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Mahal (1949 film)

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495: 1085: 631:. Later, Mangeshkar sang the song in the same ancient mansion where the film was shot. Another track titled "Mushkil Hai Bahut Mushkil", which is about four minutes long was completed by Amrohi and Madhubala in a single take. Despite everyone else's disapproval, Amrohi held Madhubala's talents in high regard, proclaiming that "it was with this film that her true capabilities came to the fore." 414:). He decides to move far away with his wife in order to forget Kamini. After two years, a disturbed Ranjana wanting to know where Shankar goes every night, follows him when he goes to meet Kamini. Kamini tells him to kill the gardener's daughter so that she can use her body. Hearing everything, Ranjana drinks poison and goes to police station to give a 363: 571:, a 15-year old rising but not yet popular actress, expressed interest in Kamini's role. Vacha rejected her outright due to her age and relative inexperience, but Amrohi demanded to audition her. "She wasn't a celebrity when I met her first, and since I was looking for someone new, she fit the bill," Amrohi explained later. 402:) arrives and Shankar expresses suspicion on him being the man of the incomplete love story in a previous life. Shrinath tries to calm him, but then the woman reappears. They follow her to the terrace, where she jumps off into water and the two men find nothing when they look down. The next day, Shankar heads back to 940:
advance. It is a hit that has hoisted up our revenues beyond expectations and I think it will become a silver jubilee hit for sure. People want to see it over and over again." The film always opened to sold-out shows and there was a widespread demand of booklets carrying the dialogue and the lyrics of soundtrack.
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When Shankar goes to a bedroom, a photograph falls from the wall and Shankar is astonished to find the man in the photograph looks exactly like him. Then, a woman is heard singing and Shankar follows her voice. He finds her sitting in a room, but she flees when she sees him. Shankar's friend Shrinath
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against Shankar of betrayal and poisoning her. Shanker is presented in court and the daughter of the gardener, Asha, is also called there, being accused of the rift between Shankar and Ranjana. Later Asha is revealed to be Kamini. She then accepts that she has played Kamini because she had fallen in
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was completely unexpected to do well and "surprised the prophets of doom who said it would only add to Bombay Talkies' financial woes." A theatre owner told the media, "I am submerged by requests from friends and public to give out passes. I do it for some shows as all shows are always sold out in
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when, at midnight, the actor saw a headless corpse in a mysterious woman's car. The woman vanished from the scene soon after, and Kumar's servants believed that he might have dreamt the incident. When Kumar went to a nearby police station to register a complaint, a policeman told him that 14 years
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The film's plot was rejected by Vacha, who was apprehensive that suspense films do not always find a repeat audience, while Bombay Talkies was already suffering financially due to the box office failure of some of its previous films. However, Kumar insisted that the film may become interesting if
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Kamini tells Shankar that if she could enter into a body of a woman whom Shankar likes, she could return to life. She tells Shankar to see the gardener's daughter's face to check if she's beautiful and he can accept Kamini in that face. Meanwhile, Shankar's father arrives after hearing everything
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was produced by Bombay Talkies studio on a modest budget. Amrohi, who made his directorial debut with the film, was turned down by many major female stars before then-fledgling Madhubala was put on the board. The film took a relatively long time filming that earned it a negative reputation in the
394:), began to live in it. She would wait all day long for the man to come to her at midnight, but he always left before it was morning. One stormy night, the man's ship sank and he drowned. Before leaving Kamini, he tells her that their love will never fail. A few days later, Kamini also died. 406:. At Naini, he gets off from a train and goes to the palace. Kamini tells him that she is real, but Shrinath interferes and warns Shankar that she will draw him to death. The ghost appears again and tells Shrinath to stay away from them. Enraged, Shrinath tries to shoot her but fails. 1066:
and architecture on screen in a way that is distinctly its own. The dynamics between romance and space is also the romance of space, and the only way to bring it to any cinematic fruition would be to give that interplay of romance and space a unique visual syntax. This is what
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love with the man in the photograph, who looks like Shankar. But Shankar is sentenced to death. Later, the police come to know about Ranjana's letter and free Shankar. Shankar rushes to Shrinath's place but dies. The credits roll as a grieving Asha and Shrinath walk away.
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was released in theatres in October 1949. Despite mixed-to-negative critical reviews, it emerged as one of the biggest hits of the decade as well as the biggest financial success in Bombay Talkies' history. The film launched Madhubala and playback singer
370: 592:. She secured the role soon after, despite the fact that the film's lead actor, Kumar was more than double her age. The actor said years later: "Madhubala was just about 15 and so raw that she needed several retakes for almost every shot. But 584:, had been instructed to shoot the teenage actress at her worst." Amrohi helmed the second audition himself and arranged the lights to his own convenience while photographing Madhubala. The young actress now appeared "stunning, even in 367: 559:
directed well and appointed Amrohi as the film's director. Kumar himself agreed to co-produce, bear the losses if any and even star in the film. He entrusted Amrohi to choose a suitable actress for playing Kamini.
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was considered and almost finalized by Vacha, who believed that she and Kumar would make a marketable pair together, but her grandmother appeared unenthusiastic about the film's unconventional story. Meanwhile,
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was theatrically released on 13 October 1949. The film soon gained popularity and by its third week became a nationwide sensation. Due to the failure of previous Bombay Talkies releases,
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described the film as "a story of ghosts, spooks, apparitions, jitters, quivers, bats and snakes", adding that "it succeeds in giving one the creeps, but through more causes than one."
1030:. Writing for Upperstall.com, Karan Bali lauded the film's "richly textured and moody visuals, the imaginative use of sound, its tantalizing ambiguity and its haunting music." Writer 634:
The film's ending initially saw the main characters (Shankar and Kamnini) reuniting in their next birth, but the scenes were removed a day before the release on Kumar's suggestions.
366: 1958: 525:, who made his directorial debut with the film. It was Kumar who suggested part of the story, recalling a real life incident: in 1948, he was shooting near Jijiboy House at a 1353: 1115:
played a major role in the career developments of playback singer Lata Mangeshkar and lead actress Madhubala, as both of them were struggling to get a big break in the
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a "Super Hit". Although exact figures for the film's box-office earnings are not available, film-trade websites provide estimates. Box Office India cited the gross as
603:, the unit suffered financial crisis and Amrohi had to contribute antiques and costumes from his own home because there was not enough money to buy props. 1933: 1732: 562:
The casting of female lead role became complex—several established actresses refused the role and those who accepted it asked high fees. At one point,
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and ultimately connects it with an underlying impulse toward the sublime that characterizes Hindu aesthetic theories generally." In 2020,
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In the reviews, Madhubala was described as the film's "real hit", rated above the much senior Ashok Kumar, while Wirching's
2083: 2073: 2098: 2078: 2003: 580:, in her first screen test, Madhubala "looked terrible. Buzz is, German cinematographer Joseph Wirching, who was on the 383:
is a reincarnation and a ghost story. In Prayag, there is a beautiful abandoned palace. When a new owner, Hari Shankar (
2038: 2013: 1762: 1676: 1220: 547:, meaning a mansion or a palace. Interestingly, the film's supernatural twist is also reminiscent of a short story by 1919: 1891: 1315: 1296: 1239: 1615: 530:
ago a similar incident happened at the same place—a woman had committed a murder and later died in a road accident.
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as his directorial debut. The film centres on a screenplay written by Amrohi, while its music is composed by
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Over time, the film's critical reception has improved greatly and modern-day critics often call it a
981:(US$ 8.47 million), and called it the tenth highest-grossing film of the decade (1940s). As of 2020, 1475: 285: 1911: 1003: 272: 345: 305: 1452: 1125: 1012: 282: 8: 1998: 1168: 1154: 964: 828: 616: 415: 387:), comes to live in this palace, the old gardener narrates the story of incomplete love. 209: 1071:
accomplishes with uncanny exactitude for the entire duration of the opening sequence."
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Kumar narrated the story to Amrohi, who had previously written dialogue for the 1939
301: 134: 1129:(1955), and Mangeshkar often cited "Aayega Aanewala" as one of her favourite songs. 1019:
was mixed: Patel called the plot a "fantastic nonsense—pure and unadultrated", and
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has influenced a number of horror films since its release. It was listed in
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Shah Rukh, Farah Sued: Writer Claims SRK stole his script for Om Shanti Om
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remained Madhubala's highest-grossing release for the next six years till
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was roped in to compose the music, while Nakshab wrote the lyrics.
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The woman who pretended to be who she was: myths of self-imitation
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was different, and I was convinced that we wouldn't be miscast."
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Shadow Craft: Visual Aesthetics of Black and White Hindi Cinema
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All lyrics are written by J. Nakshab; all music is composed by
588:, and everyone agreed that she was the perfect Kamini," states 403: 390:
Some 40 to 45 years ago, a man built it and his lover, Kamini (
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from Shrinath and takes him home. Shankar marries Ranjana (
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Yeh Un Dinoñ Ki Baat Hai: Urdu Memoirs of Cinema Legends
334:, who had lent her voice to the film's soundtrack, into 1708:
Friends and Five Seasons: Publishing Hero Rupen (Vol 2)
1551: 1549: 1657: 1570: 1568: 1566: 1564: 1616:"Redemption song: 'Afsana Likh Rahi Hoon' by Tun Tun" 1592: 1580: 1351: 1161:. Many of its themes were repeated in the Hindi film 1847: 1546: 316:) claiming to be his lover in their previous lives. 1906:Doniger, Wendy (2005), "Chapter 6: Reincarnation", 1835: 1561: 1859: 1493: 1534: 1990: 348:'s list of "10 great romantic horror films" and 1167:(1980), which was remade several times: as the 1817:"Thus wrote Filmindia (and Mother India) - II" 1725: 1613: 1643:(in Hindi). Rajkamal Prakashan. p. 125. 1420: 1418: 1416: 1414: 1412: 1410: 1408: 1015:". However, the overall critical response of 958:(US$ 1.92 million), and said that it was the 1669: 1377: 1375: 1405: 29: 960:third highest-grossing Hindi film of 1949 1372: 927: 493: 361: 1905: 1899: 1704: 989:in India when adjusted for inflation. 1991: 1877: 1871: 1865: 1853: 1601: 1473: 1305: 1286: 1210: 2059:Hindi films remade in other languages 1841: 1790: 1788: 1700: 1698: 1696: 1694: 1663: 1574: 1450: 1267: 1251:The Mystery and Mystique of Madhubala 1229: 1011:as "a milestone in the annals of the 992: 901: 885: 869: 853: 837: 817: 801: 785: 769: 619:lent their voices to the soundtrack. 2044:Urdu films remade in other languages 1705:Acharya, Madhukant (15 March 2018). 1586: 1555: 1540: 1510: 1508: 1499: 1424: 1352:Roshmila Bhattacharya (6 May 2013). 1347: 1345: 1343: 1341: 1339: 1337: 1335: 1248: 308:, it revolves around an aristocrat ( 2094:Horror films based on actual events 2089:Indian films based on actual events 1949: 1880:Bollywood cinema: temples of desire 1636: 1389:. 22 September 2012. Archived from 1289:Bollywood Cinema: Temples of Desire 1036:Bollywood Cinema: Temples of Desire 265: 13: 1785: 1691: 247: 240: 226: 219: 14: 2110: 2054:Films scored by Khemchand Prakash 1971: 1739:. 16 October 2013. Archived from 1505: 1427:"Mahal (1949 film) - film review" 1332: 440:M. Kumar as Hari Shankar's father 1614:Manish Gaekwad (24 March 2016). 1453:"10 great romantic horror films" 1083: 513:was produced by Savak Vacha and 1927: 1809: 1769:. 22 April 2006. Archived from 1755: 1630: 1607: 1270:Ashok Kumar: His Life and Times 623:was initially offered to sing " 2069:Films directed by Kamal Amrohi 1637:Rag, Pankaj (1 January 2006). 1467: 1451:Blyth, Michael (22 May 2015). 1444: 1232:Madhubala: Her Life, Her Films 1143:, would later go on to direct 1050:expands the capacities of the 1001:had inspired a journalist for 754: 521:, and written and directed by 1: 1711:. Notion Press. p. 377. 1474:Kurian, Danny (16 May 2015). 1356:. Pune Mirror. Archived from 1354:"Testing times for Madhubala" 1325: 1105:(right) into overnight stars. 987:highest-grossing Indian films 637: 489: 306:Bollywood's first horror film 2064:1949 directorial debut films 2049:Indian romantic horror films 2034:Indian black-and-white films 1425:Bali, Karan (23 June 2016). 773:"Mahal Theme (Instrumental)" 551:that was made into the film 288:produced by Savak Vacha and 7: 2084:Hindi-language horror films 2074:Films set in country houses 1199:List of Indian horror films 1192: 1021:The Motion Picture Magazine 1004:The Motion Picture Magazine 985:remains one of the hundred 10: 2115: 2099:Indian haunted house films 2079:Urdu-language Indian films 2004:1940s Hindi-language films 1204: 922: 599:Throughout the filming of 2039:Films about reincarnation 2014:1940s Urdu-language films 1934:Ashanti nags Om Shanti Om 1306:Prabhu, Gayathri (2020). 1215:. Bloomsbury Publishing. 1074: 764: 761: 758: 753: 727: 715: 705: 689: 677: 662: 649: 644: 236: 215: 205: 197: 187: 173:19 October 1949 164: 156: 140: 130: 116: 106: 92: 80: 70: 60: 50: 40: 28: 23: 1767:Box Office India website 1737:Box office India website 1387:Box Office India website 821:"Chhun Chhun Ghungharwa" 286:supernatural horror film 1939:24 October 2007 at the 1912:Oxford University Press 1310:. Bloomsbury Academic. 1268:Ghosh, Nabendu (1995). 1230:Akbar, Khatija (1997). 889:"Dil Ne Phir Yaad Kiya" 684:Feature film soundtrack 422: 357: 1878:Mishra, Vijay (2002), 1431:Upperstall.com website 1287:Mishra, Vijay (2013). 1211:Abbasi, Yasir (2018). 841:"Main Woh Hansee Hoon" 507: 443:Vijayalaxmi as Ranjana 377: 346:British Film Institute 232:12.1 crore as of 2016) 1961:13 April 2009 at the 1914:, pp. 112–136 , 1058:reviewed similarly: " 928:Impact and box office 504:pictured in the 1950s 498:The film's director, 497: 373: 253:198 crore as of 2016) 1393:on 22 September 2012 1249:Deep, Mohan (1996). 1013:Indian film industry 517:under the banner of 446:Kanu Roy as Shrinath 292:under the banner of 1733:"Top Earners 1940s" 1679:. Apple Music. 1949 1618:. Scroll.in website 857:"Mushkil Hai Bahot" 750: 617:Zohrabai Ambalewali 416:deathbed confession 2029:Indian ghost films 2009:1940s Indian films 1886:, pp. 49–57, 1743:on 16 October 2013 1480:www.scoopwhoop.com 1383:"Top Earners 1949" 1126:Mr. & Mrs. '55 1034:wrote in his book 993:Critical reception 789:"Ghabra Ke Jo Ham" 748: 629:Kardar Productions 577:The Times of India 549:Rupert Croft-Cooke 508: 452:as Kamini's father 378: 296:, and directed by 2024:1940s ghost films 2019:1949 horror films 1718:978-1-64249-388-7 1650:978-81-267-1169-7 1522:. 13 October 2019 1155:Indian television 919: 918: 873:"Aayega Aanewala" 777:Khemchand Prakash 744:Khemchand Prakash 739: 738: 734:Khemchand Prakash 656:Khemchand Prakash 605:Khemchand Prakash 553:The Fatal Witness 371: 302:Khemchand Prakash 257: 256: 135:Khemchand Prakash 2106: 1965: 1953: 1947: 1946:, 7 August 2008. 1931: 1925: 1924: 1903: 1897: 1896: 1875: 1869: 1863: 1857: 1851: 1845: 1839: 1833: 1832: 1830: 1828: 1813: 1807: 1806: 1804: 1802: 1792: 1783: 1782: 1780: 1778: 1773:on 22 April 2006 1759: 1753: 1752: 1750: 1748: 1729: 1723: 1722: 1702: 1689: 1688: 1686: 1684: 1673: 1667: 1666:, p. 74–79. 1661: 1655: 1654: 1634: 1628: 1627: 1625: 1623: 1611: 1605: 1599: 1590: 1589:, p. 37–38. 1584: 1578: 1572: 1559: 1558:, p. 37–39. 1553: 1544: 1538: 1532: 1531: 1529: 1527: 1512: 1503: 1497: 1491: 1490: 1488: 1486: 1471: 1465: 1464: 1462: 1460: 1448: 1442: 1441: 1439: 1437: 1422: 1403: 1402: 1400: 1398: 1379: 1370: 1369: 1367: 1365: 1349: 1321: 1302: 1283: 1264: 1245: 1226: 1103:Lata Mangeshkar 1087: 1062:brings together 980: 978: 957: 955: 945:Box Office India 915: 914: 910: 904: 756: 751: 747: 701: 700: 696: 673: 671: 651:Soundtrack album 642: 641: 582:studio's payroll 372: 270: 269: "Mansion" 267: 252: 249: 245: 242: 231: 228: 224: 221: 180: 178: 33: 21: 20: 2114: 2113: 2109: 2108: 2107: 2105: 2104: 2103: 1989: 1988: 1974: 1969: 1968: 1963:Wayback Machine 1954: 1950: 1941:Wayback Machine 1932: 1928: 1922: 1904: 1900: 1894: 1876: 1872: 1864: 1860: 1852: 1848: 1840: 1836: 1826: 1824: 1815: 1814: 1810: 1800: 1798: 1794: 1793: 1786: 1776: 1774: 1761: 1760: 1756: 1746: 1744: 1731: 1730: 1726: 1719: 1703: 1692: 1682: 1680: 1675: 1674: 1670: 1662: 1658: 1651: 1635: 1631: 1621: 1619: 1612: 1608: 1600: 1593: 1585: 1581: 1573: 1562: 1554: 1547: 1539: 1535: 1525: 1523: 1514: 1513: 1506: 1498: 1494: 1484: 1482: 1472: 1468: 1458: 1456: 1449: 1445: 1435: 1433: 1423: 1406: 1396: 1394: 1381: 1380: 1373: 1363: 1361: 1350: 1333: 1328: 1318: 1299: 1280: 1261: 1253:. Magna Books. 1242: 1223: 1207: 1195: 1111:The success of 1109: 1108: 1107: 1106: 1093:The success of 1090: 1089: 1088: 1077: 1056:Gayathri Prabhu 995: 976: 975: 953: 952: 930: 925: 920: 912: 908: 907: 902: 893:Lata Mangeshkar 877:Lata Mangeshkar 861:Lata Mangeshkar 698: 694: 693: 669: 667: 658: 640: 625:Aayega Aanewala 613:Rajkumari Dubey 609:Lata Mangeshkar 586:black-and-white 492: 431:as Hari Shankar 425: 362: 360: 332:Lata Mangeshkar 268: 250: 243: 229: 222: 190: 183: 176: 174: 167: 152: 145: 143: 125: 123: 111:Josef Wirsching 99: 87: 36: 17: 12: 11: 5: 2112: 2102: 2101: 2096: 2091: 2086: 2081: 2076: 2071: 2066: 2061: 2056: 2051: 2046: 2041: 2036: 2031: 2026: 2021: 2016: 2011: 2006: 2001: 1987: 1986: 1973: 1972:External links 1970: 1967: 1966: 1948: 1926: 1920: 1898: 1892: 1870: 1858: 1846: 1834: 1823:. 9 April 2009 1821:Upperstall.com 1808: 1784: 1754: 1724: 1717: 1690: 1668: 1656: 1649: 1640:Dhuno Ki Yatra 1629: 1606: 1604:, p. 152. 1591: 1579: 1560: 1545: 1533: 1520:Top Lead India 1504: 1502:, p. 144. 1492: 1466: 1443: 1404: 1371: 1360:on 2 July 2013 1330: 1329: 1327: 1324: 1323: 1322: 1316: 1303: 1297: 1284: 1278: 1265: 1259: 1246: 1240: 1227: 1222:978-9387471054 1221: 1206: 1203: 1202: 1201: 1194: 1191: 1180:Enakkul Oruvan 1157:, and perhaps 1135:, who was the 1092: 1091: 1082: 1081: 1080: 1079: 1078: 1076: 1073: 999:cinematography 994: 991: 929: 926: 924: 921: 917: 916: 905: 899: 898: 895: 890: 887: 883: 882: 879: 874: 871: 867: 866: 863: 858: 855: 851: 850: 847: 842: 839: 835: 834: 831: 822: 819: 815: 814: 811: 806: 805:"Ek Tir Chala" 803: 799: 798: 795: 790: 787: 783: 782: 779: 774: 771: 767: 766: 763: 760: 757: 740: 737: 736: 731: 725: 724: 719: 713: 712: 707: 703: 702: 691: 687: 686: 681: 675: 674: 664: 660: 659: 654: 647: 646: 639: 636: 519:Bombay Talkies 491: 488: 487: 486: 483: 480: 477: 474: 471: 468: 465: 462: 459: 456: 455:Eruch Tarapore 453: 447: 444: 441: 438: 432: 424: 421: 359: 356: 294:Bombay Talkies 255: 254: 238: 234: 233: 217: 213: 212: 207: 203: 202: 199: 195: 194: 191: 188: 185: 184: 182: 181: 170: 168: 165: 162: 161: 160:Bombay Talkies 158: 157:Distributed by 154: 153: 150:Bombay Talkies 148: 146: 141: 138: 137: 132: 128: 127: 118: 114: 113: 108: 107:Cinematography 104: 103: 94: 90: 89: 82: 78: 77: 72: 68: 67: 62: 58: 57: 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 2111: 2100: 2097: 2095: 2092: 2090: 2087: 2085: 2082: 2080: 2077: 2075: 2072: 2070: 2067: 2065: 2062: 2060: 2057: 2055: 2052: 2050: 2047: 2045: 2042: 2040: 2037: 2035: 2032: 2030: 2027: 2025: 2022: 2020: 2017: 2015: 2012: 2010: 2007: 2005: 2002: 2000: 1997: 1996: 1994: 1985: 1981: 1980: 1976: 1975: 1964: 1960: 1957: 1952: 1945: 1944:Mumbai Mirror 1942: 1938: 1935: 1930: 1923: 1921:0-19-516016-9 1917: 1913: 1909: 1902: 1895: 1893:0-415-93014-6 1889: 1885: 1881: 1874: 1867: 1862: 1856:, p. 55. 1855: 1850: 1844:, p. 49. 1843: 1838: 1822: 1818: 1812: 1797: 1791: 1789: 1772: 1768: 1764: 1758: 1742: 1738: 1734: 1728: 1720: 1714: 1710: 1709: 1701: 1699: 1697: 1695: 1678: 1672: 1665: 1660: 1652: 1646: 1642: 1641: 1633: 1617: 1610: 1603: 1598: 1596: 1588: 1583: 1577:, p. 53. 1576: 1571: 1569: 1567: 1565: 1557: 1552: 1550: 1543:, p. 37. 1542: 1537: 1521: 1517: 1511: 1509: 1501: 1496: 1481: 1477: 1470: 1454: 1447: 1432: 1428: 1421: 1419: 1417: 1415: 1413: 1411: 1409: 1392: 1388: 1384: 1378: 1376: 1359: 1355: 1348: 1346: 1344: 1342: 1340: 1338: 1336: 1331: 1319: 1317:9789390176267 1313: 1309: 1304: 1300: 1298:9780415930154 1294: 1291:. 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BFI 1141:Mahal 1121:Mahal 1113:Mahal 1095:Mahal 1069:Mahal 1060:Mahal 1044:Hindu 1040:Mahal 1038:that 1017:Mahal 1009:Mahal 983:Mahal 971:Andaz 949:Mahal 937:Mahal 933:Mahal 759:Title 749:Songs 717:Label 710:Hindi 679:Genre 645:Mahal 601:Mahal 594:Mahal 545:Mahal 540:Pukar 511:Mahal 381:Mahal 375:Mahal 342:Mahal 327:Mahal 320:Mahal 279:Hindi 261:Mahal 201:India 24:Mahal 1984:IMDb 1916:ISBN 1888:ISBN 1829:2023 1803:2021 1779:2023 1749:2023 1713:ISBN 1685:2024 1645:ISBN 1624:2023 1528:2021 1487:2020 1461:2016 1438:2023 1399:2023 1366:2023 1312:ISBN 1293:ISBN 1274:ISBN 1255:ISBN 1236:ISBN 1217:ISBN 1164:Karz 1139:for 968:and 897:4:14 881:6:52 865:3:55 849:4:49 833:4:42 813:4:26 797:4:04 781:3:16 670:1942 666:1942 615:and 423:Cast 358:Plot 273:1949 248:est. 241:est. 227:est. 220:est. 1982:at 755:No. 1995:: 1910:, 1882:, 1819:. 1787:^ 1765:. 1735:. 1693:^ 1594:^ 1563:^ 1548:^ 1518:. 1507:^ 1478:. 1429:. 1407:^ 1385:. 1374:^ 1334:^ 1153:, 1119:. 913:00 909:36 886:8. 870:7. 854:6. 838:5. 818:4. 802:3. 786:2. 770:1. 699:00 695:36 611:, 338:. 1868:. 1831:. 1805:. 1781:. 1751:. 1721:. 1687:. 1653:. 1626:. 1530:. 1489:. 1463:. 1440:. 1401:. 1368:. 1320:. 1301:. 1282:. 1263:. 1244:. 1225:. 1188:. 977:₹ 954:₹ 911:: 697:: 672:) 506:) 502:( 398:( 264:( 251:₹ 244:₹ 230:₹ 223:₹ 179:)

Index


Kamal Amrohi
Kamal Amrohi
Kamal Amrohi
Kamal Amrohi
Ashok Kumar
Ashok Kumar
Madhubala
Josef Wirsching
Bimal Roy
Khemchand Prakash
Bombay Talkies
Hindustani
1949
Indian
Hindi
psychological
supernatural horror film
Ashok Kumar
Bombay Talkies
Kamal Amrohi
Khemchand Prakash
Bollywood's first horror film
Ashok Kumar
Madhubala
Lata Mangeshkar
super-stardom
British Film Institute
ScoopWhoop
Ashok Kumar

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