389:, which is awarded to fiction in the English language. For both judges are selected from amongst leading literary critics, writers, academics and public figures. The Booker judging process and the very concept of a "best book" being chosen by a small number of literary insiders is controversial for many. Author
220:
Gunn also noted the difference between commercial and literary mainstreams, with the former meaning authors whose works are popular – high-selling bestsellers – and the latter, works seen as "art". He also noted that there is a contradiction between these, as "high sales
424:
commented, "It's not that SFF is a ghetto inside the glorious city of 'Literary
Fiction', but the reverse. 'Literary' novels sell abominably badly, by and large; popular culture in the main belongs to SF and Fantasy, eighteen of the top twenty highest grossing movies of all time are SFF, everybody
305:
Until lately the West has regarded it as self-evident that the road to education lay through great books. No man was educated unless he was acquainted with the masterpieces of his tradition. There never was very much doubt in anybody's mind about which the masterpieces were. They were the books that
406:
lamented that "the category of 'literary fiction' has sprung up recently to torment people like me who just set out to write books, and if anybody wanted to read them, terrific, the more the merrier ... I'm a genre writer of a sort. I write literary fiction, which is like spy fiction or chick lit."
419:
noted that genre fans and critics criticize mainstream as mundane, with the term's "deliberate overtones of dullness, worldliness, and uninspired realism". He criticized mainstream fiction as becoming increasingly stagnant and marginalized. This view has been echoed by others; for example, British
125:
are sometimes termed "genres" without being considered genre fiction. Other authors are also seen as writing literary equivalents or precursors to established genres while still maintaining the division between commercial and literary fiction, such as the
413:, Updike argued that this term, when applied to his work, greatly limited him and his expectations of what might come of his writing, so he does not really like it. He suggested that all his works are literary, simply because "they are written in words."
243:: and writers who take the first two groups seriously". According to Gunn, the field of literary fiction in the United States is significantly framed by fiction of the early 20th century and classic canon made from works of authors such as
783:
350:(1869), as "the disinterested endeavour after man's perfection" pursued, obtained, and achieved by effort to "know the best that has been said and thought in the world". Such a literary definition of high culture also includes
225:" and left the literary mainstream. He further defined the literary mainstream as "dominated by the academic-literary community—university professors of literature; high-powered critics for prestige publications such as the
275:" are closely related concepts, but they are not necessarily synonymous. A "canon" refers to a list of books considered to be "essential" and is presented in a variety of ways. It can be published as a collection, such as
393:
wrote: "The idea that a 'book of the year' can be assessed annually by a bunch of people – judges who have to read almost a book a day – is absurd, as is the idea that this is any way of honouring a writer."
313:, remarking on the distinction between genre and non-genre works, argued that "the literature of the fantastic was the mainstream of world storytelling from the time writing began until the beginning of the
217:
wrote that "The SF community uses the word mainstream to describe the fiction that is getting the attention they want; the word is a confession that SF is felt to be a sidestream, a tributary.
94:
Some critics and genre authors have posited significant overlap between literary and commercial fiction, citing major literary figures argued to have employed elements of popular genres such as
186:, literary fiction refers to the realistic fiction of human character, or more broadly, "all serious prose fiction outside the market genres", the genres being for example
175:
notes, "literary fiction, by its nature, allows itself to dawdle, to linger on stray beauties even at the risk of losing its way." Other works may be more concerned with
669:
202:. Jeff Prucher defined mainstream literature as "realistic literature... that does not belong to a marketing category (especially science fiction, fantasy or
84:
1027:
370:
has frequently been awarded to the authors of literary fiction. This annual award is presented to a writer from any country who has, in the field of
213:
defined literary fiction as "a tradition that had been and remained stubbornly indifferent to, if not proudly ignorant of, the progress of science".
378:
direction. Though individual works are sometimes cited as being particularly noteworthy, the award is based on an author's body of work as a whole.
579:
1233:
877:
317:", and that older classics have more in common with modern, fantastical genre works than with the genre of literary, mainstream fiction.
267:: that is works in any discipline that have been accepted as being exemplary or noteworthy. This includes being listed in a list of
838:
106:, etc., to create works of literature. Furthermore, the study of genre fiction has developed within academia in recent decades.
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171:. This contrasts with genre fiction where plot is the central concern. It may have a slower pace than popular fiction. As
385:
is a similar
British award given for outstanding literary fiction translated into English. This complements the earlier
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17:
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1326:
653:
179:
and complexity of the writing: Saricks describes literary fiction as "elegantly written, lyrical, and ... layered".
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276:
57:, are labels that, in the book trade, refer to market novels that do not fit neatly into an established genre (see
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1467:
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had endured and that the common voice of mankind called the finest creations, in writing, of the
Western mind.
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61:); or, otherwise, refer to novels that are character-driven rather than plot-driven, examine the
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1087:"'We're Winning the War': A Q&A with SF writer, critic and historian, Adam Roberts"
450:
294:
122:
110:
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Matthew
Schneider-Mayerson, "Popular Fiction Studies: The Advantages of a New Field".
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670:"Ask The Writer: What is the difference between genre fiction and literary fiction?"
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640:"written work valued for superior or lasting artistic merit". ("Literature", OED).
75:, in the exclusive sense of writings specifically considered to have considerable
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Label in literature describing hard-to-categorize, often character-driven, fiction
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1155:. Literary Conversations Series. University Press of Mississippi. pp.
1028:"My fellow authors are too busy chasing prizes to write about what matters"
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merit. Literary fiction is commonly regarded as artistically superior to
291:' or be the official reading list of an institution of higher learning.
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355:
351:
72:
1211:
935:
839:"St. John's College | Academic Program | The Reading List"
310:
504:
The
Bedford Introduction to Literature: Reading, Thinking, Writing
146:
is sometimes located in between the genre and non-genre fictions.
507:
191:
475:- literature involving popular culture references and crossovers
432:
Critics and readers of mainstream fiction have been accused of "
358:
proposed high culture as a force for moral and political good.
1166:
Globalizing
Literary Genres: Literature, History, Modernity
433:
727:
581:
Brave New Words: The Oxford
Dictionary of Science Fiction
561:
A Beginner's Guide to
Literary Fiction" | NY Book Editors
76:
763:
739:
715:
672:
Gotham
Writers' Workshop. Retrieved 3 September 2024.
751:
813:
The
Western Canon: The Books and School of the Ages
536:Cunningham, John M.; Zelazko, Alicja (2023-04-21).
436:" when it comes to their dislike of genre fiction.
221:figures are generally taken to mean the author has
1148:
831:
810:
325:Literary fiction can be considered an example of "
1140:Literary Story As an Art Form: A Text for Writers
785:Science Fact and Science Fiction: An Encyclopedia
535:
1580:
866:(Chicago: Encyclopedia Britannica), v. 1, p. xi.
287:, or presented as a list by an academic such as
1204:Readers' Advisory Service In The Public Library
980:
656:, 11 December 2023. Retrieved 3 September 2024.
1163:
693:
691:
1227:
1147:Delany, Samuel (2009). Freedman, Carl (ed.).
808:
109:Some categories of literary fiction, such as
1195:The Readers' Advisory Guide to Genre Fiction
1001:
159:Literary fiction may involve a concern with
1164:Habjan, Jernej; Imlinger, Fabienne (2015).
948:
688:
374:, produced the most outstanding work in an
1234:
1220:
1206:(3rd ed.). ALA Editions. p. 211.
1197:(2nd ed.). ALA Editions. p. 402.
1019:
974:
817:. New York: Harcourt Brace & Company.
781:
1025:
1172:
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757:
1201:
1192:
1173:Rafferty, Terrence (February 4, 2011).
875:
769:
745:
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617:The New Encyclopedia of Science Fiction
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14:
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1241:
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685:, Vol. 33, No. 1 (Fall 2010), pp. 21–3
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87:written to provide entertainment to a
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1179:The New York Times Sunday Book Review
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614:Gunn, James E. (1988). "Mainstream".
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841:. Stjohnscollege.edu. Archived from
651:"Types of Genres: A Literary Guide",
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609:
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603:
601:
531:
529:
527:
1151:Conversations With Samuel R. Delany
1067:from June 14, 2006 with John Updike
981:John Sutherland (13 October 2007).
659:
209:In the context of science fiction,
24:
1057:
1026:Chaudhuri, Amit (15 August 2017).
566:
495:
149:
25:
1620:
1047:"Old Master in a Brave New World"
882:. Harper & Row. p. 175.
862:Hutchins, Robert M., ed. (1952).
654:Southern New Hampshire University
598:
524:
361:
864:Great Books of the Western World
782:Stableford, Brian (2006-09-06).
584:. Oxford University Press, USA.
299:Great Books of the Western World
277:Great Books of the Western World
271:. The terms "classic book" and "
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1103:
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1038:
908:
896:
869:
856:
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775:
699:"SFE: Mainstream Writers of SF"
420:science fiction/fantasy writer
320:
258:
71:is often used as a synonym for
903:The Encyclopedia of Philosophy
675:
643:
634:
554:
13:
1:
1045:Grossman, Lev (28 May 2006).
489:
255:(all from European descent).
154:
83:, the latter being a form of
1085:Notion, Dream (2018-07-07).
578:Prucher, Jeff (2007-03-21).
397:
234:The New York Review of Books
7:
1142:. AuthorHouse. p. 136.
788:. Routledge. pp. xxi.
439:
297:in his 1952 preface to the
10:
1625:
1568:Women's writing in English
683:Studies in Popular Culture
383:International Booker Prize
263:Literary fiction includes
228:New York Times Book Review
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1312:
1305:
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1072:February 3, 2009, at the
425:recognises SFF icons and
368:Nobel Prize in Literature
987:Guardian Unlimited Books
905:(1967) Volume 1. p. 167.
506:(8th ed.). Boston:
484:The Great American Novel
1563:Postcolonial literature
1518:Anglo-Norman literature
1202:Saricks, Joyce (2005).
1193:Saricks, Joyce (2009).
1138:Coles, William (2009).
879:Nebula Winners: Fifteen
876:Herbert, Frank (1981).
542:Encyclopedia Britannica
502:Meyer, Michael (2008).
329:" and contrasted with "
167:, or reflection on the
119:autobiographical novels
1327:American Sign Language
1009:"Not the Booker prize"
809:Bloom, Harold (1994).
668:Reissenweber, Brandi.
344:defined "culture", in
1065:The Charlie Rose Show
926:The Cornhill Magazine
479:Postmodern literature
410:The Charlie Rose Show
53:, and sometimes just
1548:Great American Novel
1267:Early English Jewish
1168:. London: Routledge.
538:"Popular literature"
467:A Reader's Manifesto
354:. The philosophy of
340:The poet and critic
1553:Jèrriais literature
1543:European literature
1115:sf-encyclopedia.com
956:"Alfred Nobel will"
936:Culture and Anarchy
921:Culture and Anarchy
703:sf-encyclopedia.com
473:Pop culture fiction
347:Culture and Anarchy
315:seventeenth century
165:political criticism
136:speculative fiction
123:encyclopedic novels
51:artistic literature
1243:English literature
1015:. 16 October 2017.
962:. 15 December 2017
736:, pp. 181–82.
451:Literary criticism
446:Aesthetic judgment
295:Robert M. Hutchins
111:historical fiction
85:commercial fiction
35:mainstream fiction
18:Mainstream fiction
1576:
1575:
1523:Celtic literature
1506:
1505:
1297:Twentieth century
941:Project Gutenberg
889:978-0-06-014830-0
824:978-0-15-195747-7
795:978-1-135-92373-0
649:Girolimon, Mars.
627:978-0-670-81041-3
591:978-0-19-530567-8
517:978-0-312-47200-9
402:In an interview,
173:Terrence Rafferty
161:social commentary
39:non-genre fiction
16:(Redirected from
1616:
1589:Academic culture
1558:Literary fiction
1322:African American
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144:Slipstream genre
128:literary romance
69:Literary fiction
31:Literary fiction
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1111:"SFE: Genre SF"
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461:Literary theory
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366:Since 1901 the
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331:popular culture
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188:science fiction
169:human condition
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150:Characteristics
140:Margaret Atwood
96:science fiction
63:human condition
47:high literature
43:serious fiction
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245:Virginia Woolf
240:The New Yorker
182:As opposed to
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