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traditions of anarchism, punk and nonwhite feminism. But what can art do in the face of an authoritarian neocolonialism in which the logics of feminism and indigenous identity politics have been absorbed within humanist, religious and neoliberal discourse as new strategies of control? Galindo answers by dislocating art from the spaces of the market and the gallery and bringing it right back to the place where it was born: the public square, the social ritual. Mujeres
Creando’s public actions such as
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113:), staged in the city of Santa Cruz, Bolivia, in 2014, sought to confront the white and heterosexual idealized feminine body, an image perpetuated by mainstream media, via a 13-hour ‘rebellion’ by women in the city's streets in which they gave speeches while walking a makeshift catwalk in outfits that they felt both reclaimed and represented their own bodies and experiences as indigenous women."
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wrote about her "Over the past 15 years, Galindo has created a radical artistic practice: an artist, performer, activist, writer and cofounder of the
Bolivian collective Mujeres Creando, she brings the subaltern practices and knowledge of indigenous women into dialogue with the political and literary
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In 2022, she wrote “De Ella
Feminismo bastardo” in which she develops the idea of illegitimate feminism: “the idea that the social struggle does not produce knowledge, does not produce theory, that it is not a place where knowledge is generated, is a totally vertical and alienating idea”, she
97:. She states, "The street is the most important political setting. So we took the street and made the graffiti that we continue to make in four cities in the country. With graffiti, we try to mix different topics simultaneously." Galindo is an atheist.
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and psychologist. She has worked as a radio presenter and television host. She has written three books and is also a screenwriter.
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279:"Bolivian Radical Feminist Maria Galindo on Evo Morales, Sex-Ed, and Rebellion in the Universe of Women"
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2022, América: art work made by three audiovisual pieces and a graffiti. Reina Sofía Museum, Madrid.
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58:) to an upper-middle-class family. Maria left Bolivia with a visa as a nun to study at a
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The Price of Fire: Resource Wars and Social
Movements in Bolivia
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and Mónica
Mendoza. She broadcasts a regular radio program from
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77:. For her controversial actions (often labeled as
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277:Green, Sharyl; Lackowski, Peter (2 April 2012).
93:. Galindo, a psychologist, teaches sociology at
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128:No se puede Descolonizar sin Despatriarcalizar
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258:. The Alliance for Networking Visual Culture
192:(in Spanish). Sonia Santoro. Archived from
256:Holy Terrors: Latin American Women Perform
252:"Mária Galindo, Mujeres Creando (Bolivia)"
221:"María Galindo: Mujer es igual a rebeldía"
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62:university. She later returned in 1992.
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227:(in Spanish). 8 July 2012. Archived from
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50:María Galindo Neder was born on 1964 in
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190:"MARIA GALINDO: EL CUERPO EN LA CALLE"
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469:Bolivian women television presenters
327:Preciado, Paul B. (February 2019).
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188:Santoro, Sonia (9 December 2010).
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342:Rodriguez, Andres (August 2022).
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329:"Future Greats: María Galindo"
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306:. AK Press. pp. 167–.
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394:Bolivian radio presenters
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300:Dangl, Benjamin (2007).
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65:In 1992, she co-founded
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444:21st-century atheists
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23:María Galindo (2014)
474:LGBTQ psychologists
424:Women screenwriters
384:Bolivian anarchists
281:. Upside Down World
36:María Galindo Neder
231:on 1 February 2015
107:Pasarela Feminista
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454:Bolivian lesbians
429:Atheist feminists
389:Bolivian atheists
379:Lesbian feminists
374:Anarcha-feminists
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283:. Retrieved
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260:. Retrieved
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233:. Retrieved
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364:1964 births
225:Los Tiempos
87:Carlos Mesa
358:Categories
285:1 February
262:2 February
235:1 February
200:1 February
172:References
117:explains.
52:Cochabamba
100:On 2019,
91:machismo
60:Vatican
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158:2004,
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144:(with
140:2007,
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126:2013,
56:La Paz
308:ISBN
287:2015
264:2024
237:2015
202:2015
150:ISBN
132:ISBN
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