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Mahfuzur Rahman Khan

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invaluable to this role, his heart was really set on being a cinematographer. Whilst on set, two of the camera assistants sensed his desire and so in the evenings they would teach Mahfouz the fine art of loading a film camera. This meant splitting 1000 film reels into three parts (300, 300, and 400) in a completely dark room, measuring by hand and the imagination. He loved this process, his favourite part was hearing the click sound of the shutter after loading the film. In 1972 he started his professional work as a cinematographer for the movie Kaccher Gore.
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Khan was born 10 May 1949 to the renowned family of Hakim Habib Ur Rahman Road in Old Dhaka. He was the eldest of six brothers and three sisters. From a young age Mahfouz was drawn to photography, very much inspired by the photographs his father took with his 120 film box camera. Before he was sent
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Later he also became involved in producing films and played an important role in nurturing the next generation of cinematographers. He noted how proud he was of A.R. Jahangir, Z.H.Mintu, Mubjibul Haque Buhiya and Assad Uzzaman Majnu to name a few. The belief he shared with newcomers was ‘if you do
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Mahfouz Ur Rahman worked as a cinematographer for over 40 years, working on over 200 films. Amidst such a prolific and phenomenal career he would say ‘I am learning everyday, I am not satisfied. In my life, my best work is yet to be doneâ€Ļ. I want to make something that after I die, I will live on
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expressed deep shock and sorrow at the death. In a condolence message she prayed for the eternal peace of his departed soul and conveyed profound sympathy to the bereaved family. His colleague, Mushfiqur Rahman Gulzar, general secretary of Bangladesh Film Director's Association said ‘he never
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After passing his matric his wish was to study Photography abroad but was advised to work for six months to a year first to gain experience. Taking this advice he began working as an assistant film director in 1966. Although his eye for calculating frames and imagining shots in his mind was
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Four of these were films directed by acclaimed writer and director Humayun Ahmed. He spoke highly of working with Ahmed: ‘when he would describe his stories to me the images would come alive before my eyes’.
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a record breaking ten times during his career. Though he was also a film director, actor and producer, he was most famously remembered for working behind the camera in films directed by
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He was husband to Dr Nirafat Alam Shipra who made major contributions in her field of working with deaf children in education. She died from cancer in 2001.
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His teacher was renowned cinematographer Abdul Latif Bachchu. From the outset he was fortunate to work with very experienced talented cinematographers like
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Mahfuzur Rahman Khan died on 6 December 2019 at the age of 70. He had been suffering from diabetes and lung disease for a long time. Prime Minister
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who he recounted would pick up his phone call at 3AM if he needed help and Abdus Samad who gave him precious advice on shooting in black and white.
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He won the Bangladesh National Film award for Best Cinematography a record ten times for the films
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your work with love, you will only progress.’ with his life being a testament to that.
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misbehaved with anyone. He also helped many upcoming cinematographers.
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His acting debut was in Alamgir Kumkum's Liberation War film:
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Best Cinematographer National Film Award (Bangladesh) winners
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Bangladesh National Film Award for Best Cinematography
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In 1985 Mahfouz received his first national award for
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Bangladesh National Film Award for Best Cinematography
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Bangladesh Cholochitra Sangbadik Samity (eight times)
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Index

Bangladesh National Film Award for Best Cinematography
Humayun Ahmed
Shibli Sadik
Alamgir Kumkum

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Dhaka Residential Model College

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Shadon Roy
Baby Islam
Abzal Chowdury
Arun Roy
Rafiqul Bari Chowdhury
Obhijan
Amar Jonmobhumi
Jalader Darbar
Dabi
Alo Chhaya
Cholo Ghor Badhi

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