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Carrière was nominated in 1978 as director of the NFB's
Program Committee for French Productions and later as director of Technical Services, Distribution, Research and Development. No other French Canadian had before reached such a high position in the hierarchy of the NFB and he held the position
135:, a major work of Québécois cinema. The film is a comical social satire about a jobless and penniless middle-aged man who has a brief romance with a young woman before being caught by his creditors. Carrière excelled at spotlighting everyday characters not often seen in films.
112:(1958), his love of experimenting led him to devise a way to record synchronized sound before it was technically possible for sound to be synched with the camera. This flexibility and resourcefulness lead him to doing sound engineering for the landmark documentary film
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118:(1963) in which the sound was a pivotal element. He went on to participate on the sound in more than one hundred productions at the NFB.
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in 1955 after studying electronic engineering and developed his skills as a sound engineer while working on wildlife films, the
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Carrière first began to dabble in directing on several shorts with other directors. His first solo effort was
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until his retirement in 1994. He then had an active role in founding
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and still offers his services as a consultant on documentary films.
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series and the work of the newly formed French Unit. On
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363:"Canadian Film Encyclopedia - Marcel Carrière"
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