432:
cinema. The advent of this industry does not form the subject of our story. It is, at the very most, only the background for the action. The author, who has a moderate taste for exceptional subjects, thinks, in effect, that making a film consecrated to the cinema is as dangerous as writing a play the heroes of which are comedians or a novel the main character of which is a novelist. It would be fortunate, however, if the reader understood that, by prompting remembrances of the artisans who, between 1900 and 1910, gave birth, in France, to the first cinema industry in the world, their pupil wanted to render homage to their memory."
464:, he produced a running English commentary on the action and the dialogue which was spoken on the soundtrack by Chevalier during the pauses in the French dialogue. The effect was supposed to be that of sitting next to a friend who explained what was being said when necessary, but in the event audiences were put off by finding the same voice/character feature both within the action on-screen as well as commenting on it off-screen, which seemed to diminish credibility.
487:
collapsing and a quartet of hands, strayed from some Gallic crazy gang, eternally playing cards... This is not a major film of Clair's, but it is an authentic one..."; "This film is absolutely enchanting... There is some wonderful slapstick... It must be admitted that this is not the best work of René Clair, and because of this many may be disappointed with the occasionally flagging dialogue and slowing up of the tempo".
345:
of his old friend CĂ©lestin, when she arrives from the country; he offers her a place to stay and a job at his studio, and he starts to fall in love with her. When
Jacques returns from military service, he and Madeleine are drawn to each other but they feel guilty about betraying the fatherly Émile. Émile finally realises the truth and decides that he must not stand in the young couple's way.
498:
what it expects". He also expressed reservations about the prominence of dialogue especially in a film which both characters and setting explored the virtues of silence: "I am convinced that in a work for the cinema the dialogue should have no more importance than it has in a novel, and that it is always more worthwhile to express oneself with images than with words."
31:
344:
The setting is Paris in the early 1900s ("1906, perhaps") and much of the action takes place in a silent film studio. Émile, a director, advises his shy young employee
Jacques to adopt his own carefree attitude towards women ("one lost, ten found"). Émile takes under his wing Madeleine, the daughter
497:
Clair himself, while retaining an affection for the film, admitted to some shortcomings, particularly in respect of a certain heaviness in the exposition of the opening scenes. For the resolution of the story, he felt that he had not satisfied the maxim that "the public must always be surprised by
431:
Clair chose as the background for his story the very early days of silent film-making. In his introduction to the published screenplay he wrote, "Without doubt some memories of youth have given birth to the comedy that follows. The action of this film takes place during the heroic period of French
486:
In the UK, the film received some qualified enthusiasm, alongside a feeling that it did not represent Clair at his best. For example: "...film and audience most enjoy themselves when the action is confined to the studio with sets and all the paraphernalia of primitive film-making perpetually
467:
For this version, an additional musical scene was filmed in which
Maurice Chevalier sang "Place Pigalle". The American version was, however, shortened to a running time of 89 minutes (compared with 106 minutes for the original French version).
424:, René Clair returned to France in 1946 having signed a contract with RKO to produce his next film there. Other funding for the film came from Pathé. Filming took place at the
494:
said, "He has treated a rather small idea in a small and generally unimaginative way, and the only faint touch of irony in it is a typical 'happy ending', well contrived."
805:
528:
471:
When the film was shown in London in 1948, it appeared under its original French title and was subtitled; the running time was however recorded as 99 minutes.
483:
was welcomed for marking not just the return of Clair to France, but his resumption of the preoccupations and the wit and elegance of his pre-war films.
546:
1948:
700:
490:
In the US, the film did poor business with the public, possibly hampered by the experiment with a hybrid-language version. The critic of
460:, Clair experimented with an English-language version which did not use either subtitles or dubbing. Working with American screenwriter
2105:
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2020:
448:, but after his unexpected death in 1946, it was taken on by Maurice Chevalier, who was appearing in his first film for seven years.
2070:
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336:. The film marked Clair's return to working in France after 12 years abroad in the United Kingdom and the United States.
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For the release of the film in the United States under the title
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Clair acknowledged an influence on his own script from Molière's
330:. It was released in a shortened version in the United States as
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840:. Translated by Bozzetti, Piergiuseppe. New York: Orion Press.
445:
444:
The central role of M. Émile was originally intended for
617:(in French). Paris: Éditions Universitaires. p. 11.
808:. Locarno International Film Festival. Archived from
1987:
1198:
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767:(in French). Renans: 5 Continents. p. 34.
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1690:Why Has Bodhi-Dharma Left for the East?
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322:'Silence is golden') is a 1947
1988:
1949:Vengeance Is Mine, All Others Pay Cash
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357:as Émile Clément, known as M. Émile
13:
1159:(1962, segment "Les Deux Pigeons")
559:
537:French Syndicate of Cinema Critics
14:
2117:
2106:Films scored by Georges Van Parys
2026:American historical romance films
846:
2021:American historical comedy films
1602:The Idlers of the Fertile Valley
943:The Phantom of the Moulin Rouge
35:French theatrical release poster
2071:French historical romance films
2056:Films shot at Joinville Studios
1247:When Willie Comes Marching Home
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806:"Winners of the Golden Leopard"
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2066:French historical comedy films
2031:American romantic comedy films
2016:American black-and-white films
2011:1940s historical romance films
1797:Off to the Revolution by a 2CV
746:Le Cinéma français (1890–1962)
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1:
2006:1940s historical comedy films
765:La IV RĂ©publique et ses films
572:"Man About Town: Detail View"
552:
415:
326:film written and directed by
2081:French romantic comedy films
2061:French black-and-white films
2041:Films directed by René Clair
1722:The Place on a Grey Tricorne
1511:They Have Changed Their Face
1200:Golden Leopard winning films
882:AFI Catalog of Feature Films
701:"Le Silence Est d'Or (1947)"
577:AFI Catalog of Feature Films
474:
7:
2076:1940s French-language films
1770:Skin of Man, Heart of Beast
1674:Distant Voices, Still Lives
731:. August 1948. pp. 119–120.
10:
2122:
2001:1947 romantic comedy films
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1215:And Then There Were None
1063:And Then There Were None
1039:The Flame of New Orleans
983:Under the Roofs of Paris
763:Chirat, Raymond (1985).
1567:The Son of Amir Is Dead
1391:Transport from Paradise
1319:The Sheep Has Five Legs
348:
16:1947 film by René Clair
2086:Golden Leopard winners
2046:Films set in the 1900s
2036:Films about filmmaking
1642:Stranger Than Paradise
1447:Those Who Wear Glasses
1439:Charles, Dead or Alive
1239:The Farm of Seven Sins
1151:(1943, segment "1897")
783:. 9 August 1948. p. 7.
310:
1909:Right Now, Wrong Then
1885:The Girl from Nowhere
1503:On the Point of Death
1415:Courage for Every Day
1087:Beauties of the Night
967:The Italian Straw Hat
728:Monthly Film Bulletin
237:21 May 1947
2096:1940s American films
1463:No Path Through Fire
1156:Three Fables of Love
1079:Beauty and the Devil
1055:It Happened Tomorrow
1015:The Last Billionaire
959:The Prey of the Wind
951:The Imaginary Voyage
836:Clair, René (1970).
713:on 16 February 2013.
529:Best Direction Award
256: (New York City)
161:Louisette Hautecoeur
1901:From What Is Before
1407:Four in the Morning
1351:Ten North Frederick
1271:The Composer Glinka
1023:The Ghost Goes West
752:. pp. 106–107.
699:(22 October 1947).
481:Le silence est d'or
312:Le silence est d'or
221:RKO (United States)
51:Le silence est d'or
2101:1940s French films
2051:Films set in Paris
1618:To Love the Damned
1375:Fires on the Plain
1231:Germany, Year Zero
1095:The Grand Maneuver
918:Films directed by
795:, pp. 110–112
706:The New York Times
683:, pp. 107–108
633:, pp. 108–109
492:The New York Times
438:L'École des femmes
409:Bernard La Jarrige
119:Bernard La Jarrige
1983:
1982:
1893:Story of My Death
1658:Jezioro Bodeńskie
1166:
1165:
1148:Forever and a Day
1130:Short films &
1047:I Married a Witch
999:À Nous la Liberté
426:Joinville Studios
393:as the accountant
355:Maurice Chevalier
321:
298:
297:
179:Georges Van Parys
94:Maurice Chevalier
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1698:Accidental Waltz
1559:Tűzoltó utca 25.
1551:The Illumination
1455:Three Sad Tigers
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1933:A Land Imagined
1869:Winter Vacation
1784:
1746:NĂ©nette et Boni
1573:
1535:Znaki na drodze
1495:End of the Road
1431:The Visionaries
1423:Entranced Earth
1367:Il bell'Antonio
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812:on 19 July 2009
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829:Bibliography
814:. Retrieved
810:the original
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403:Gaston Modot
369:as Madeleine
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265:Running time
245: (Paris)
50:
18:
2091:Pathé films
1845:The Rebirth
1805:The Longing
1714:Autumn Moon
1650:Alpine Fire
1519:The Friends
1399:Black Peter
1132:Anthologies
611:Jean, Mitry
600:, p. 8
547:Prix Méliès
479:In France,
399:as CĂ©lestin
387:as Le Frisé
269:106 minutes
79:Produced by
61:Directed by
1996:1947 films
1990:Categories
1853:Parque via
1829:Nine Lives
1754:The Mirror
1383:The Winner
1303:Wild Fruit
991:Le Million
920:René Clair
793:Clair 1970
777:Review in
750:Flammarion
681:Clair 1970
669:Clair 1970
654:. London:
631:Clair 1970
615:René Clair
598:Clair 1970
553:References
428:in Paris.
416:Production
405:as Gustave
375:as Lucette
373:Dany Robin
363:as Jacques
328:René Clair
252:1947-10-21
241:1947-05-21
186:Production
109:Dany Robin
82:René Clair
74:René Clair
71:Written by
65:René Clair
1925:Mrs. Fang
1578:1976–2000
1207:1946–1975
1140:Entr'acte
816:17 August
780:The Times
748:. Paris:
475:Reception
274:Countries
188:companies
154:Edited by
1957:Regra 34
1762:Mr. Zhao
1610:The Herd
1487:Soleil O
1343:Il Grido
1311:Rotation
870:AllMovie
744:(1962).
613:(1960).
411:as Paulo
291:Language
175:Music by
87:Starring
1917:Godless
1821:Private
1730:Khomreh
879:at the
340:Premise
320:
250: (
239: (
1976:(2024)
1968:(2023)
1960:(2022)
1952:(2021)
1944:(2019)
1936:(2018)
1928:(2017)
1920:(2016)
1912:(2015)
1904:(2014)
1896:(2013)
1888:(2012)
1880:(2011)
1872:(2010)
1864:(2009)
1856:(2008)
1848:(2007)
1840:(2006)
1832:(2005)
1824:(2004)
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1781:(2000)
1778:Father
1773:(1999)
1765:(1998)
1757:(1997)
1749:(1996)
1741:(1995)
1733:(1994)
1725:(1993)
1717:(1992)
1709:(1991)
1701:(1990)
1693:(1989)
1685:(1988)
1677:(1988)
1669:(1987)
1666:O Bobo
1661:(1986)
1653:(1985)
1645:(1984)
1637:(1983)
1629:(1981)
1626:Chakra
1621:(1980)
1613:(1979)
1605:(1978)
1597:(1977)
1589:(1976)
1570:(1975)
1562:(1974)
1554:(1973)
1546:(1972)
1538:(1971)
1530:(1971)
1522:(1971)
1514:(1971)
1506:(1971)
1498:(1970)
1490:(1970)
1482:(1970)
1474:(1970)
1471:Lilika
1466:(1969)
1458:(1969)
1450:(1969)
1442:(1969)
1434:(1968)
1426:(1967)
1418:(1966)
1410:(1965)
1402:(1964)
1394:(1963)
1386:(1962)
1378:(1961)
1370:(1960)
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1314:(1954)
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1266:(1953)
1258:(1952)
1255:Hunted
1250:(1950)
1242:(1949)
1234:(1948)
1226:(1947)
1218:(1946)
1143:(1924)
1122:(1965)
1114:(1961)
1106:(1957)
1098:(1955)
1090:(1952)
1082:(1950)
1074:(1947)
1066:(1945)
1058:(1944)
1050:(1942)
1042:(1941)
1034:(1938)
1026:(1935)
1018:(1934)
1010:(1933)
1002:(1931)
994:(1931)
986:(1930)
978:(1928)
970:(1928)
962:(1927)
954:(1926)
946:(1925)
938:(1924)
502:Awards
307:French
294:French
280:France
46:French
1973:Toxic
583:8 May
535:1948
507:1947
446:Raimu
197:Pathé
1479:Mujo
859:IMDb
818:2011
585:2014
544:Won:
349:Cast
318:lit.
1738:RaĂŻ
868:at
857:at
525:Won
516:Won
202:RKO
1992::
719:^
703:.
688:^
638:^
623:^
574:.
561:^
527::
518::
315:,
309::
1192:e
1185:t
1178:v
911:e
904:t
897:v
820:.
587:.
305:(
254:)
243:)
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