, particularly W. H., became associated in the public mind with the transformation of the theatrical profession from disreputable to respectable. The actor-manager
990:, together with other descendants of Mrs. Siddons, in a radio broadcast on 28 November 1931 to mark the centenary of Siddons' death on the day that Tree took over her role.
80:
in Lincolnshire, where her father ran a chain of theatres. She began to act as a small child and made her London debut at the age of four. As a teenager she appeared with
2532:
792:
the epitome of all domestic virtues and graces". She was dubbed the "matron of the English theatre". Also during the St James's years she learned of the case of
740:(1883) was a substantial success and was revived by public demand two months after the end of its first run. The reception of a rare excursion into Shakespeare,
182:
Lincolnshire theatres gradually became financially unviable, and the Robertsons moved to London in the early 1850s, where William became joint manager of the
2552:
45:
464:
When the Haymarket company returned to London, Kendal remained with it; a fellow member was William Hunter Grimston, who acted under the stage name
351:, Kendal played Maud Hetherington, while her mother was Lady Ptarmigant. After Hull, Kendal went with her father to Liverpool, where she starred in
1193:
The professional change of surname was not immediate. "Madge Robertson" or "Miss Robertson" is reported as a member of the Haymarket company in
438:
1143:
Her place of birth was 58 Cleethorpes Road, Grimsby. Some early profiles of Kendal mistakenly take her birthplace to be the adjoining town of
575:. Hare had a comic character role, and the Kendals played the romantic leads, Flora and Harry Armytage. She went on to play Mrs Fitzroy in
1493:
2527:
2557:
1010:
to actress Joyce Bland. Kendal was awarded the freedom of her native town, Grimsby, in 1932, the first woman to receive that honour.
1279:
1864:
1928:
175:
accent. At the age of 17, she joined the Robertsons' company, meeting William, whom she married in 1828. Her eldest brother was
2572:
2567:
1346:
245:
1280:"Kendal, Dame Madge [real name Margaret Shafto Robertson; married name Margaret Shafto Grimston] (1848–1935), actress"
2587:
2472:
2453:
2371:
2328:
2309:
2270:
678:
2577:
2537:
1078:
obituary was headed "Dame Madge Kendal: The Most Accomplished Actress of Her Generation", but an unflattering reference in
630:, the last of which played for twelve months, in London and on tour. The Kendals returned to the Court, where they revived
310:, where Montgomery had been appointed director, and in the inauguration in September she spoke the prologue in Sheridan's
1997:
1047:, whom Gielgud thought beautiful but quite unsuited to the role: "Mrs Kendal would be turning somersaults in her grave".
222:, in which she had four songs. Her singing was much praised, and an operatic career seemed possible, but she contracted
1784:
2582:
2492:
860:
and so pliant and transitional that there is no sign of effort, no direct exhibition of method in anything she does.
2562:
2547:
2517:
1743:
555:
872:
from January 1893 in a repertory of four plays, and then toured the English provinces, adding to their repertoire
132:
After a series of generally successful appearances in London and on tour in Britain, the Kendals joined the actor
769:
190:
by Edward Stirling, under her father's management. Other child roles quickly followed: Jeannie, a blind girl, in
1007:
949:
On the Kendals' return to the West End critics and audiences welcomed them back enthusiastically. In June 1896
1213:
capacity was so small that even with full houses" (1888); and even after the Hare and Kendal years and into
851:
638:, the Kendals played the Countess d'Autreval and her suitor, Gustave; in April she played Kate Greville in
480:
228:
993:
The Kendals had at least six children. Two died young, and the Kendals became estranged from four others.
710:(1881) as of particular importance to this period of the theatre's history, being the first of several of
1003:
777:
2426:
2542:
1105:
the subtle, sensitive acting of this great comedian. That she failed in the second-rate neurotic drama
965:
937:
317:
2488:
499:
The Haymarket company disbanded in late 1874, and the Kendals then set up their own tour beginning in
226:, and her voice suffered after the removal of her tonsils. Nevertheless, she played a singing role in
1092:
420:
364:
307:
272:
183:
167:
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26:
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1214:
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874:
757:
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2184:
1227:
it earned appreciation for him and his far abler wife, made them both disliked in many quarters."
1171:
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883:
659:
21:
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811:
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424:
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in 1869, before rejoining the Haymarket company, at this point on tour under the management of
400:
326:
109:
1680:
1174:
called him "a second-rate actor ... virulent but vulgar, energetic but decidedly provincial".
932:
788:
690:
674:
666:
590:
576:
541:
428:
416:
137:
66:
2382:
2512:
2507:
2006:
879:
842:
634:
in January 1879. In February, in her brother T. W. Robertson's adaptation from the French,
387:
218:
407:, a comedy adapted from the French; she also appeared there as Lady Clara Vere de Vere in
8:
2422:
2404:
1528:
1195:
1006:(DBE) in 1926. In December 1927 she presented the first award of the Kendal prize at the
963:
wrote was put to the test when Tree invited Kendal and Ellen Terry to appear together in
950:
568:
474:
456:
377:
352:
277:
210:
93:
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2037:
827:
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1935:
archive, Macmillan, 1949, Oxford University Press, 2004. Retrieved 11 November 2019.
1865:"Hare, Sir John (real name John Joseph Fairs) (1844–1921), actor and theatre manager"
564:
511:
396:
260:
133:
113:
2052:
1670:
765:
761:
733:
703:, in which the Kendals made considerable successes as Lady Giovanna and the Count.
626:
622:
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505:
486:
291:
256:
105:
1874:
1289:
2355:
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609:, a carefully anglicised French comedy. She subsequently played Clara Douglas in
602:
539:. Back in London in early 1875, they played Kate Hardcastle and Young Marlowe in
412:
195:
30:
186:. There, in 1854, aged five, Kendal played the role of young Marie in the drama
1217:'s highly successful tenure between 1891 and 1918 the label was still familiar.
1113:
869:
803:
793:
773:
521:
492:
432:
233:
141:
more than a decade, they retired in 1908 from their long careers on the stage.
89:
1043:, both based on the life of Joseph Merrick. In the film, she was portrayed by
891:
feeling into the later acts, and on the whole (I should say) she does rightly.
589:. She played Susan Hartley (a part she reprised in several later revivals) in
395:, and playing leading roles in two other productions there. At the opening of
2501:
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216:
The family moved to Bristol in 1855, where Kendal played Eva in a dramatised
118:
58:
54:
2077:
2347:
2297:
2170:
1306:
1017:, Hertfordshire, in 1935, aged 87, after a long illness. She was buried at
994:
781:
745:
654:
611:
465:
338:
303:
822:
363:
In April 1867 the Robertsons returned to London, where Kendal appeared at
1144:
1060:
1056:
1014:
942:
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237:
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81:
62:
1302:
1100:
This drew immediate responses; a colleague, F. Forbes-Robertson, wrote:
975:
753:
527:
500:
241:
223:
85:
2225:"Dame Madge Kendal: The Most Accomplished Actress of Her Generation",
2139:
1080:
699:
295:
199:
101:
53:; 15 March 1848 – 14 September 1935) was an English actress of the
2465:
Treading the Boards: Actors and Theatres in Georgian Lincolnshire
1203:
and other papers were referring to "Mrs Kendal" in their reviews.
347:
321:
299:
264:
163:
97:
77:
1067:
and in the same league as Ellen Terry, Mrs Patrick Campbell and
290:
In the same Haymarket season she played Blanche to Montgomery's
2467:. Lincoln: Society for Lincolnshire History & Archaeology.
2282:
St James's Theatre, Its Strange and Complete History, 1835–1857
1147:; this error has been corrected in later biographical sketches.
503:
in November. For six consecutive nights they appeared there in
268:
249:
166:
in Lincolnshire, the youngest of the reportedly 22 children of
998:
charities, becoming president of the actors' retirement home,
560:
tenderness that more emotional artists are able to present."
76:
Madge Kendal came from a theatrical family. She was born in
1286:, Oxford University Press, 2013. Retrieved 9 November 2019
1085:
obituary caused protests. The anonymous writer commented:
810:, the first such entertainment at a royal residence since
316:. Later the same year she appeared there as Nerissa, with
2004:, 28 November 1931, pp. 764 and 766; and "Broadcasting",
1184:
Macbeth, leading to Kendal's substituting for her mother.
1109:
was due to her unsuitability for exaggerated histrionics.
1678:, 9 August 1874, p. 11; and "Prince of Wales Theatre",
188:
The Struggle for Gold; or, The Orphan of the Frozen Sea
2387:(fourth ed.). London: Sir Isaac Pitman and Sons.
1871:, Oxford University Press. Retrieved 10 February 2019
969:, as Mistress Ford and Mistress Page respectively, at
2189:, Internet Broadway Database, accessed 14 August 2017
982:, and she later took the title part of her ancestor,
2104:
Gielgud (1979), p. 41–42; and Gielgud (2000), p. 279
1821:"The Hare and Kendal Management at the St James's",
125:, and from time to time in classics by Shakespeare,
2533:Dames Commander of the Order of the British Empire
2446:W. S. Gilbert, A Classic Victorian and His Theatre
2359:
878:, which had recently premiered in London starring
1891:, 31 January 1885, p. 144; and "As You Like It",
1674:, 17 October 1871, p. 5; "The London Theatres",
1004:Dame Commander of the Order of the British Empire
945:(l.) as Mistress Page and Kendal as Mistress Ford
583:, and then Lady Hilda in Gilbert's fairy comedy,
65:and English comedies. Together with her husband,
2499:
2338:Kendal, Madge (1933). Rudolph De Cordova (ed.).
1125:
1033:Kendal is a featured character in the 1979 play
649:
286:conspicuous share of the honours of the evening.
864:At the same theatre the Kendals also presented
275:. Her performance attracted favourable notice.
16:English actress and theatre manager (1848–1935)
886:compared the two actresses in the title role:
597:. In September 1876 the Kendals moved to the
333:The next year Kendal rejoined her mother in
2553:People associated with Gilbert and Sullivan
1668:, 28 May 2871, p. 12; "Haymarket Theatre",
1317:
1315:
642:, an adaptation of an old French comedy by
162:Madge Robertson, later Kendal, was born in
73:, she became an important theatre manager.
2240:Forbes-Robertson, F. "Dame Madge Kendal",
1929:"Kendal, Dame Margaret Shafto (1848–1935)"
1697:, 10 October 1875, p. 5; "Court Theatre,
1055:Gielgud wrote that many people, including
2399:
1923:
1921:
1919:
836:as Phillipe Derblay and Claire de Beaupré
814:'s death more than twenty years earlier.
593:'s adaptation of a French comedy, called
2133:
2131:
2129:
2127:
1710:Stedman, pp. 84, 91–92, 103, 115 and 135
1312:
1096:was one of them) left the audience cold.
927:
821:
653:
571:in March 1875, opening in a new comedy,
437:
403:in December 1868 she played Florence in
345:. In her brother T. W. Robertson's play
20:
2443:
2318:
2296:
1984:
1982:
1869:Oxford Dictionary of National Biography
1859:
1857:
1855:
1853:
1284:Oxford Dictionary of National Biography
442:The Kendals as Philamir and Zeolide in
2500:
2462:
2380:
2354:
2337:
2279:
2257:
1916:
1817:
1815:
1813:
1811:
1809:
1807:
1347:Yorkshire Post and Leeds Intelligencer
1309:Collections. Retrieved 9 November 2019
1274:
1272:
1270:
1268:
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1264:
490:(1873, as Selene); in Gilbert's drama
236:Theatre in 1863, starring the sisters
2124:
2100:
2098:
1960:
1958:
1956:
1728:
1726:
1724:
1722:
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1718:
1716:
1562:Archer, William. "Mr and Mrs Kendal.
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1435:
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1252:
1250:
1248:
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1244:
605:. There Kendal played Lady Ormond in
170:and his wife Margharetta Elisabetta,
2421:
1979:
1850:
1156:In a 1900 biography of the Kendals,
2448:. Oxford: Oxford University Press.
1804:
756:; among their male colleagues were
689:. This was followed in December by
149:, Hertfordshire, at the age of 87.
13:
2153:"Handing down the torch of fame".
2095:
1953:
1713:
1551:
1491:
1432:
1372:
1241:
375:'s company, appearing with him in
194:(a stage adaptation of a story by
152:
61:eras, best known for her roles in
29:, in the role of Lady Giovanna in
14:
2599:
2528:Burials at East Finchley Cemetery
2493:National Portrait Gallery, London
2482:
2366:. London: Angus & Robertson.
2078:"The mystery of Charles Bancroft"
817:
496:(1874) she played Mrs Van Brugh.
259:. In July 1865 she opened at the
2558:English people of Danish descent
2323:. London: Hodder and Stoughton.
2304:. London: Sidgwick and Jackson.
2174:. 18 September 1935. p. 10.
2041:. 27 September 1884. p. 10.
1933:Dictionary of National Biography
1630:Hull and Eastern Counties Herald
673:Since its inception in 1835 the
358:
112:, she joined the company of the
2284:. London: Barrie and Rockliff.
2234:
2219:
2210:
2201:
2192:
2178:
2161:
2146:
2107:
2070:
2045:
2028:
2013:
1991:
1967:
1941:
1907:
1898:
1881:
1841:
1828:
1791:
1776:
1763:
1750:
1735:
1704:
1687:
1658:
1645:
1636:
1628:"Masonic Amateur Theatricals".
1621:
1612:
1599:
1584:
1580:. 26 September 1865. p. 3.
1569:
1535:
1520:
1511:
1485:
1476:
1472:. 21 September 1891. p. 4.
1459:
1444:
1423:
1414:
1405:
1396:
1350:. 16 September 1935. p. 5.
1220:
1206:
1187:
1177:
1164:
1150:
549:, and went on to the Gaiety in
371:, and then at the Haymarket in
2157:. 16 December 1927. p. 7.
2024:. 28 November 1931. p. 6.
1632:. 15 November 1866. p. 5.
1455:. 25 February 1854. p. 7.
1363:
1354:
1337:
1328:
1296:
1137:
1008:Royal Academy of Dramatic Arts
923:
157:
1:
2573:20th-century theatre managers
2568:19th-century theatre managers
1825:, September 1888, pp. 134–145
1595:. 3 November 1865. p. 9.
1234:
1126:Notes, references and sources
1050:
1028:
650:St James's Theatre: 1879–1888
563:The Kendals joined the actor
478:(1870, as Princess Zeolide),
355:, Sheridan and modern plays.
2588:Actresses from Hertfordshire
2428:Dramatic Opinions and Essays
2340:Dame Madge Kendal by Herself
2120:. 21 August 1896. p. 4.
2035:"Mrs Kendal in Manchester".
1875:UK public library membership
1591:"Nottingham Theatre Royal".
1290:UK public library membership
852:The New York Dramatic Mirror
601:under the management of the
320:as Portia and Montgomery as
7:
2578:Actresses from Lincolnshire
2538:Actresses awarded damehoods
1013:Kendal died at her home in
367:, playing Edith Fairlam in
10:
2604:
2381:Parker, John, ed. (1922).
2251:
2244:, 20 September 1935, p. 17
2143:, 16 September 1935, p. 14
2053:"Grimston – William Bruce"
1838:, 21 November 1891, p. 584
1788:, 10 December 1859, p. 709
1747:, 27 February 1975, p. 301
1693:"Provincial Theatricals",
1325:, 16 September 1935, p. 14
966:The Merry Wives of Windsor
938:The Merry Wives of Windsor
318:Mary Frances Scott-Siddons
108:. Under the management of
2489:Portraits of Madge Kendal
2231:, 16 September 1935, p. 5
1895:, March 1885, pp. 137–139
1548:, April 1883, pp. 214–216
1526:"The Haymarket Theatre",
1093:The Second Mrs. Tanqueray
988:A Lesson from Mrs Siddons
599:Prince of Wales's Theatre
308:Theatre Royal, Nottingham
229:A Midsummer Night's Dream
192:The Seven Poor Travellers
168:William Shaftoe Robertson
51:Margaret Shafto Robertson
27:Valentine Cameron Prinsep
2583:Actresses from Yorkshire
2463:Wright, Neil R. (2016).
2406:The Kendals: A Biography
2384:Who's Who in the Theatre
2010:, 28 November 1931, p. 8
1684:, 17 November 1874, p. 5
1655:, 13 January 1869, p. 10
1593:Nottinghamshire Guardian
1469:Dundee Evening Telegraph
1130:
1107:The Second Mrs Tanqueray
898:The Second Mrs Tanqueray
875:The Second Mrs Tanqueray
484:(1871, as Galatea), and
71:William Hunter Grimston)
2563:People from Chorleywood
2548:Actors from Cleethorpes
2518:English stage actresses
2342:. London: John Murray.
2228:The Manchester Guardian
1937:(subscription required)
1847:Duncan, pp. 176 and 184
1773:, 6 November 1839, p. 2
1771:The Theatrical Observer
1453:Illustrated London News
1074:The Manchester Guardian
1039:and the unrelated 1980
941:with Tree as Falstaff,
2444:Stedman, Jane (1996).
2431:. New York: Brentano.
2319:Gielgud, John (2000).
2280:Duncan, Barry (1964).
2207:Gielgud (2000), p. 279
2117:South Wales Daily News
2057:www.deceasedonline.com
1998:"Mirror of the B.B.C."
1797:"St James's Theatre",
1769:"St James's Theatre",
1701:, 13 March 1876, p. 6
1653:The Theatrical Journal
1651:"The Gaiety Theatre",
1609:, 1 April 1893, p. 251
1532:, 6 August 1865, p. 15
1303:"Kendal, Madge (Dame)"
1019:St Marylebone cemetery
946:
935:'s 1902 production of
837:
670:
615:, Lady Gay Spanker in
461:
327:The Merchant of Venice
205:and an old melodrama,
38:
2362:The Great Stage Stars
2302:An Actor and His Time
2198:Gielgud (1979), p. 41
2168:"Dame Madge Kendal".
2137:"Dame Madge Kendal",
1801:, 29 March 1875, p. 6
1760:, 14 March 1875, p. 4
1681:Birmingham Daily Post
1466:"Dame Madge Kendal".
1344:"Dame Madge Kendal".
1321:"Dame Madge Kendal",
1041:film of the same name
971:His Majesty's Theatre
931:
906:Still Waters Run Deep
825:
657:
542:She Stoops to Conquer
481:Pygmalion and Galatea
441:
24:
2007:Western Morning News
1566:, March 1887, p. 483
1420:Pemberton, pp. 20–21
1002:. She was appointed
880:Mrs Patrick Campbell
843:Fifth Avenue Theatre
687:The Queen's Shilling
644:Jean-François Bayard
640:The Queen's Shilling
198:), and roles in the
2409:. London: Pearson.
2401:Pemberton, T. Edgar
2155:Westminster Gazette
2114:"Heard in camera".
1964:Morley, pp. 206–208
1836:The Saturday Review
1785:The Saturday Review
1732:Morley, pp. 203–205
1498:www.stagebeauty.net
1393:Parker, pp. 451–453
849:, in October 1889.
581:A Nine Days' Wonder
475:The Palace of Truth
457:The Palace of Truth
378:Our American Cousin
337:. There she played
211:August von Kotzebue
2321:Gielgud on Gielgud
2038:Manchester Courier
1887:"As You Like It",
1607:The London Journal
1578:Nottingham Journal
1564:Longman's Magazine
1278:Foulkes, Richard.
1158:T. Edgar Pemberton
947:
838:
671:
636:The Ladies' Battle
553:; the reviewer in
462:
313:School for Scandal
184:Marylebone Theatre
138:St James's Theatre
39:
2543:People from Filey
2474:978-0-90-358255-1
2455:978-0-19-816174-5
2373:978-0-8160-1401-9
2330:978-0-340-79502-6
2311:978-0-283-98573-7
2272:978-1-905791-92-7
2082:www.oldwhitelodge
1976:in Morley, p. 207
1950:in Morley, p. 206
1927:Ervine, St John.
1873:(subscription or
1756:"Court Theatre",
1664:"Women and Men",
1618:Kendal, pp. 89–91
1576:"Theatre Royal".
1411:Kendal, pp. 21–22
1288:(subscription or
845:in New York with
708:The Money Spinner
512:The Lady of Lyons
397:John Hollingshead
393:A Hero of Romance
273:Walter Montgomery
261:Haymarket Theatre
219:Uncle Tom's Cabin
114:Haymarket Theatre
42:Dame Madge Kendal
2595:
2478:
2459:
2440:
2418:
2396:
2377:
2365:
2356:Morley, Sheridan
2351:
2334:
2315:
2293:
2276:
2265:. London: Haus.
2259:Croall, Jonathan
2245:
2238:
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2208:
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2199:
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2186:The Elephant Man
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2022:The Evening News
2017:
2011:
2002:Popular Wireless
1995:
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1834:"Lord Anerley",
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1799:The Morning Post
1795:
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1782:"The Theatres",
1780:
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1036:The Elephant Man
910:A Scrap of Paper
847:A Scrap of Paper
766:Albert Chevalier
762:Allan Aynesworth
758:George Alexander
734:B. C. Stephenson
706:Wearing regards
632:A Scrap of Paper
618:London Assurance
595:A Scrap of Paper
591:Palgrave Simpson
506:Romeo and Juliet
487:The Wicked World
451:
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1889:Saturday Review
1886:
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1863:Wearing, J. P.
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1128:
1119:Sheridan Morley
1069:Sybil Thorndike
1053:
1031:
986:, in a comedy,
980:Granny's Juliet
926:
826:The Kendals in
820:
750:Helen Maud Holt
730:The Hobby Horse
697:, based on the
658:The Kendals in
652:
449:
445:
429:Kate Hardcastle
413:J. B. Buckstone
361:
196:Charles Dickens
177:T. W. Robertson
160:
155:
153:Life and career
136:in running the
110:J. B. Buckstone
44:
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12:
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2523:Actor-managers
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2484:
2483:External links
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2216:Croall, p. 203
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2069:
2044:
2027:
2020:"By the way".
2012:
1990:
1978:
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1952:
1940:
1915:
1906:
1904:Parker, p. 986
1897:
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1605:"Mrs Kendal",
1598:
1583:
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1550:
1542:Scott, Clement
1534:
1519:
1510:
1484:
1475:
1458:
1451:"Marylebone".
1443:
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1334:Wright, p. 261
1327:
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922:
918:The Ironmaster
902:Lady Clancarty
893:
892:
884:William Archer
870:Avenue Theatre
866:The Ironmaster
862:
861:
833:The Ironmaster
819:
818:American tours
816:
804:Queen Victoria
794:Joseph Merrick
778:Brandon Thomas
774:William Terris
752:and the young
742:As You Like It
721:The Ironmaster
651:
648:
551:As You Like It
522:As You Like It
433:Lydia Languish
401:Gaiety Theatre
369:The Great City
360:
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67:W. H. Kendal (
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556:The Athenaeum
552:
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547:Opera Comique
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470:W. S. Gilbert
467:
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415:. She played
414:
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388:David Garrick
384:
380:
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374:
373:E. A. Sothern
370:
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359:West End star
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2171:The Scotsman
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2085:. Retrieved
2081:
2072:
2060:. Retrieved
2056:
2047:
2036:
2030:
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2015:
2005:
2001:
1993:
1973:
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1947:
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1741:"The Week",
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1501:. Retrieved
1497:
1494:"Mrs Kendal"
1487:
1478:
1467:
1461:
1452:
1446:
1441:Kendal, p. 8
1425:
1416:
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1307:Garrick Club
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995:John Gielgud
992:
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948:
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933:Herbert Tree
917:
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873:
865:
863:
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789:Herbert Tree
786:
782:Lewis Waller
770:Henry Kemble
746:Fanny Brough
741:
737:
729:
725:
719:
715:
712:A. W. Pinero
707:
705:
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621:and Dora in
616:
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533:Uncle's Will
532:
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466:W. H. Kendal
463:
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405:On the Cards
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339:Lady Macbeth
332:
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304:Ira Aldridge
289:
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207:The Stranger
206:
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161:
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131:
129:and others.
75:
68:
50:
41:
40:
34:
18:
2513:1935 deaths
2508:1848 births
1988:Shaw, p. 13
1893:The Theatre
1823:The Theatre
1546:The Theatre
1170:The critic
1145:Cleethorpes
1061:Edith Evans
1057:James Agate
1015:Chorleywood
943:Ellen Terry
924:Later years
914:All for Her
799:Sweethearts
728:(1885) and
663:Young Folks
425:Lady Teazle
383:Brother Sam
353:Shakespeare
203:Tit-Tat-Toe
158:Early years
147:Chorleywood
94:Shakespeare
63:Shakespeare
2502:Categories
1235:References
1051:Reputation
1029:In fiction
976:Viola Tree
855:reported:
754:May Whitty
736:'s comedy
716:The Squire
695:The Falcon
679:Lord Newry
675:St James's
667:St James's
573:Lady Flora
528:East Lynne
501:Birmingham
365:Drury Lane
263:, playing
242:Kate Terry
224:diphtheria
86:Kate Terry
35:The Falcon
25:Kendal by
2437:786136429
2415:684413482
2393:473894893
2290:979694996
2242:The Times
2140:The Times
1877:required)
1323:The Times
1292:required)
1161:outside".
1081:The Times
700:Decameron
660:Burnett's
627:Diplomacy
603:Bancrofts
565:John Hare
341:opposite
296:Desdemona
292:King John
200:pantomime
134:John Hare
102:Desdemona
59:Edwardian
55:Victorian
2425:(1928).
2403:(1900).
2358:(1986).
2300:(1979).
2261:(2008).
732:(1886).
724:(1884),
718:(1881),
691:Tennyson
623:Sardou's
421:Rosalind
257:West End
127:Sheridan
106:West End
31:Tennyson
2491:at the
2348:2325826
2252:Sources
2087:24 July
2062:24 July
1758:The Era
1695:The Era
1676:The Era
1666:The Era
1529:The Era
1503:25 June
1201:The Era
1196:The Era
953:wrote:
738:Impulse
726:Mayfair
665:at the
567:at the
545:at the
493:Charity
452:Gilbert
348:Society
322:Shylock
300:Othello
298:to the
281:wrote:
278:The Era
267:to the
265:Ophelia
246:Titania
232:at the
164:Grimsby
104:in the
98:Ophelia
78:Grimsby
2471:
2452:
2435:
2413:
2391:
2370:
2346:
2327:
2308:
2288:
2269:
1974:Quoted
1948:Quoted
828:Pinero
669:, 1883
460:(1870)
450:
446:
409:Dreams
294:, and
269:Hamlet
250:Oberon
49:(born
37:, 1879
1131:Notes
978:, in
612:Money
607:Peril
537:Weeds
417:Viola
324:, in
238:Ellen
209:, by
82:Ellen
2469:ISBN
2450:ISBN
2433:OCLC
2411:OCLC
2389:OCLC
2368:ISBN
2344:OCLC
2325:ISBN
2306:ISBN
2286:OCLC
2267:ISBN
2089:2020
2064:2020
1505:2020
1063:and
916:and
802:for
780:and
535:and
431:and
391:and
335:Hull
248:and
240:and
234:Bath
121:and
100:and
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84:and
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271:of
244:as
172:née
117:as
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88:in
46:DBE
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2504::
2126:^
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2055:.
2000:,
1981:^
1955:^
1931:,
1918:^
1867:,
1852:^
1806:^
1715:^
1553:^
1496:.
1434:^
1374:^
1314:^
1305:,
1282:,
1243:^
1083:'s
1076:'s
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2275:.
2091:.
2066:.
1507:.
1090:(
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