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Man Is the Bastard

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174:. Kenyon and Connel continue to perform in progressive rock acts such as Frank Booth Youth, Bastard Lounge, ControllingHand, Lux Nova Umbra Est, and Umbra Vita. Andy Beattie continues doing vocals. Staying within his hardcore/powerviolence roots, he has performed/screamed in such bands as Controlling Hand, Low Threat Profile, Infest, Dead Language, featuring members from 215:, which still actively make releases to this day. This heavy noise influence was brought into the band's sound in part by band member Henry Barnes, who brought his electronics into the band's sound. Barnes made his own electronic instruments from scratch. Man Is the Bastard's recordings are characterized by their thin, raw low 753:
First pressing consisted of 2000 black copies, 1000 packaged in blue sleeves, 1000 packaged in red sleeves. A second pressing was made, with alternative artwork that resembles closely to the band's "uniform" artwork style. The second press consists of pink, green, blue, and grey colored vinyl copies.
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The first pressing came in photocopied sleeves. The second pressing came in a green photocopied sleeve. The third pressing was a joint release between DP and Deep Six records, which was pressed on purple vinyl. These first three 7" pressings all came out in 1992. Later in 1996, Deep Six repressed the
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First issued through S.O.A. Records in 1992 in Italy on black and red vinyl. DP later released the 7" in the US in 1993 with different artwork on clear and black vinyl. Deep Six Records reissued the recording as a 10" in 2014, this time pressed on clear and green vinyl with the same artwork as the DP
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First issued in 1995 as an LP. Two versions of the LP was released: one pressed on white vinyl, the other released as a picture disc. Gravity Records later issued the album on CD format in 1996. In 2012, Gravity reissued a remastered version of the album on LP pressed on three colors: orange, purple,
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Artistically most of their releases had a similar design, with their trademark skull on both sides of the words Man Is The Bastard with the release title underneath in quotations. The band's "skull logo" was originally taken from a medical book that Eric Wood was reading. Most of their recordings
255:. Man Is the Bastard's lyrical violence was balanced by their adamant advocacy of progressive ideals. This record of political activism resulted in their most widely available album, 1997’s split LP with death row prisoner 703:
split on green, orange, and purple vinyl. In 2012, the split was reissued as a 10" through Deep Six, mostly on black vinyl, although 70 mail-order translucent pink copies were pressed as well. Split with Aunt Mary.
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Features previously unreleased material recorded in 1997. 500 copies were pressed on black vinyl, 400 were pressed on random solid colors, and 100 were pressed as a red/green/orange/yellow mix, or "sunburst".
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7" edition. Both the DP and Deep Six editions include the extra track "Regression of Birth". The original S.O.A. 7" would later be released in its entirety as a single track on their 2003 compilation album
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project featuring members of Man Is the Bastard. The split compiles various live recordings performed between the years 1994 to 1996. Released in edition of 500 through Vibrator Records in Japan.
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included simplistic liner notes that briefly explained each track's meanings. When artwork was used, it was typically stark, standing out against a basic layout. In 2012 the band
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Compilation containing material previously released on the band's split with Bleeding Rectum and Capitalist Casualties, as well as previously unreleased Bastard Noise material.
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First pressing consisted of 1500 green copies in black-and-white sleeves. Second pressing consists of 500 black copies in red-and-white sleeves. Split with Pink Turds In Space.
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Released in 1993 by DP as a 7" pressed on black and orange vinyl. In 2013, Deep Six reissued the split as a 10" on brown, green, and orange vinyl. Split with Bizarre Uproar.
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1200 copies had black-and-white cover art, 300 copies had red-and-white art, and an unknown number of copies came in purple-and-white cover art. Split with Agathocles.
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Limited to 400 copies, all on clear candy-colored pink vinyl, housed in a screenprinted, single-pocket jacket with a double-sided, screenprinted lyrics insert.
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splits, extended plays, and albums on obscure labels from around the world. By 1997, the group ended and members all went on to do other projects, such as the
207:. The band's "set up" included two bass guitars, as well as dual vocals, performed by Wood and Kenyon. The band is also notable for their extensive use of 973:
Pressed on black, translucent red, yellow/red mix, and yellow. Yellow copies were an edition of 150 and were packaged in alternative artwork. Split with
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First issued as a split LP in 1993 by DP. Deep Six would later repress the album in 2013 on black and blue marbled vinyl. Split with Bleeding Rectum.
178:, and Cave State. His current band, Dead Mans Life (2018) performs the Los Angeles area. His "solo" band, Institute of Infinite Sorrow, is active. 1988: 2013: 1973: 1933: 1864: 272:
used the skull logo for a t-shirt design, to which Eric Wood accused of plagiarism. The band apologized, and both parties made up in agreement.
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First issued through Eccocentric in Germany in 1992, later repressed by Deep Six Records in the US in 2014 on purple, tan, and orange vinyl.
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First issued by Six Weeks in 1994. Later repressed in 2009 on black and grey vinyl. The grey edition was limited to 200 copies. Split with
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Released by Farewell Records in Germany in 1993 as an edition of 2000: 1700 black copies, 300 pink copies. Split with Pink Flamingos.
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Man Is the Bastard has dissolved but its members are involved with a number of other projects. Wood occasionally performs in the
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Features tracks taken from the band's splits with Pink Turds In Space and UND. Pressed on black and blue vinyl.
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Compilation album containing material released on early 7" releases. Later repressed in 2006 by Deep Six.
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Collection of tracks recorded live, recorded throughout 1992 at various places: KSPC Radio, Claremount,
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The band is now seen as a critical part of the California powerviolence movement.
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Contains material from the band's split with Born Against as well as the entire
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Under the Surface/Smashed Visions/Anger And English/De-Programming The Bigot
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Chris Dodge has called the group "the most unique band of their day". The
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Shawn Connell - guitar on Charred Remains / Pink Turds in Space Split EP.
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The band's lyrics are often political and dark, with common themes being
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Pressed on black, clear, and translucent yellow vinyl. Split with UND.
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reference the group on the track "Do Re and Me" on their 2014 album
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Revive Us Again: The Voices of Inspiration of a Machination World
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Man Is the Bastard (aka Charred Remains) has been described as
1782:"An Oral History of Powerviolence (Interview with Eric Wood)" 1840:"Exclusive Interview with Eric Wood from Man Is The Bastard" 987:
Mumia Abu-Jamal Spoken Word With Music By Man Is The Bastard
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Reproach (8 Modern Hardcore Bands Cover Negative Approach)
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Pink Turds In Space/Charred Remains AKA Man Is the Bastard
211:, even going as far as creating the noise side-project 147:. The band existed from 1990 to 1997, releasing mostly 399:First issued as an LP in 1991, later reissued as a 1946: 792:>>Under the Surface: Smashed Visions<< 2042: 1906: 1986: 1947:Ivers (2008-03-20), Brandon (20 March 2008). 1775: 1773: 1837: 920:. Test pressings were pressed on 10" vinyl. 377:Sum of the Men: "The Brutality Continues..." 2012:: CS1 maint: numeric names: authors list ( 1972:: CS1 maint: numeric names: authors list ( 1932:: CS1 maint: numeric names: authors list ( 1863:: CS1 maint: numeric names: authors list ( 1770: 1219: 1167:A Call For Consciousness/Our Earth's Blood 1039:Nazi Drunks Fuck Off/Native American Life' 1013:, the recording features contributions by 403:including extra tracks taken from various 1980: 1349:Cataclastic Fracture (A Noise Collection) 569:Released by Vermiform in 1993 in the US. 871:Capitalist Casualties/Man Is the Bastard 844:Throne of Apprehension/Provoked Behavior 2043: 1880: 1746: 1744: 1742: 1423:"...Telephone Call To Lost And Found" 1187:7". Pressed on black and green vinyl. 2061:Musical groups disestablished in 1997 1876: 1874: 1804: 1802: 1491:KXLU 88.9FM Los Angeles Live Volume 1 1065: 344:Isreal Lawrence - vocals, electronics 2051:Hardcore punk groups from California 1940: 1833: 1831: 1808: 1595:Cry Now, Cry Later Volumes 3 & 4 2031:Man Is The Bastard - BandToBand.com 1779: 1753:"Eric Wood From Man Is The Bastard" 1739: 322:Henry Barnes - guitars, electronics 310: 13: 2056:Musical groups established in 1991 1907:n/a (2012-03-11) (15 March 2012). 1881:Battan, Carrie (24 January 2012). 1871: 1799: 1750: 767:Bleeding Rectum/Man Is the Bastard 14: 2092: 2076:1991 establishments in California 2024: 1900: 1828: 1269:In the Spirit of Total Resistance 686:Dis-Corporation/The Power of Hash 469: 2081:American crust and d-beat groups 2066:American industrial music groups 635: 353: 332: 1243:Son Of Bllleeeeaaauuurrrrgghhh! 1055:Split LP with Bastard Noise, a 929:Man Is the Bastard/Sinking Body 1811:"Man Is the Bastard Biography" 1009:As well as being a split with 738:Crossed Out/Man Is the Bastard 348: 1: 1909:"An Interview with Eric Wood" 1732: 1726:"No Concern For the Inhuman" 1716:Label: A Product of Six Cents 1415:Label: Lost and Found Records 1949:"What Is It?: Powerviolence" 1377:No Desire To Continue Living 713:"The Brutality Continues..." 275: 7: 1987:Smith (2014-05-29), Robin. 1433:Cry Now, Cry Later Volume 3 962:Label: King of the Monsters 325:Aaron Kenyon - vocals, bass 10: 2097: 1329:Label: Machination Records 1202:Released: December 1, 2016 614:Released: October 16, 2015 535:Label: Eccocentric Records 305: 262: 222: 186: 1708:A Product of Six Cents II 1603:Label: Pessimiser Records 1441:Label: Theologian Records 1407:Golden Shower of 72 Hits' 1251:Label: Slap-A-Ham Records 1213:Pressed on purple vinyl. 1097:Label: Slap-A-Ham Records 944:Split with Sinking Body. 852:Label: Theologian Records 745:Label: Slap-A-Ham Records 338:Bill Nelson - electronics 112: 108: 90: 80: 49: 38: 28: 21: 1786:lioncitydiy.blogspot.com 1780:n/a (14 February 2012). 1713:Released: April 25, 2009 1303:Label: Vermiform Records 1277:Label: Profane Existence 936:Label: Vermiform Records 908:Label: Vermiform Records 900:A Call For Consciousness 561:Label: Vermiform Records 316:Eric Wood - vocals, bass 284:bassist and operator of 181: 1668:"Autopsy of Authority" 1577:Label: Ugly Pop Records 1551:Label: Deep Six Records 1525:Label: Deep Six Records 1385:Label: Farewell Records 1357:Label: Deadline Records 1259:"Autopsy of Authority" 1220:Compilation appearances 1205:Label: Deep Six Records 1175:Label: Deep Six Records 1149:Label: Deep Six Records 1141:First Music/First Noise 1123:Label: Deep Six Records 1047:Label: Vibrator Records 888:Capitalistic Casualties 800:Label: Farewell Records 587:Label: Deep Six Records 452:Released: June 24, 2016 341:Andrew Beattie - vocals 1698:7" as a single track. 954:Our Earth's Blood Pt.2 609:The Lost MITB Sessions 1686:Label: S.O.A. Records 1637:"Man Is the Bastard" 1629:Label: Tralla Records 997:Alternative Tentacles 501:Label: S.O.A. Records 455:Label: Robotic Empire 145:Claremont, California 43:Claremont, California 2071:Powerviolence groups 1694:The entirety of the 1621:Under Your Influence 1367:"Human Plecostomus" 1337:"Funeral For Fargo" 319:Joel Connell - drums 101:, Deep Six Records, 1809:Torreano, Bradley. 1611:"Faces of the Men" 1451:"Faces of the Men" 219:production values. 1838:n/a (2010-11-08). 1678:Old Days Nostalgia 1647:Ham Slappin' Hits! 1507:"Slay or Slander" 1443:Pessimiser Fanzine 1397:"Military Prayer" 1066:Compilation albums 854:Pessimiser Fanzine 667:Slap-a-Ham Records 515:Old Days Nostalgia 286:Slap-a-Ham Records 137:Man Is the Bastard 23:Man Is the Bastard 1913:brooklynvegan.com 1730: 1729: 1696:Abundance of Guns 1655:Label: Slap-A-Ham 1469:Label: Frame Work 1461:Anger And English 1285:"Homo Afflictus" 1217: 1216: 1185:Our Earth's Blood 1063: 1062: 633: 632: 553:Our Earth's Blood 527:Backwards Species 493:Abundance of Guns 467: 466: 387:Vermiform Records 134: 133: 2088: 2018: 2017: 2011: 2003: 2001: 2000: 1984: 1978: 1977: 1971: 1963: 1961: 1960: 1944: 1938: 1937: 1931: 1923: 1921: 1920: 1915:. 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Pop Matters 1994: 1990: 1983: 1975: 1969: 1954: 1950: 1943: 1935: 1929: 1914: 1910: 1903: 1888: 1887:pitchfork.com 1884: 1877: 1875: 1866: 1860: 1845: 1841: 1834: 1832: 1816: 1812: 1805: 1803: 1787: 1783: 1776: 1774: 1758: 1754: 1747: 1745: 1743: 1738: 1725: 1720: 1718:To Live A Lie 1715: 1712: 1711: 1710: 1709: 1705: 1702: 1701: 1697: 1693: 1688: 1685: 1682: 1681: 1680: 1679: 1675: 1672: 1671: 1665: 1661: 1657: 1654: 1651: 1650: 1649: 1648: 1644: 1641: 1640: 1636: 1631: 1628: 1625: 1624: 1623: 1622: 1618: 1615: 1614: 1610: 1605: 1602: 1599: 1598: 1597: 1596: 1592: 1589: 1588: 1584: 1579: 1576: 1573: 1572: 1571: 1570: 1566: 1563: 1562: 1558: 1553: 1550: 1547: 1546: 1545: 1544: 1540: 1537: 1536: 1532: 1527: 1524: 1521: 1520: 1519: 1518: 1514: 1511: 1510: 1506: 1501: 1498: 1495: 1494: 1493: 1492: 1488: 1485: 1484: 1476: 1471: 1468: 1465: 1464: 1463: 1462: 1458: 1455: 1454: 1450: 1445: 1440: 1437: 1436: 1435: 1434: 1430: 1427: 1426: 1422: 1417: 1414: 1411: 1410: 1409: 1408: 1404: 1401: 1400: 1394: 1389: 1384: 1381: 1380: 1379: 1378: 1374: 1371: 1370: 1366: 1361: 1356: 1353: 1352: 1351: 1350: 1346: 1343: 1342: 1336: 1331: 1328: 1325: 1324: 1323: 1322: 1318: 1315: 1314: 1310: 1305: 1302: 1299: 1298: 1297: 1296: 1295:Fear of Smell 1292: 1289: 1288: 1284: 1279: 1276: 1273: 1272: 1271: 1270: 1266: 1263: 1262: 1258: 1253: 1250: 1247: 1246: 1245: 1244: 1240: 1237: 1236: 1232: 1229: 1226: 1225: 1212: 1207: 1204: 1201: 1200: 1199: 1198: 1194: 1191: 1190: 1186: 1182: 1177: 1174: 1171: 1170: 1169: 1168: 1164: 1161: 1160: 1156: 1151: 1148: 1145: 1144: 1143: 1142: 1138: 1135: 1134: 1130: 1125: 1122: 1119: 1118: 1117: 1116: 1112: 1109: 1108: 1104: 1099: 1096: 1093: 1092: 1091: 1090: 1086: 1083: 1082: 1078: 1075: 1072: 1071: 1058: 1054: 1049: 1046: 1043: 1042: 1041: 1040: 1036: 1033: 1032: 1028: 1024: 1020: 1016: 1015:Assata Shakur 1012: 1008: 1004: 1000: 998: 994: 991: 990: 989: 988: 984: 981: 980: 976: 972: 968: 964: 961: 958: 957: 956: 955: 951: 948: 947: 943: 938: 935: 932: 931: 930: 927: 924: 923: 919: 915: 910: 907: 904: 903: 902: 901: 897: 894: 893: 889: 885: 880: 877: 874: 873: 872: 869: 866: 865: 861: 856: 851: 848: 847: 846: 845: 841: 838: 837: 833: 828: 825: 822: 821: 820: 819: 815: 812: 811: 807: 802: 799: 796: 795: 794: 793: 789: 786: 785: 781: 776: 773: 770: 769: 768: 765: 762: 761: 757: 752: 747: 744: 741: 740: 739: 736: 733: 732: 728: 723: 720: 717: 716: 715: 714: 710: 707: 706: 701: 696: 693: 690: 689: 688: 687: 683: 680: 679: 675: 670: 668: 664: 661: 660: 659: 656: 653: 652: 648: 645: 642: 641: 636:Split records 627: 623: 619: 616: 613: 612: 611: 610: 606: 603: 602: 598: 594: 589: 586: 583: 582: 581: 580: 576: 573: 572: 568: 563: 560: 557: 556: 555: 554: 550: 547: 546: 542: 537: 534: 531: 530: 529: 528: 524: 521: 520: 516: 511: 507: 503: 500: 497: 496: 495: 494: 490: 487: 486: 482: 479: 476: 475: 462: 457: 454: 451: 450: 449: 448: 444: 441: 440: 435: 430: 428: 424: 421: 420: 419: 418: 414: 411: 410: 406: 402: 398: 394: 390: 388: 384: 381: 380: 379: 378: 374: 371: 370: 366: 363: 360: 359: 354:Studio albums 343: 340: 337: 336: 333:Later members 327: 324: 321: 318: 315: 314: 303: 301: 300: 295: 291: 287: 283: 273: 271: 260: 258: 254: 250: 246: 242: 238: 234: 230: 229:animal rights 220: 218: 214: 213:Bastard Noise 210: 206: 202: 198: 197:hardcore punk 194: 193:powerviolence 179: 177: 173: 172:Bastard Noise 169: 164: 162: 161:powerviolence 158: 157:Bastard Noise 154: 150: 146: 142: 141:hardcore punk 138: 117: 111: 107: 104: 100: 96: 93: 89: 85: 79: 73: 70: 68: 65: 63: 62:hardcore punk 60: 58: 57:Powerviolence 55: 54: 52: 48: 44: 41: 37: 33: 30:Also known as 27: 20: 16:American band 2036:Discogs page 1997:. 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Retrieved 1757:www.vice.com 1756: 1707: 1706: 1695: 1689:Format: 3xCD 1677: 1676: 1646: 1645: 1620: 1619: 1594: 1593: 1585:"Dead Stop" 1568: 1567: 1542: 1541: 1533:"Tomb Ride" 1516: 1515: 1490: 1489: 1479:"Mr. Wilson" 1472:Format: 2x7" 1460: 1459: 1446:Format: 2x7" 1432: 1431: 1418:Format: 2xCD 1406: 1405: 1387:Re-Education 1376: 1375: 1348: 1347: 1320: 1319: 1294: 1293: 1280:Format: 2x7" 1268: 1267: 1242: 1241: 1196: 1195: 1184: 1166: 1165: 1140: 1139: 1114: 1113: 1088: 1087: 1038: 1037: 1023:Jello Biafra 1001:Format: LP, 986: 985: 953: 952: 928: 918:Born Against 899: 898: 870: 843: 842: 817: 816: 791: 790: 766: 737: 712: 711: 685: 684: 657: 608: 607: 578: 577: 552: 551: 526: 525: 514: 492: 491: 446: 445: 416: 415: 401:compact disc 376: 375: 297: 279: 270:Akron/Family 266: 226: 205:sludge metal 190: 165: 136: 135: 124:Aaron Kenyon 122:Joel Connell 120:Andy Beattie 118:Henry Barnes 114:Past members 82:Years active 72:sludge metal 1889:. Pitchfork 1559:"Untitled" 1499:Label: KXLU 1477:"Tomb Ride" 1390:Format: 10" 1208:Format: 10" 1178:Format: 10" 916:Split with 756:Crossed Out 754:Split with 697:Format: 7" 437:and black. 349:Discography 237:misanthropy 168:Los Angeles 128:Bill Nelson 2045:Categories 1999:2017-04-28 1959:2017-04-28 1919:2017-04-28 1893:2012-01-24 1850:2017-04-05 1821:2016-01-18 1817:. AllMusic 1792:2012-02-14 1763:2008-09-30 1733:References 1721:Format: CD 1632:Format: CD 1606:Format: CD 1580:Format: 7" 1528:Format: 7" 1502:Format: CD 1362:Format: CD 1359:Lazy Squid 1339:"Goodbye" 1332:Format: 7" 1254:Format: 7" 1152:Format: 7" 1126:Format: CD 1100:Format: CD 1089:D.I.Y.C.D. 1050:Format: LP 975:The Locust 939:Format: 7" 911:Format: 8" 881:Format: LP 857:Format: 7" 829:Format: 7" 803:Format: 7" 777:Format: LP 748:Format: 7" 724:Format: 7" 671:Format: 7" 590:Format: 7" 564:Format: 7" 538:Format: 7" 458:Format: LP 431:Format: LP 253:depression 249:starvation 201:noise rock 163:movement. 103:Slap-a-Ham 67:noise rock 1953:xlr8r.com 826:Label: DP 774:Label: DP 721:Label: DP 694:Label: DP 407:releases 290:folk punk 276:Influence 176:Iron Lung 130:Eric Wood 99:Vermiform 2008:cite web 1968:cite web 1928:cite web 1859:cite web 1666:"Stocks" 1658:Format: 1395:"Chubby" 1233:Song(s) 1115:Mancruel 1027:Bob Dole 965:Format: 620:Format: 597:Ché Café 504:Format: 391:Format: 233:violence 217:fidelity 170:area as 1955:. XLR8R 1517:Reality 995:Label: 665:Label: 425:Label: 385:Label: 306:Members 263:Artwork 241:torture 223:Lyrical 187:Musical 95:Gravity 1759:. Vice 1079:Notes 1025:, and 649:Notes 483:Notes 405:7-inch 367:Notes 251:, and 203:, and 155:group 91:Labels 50:Genres 39:Origin 1703:2009 1673:2003 1642:1998 1616:1998 1590:1998 1564:1998 1538:1997 1512:1996 1486:1995 1456:1995 1428:1995 1402:1995 1372:1994 1344:1994 1316:1993 1290:1993 1264:1992 1238:1992 1227:Year 1192:2016 1162:2015 1136:2013 1110:2000 1084:1995 1073:Year 1057:noise 1034:1997 982:1997 949:1995 925:1995 895:1994 867:1994 839:1994 813:1993 787:1993 763:1993 734:1992 708:1992 681:1992 654:1991 643:Year 604:2015 574:1993 548:1993 522:1992 488:1992 477:Year 442:2016 412:1995 372:1991 361:Year 292:band 282:Spazz 209:noise 182:Style 153:noise 149:vinyl 2014:link 1974:link 1934:link 1865:link 967:10" 622:12" 294:AJJ 2047:: 2010:}} 2006:{{ 1991:. 1970:}} 1966:{{ 1951:. 1930:}} 1926:{{ 1911:. 1885:. 1873:^ 1861:}} 1857:{{ 1842:. 1830:^ 1813:. 1801:^ 1784:. 1772:^ 1755:. 1741:^ 1660:CS 1029:. 1021:, 1017:, 1003:CD 977:. 890:. 758:. 517:. 506:7" 393:LP 302:. 259:. 247:, 243:, 239:, 235:, 231:, 199:, 97:, 2016:) 2002:. 1976:) 1962:. 1936:) 1922:. 1896:. 1867:) 1853:. 1824:. 1795:. 1766:.

Index

Claremont, California
Powerviolence
hardcore punk
noise rock
sludge metal
Gravity
Vermiform
Slap-a-Ham
hardcore punk
Claremont, California
vinyl
noise
Bastard Noise
powerviolence
Los Angeles
Bastard Noise
Iron Lung
powerviolence
hardcore punk
noise rock
sludge metal
noise
Bastard Noise
fidelity
animal rights
violence
misanthropy
torture
police brutality
starvation

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