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Mahori

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ensemble. Originally, the term referred only to a string ensemble, although today it includes both string and percussion. There are three broad types of Mahori: Mahori Khryang Lek, Mahori Khyrang Khu, and Mahori Khyrang Yai, each differentiated by the types of instruments utilized. It is comparable
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While Thai classical music was somewhat discouraged as being outmoded and backward-looking during Thailand's aggressively nationalistic modernization policies of the mid-twentieth century, the classical arts have benefited recently from increased governmental sponsorship and funding as well as
144:, a French envoy who visited Ayutthaya at that time. And also, Nicolas Gervaise, a French priest and traveler who had visited Ayutthaya, recorded a Mahori music called "Sout Chai" in the book Histoire Naturelle et Politique du Royaume de Siam in 1688. 136:
was of Khmer origin and created by the ancient Khmer and later adopted and elaborated in Thai society. However, historical records indicate that the mahori music "Say Samon" (later called "
86:, a feminine suffix), is a form of Thai classical ensemble traditionally played in the royal courts for the purpose of secular entertainment. It combines the xylophones and 400: 461: 297: 147:
Initially, only men were permitted to play mahori; however, as its popularity grew, women from royal backgrounds began to play as well. In the
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removed this restriction and allowed women to act onstage, which caused women's mahori to decline as women increasingly chose to act instead.
617: 383: 151:, women were not permitted to act onstage outside royal service, and women were trained only to play in the mahori. However, 454: 272: 348: 447: 75: 67: 324: 612: 373: 124:
is a form of Thai classical music that has a long history in Thailand, dating back to at least the
239: 128:. Although it was already a well-established form of music in Thailand during that time, in 1931, 547: 542: 141: 532: 537: 8: 137: 129: 45: 35: 379: 219: 214: 148: 125: 509: 499: 494: 489: 427: 91: 504: 87: 606: 62: 401:"A new historical relation of the kingdom of Siam by Monsieur De La Loubere" 591: 524: 180: 102: 514: 439: 209: 184:(2003), a popular fictionalized biography of a famous early 20th century 163: 25: 16: 173:
instruments, often reduced in size to accommodate female performers.
159: 132:, the author of the History of Thai Music had asserted that the Thai 28: 186: 72: 199: 152: 109: 21: 82:, meaning "fascinating, attractive, charming, beautiful") + -ई ( 484: 476: 298:"Music in Persian and Thai Courts in the Early Ayutthya Period" 204: 170: 96: 140:") was already recorded in the Du Royaume de Siam in 1687 by 158:
Traditionally, the ensemble consisted of four players: the
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Histoire naturelle et politique du Royaume de Siam. …
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Early English Books Online - University of Michigan
604: 169:The Wong Mahori consists of both the string and 177:popular interest as expressed in such films as 432:. Paris: de l’Imprimerie de Pierre le Mercier. 371: 455: 375:The Garland Handbook of Southeast Asian Music 372:Miller, Terry; Williams, Sean (2011-03-17). 469: 462: 448: 398: 190:player and composer Luang Pradit Phairao. 425: 44: 34: 15: 295: 605: 443: 267: 265: 263: 261: 24:archaeological site. 650-700 C.E., 13: 618:Classical and art music traditions 325:"The mahori ensemble of Ayutthaya" 14: 629: 258: 407:. University of Michigan Library 419: 392: 365: 341: 317: 289: 232: 1: 399:La Loubère, Simon de (1693). 225: 7: 193: 10: 634: 426:Gervaise, Nicolas (1688). 378:. Routledge. p. 106. 116: 584: 556: 523: 475: 241:ประวัติความเป็นมา "มโหรี" 166:, a thone, and a singer. 66: 100:with the strings of the 20:Stucco relief found at 470:Thai musical ensembles 52: 42: 32: 548:Khrueang sai pi chawa 329:Site de chapei ! 48: 38: 19: 576:Mahori khrueang yai 543:Khrueang sai prasom 510:Piphat duek dam ban 500:Piphat khrueang yai 495:Piphat khrueang khu 353:www.seasite.niu.edu 296:Arunrattana, Udom. 277:www.seasite.niu.edu 142:Simon de La Loubère 40:Mahori Khrueang Yai 571:Mahori khrueang ku 490:Piphat khrueang ha 138:Sansoen Phra Narai 94:, or oboe) of the 53: 50:Mahori Khrueang Si 43: 33: 613:Music of Thailand 600: 599: 533:Khrueang sai diao 385:978-1-135-90155-4 349:"Mahori Ensemble" 305:UNESCO Silk Roads 273:"Mahori Ensemble" 220:Music of Cambodia 215:Music of Thailand 107:to the Cambodian 71:), possibly from 625: 585:Royal ceremonies 505:Piphat nang hong 464: 457: 450: 441: 440: 434: 433: 423: 417: 416: 414: 412: 396: 390: 389: 369: 363: 362: 360: 359: 345: 339: 338: 336: 335: 321: 315: 314: 312: 311: 302: 293: 287: 286: 284: 283: 269: 256: 255: 254: 252: 246: 236: 126:Ayutthaya period 70: 633: 632: 628: 627: 626: 624: 623: 622: 603: 602: 601: 596: 580: 566:Mahori wong lek 552: 538:Khrueang sai ku 519: 471: 468: 438: 437: 424: 420: 410: 408: 397: 393: 386: 370: 366: 357: 355: 347: 346: 342: 333: 331: 323: 322: 318: 309: 307: 300: 294: 290: 281: 279: 271: 270: 259: 250: 248: 244: 238: 237: 233: 228: 196: 149:Ayuthaya period 119: 12: 11: 5: 631: 621: 620: 615: 598: 597: 595: 594: 588: 586: 582: 581: 579: 578: 573: 568: 562: 560: 554: 553: 551: 550: 545: 540: 535: 529: 527: 521: 520: 518: 517: 512: 507: 502: 497: 492: 487: 481: 479: 473: 472: 467: 466: 459: 452: 444: 436: 435: 418: 391: 384: 364: 340: 316: 288: 257: 230: 229: 227: 224: 223: 222: 217: 212: 207: 202: 195: 192: 130:Prince Damrong 118: 115: 9: 6: 4: 3: 2: 630: 619: 616: 614: 611: 610: 608: 593: 590: 589: 587: 583: 577: 574: 572: 569: 567: 564: 563: 561: 559: 555: 549: 546: 544: 541: 539: 536: 534: 531: 530: 528: 526: 522: 516: 513: 511: 508: 506: 503: 501: 498: 496: 493: 491: 488: 486: 485:Piphat chatri 483: 482: 480: 478: 474: 465: 460: 458: 453: 451: 446: 445: 442: 431: 430: 422: 406: 402: 395: 387: 381: 377: 376: 368: 354: 350: 344: 330: 326: 320: 306: 299: 292: 278: 274: 268: 266: 264: 262: 243: 242: 235: 231: 221: 218: 216: 213: 211: 208: 206: 203: 201: 198: 197: 191: 189: 188: 183: 182: 174: 172: 167: 165: 161: 156: 154: 150: 145: 143: 139: 135: 131: 127: 123: 114: 112: 111: 105: 104: 99: 98: 93: 90:(but not the 89: 85: 81: 77: 74: 69: 64: 60: 59: 51: 47: 41: 37: 30: 27: 23: 18: 575: 570: 565: 557: 525:Khrueang sai 428: 421: 409:. Retrieved 404: 394: 374: 367: 356:. Retrieved 352: 343: 332:. Retrieved 328: 319: 308:. Retrieved 304: 291: 280:. Retrieved 276: 249:, retrieved 240: 234: 185: 181:The Overture 178: 175: 168: 157: 153:King Rama IV 146: 133: 121: 120: 108: 101: 95: 88:gong circles 83: 79: 57: 56: 54: 49: 39: 210:khruang sai 103:khruang sai 607:Categories 515:Piphat mon 358:2021-03-23 334:2021-03-23 310:2023-04-11 282:2018-01-14 226:References 164:saw sam si 113:ensemble. 247:(in Thai) 179:Homrong: 29:Dvaravati 251:March 5, 194:See also 187:ranat ek 160:krajappi 80:manohara 73:Sanskrit 31:culture. 592:Prakhom 411:6 April 200:Mohaori 117:History 110:mohaori 22:Khu Bua 558:Mahori 477:Piphat 382:  205:piphat 171:piphat 134:mahori 122:Mahori 97:piphat 58:mahori 301:(PDF) 245:(PDF) 76:मनोहर 68:มโหรี 413:2023 380:ISBN 253:2021 162:, a 63:Thai 55:The 26:Mon 609:: 403:. 351:. 327:. 303:. 275:. 260:^ 92:pi 84:-ī 65:: 463:e 456:t 449:v 415:. 388:. 361:. 337:. 313:. 285:. 78:( 61:(

Index


Khu Bua
Mon
Dvaravati


Thai
มโหรี
Sanskrit
मनोहर
gong circles
pi
piphat
khruang sai
mohaori
Ayutthaya period
Prince Damrong
Sansoen Phra Narai
Simon de La Loubère
Ayuthaya period
King Rama IV
krajappi
saw sam si
piphat
The Overture
ranat ek
Mohaori
piphat
khruang sai
Music of Thailand

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