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313:, conniving and amoral gold-digger. Encouraged by her equally unprincipled mother, she set out to snare Robert purely for access to his finances in order that she (and her mother, to whom she has siphoned off significant amounts of money) could live a life of ease and outward respectability. In fact she has always despised Robert, mocking his unsuspicious nature and gullibility while amusing herself with a string of lovers. With the riding school business recently failing, Dora had decided that she had taken Robert for as much as she could, and had been planning to leave him for François, a richer lover who could further her social-climbing ambitions. But François goes away without warning, leaving Dora devastated. 308:
As Dora is taken to the operating theatre, her mother takes vicious pleasure in informing Robert – who has been reflecting with sadness about happy times and the prospect of losing his wife – that the marriage has been a sham from the start. Via a series of flashbacks, it is revealed
305:) rush to the hospital to which she has been taken. Believing she is about to die, Dora spitefully asks her mother – a vulgar, tawdry and heavy-drinking woman – to put Robert in the picture regarding the true nature of the marriage, so that she can die gloating over his distress. 316:
News comes through from the operating theatre that Dora will live, but is permanently paralysed. Robert states his intention to abandon her to her fate, leaving the mother alone with the prospect of having to care for her disabled daughter in straitened financial circumstances.
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is noted for the exceptionally harsh and cynical manner in which Allégret delineates the characters of his two female leads, and has been accused of being
103: 252: 366: 693: 457: 301:) have a seemingly happy marriage until Dora is critically injured in a road accident, not shown on screen. Robert and Dora's mother ( 708: 703: 607: 559: 450: 713: 718: 688: 623: 567: 487: 310: 683: 535: 519: 443: 615: 511: 631: 236: 647: 591: 495: 8: 678: 575: 698: 543: 479: 583: 419: 267: 67: 219:(married at the time to Allégret, although the marriage came to an end soon after), 263: 467: 435: 273:
The film was released in English-speaking markets under various titles, including
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It was shot at the 7: 704:1950s French-language films 624:The Restless and the Damned 568:The Proud and the Beautiful 396:overview at Films de France 10: 735: 536:Miracles Only Happen Once 520:Une si jolie petite plage 474: 186: 178: 168: 154:25 January 1950 145: 135: 121: 113: 99: 91: 73: 59: 51: 41: 26: 21: 616:The Daughter of Hamburg 320: 288: 560:The Seven Deadly Sins 36:French release poster 399:Retrieved 23-07-2010 714:Films set in France 343:unnamed in the film 719:1950s French films 689:French drama films 600:Young Girls Beware 544:Desperate Decision 480:Tobias Is an Angel 466:Films directed by 341:as Dora's mother ( 215:. The film stars 130:Les Films Modernes 666: 665: 283:The Riding School 268:Alexandre Trauner 207:film directed by 196: 195: 726: 684:1950 drama films 576:Oh No, Mam'zelle 460: 453: 446: 437: 436: 401: 390: 264:Auguste Capelier 227:. It is shot in 211:and released in 161: 159: 104:Suzanne Girardin 31: 19: 18: 16:1950 French film 734: 733: 729: 728: 727: 725: 724: 723: 669: 668: 667: 662: 488:Two Timid Souls 470: 464: 410: 405: 404: 391: 387: 382: 327:Simone Signoret 323: 309:that Dora is a 299:Simone Signoret 291: 253:Neuilly Studios 229:black-and-white 217:Simone Signoret 171: 164: 157: 155: 148: 131: 126: 124: 106: 84: 80: 78:Simone Signoret 66: 37: 17: 12: 11: 5: 732: 722: 721: 716: 711: 706: 701: 696: 691: 686: 681: 664: 663: 661: 660: 652: 644: 636: 632:Jack of Spades 628: 620: 612: 604: 596: 588: 580: 572: 564: 556: 548: 540: 532: 524: 516: 512:Dédée d'Anvers 508: 500: 492: 484: 475: 472: 471: 463: 462: 455: 448: 440: 434: 433: 422: 409: 408:External links 406: 403: 402: 384: 383: 381: 378: 377: 376: 370: 364: 358: 355:Jacques Baumer 352: 349:Franck Villard 346: 336: 330: 322: 319: 290: 287: 194: 193: 188: 184: 183: 180: 176: 175: 172: 169: 166: 165: 163: 162: 151: 149: 146: 143: 142: 137: 136:Distributed by 133: 132: 129: 127: 122: 119: 118: 115: 111: 110: 108:Maurice Serein 101: 97: 96: 95:Jean Bourgouin 93: 92:Cinematography 89: 88: 75: 71: 70: 61: 57: 56: 55:Jacques Sigurd 53: 49: 48: 43: 39: 38: 32: 24: 23: 15: 9: 6: 4: 3: 2: 731: 720: 717: 715: 712: 710: 707: 705: 702: 700: 697: 695: 692: 690: 687: 685: 682: 680: 677: 676: 674: 658: 657: 653: 650: 649: 645: 642: 641: 637: 634: 633: 629: 626: 625: 621: 618: 617: 613: 610: 609: 605: 602: 601: 597: 594: 593: 592:The Best Part 589: 586: 585: 581: 578: 577: 573: 570: 569: 565: 562: 561: 557: 554: 553: 549: 546: 545: 541: 538: 537: 533: 530: 529: 525: 522: 521: 517: 514: 513: 509: 506: 505: 501: 498: 497: 496:Box of Dreams 493: 490: 489: 485: 482: 481: 477: 476: 473: 469: 468:Yves Allégret 461: 456: 454: 449: 447: 442: 441: 438: 432: 428: 427: 423: 421: 417: 416: 412: 411: 400: 397: 395: 389: 385: 374: 373:Gabriel Gobin 371: 368: 365: 363:as Head Nurse 362: 359: 356: 353: 350: 347: 344: 340: 337: 334: 333:Bernard Blier 331: 328: 325: 324: 318: 314: 312: 306: 304: 300: 296: 295:Bernard Blier 286: 284: 280: 276: 271: 269: 265: 262: 261:art directors 258: 254: 250: 246: 242: 238: 234: 230: 226: 222: 221:Bernard Blier 218: 214: 210: 209:Yves Allégret 206: 202: 201: 192: 189: 185: 181: 177: 173: 167: 153: 152: 150: 144: 141: 138: 134: 128: 120: 116: 112: 109: 105: 102: 98: 94: 90: 87: 83: 82:Bernard Blier 79: 76: 72: 69: 65: 62: 58: 54: 50: 47: 46:Yves Allégret 44: 40: 35: 30: 25: 20: 656:Johnny Banco 654: 646: 638: 630: 622: 614: 606: 598: 590: 582: 574: 566: 558: 550: 542: 534: 527: 526: 518: 510: 502: 494: 486: 478: 425: 414: 398: 393: 388: 342: 315: 311:manipulative 307: 292: 282: 278: 274: 272: 249:misogynistic 244: 199: 198: 197: 170:Running time 147:Release date 68:André Paulvé 33: 552:Leathernose 504:Dawn Devils 367:Jean Ozenne 351:as François 339:Jane Marken 303:Jane Marken 225:Jane Marken 86:Jane Marken 64:Émile Natan 60:Produced by 42:Directed by 679:1950 films 673:Categories 380:References 275:The Wanton 174:91 minutes 158:1950-01-25 123:Production 52:Written by 699:Film noir 335:as Robert 279:The Cheat 241:voiceover 237:flashback 233:film noir 100:Edited by 648:Germinal 640:Konga Yo 431:AllMovie 375:as Émile 361:Mona Dol 357:as Louis 293:Robert ( 239:and the 187:Language 114:Music by 74:Starring 528:Manèges 426:Manèges 415:Manèges 394:Manèges 369:as Éric 329:as Dora 245:Manèges 200:Manèges 179:Country 156: ( 140:DisCina 125:company 117:— 34:Manèges 22:Manèges 659:(1967) 651:(1963) 643:(1962) 635:(1960) 627:(1959) 619:(1958) 611:(1957) 603:(1957) 595:(1956) 587:(1955) 579:(1954) 571:(1953) 563:(1952) 555:(1952) 547:(1952) 539:(1951) 531:(1950) 523:(1949) 515:(1948) 507:(1946) 499:(1945) 491:(1943) 483:(1940) 205:French 191:French 182:France 584:Oasis 257:Paris 203:is a 420:IMDb 321:Cast 289:Plot 281:and 266:and 223:and 213:1950 429:at 418:at 255:in 231:in 675:: 285:. 277:, 270:. 459:e 452:t 445:v 345:) 160:)

Index


Yves Allégret
Émile Natan
André Paulvé
Simone Signoret
Bernard Blier
Jane Marken
Suzanne Girardin
Maurice Serein
DisCina
French
French
Yves Allégret
1950
Simone Signoret
Bernard Blier
Jane Marken
black-and-white
film noir
flashback
voiceover
misogynistic
Neuilly Studios
Paris
art directors
Auguste Capelier
Alexandre Trauner
Bernard Blier
Simone Signoret
Jane Marken

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