390:
402:, its bank deserted except for a frightened Mexican woman named Juanita, who has the two at gunpoint when Trout coldly shoots her. Link uses the woman’s gun to kill Trout. He then awaits the arrival of Claude and Ponch. In a drawn-out gun battle, Link kills Ponch first, then eventually and with some regret - because as children the two of them had been fairly close - Claude. As Link leaves town, Juanita's husband is returning. "I'm sorry" is all Link can say to him.
675:
driven hard enough. But I wasn’t able to convince the guys who were producing. I eventually convinced Cooper, but by then it was too late." Mann wanted to change the girl to Cooper's wife. "It would have been much more moving. The other girl was stupid, and I hated it, and wanted to change it, and they wouldn’t let me. Just imagine if the wife had to do what she has to do. Then it becomes much more poignant; then he would fight to the death."
629:(1955), eagerly wanted the role. Supposedly, Stewart was extremely upset when Mann didn't give him the script for the film, felt betrayed, and had no interest in working with him ever again, although Mann thought that Stewart would be unfit for the role. Another probable reason why Mann didn't give Stewart the script was that Mann and Stewart had a falling out during the shooting of
886:, like most Mann films, is a tale of redemption. We are asked to consider the essential monstrousness of the hero, and whether redemption is a tenable idea. The noble frontiersman is made the Other, and one not very deserving of sympathy, a savage whose past ghoulishness seems unimaginable. Wood also noted that the film looks down the road to the contemporary horror film:
987:
supine men–one stretched out on a porch at screen left, the other stretched out underneath the porch at screen right, as if he were already buried. It’s a key example of the way that landscape and architecture, people and settings, painting and drama, image and idea, classicism and modernism all merge on Mann’s monumental canvases."
635:(1957). While Mann and Stewart felt that the script of the film needed some rewrites, Mann wanted a darker edge for the main character of the film and dropped out because Stewart softened up the character and sang a few songs in the final film, as a showcase for his own accordion playing. With Mann out of the picture,
345:
Link revives to discover that he, Sam and Billie have been left behind, many miles from the nearest town. Link leads them on foot to a ramshackle farm, admitting that he lived there years earlier. Link sends the others to wait in the barn, giving Billie his coat to wear. Link enters the rundown house
986:
also hailed it as a "masterpiece," comparing it to "the grimness of Greek tragedy, its mountains and rock formations often suggesting the silent witness of an ancient amphitheater...the penultimate shoot-out in the ghost town is an appropriately eerie split-level confrontation between two wounded,
364:
Tobin reveals his long-held ambition to rob the bank in the town of Lassoo and asserts that Link's return to the gang makes that possible and will breathe new life into them all. To protect the lives of his companions Link agrees to participate in the holdup. After Link and Sam are sent outside to
405:
Returning to camp, Link discovers to his horror that Billie has been raped and beaten. He goes in search of Tobin, who is on a cliff nearby. Link calls out to his uncle that he, like Lassoo, is a ghost and is finished, and Link is going to take him in. Tobin starts ranting and firing his gun, and
837:
During a snow storm, Mann observed Cooper's eyes, which fascinated him: "It's all in the eyes. The heroes, all the stars the public loves, have very light blue eyes or green eyes....The eyes reflect the inner flame that animates the heroes. The guys with dark eyes play supporting roles or become
674:
Mann found working with
Reginald Rose "a little more difficult, because they had bought his script and they wanted to stick with it, and I didn’t really want to." Mann said "I had to try and break it from its rigidity, which was mostly talk. I would have changed the girl completely, if I’d only
382:
When they make camp on the trail, Link seeks revenge for the brutal treatment of Billie at the ranch and goads the brutal Coaley into a fistfight. Link beats his cousin severely, then forcibly strips him of his clothes as revenge for forcing Billie to strip at the barn. Deeply humiliated, Coaley
353:), who is startled to see Link, his nephew, whom he raised to be a killer and a thief. More than a dozen years earlier, in order to go straight, Link abandoned Tobin, and the old man laments that nothing has been the same since. He introduces Link to the others, including Link's cousin, Coaley.
661:. He initially felt that he was miscast in the role of the former outlaw because he was twenty years older than the character; Cooper was 56 at the time of filming, the lead character being 36. However, in an interview at the 2008 Cinecon in Hollywood, Mirisch claimed that having just wrapped
670:
According to biographer
Jeffrey Meyers, Cooper, who struggled with moral conflicts in his personal life, "understood the anguish of a character striving to retain his integrity ... brought authentic feeling to the role of a tempted and tormented, yet essentially decent man."
326:
Their conversation is overheard by Alcutt, a shady-looking passenger. When the train stops to pick up wood for additional fuel, male passengers help load it on to the train but Alcutt remains on board, feigning sleep. From a window he signals to three horsemen, Coaley Tobin
379:), another cousin, arrives the next morning and is displeased at finding Link there. Tobin rejects the suggestion of Claude and Coaley that it would be best to kill Link and the others. They all depart on the four-day trip to Lassoo in three wagons and two on horseback.
360:
Alcutt, who is near death from his wound. Realising the danger of his situation, Link brings Sam and Billie in from the barn and lies to Tobin, telling him that Billie is his woman and also that he purposely set out to find Dock after being left behind by the train.
31:
685:
as one of the twelve jurors) played the role of Dock Tobin. Despite playing the uncle of the main character, Cobb was ten years younger than Cooper. Make-up was applied in an attempt to make Cobb look older than Cooper. The age difference was also obvious with
1027:." Objection to the first was explained thusly, "the highly moral nature of this story is substantially marred by excessive brutality and unnecessary suggestiveness." Of "Queen," the group said it contains "suggestive costuming."
409:
Riding back to civilization, Billie tells Link she loves him but, knowing that he intends to return to his home and his family, she is resigned to the fact that she must resume her singing career and go on with life alone.
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dig a grave and bury Alcutt, an increasingly drunken Coaley decides to force Billie to strip. Her cries alert Link and, when he returns to the cabin, Coaley holds a knife to his throat while continuing to demand Billie
397:
With the town of Lassoo in sight, Link volunteers to go in and do the holdup job, secretly hoping that in town he can seek help. Tobin insists that he be accompanied by the mute Trout. It turns out that Lassoo is a
833:
Gary Cooper did his own horse-riding scenes despite physical pain that he suffered from a car accident years earlier. Chuck
Roberson, Jack Williams and Jack N. Young were the stunt performers for the film.
1019:. In its October 3 issue, just two days after the film's release, the daily magazine provides a few examples of the Legion's classification system for judging a Hollywood production's level of "decency":
316:) speaks briefly with Link, rousing the suspicions of the town marshal, Sam being a known gambler and con man. When the lawman remarks that Link looks familiar, he gives a false name, Henry Wright.
342:
Link tries to intervene and is knocked unconscious. The train departs, with Alcutt riding off with Link's bag containing Good Hope's money. Alcutt is wounded as he and the three other robbers flee.
1023:
Two pictures were placed in Class B, as morally objectionable in part for all by the Legion of
Decency, which reviewed seven films this week. In the B category are "Man of the West" and "
667:, he promptly signed Cooper for another picture, which ended up being this one. He stated that they hadn't even considered a director yet, so Stewart was never a factor.
319:
Aboard the train Sam joins Link, learns of his mission in Fort Worth and claims he can be of help. Sam introduces him to the
Crosscut saloon singer, Billie Ellis (
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all served as filming locations for the film. Two ranches located on
Newhall and Thousand Oaks respectively were used as sets which were designed by art director
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386:
During the trip Billie bemoans the fact that Link is a man worth loving but that she cannot have him. He says he has a wife and two children in Good Hope.
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was eventually cast in the lead role of Link Jones, a former outlaw who is forced to relive his past. This was Cooper's first true
Western since 1954's
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When she is nearly undressed, Tobin steps in and ends the situation. He tells everyone to go to sleep and sends Link and Billie to sleep in the barn.
1891:
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The film premiered on
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attempts to shoot the unarmed Link, but Sam interferes and is shot dead instead. Tobin then shoots Coaley dead for disobeying him.
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Coaley is suspicious of Link's claim that he simply wants to rest for the night. They are interrupted by ageing outlaw Dock Tobin (
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Please note figures are for US and Canada only and are domestic rentals accruing to distributors as opposed to theatre gross
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consider the film Mann's best and a landmark in the western genre's canon. Malcolm included the film in his 2000 list
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Although the film takes place in Texas, most of the film was shot in
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When first released, the film was largely ignored by
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started and ended in 1958, with a budget of $ 1.5 million. The film was shot on the widescreen
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claiming the film to be Anthony Mann's masterpiece, containing Cooper's finest performance.
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Disturbed by the revelation of Link's true identity, Coaley demonstrates his toughness by
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played Sam Beasley, a fast-talking gambler, and saloon singer Billie Ellis was played by
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gives one the impression that Anthony Mann is reinventing the western, exactly as
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by Will C. Brown. The title of the film had nothing to do with the novel entitled
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was the best film of the year. Decades after the film's release, it has gained a
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regarded it as the best film released that year, writing that "each shot of
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The film reunited Gary Cooper and Robert J. Wilke, who were adversaries in
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Link finally shoots him and reclaims the bag of Good Hope's money.
1149:. Vol. Two. Sequim, Washington: Cochetopa Press. p. 35.
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in supporting roles. The film is one of Cooper's final Westerns.
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Wicking, Christopher; Pattinson, Barrie (July–October 1969).
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In the decades since the film's release, it has garnered a
552:(whose company produced the Academy Award-nominated films:
30:
1096:
Film Noir: An Encyclopedic Reference to the American Style
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United Artists: The Company That Changed the Film Industry
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process (which was introduced in 1953) by cinematographer
940:, gave it one of the few raves in the mainstream press.
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as well as considerably greater acclaim. Some, such as
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Wood, Robin (Winter 2013). "Man(n) of the West(ern)".
538:. Yordan's novel had been adapted into a film called
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997:film website, based on reviews from 17 critics.
323:), insisting she could make an ideal teacher.
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591:was originally considered for the lead role.
516:The script of the film, which was written by
1386:, San Francisco. Retrieved October 25, 2019.
1060:, University of Wisconsin Press, 1987 p. 169
946:Powe called it "uneven but often powerful".
548:in the lead role. The producer of the film,
346:and finds the train robbers hiding inside.
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1376:"Legion Gives 'Man' and 'Queen' B Ratings"
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1382:(New York, N.Y.), October 3, 1958, p. 5.
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289:and greater acclaim, with film historian
599:in eight movies, five of them westerns:
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1892:Films with screenplays by Reginald Rose
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993:maintains a 94% approval rating on the
1937:English-language Western (genre) films
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1333:from the original on December 2, 2021.
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1146:Hollywood's Railroads: Sierra Railroad
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926:’s portraits reinvent the features of
854:is director Anthony Mann's version of
639:took over his position as director of
580:to direct an adaptation of the novel.
1862:Films based on Western (genre) novels
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1099:(3rd ed.). Woodstock, New York:
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526:(1957)), was based on the 1955 novel
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816:Academy Award for Best Art Direction
534:, which was written by screenwriter
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312:On the train platform Sam Beasley (
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1298:"Anthony Mann and Man Of The West"
1224:"Man Of The West, NY Times review"
14:
1948:
1917:Revisionist Western (genre) films
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1270:Malcolm, Derek (March 23, 2000).
1872:Films produced by Walter Mirisch
1296:French, Philip (April 5, 2015).
486:as Crosscut Marshal (uncredited)
1907:Films shot in the Mojave Desert
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1272:"Anthony Mann: Man of the West"
1243:"Film reviews: Man of the West"
1195:. Viking Press. pp. 116–.
595:, who had worked with director
1882:American Western (genre) films
1867:Films directed by Anthony Mann
1857:Films based on American novels
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1126:"Interviews with Anthony Mann"
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1077:. January 7, 1959. p. 48.
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1038:List of American films of 1958
821:Creature from the Black Lagoon
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1:
1897:Films scored by Leigh Harline
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864:, whose elements appeared in
808:, best known for his work in
506:
242:, is based on the 1955 novel
238:. The screenplay, written by
1842:1950s English-language films
1798:The Fall of the Roman Empire
1440:AFI Catalog of Feature Films
1241:Powe. (September 17, 1958).
968:. Critic and film historian
909:
763:, who is best known for his
7:
1132:. Vol. 10. p. 51.
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1015:objected to the content of
889:The Texas Chainsaw Massacre
576:(1967)), assigned director
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1953:
1887:1958 Western (genre) films
1013:National Legion of Decency
1011:reported in 1958 that the
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1877:Films set in ghost towns
573:In the Heat of the Night
520:(best known for writing
1001:"Morally objectionable"
827:The Night of the Hunter
413:
296:
1806:The Heroes of Telemark
1702:The Glenn Miller Story
1531:Strangers in the Night
1143:Jensen, Larry (2018).
1071:"Top Grossers of 1958"
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1005:The trade publication
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1718:Strategic Air Command
1571:Strange Impersonation
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928:Piero della Francesca
846:Canadian film critic
814:(for which he won an
782:Jamestown, California
664:Love in the Afternoon
555:The Magnificent Seven
468:J. Williams as Alcutt
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1922:1950s American films
1847:United Artists films
1726:The Man from Laramie
1380:Motion Picture Daily
1025:Queen of Outer Space
1008:Motion Picture Daily
880:The Man From Laramie
681:(who had starred in
626:The Man from Laramie
246:, by Will C. Brown.
119:Richard V. Heermance
1547:Two O'Clock Courage
1539:The Great Flamarion
1507:Moonlight in Havana
1450:at Internet Archive
1323:Rosenbaum, Jonathan
966:The Century of Film
899:The Hills Have Eyes
856:William Shakespeare
838:character actors."
492:as Tom (uncredited)
234:and distributed by
215:is a 1958 American
1603:He Walked By Night
1555:Sing Your Way Home
1485:Films directed by
1428:TCM Movie Database
1327:"Mann of the West"
1230:. August 31, 2023.
1228:The New York Times
1101:The Overlook Press
983:The Chicago Reader
978:Jonathan Rosenbaum
937:The New York Times
770:Gone with the Wind
528:The Border Jumpers
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367:remove her clothes
244:The Border Jumpers
62:The Border Jumpers
1852:CinemaScope films
1824:
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1766:God's Little Acre
1734:The Last Frontier
1678:Bend of the River
1609:
1563:The Bamboo Blonde
1357:on March 25, 2022
1345:"Man of the West"
1202:978-0-670-01935-9
1156:978-0-692-06472-6
1089:Ward, Elizabeth;
767:-winning work in
716:was cast as Pio.
608:Bend of the River
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1814:A Dandy in Aspic
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719:Joe Dominguez,
710:Robert J. Wilke
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481:
478:Chief Tahachee
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441:as Sam Beasley
436:
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375:Claude Tobin (
298:
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287:cult following
236:United Artists
232:Walter Mirisch
230:, produced by
222:film starring
206:
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204:$ 1.75 million
202:
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134:Distributed by
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117:Victor Heerman
115:
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104:Cinematography
101:
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76:Walter Mirisch
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1110:0-87951-479-5
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970:Philip French
967:
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962:Derek Malcolm
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869:
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823:
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802:Mojave Desert
799:
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794:Thousand Oaks
791:
790:Santa Clarita
787:
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766:
765:Academy Award
762:
761:Ernest Haller
758:
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733:Emory Parnell
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637:James Neilson
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632:Night Passage
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434:
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335:) and Ponch (
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288:
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261:
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240:Reginald Rose
237:
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199:
196:$ 1.5 million
195:
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180:United States
179:
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151:
150:
148:
142:
139:
136:
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128:Leigh Harline
126:
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109:
108:Ernest Haller
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52:Reginald Rose
50:
48:Screenplay by
46:
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36:
32:
27:
22:
19:
1812:
1804:
1796:
1788:
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1773:
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1764:
1758:The Tin Star
1756:
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1601:
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1537:
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1505:
1499:Dr. Broadway
1497:
1487:Anthony Mann
1447:
1446:Trailer for
1433:
1422:
1411:
1400:
1379:
1371:
1359:. Retrieved
1355:the original
1348:
1339:
1317:
1305:. Retrieved
1302:The Guardian
1301:
1291:
1281:February 21,
1279:. Retrieved
1276:The Guardian
1275:
1265:
1253:. Retrieved
1246:
1236:
1227:
1218:
1206:. Retrieved
1191:
1184:
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1145:
1138:
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1052:
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954:
948:
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896:, 1974) and
887:
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819:
809:
775:
768:
752:
750:
739:'s stuntmen
721:Dick Elliott
718:
698:Julie London
692:
683:12 Angry Men
682:
677:
673:
669:
663:
652:
644:
640:
630:
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618:
612:
606:
600:
597:Anthony Mann
587:
578:Anthony Mann
571:
565:
559:
553:
539:
531:
527:
523:12 Angry Men
521:
515:
498:
496:
427:Julie London
408:
404:
396:
385:
381:
374:
371:
363:
355:
348:
344:
341:
325:
321:Julie London
318:
311:
301:Link Jones (
300:
282:
276:
248:Julie London
243:
228:Anthony Mann
211:
210:
209:
168:Running time
145:Release date
90:Julie London
61:
42:Anthony Mann
18:
1694:Thunder Bay
1638:Side Street
1587:Railroaded!
1523:My Best Gal
1251:. p. 6
1208:February 2,
894:Tobe Hooper
850:noted that
757:CinemaScope
688:John Dehner
679:Lee J. Cobb
649:Gary Cooper
623:(1954) and
570:(1963) and
512:Development
457:John Dehner
433:Lee J. Cobb
421:Gary Cooper
393:Gary Cooper
377:John Dehner
351:Lee J. Cobb
303:Gary Cooper
264:John Dehner
252:Lee J. Cobb
224:Gary Cooper
94:Lee J. Cobb
86:Gary Cooper
72:Produced by
38:Directed by
1837:1958 films
1831:Categories
1750:Men in War
1654:The Furies
1172:CineAction
1044:References
904:Wes Craven
867:The Furies
848:Robin Wood
737:John Wayne
729:Tom London
706:Royal Dano
507:Production
490:Tom London
451:Royal Dano
400:ghost town
333:Royal Dano
331:), Trout (
307:Fort Worth
272:Royal Dano
201:Box office
156:1958-10-01
65:1955 novel
1579:Desperate
1307:April 28,
943:Variety's
910:Reception
861:King Lear
811:Cleopatra
702:Jack Lord
654:Vera Cruz
541:Gun Glory
500:High Noon
459:as Claude
447:as Coaley
445:Jack Lord
329:Jack Lord
256:Jack Lord
220:film noir
114:Edited by
1782:Cimarron
1742:Serenade
1614:Raw Deal
1417:AllMovie
1361:June 17,
1331:Archived
1032:See also
858:'s play
800:and the
617:(1953),
611:(1952),
605:(1950),
564:(1961),
558:(1960),
474:as Henry
465:as Ponch
453:as Trout
358:shooting
185:Language
172:100 min.
124:Music by
82:Starring
58:Based on
1606:(1948)
1437:at the
1426:at the
1255:May 29,
1248:Variety
1178:: 6–12.
1075:Variety
924:Matisse
798:Newhall
747:Filming
584:Casting
217:Western
188:English
177:Country
154: (
1817:(1968)
1809:(1965)
1801:(1964)
1793:(1961)
1790:El Cid
1785:(1960)
1777:(1958)
1769:(1958)
1761:(1957)
1753:(1957)
1745:(1956)
1737:(1955)
1729:(1955)
1721:(1955)
1713:(1954)
1705:(1954)
1697:(1953)
1689:(1953)
1681:(1952)
1673:(1951)
1665:(1950)
1657:(1950)
1649:(1950)
1641:(1950)
1633:(1949)
1625:(1949)
1617:(1948)
1598:(1947)
1590:(1947)
1582:(1947)
1574:(1946)
1566:(1946)
1558:(1945)
1550:(1945)
1542:(1945)
1534:(1944)
1526:(1944)
1518:(1943)
1510:(1942)
1502:(1942)
1199:
1153:
1130:Screen
1107:
972:cites
842:Themes
784:. The
643:. For
480:as Pio
270:, and
258:, and
193:Budget
1595:T-Men
934:, in
870:with
657:with
1406:IMDb
1363:2022
1309:2015
1283:2013
1257:2023
1210:2024
1197:ISBN
1151:ISBN
1105:ISBN
878:and
824:and
708:and
414:Cast
297:Plot
1415:at
1404:at
980:of
818:),
780:in
1833::
1378:,
1347:.
1329:.
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1274:.
1245:.
1226:.
1176:90
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960:s
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796:,
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1471:t
1464:v
1365:.
1311:.
1285:.
1259:.
1212:.
1159:.
1113:.
958:'
902:(
892:(
327:(
158:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
