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give up his marriage to Denise, whom he does not realise is actually the same person. On her side Denise loves
Fernand. They do not have time to admit their mutual love, for the Major arrives in a fury, and interrupts the party. He takes CĂ©lestin for a reservist and shears his hair. Denise (Nitouche), who had been hiding in the back, returns dressed as a dragoon. The Major, who is fooled for a moment, soon suspects that it is a woman. Wanting to check a little closer, he gets a hard slap across the face from Denise. Taking advantage of the confusion, CĂ©lestin and Denise escape and return to the convent by climbing the wall.
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him believe that she is an artist named Mam'zelle
Nitouche. Corinne, the star, learns that Floridor (CĂ©lestin),one of her lovers, was seen in town with another woman. Furious, she refuses to appear in the second act. Denise, introduced by Fernand, saves the situation. Unbeknownst to Floridor, who has gone in search of Corinne, Denise sings the role and receives a triumphant ovation. It is only at the end of the performance that CĂ©lestin discovers the truth. Distraught, overwhelmed by events, closely followed by the Major who still wants to beat him up, the organist grabs Denise and they both escape out a window.
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marriage. Without telling the girl why she is leaving, the Mother
Superior tells her that her family is asking for her. She will leave the same day accompanied by CĂ©lestin. The composer is actually eager to attend the premiere of his operetta, not to act as Denise's chaperone. Denise finds the solution - she will wait quietly at the hotel while he is at the theatre! They take the next train to Paris.
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sincere vocation. She will write to Denise's parents. However the Major enters and tells his sister the Mother
Superior that Fernand is giving up getting married in order to look for a young artist named Nitouche with whom he has fallen in love. Denise, understanding that Fernand is the young man destined for her, asks permission to speak to him - behind the screen- in an attempt to change his mind.
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The first act was a triumph. During the intermission, the officers of the garrison flutter around the artists. Denise runs away from the hotel and looks for
Floridor (CĂ©lestin) backstage at the theatre. She meets Fernand who is also visiting the theatre. She admits to knowing the whole score and lets
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While escaping from the theatre, Floridor and Denise were intercepted by a patrol and taken to the barracks. They are recognized by the officers. They join the little party that is being given in honour of
Fernand who is going Paris to get married. Fernand, who fell in love with Nitouche, decided to
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To justify their return, Denise says that by questioning CĂ©lestin skillfully, she learned that he wanted to marry her. Preferring to become a nun and live in chastity, she begged the organist not to press his suit and he has kindly brought her back to the convent. The
Superior can not thwart such a
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She succeeds so well that a few moments later, they are in each other's arms. "It is out of pure love that I marry
Fernand", Denise tells the Mother Superior who is always in admiration of this gem of piety. The Major is less naive. He recognized the two fugitives very well. He forgives Mam'zelle
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After her music lesson, Denise gets permission to stay a little longer with CĂ©lestin to work. The Mother
Superior gives thanks for so much piety and assiduity. In reality Denise has discovered CĂ©lestin's secret. She stole the score and learned the operetta by heart. She knows all the roles. She is
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The interview between
Fernand and Denise takes place soon after. The two young people are separated by a screen, and Fernand pretends to be an old inspector. Before leaving, Fernand gives a letter to the Mother Superior which asks for the immediate return of Denise to Paris for the purpose of her
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The Major came to visit his sister to announce a plan of marriage between Fernand de Champlatreux, one of his officers, and Denise de Flavigny, the most studious and obedient of the convent's boarders. The Mother Superior grants Fernand an interview with his beloved, provided he does not see her.
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The organist of the convent, CĂ©lestin, leads a double life. During the day, he is a reserved and pious man who fulfills to general satisfaction his functions in this holy place. In the evening, under the pseudonym of Floridor, he goes to the Pontarcy theatre, where the operetta for which he has
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This morning, CĂ©lestin returns to the convent, all bruised. The Major of Chateau-Gibus, who is also the brother of the Mother Superior, surprised him in the act of making love to their common mistress, Corinne, the star of the operetta, and the Major kicked him in the back.
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54:. This story of a respectable musician, transforming himself into a songwriter at night, is partly inspired by the life of the composer of the piece Hervé, who as Florimond Ronger, his real name, was the organist at the important church of
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aware that the first performance takes place the same evening and she would like to go to the theatre. CĂ©lestin is amazed by this little Sainte-Nitouche ("holy hypocrite").
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Nitouche easily, but also extends this forgiveness to CĂ©lestin, because Corinne convinced him (falsely) that there was nothing between Floridor and her.
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444:; the title is derived from the French expression "sainte nitouche" (literally "(female) Saint Wouldn't-Touch-It") for a female hypocrite.
82:, Paris on 26 January 1883. The piece was a great success and the work remained in the repertoire of French theatres for many years.
731:"Olivier Py et Miss Knife dans l'opérette Mam'zelle Nitouche en octobre à l'opéra de Toulon, une production du Palazzetto Bru Zane"
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is a graphic form or bastardisation of "mademoiselle", French for "miss".
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by day and wrote the music for and starred in satirical, irreverent
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Le couvent des Hirondelles (The convent of the swallows)
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Scene: Provincial France sometime in the 19th century.
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Anna Judic, who created the role of Mam'zelle Nitouche
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127:Denise de Flavigny, called "Mam'zelle Nitouche"
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316:Illustration of the original production
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729:Capron, Stéphane (18 December 2017).
104:Roles, voice types, and premiere cast
353:1883 production in Stockholm, Sweden
406:Illustration of original production
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475:a 1912 Italian silent short film
367:The foyer of the Pontarcy theatre
460:Swedish soprano Helga Görlin in
116:Premiere cast, 26 January 1883
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142:Major, comte de Château-Gibus
78:It was first performed at the
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559:(German version of the above)
494:a 1918 Hungarian silent film
440:can loosely be translated as
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197:Henri Venderjench ('Cooper')
62:under a stage name at night.
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679:Opérette - Théâtre Musical
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828:Libretti by Henri Meilhac
772:Mam'zelle Nitouche (1954)
761:Mam'zelle Nitouche (1931)
710:(in French). 26 July 2015
681:(in French). 25 July 2015
584:Il diavolo va in collegio
186:Fernand de Champlatreux,
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80:Théâtre des Variétés
647:a 1976 Soviet film
635:a 1963 Danish film
619:a 1954 French film
549:a 1931 German film
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88:Palazzetto Bru Zane
66:Performance history
36:vaudeville-opérette
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737:(in French)
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557:Karel LamaÄŤ
544:Jean Renoir
527: [
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481: [
420:The convent
275:Marguerite
267:Gimblette,
204:a brigadier
180:Louis Baron
172:an organist
113:Voice type
797:Categories
596:Jean Boyer
293:Students,
282:an actress
269:an actress
242:Beaumaine
233:an actress
188:lieutenant
170:CĂ©lestin,
136:Anna Judic
92:Olivier Py
813:Opérettes
741:8 January
714:8 January
685:8 January
631:Fernandel
446:Mam'zelle
231:Corinne,
222:contralto
176:baritone
151:Christian
60:operettas
735:Sceneweb
308:Synopsis
295:dragoons
262:MĂ©riani
202:Loriot,
146:baritone
44:libretto
675:"Hervé"
538:, with
415:Scene 2
393:Scene 1
280:Lydie,
131:soprano
818:Operas
464:c1930.
212:LĂ©once
208:tenor
46:is by
42:. The
661:Notes
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540:Raimu
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452:Films
433:Title
388:Act 3
362:Act 2
324:Act 1
288:Caro
193:tenor
120:Hervé
110:Role
98:Roles
40:Hervé
34:is a
25:Hervé
788:IMDb
777:IMDb
766:IMDb
743:2019
716:2019
687:2019
161:bass
50:and
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695:^
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608:es
589:it
570:sv
529:fr
505:de
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